Contents


Collection Summary

Biographical Note

Scope and Content Note

Organization of the George Crumb Papers

Selected Search Terms

Container List

Music, 1959-2003

Business Papers, 1956-2011

Scrapbooks, 1963-2001

George Crumb Papers

Processed by the Music Division of the Library of Congress

2012

Collection Summary

Creator Crumb, George
Title George Crumb Papers
Span Dates 1956-2011(bulk 1965-2003)
Abstract: George Crumb is a Pulitzer Prize-winning American composer, long-associated with the University of Pennsylvania. The collection consists of holograph manuscript scores and sketches, correspondence, business papers, and a series of meticulously assembled scrapbooks chronicling Crumb's career as a composer.
Extent: approximately 6,300 items35 containers25.0 linear feet
Language: Collection material in English
Identification: ML31.C87

Biographical Note

Date Event
1929, October 24 Born, Charleston, West Virginia, to musicians George Henry Crumb, Sr. and Vivian Crumb
circa 1939 Began composing works "somewhat in the style of Mozart"
1944-1947 Attended Charleston High School
1948-1950 Studied piano and composition at Mason College of Music, Charleston, W. Va.
1949, May 21 Married Elizabeth May Brown
1950 Daughter Elizabeth Ann Crumb born
1951-1952 Studied composition with Eugene Weigel at the University of Illinois, Urbana-Champaign
1953-1959 Studied composition with Ross Lee Finney at the University of Michigan, Ann Arbor. Finney emphasized meticulous notation, a characteristic evident in Crumb's works. At Michigan, he was introduced to and inspired by the poetry of Federico García Lorca, whose texts become the source for many future compositions
1955-1956 Studied composition with Boris Blacher at the Berlin Hochschule für Musik on a Fulbright grant
1959
1962 Son David Reed Crumb born
1964-1965 Began residency at the Buffalo Center for the Creative and Performing Arts
1965
1965-1997 Professor, composition, University of Pennsylvania, Philadelphia, Penn.
1967 Composed Echoes of Time and the River
1968 Received Pulitzer Prize for Echoes of Time and the River
1969, July 16-24 Composed Night of the Four Moons, a work inspired by the Apollo 11 space flight
1969 Completed Songs, Drones, and Refrains of Death, his first Lorca-inspired work that had been started in 1962
1970, Oct. 23 Premiere of Black Angels by the Stanley Quartet at the University of Michigan
1970, Oct. 31 Premiere of Ancient Voices of Children at the 14th Coolidge Festival of Chamber Music. The piece was commissioned by the Elizabeth Sprague Coolidge Foundation in the Library of Congress
1972, Mar. 17 First performance of Vox Balaenae by the New York Camerata at the Library of Congress. The work contained masked performers and other theatrical elements similar to Lux Aeterna, composed the previous year
1972-1979 Composed Makrokosmos, a cycle of four works for amplified piano
1977, May 5 New York Philharmonic premiere of Star-Child under Pierre Boulez
1978 PBS broadcast of Robert Mugge's film, George Crumb: Voice of the Whale
1984, June 7 New York Philharmonic premiere of tone-poem A Haunted Landscape under Arthur Wiesberg
1986 Apr. Served as the American representative at the Conference of the Union of Soviet Composers
1988, Jan. 17 Zeitgeist is premiered at the Charles Ives Festival in Duisburg, Germany
1997 Composed Mundis Canis, a work inspired by the personalities of the Crumb family dogs.
1998 Mundis Canis premiered by guitarist David Starobin and Crumb himself on percussion
2000 Star-Child, recorded for the first time on Bridge Records' Complete Crumb Edition, won a Grammy Award for Best Contemporary Classical Composition
2002-2007 Composed the American Songbook, a cycle of six works for voice, percussion quartet, and amplified piano
2011, Apr. 28 Thomas Hampson performed selections from the American Songbook at the Library of Congress

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Scope and Content Note

The George Crumb Papers span the period 1956 to 2011, with the majority of the materials dating from 1965 to 2003. The collection consists of holograph manuscript scores and sketches, correspondence and business papers, and a series of meticulously assembled scrapbooks chronicling Crumb's distinguished career as a composer.

The music materials represent works composed exclusively from 1959 to the present day, beginning with Crumb's Variazioni, his dissertational submission to the University of Michigan. They include inked score paste-ups for publication, pencil scores and sketches, drafts, annotated photo-reproductions, and several score transparencies. Crumb's final copy scores are inked with extraordinary precision and reflect the influence of his father's skills as a copyist and Ross Lee Finney's pedagogy. Most contain extensive patches of inked-over whiteout and pasted insertions. Notable scores include the Pulitzer Prize-winning Echoes of Time and the River, Ancient Voices of Children, Black Angels, Five Pieces for Piano, A Haunted Landscape, Lux Aeterna, Madrigals, Makrokosmos, Mundis Canis, Star-Child, and Vox Balaenae. Additionally, the collection includes several sketchbooks with materials to numerous compositions, currently identified only as volumes "A" through "C". A more comprehensive list of their contents will be available at a later time.

Business papers consist chiefly of letters, telegrams, contracts, programs, and other documents from 1956 to 2011. Included is university and publisher correspondence, student inquiries, and letters from various colleagues and friends, such as David Burge. The scrapbooks comprise seven custom bound volumes of clippings, programs, photographs, interviews, posters, and other materials that detail Crumb's musical accomplishments from roughly 1963 to 2001. These are assembled with the same meticulous care as the composer's scores and include hundreds of performance reviews from both American and international newspapers.

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Selected Search Terms

People

  • Burge, David, 1930- --Correspondence.
  • Crumb, George--Archives.
  • Crumb, George--Correspondence.
  • Crumb, George--Manuscripts.
  • Crumb, George--Performances.
  • Crumb, George--Photographs.
  • Crumb, George.
  • Crumb, George.
  • Crumb, George. Selections.

Organizations

  • C.F. Peters (Firm)--Correspondence.

Subjects

  • Composers--United States.
  • Music--Manuscripts.

Form/Genre

  • Clippings (Information artifacts)
  • Contracts.
  • Correspondence.
  • Photographic prints.
  • Programs (Documents)
  • Scrapbooks.

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Organization of the George Crumb Papers

The George Crumb Papers are organized in three series:

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Container List

Music, 1959-2003

Holograph manuscript scores and sketches, drafts, annotated scores, sketchbooks, and several transparencies. Final copy manuscripts contain inked-over whiteout and pasted insertions that may require special handling.

Arranged alphabetically by title of work. Cross references are provided for components of multi-volume works with distinctive titles, namely Makrokosmos, Images, and American Songbook.

Instrumental

Black angels: Images I: thirteen images from the dark land: for electric string quartet, 1970

Holograph manuscript score paste-up

Sketches

Celestial mechanics: Makrokosmos IV: cosmic dances for amplified piano, four hands, 1979

Holograph manuscript score paste-up

Holograph manuscript score

Dream sequence: Images II: for violin, cello, piano, and percussion (and offstage "glass harmonica"), 1976

Holograph manuscript score paste-up

Sketches

Easter dawning: for carillon, 1991

Holograph manuscript score

Holograph manuscript score paste-up

Sketches and drafts

Echoes of time and the river: Echoes II: four processionals for orchestra, 1967

Sketches

Eine kleine Mitternachtmusik (A little midnight music): ruminations on a tune of Thelonius Monk: for amplified piano, 2001

Sketches and drafts

Eleven echoes of autumn: Echoes I: for violin, alto flute, clarinet, and piano, 1965

Holograph manuscript score paste-up

Sketches and drafts

Five pieces for piano, 1962

Holograph manuscript score paste-up

Four nocturnes: Night music II: for violin and piano, 1964

2 holograph manuscript score paste-ups

Printed holograph manuscript score transparency

Photocopied holograph manuscript score

Sketches and drafts

Gnomic variations: for piano, 1981

Holograph manuscript score paste-up

Holograph manuscript score

Sketches

A haunted landscape: for orchestra, 1984

Holograph manuscript score paste-up

Photocopied holograph manuscript score

Sketches

An idyll for the misbegotten: amplified piano and percussion, 3 players, 1986

Holograph manuscript score paste-up

Sketches and drafts

Images Isee Black angels

Images IIsee Dream sequence

A little suite for Christmas: A.D. 1979: for piano, 1980

2 holograph manuscript score paste-ups

Sketches

Makrokosmos I: twelve fantasy-pieces after the Zodiac: for amplified piano, 1972

Holograph manuscript score paste-up

Sketches

Makrokosmos II: twelve fantasy-pieces after the Zodiac: for amplified piano, 1973

Holograph manuscript score paste-up

Sketches

Makrokosmos IIIsee Music for a summer evening

Makrokosmos IVsee Celestial mechanics

Mundus canis (A dog's world): five humoresques for guitar and percussion (one player), 1997

Holograph manuscript score paste-up

Sketches and drafts

Music for a summer evening: Makrokosmos III: for two amplified pianos and percussion (two players), 1974

Holograph manuscript score paste-up

Night music IIsee Four nocturnes

Otherworldly resonances: six tableaux for two amplified pianos, book II, 2002

2 holograph manuscript score paste-ups

Sketches

Pastoral drone: for organ, 1982

Holograph manuscript score paste-up

Processional (piano), 1983

Holograph manuscript score paste-up

Sketches

Quest: for guitar, soprano saxophone, harp, contrabass, and percussion (two players), 1990

Holograph manuscript score paste-up

Sketches

Variazioni: for large orchestra, 1959

Holograph manuscript score paste-up

2 photocopied holograph manuscript score paste-ups

Vox balaenae (Voice of the whale): for three masked players: electric flute, electric cello, electric piano, 1971

Sketches

Zeitgeist: six tableaux for two amplified pianos, book I, 1987

Holograph manuscript score paste-up

Sketches

Vocal

American songbook, 2002-2007

Ancient voices of children: for soprano, boy soprano, oboe, mandolin, harp, electric piano (and toy piano), and percussion (three players), 1970

Holograph manuscript score paste-up

Apparition: elegiac songs and vocalises for soprano and amplified piano (on texts from Walt Whitman's "When lilacs last in the dooryard bloom'd"), 1979

Holograph manuscript score paste-up

Holograph manuscript score

Sketches

Federico's little songs for children: for soprano, flute (also piccolo, alto flute, and bass flute), and harp, 1986

Holograph manuscript score

Photocopied holograph manuscript score

Sketches and drafts

A journey beyond time: American songbook II: songs of despair and hope: a cycle of Afro-American spirituals for voice, percussion quartet, and amplified piano, 2003

Holograph manuscript score paste-up

Lux aeterna: for five masked musicians (soprano, bass flute (and soprano recorder), sitar, and two percussionists), 1971

Holograph manuscript score paste-up

Holograph manuscript score paste-up

Sketches

Madrigals (soprano, various instruments), 1965-1969

Holograph manuscript score paste-up

Photocopied holograph manuscript score

Performance instructions paste-up

2 holograph manuscript scores

Sketches

Night music I: for soprano, piano (and celesta), and percussion (two players), 1963

Holograph manuscript score paste-up

Printed holograph manuscript score transparency

Sketches

Night of the four moons: for alto, alto flute (doubling piccolo), banjo, electric cello, and percussion (one player), 1969

Holograph manuscript score paste-up

Sketches

The river of life: American songbook I: songs of joy and sorrow: a cycle of hymns, spirituals, and revival tunes for voice, percussion quartet, and amplified piano, 2003

Holograph manuscript score paste-up

The sleeper: for mezzo-soprano and piano, 1984

Holograph manuscript score paste-up

Sketches and drafts

Songs, drones, and refrains of death: a cycle of poems by Federico García Lorca: for baritone, electric guitar, electric contrabass, electric piano (and electric harpsichord), and percussion (two players), 1968

Holograph manuscript score paste-up

Sketches

Star-child: a parable for soprano, antiphonal children's voices, male speaking choir (and bell ringers), and large orchestra, 1977

Holograph manuscript score paste-up

Sketches

Unto the hills: American songbook III: songs of sadness, yearning, and innocence: a cycle of Appalachian folk songs for voice, percussion quartet, and amplified piano, 2002

Holograph manuscript score paste-up

Sketchbooks

Sketchbook "A", undated

Sketchbook "B", undated

Sketchbook "C", undated

Business Papers, 1956-2011

Letters, telegrams, contracts, programs, royalty statements, itineraries, and other documents. Correspondence from publishers (mostly C.F. Peters), collegiate staff, and students is heavily represented. Also included are letters from various colleagues and friends, such as David Burge.

Arranged chronologically.

1956-1966

1967-1969 March

1969 April-1971

1972-1973

1974-1976 March

1976 April-1978 June

1978 July-1980 September

1980 October-1983 June

1983 July-1985 June

1985 July-1987

1988-1990

1991-1995 March

1995 April-1998 June

1998 July-2001 March

2001 April-2004 September

2004-October 2007

2008-2010 June

2010 July-2011 April

Scrapbooks, 1963-2001

Meticulously assembled volumes of clippings, programs, photographs, and other materials.

Arranged numerically by volume number. Volumes are roughly chronological in content order, but may contain miscellaneous items within several years of the dates specified.

Volume I: 1963-1973

Volume II: 1973-1978

Volume III: 1978-1984

Volume IV: 1984-1989

Volume V: 1989-1997

Volume VI: 1997-2000

Volume VII: 2000-2001

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