Contents


Collection Summary

Biographical Note

Scope and Content Note

Organization of the Hugo Leichtentritt Papers

Selected Search Terms

Container List

Music, 1893-1972

Scrapbooks, 1888-1933

Writings, 1892-1956

Miscellany, 1889-1931

Hugo Leichtentritt Papers

Processed by the Music Division of the Library of Congress

2009

Collection Summary

Creator Leichtentritt, Hugo, 1874-1951
Title Hugo Leichtentritt Papers
Span Dates 1888-1972(bulk 1890-1933)
Abstract: Hugo Leichtentritt was a German musicologist, music critic, and composer. The collection contains his original music manuscripts, correspondence, clippings, programs, scrapbooks, articles and drafts of his writings on music history, criticism, and theory.
Extent: 1,600 items23 containers10.0 linear feet
Language: Collection material in German and English
Identification: ML31.L45

Biographical Note

Date Event
1874, Jan. 1 Born in the province of Posen, Prussia
1891-1894 Attended Harvard University
1894-1895 Continued musical studies in Paris
1895-1898 Attended the Hochschule für Musik in Berlin
1898-1901 Ph.D., in Philosophy, Berlin University; dissertation entitled Reinhard Keiser in seinen Opern
1901-1924 Taught at the Klindworth-Scharwenka Conservatory in Berlin
1901-1933 Gave private composition lessons and wrote music criticism for various German and American publications
1933 Left Germany to lecture at Harvard University
1940 Retired from Harvard University
1940-1944 Lecturer, Radcliffe College, Cambridge, Mass. and New York University
1951, Nov. 13 Died, Cambridge, Mass.

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Scope and Content Note

The Hugo Leichtentritt Papers consist of music manuscripts, correspondence, clippings, programs, scrapbooks, and writings on music history, criticism, and theory. The collection spans the period 1888 to 1972, with the bulk of the materials dating from 1890 to the 1933.

Leichtentritt's personal compositions include songs, and works for solo piano, organ, small instrumental combinations, and orchestra. These are chiefly represented by manuscript scores, parts, and sketches. Leichtentritt's dramatic works are often regarded as his most significant original compositions: Esther (1923-1926), Cantata, op. 27: Ich bin eine Blume zu Saron (1930), and his comedic opera, Der Sizilianer (1915-1918). A handwritten thematic index, located in box 21, provides details about the history of many of his compositions. Leichtentritt frequently reconstructed or arranged the compositions of other composers to illustrate concepts for teaching. These are respresented in the subseries of "Music by Other Composers" alongside scores and parts by various composers, including Bach, Haydn, Handel, and Monteverdi. Lichtentritt's settings of texts by the German poets Richard Dehmel and Friedrich Hölderlin are extensively represented.

The collection also contains seven scrapbooks that date from 1888 to 1933. These span Leichtentritt's early career, from his years as an undergraduate at Harvard University, through his employment at the Klindworth-Scharwenka Conservatory in Berlin, to his later hiring by Harvard in 1933. The albums chiefly contain articles, clippings, correspondence, programs, and promotional material in German and English about various musical performances and composers.

Leichtentritt's writings consist of manuscript and typescript drafts of articles, essays, critical commentary, and analyses. Most notable are the materials for his book Music of the Western Nations, which was published posthumously by Nicolas Slonimsky in 1956. Although the final version contained twelve chapters, there are fourteen present in his draft, including a foreword, introduction, and index. Equally intriguing is Leichtentritt's unfinished autobiography that chronicles his military life in Germany during World War I, his travels throughout Europe, and his seven-year tenure as a lecturer at Harvard University. The collection also contains a draft of his 1901 dissertation, Reinhard Keiser in seinen Opern, which he submitted for his Doctorate of Philosophy degree from Berlin University. Other writings include a work on the history of motet music and analyses of compositions by Chopin, Copland, Handel, and Monteverdi.

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Selected Search Terms

People

  • Leichtentritt, Hugo, 1874-1951--Archives.
  • Leichtentritt, Hugo, 1874-1951--Correspondence.
  • Leichtentritt, Hugo, 1874-1951--Manuscripts.
  • Leichtentritt, Hugo, 1874-1951.
  • Leichtentritt, Hugo, 1874-1951.
  • Leichtentritt, Hugo, 1874-1951. Music of the Western nations.
  • Leichtentritt, Hugo, 1874-1951. Selections.

Subjects

  • Composers.
  • Music critics.
  • Music--History and criticism.
  • Music--Manuscripts.
  • Music--Performance--History.
  • Musical criticism.
  • Musicologists.

Form/Genre

  • Articles.
  • Clippings (Information artifacts)
  • Correspondence.
  • Drafts (Documents)
  • Programs (Documents)
  • Promotional materials.
  • Scrapbooks.

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Organization of the Hugo Leichtentritt Papers

The Hugo Leichtentritt Papers are organized in four series:

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Container List

Music, 1893-1972

Music by Leichtentritt

Manuscript and published scores, parts, and sketches. Researchers should consult Leichtentritt's thematic index for more detailed compositional histories of select works.

Arranged alphabetically by title.

4 stimmen Fuge (piano), 1896 Score

The 7 penitential psalms (voices, chorus, orchestra), undated Score

Allegro maestoso (piano), 1893 Score

Andante, op. 1 (piano), 1890 Sketch

Aus dem 106 Psalmen für 3 Stimmen mit Klavier, 1892 Title page

Canon in der Oktave (piano), 1896-1897 Scores

Cantata for contralto solo and orchestra, or piano, on selected verses from the canticle of Solomon, op. 27: Ich bin eine Blume zu Saron, 1930 Score

Ca'tchua (orchestra), 1908 Score fragment

Chinesisch-deutsche Jahres-und Tageszeiten von Goethe (no. 1-8), op.4: ein Liederzyklus (voice, orchestra), 1912 Scores

Concert for cello and orchestra, op. 24, 1927 Scores and sketches

Concerto for violin and orchestra, op. 14, undated Scores and violin solo parts

Cyprian de rose (voices), 1892 Score

Danket dem Herrn, denn er ist freundlich (double chorus), 1899 Score

Dirge of Saul: for baritone solo, women's chorus, and instruments, circa 1944? Score and sketches

Doppelter contrapunkt, 1897 Exercises

Dreistrimmiger [?] canon, undated Sketch

Esther: dramatische Legende nach der Bibel (voices, violin, organ), 1914 Score

Esther: dramatische Legende nach der Bibel (voices, chorus, orchestra), 1923-1926 and undated Scores and sketches

Etude (piano), undated Score

Etude (piano), undated Score and sketches

Etude (piano), 1932 Score

Etude no. 1 (piano), undated Score

Etude no. 3 (piano), undated Score

From the 130th psalm (voices, chorus, orchestra), 1897 Scores

Des Frühlings Ankunft (voice, piano), 1910 Score

Hero und Leander: op. 30, undated Parts

Ich sehe dich in Tausend bildern: op. 2, no. 7 (voice, piano), 1910 Printed score

Introitus solemnis: for organ, op. 33, see also Prelude for organ 1933 Printed score

Jewish marching song (voice or chorus, piano), undated Score

Kol nidreh: for mixed chorus and organ, undated Score

Kontrapunkt, 1895-1897 Exercises

Lieder und Gesänge, op. 2 and 3 (voice, piano), 1909-1910 and undated Scores

Miscellaneous compositions, undated Sketches and fragments

Piano concerto (piano, orchestra), 1929 Score

Piano quintet, op. 14, 1914 Score

Prelude for organ, see also Introitus solemnis 1930 Score

Psalm 2 (voices, orchestra), 1897 Score

Scherzo and trio (piano), 1895 Score

Schwimm hin, Ringelein: aus Des Knaben Wunderhorn (voice, piano), 1909-1910 Score

Der Sizilianer (voices, orchestra), 1915-1918 Scores, vocal part for "Isadore", and librettos

Sonata for cello and piano, 1929 Scores and corrections

Sonata for piano, 1898 Score and sketches

Sonata for piano, op. 23, 1926 Scores

Sonata for viola and piano, op. 13, 1913 Scores and viola part

Sonata for violin and piano, op. 17, 1919 Scores, violin part, and sketches

Song for the twentieth reunion of the class of 1894, Harvard College (voice, piano), 1914 Score

String quartet, 1894 Score

String quartet, 1897 Score

String quartet, op. 1, 1913 Printed score

String quartet, op. 7, undated Score

String quartet no. 2, op. 20, undated Parts

String quartet no. 3, undated Scores and parts

Suite for cello solo, undated Title page

Suite for harpsichord, op. 31, 1932 Score

A summer day: tone poem for women's chorus and chamber orchestra, op. 11, undated Scores and double bass part

Symphonic suite (orchestra), undated Scores and sketches

Tenebrae factae sunt (voices), undated Score

Theme (piano), 1893 Score

Theme and variations for piano, op. 26, 1930 Scores and sketches

Theme and variations for string quartet, undated Score and parts

Toccata and fugue for piano, op. 29, 1931 Score and sketches

Variations on a Siamese melody: for orchestra, 1931 Score

Unidentified, undated Sketches

Music by Other Composers

Manuscript and printed scores and parts in the hands of Leichtentritt and other composers. Includes manuscript copies and arrangements by Leichtentritt used for student instruction.

Arranged alphabetically by composer and title of work therein.

A-Ca

Ch-Deh

Del-Ha

He-Ho

Ho-Mu

No-V

Scrapbooks, 1888-1933

Unbound volumes of articles, clippings, correspondence, and programs.

Arranged chronologically.

1880s-1920s and undated

1918-1933 and undated

Writings, 1892-1956

Manuscript and typescript drafts of book chapters, articles, essays, and other writings on music history. Includes Leichtentritt's unfinished autobiography and his journal from 1893.

Arranged alphabetically by title.

"Aaron Copland: Third symphony," 1946

"The American scene of music," undated

Analyse der Chopin'schen Klavierwerke, 1920-1922

Autobiography, undated

"Claudio Monteverdi as Madrigalkomponist," undated

"Essais et critiques," 1893-1894

Geschichte der Motette, 1908

Handel, 1924

"History of ancient art," 1892-1893

"Jean Sibelius: Fifth symphony," undated

"Julius Caesar," undated

Miscellany, undated

Music, history, and ideas, undated

Music of the Western nations, 1956

"Nationalism and internationalism in music," undated

"Die Oper," undated

"Protestant music and the Reformation," 1934

"The reform of Trent," undated

"Reinhard Keiser in seinen Opern," 1901

"Schubert," undated

Tagebuch, 1893

Miscellany, 1889-1931

One article, two programs, and a thematic index of Leichtentritt's musical compositions.

Arranged alphabetically by title or subject.

"Bericht über die fünfte Hauptversammlung," 1920

Programs, 1889, 1931

Thematic index, undated

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