ContentsOrganization of the Alexandra Danilova Collection Container List Writings by Danilova, 1950s-1980s Awards and Honors, 1950s-1990s Writings by Others, 1940s-1980s |
Alexandra Danilova CollectionProcessed by the Music Division of the Library of Congress2007
Biographical Sketch
Return to the Table of Contents Scope and Content NoteThe Alexandra Danilova Collection consists of correspondence, programs, newspaper clippings and magazine articles, manuscripts and typescripts relating to speeches and lectures given by Danilova, writings of Danilova and others, typescripts of her memoirs, photographs, awards and honors, books, art catalogs, video- and audiocassettes, music, artwork, miscellaneous papers, and other material are all within its scope. The collection also contains dance-related writings--several typescripts and numerous books--by various other people, as well as miscellaneous printed material, personal papers, and memorabilia. The vast majority of the non-photographic material originates from the period in Danilova’s life after she had retired from performing, when she had settled into a life of teaching at the School of American Ballet. The thirteen major groupings, or "series," included herein are roughly ordered from most important or complete--photographs, correspondence, writings, programs, and press--to least important or complete--music, artwork, and personal materials. Audiovisual materials are listed last; they are housed in the Motion Picture, Broadcasting, and Recorded Sound Division. The following are brief descriptions of the scope and content of each series. The Photographs, over 2,200 of them, dating from the 1920s to the 1990s, document in a fairly complete manner the events and people of Danilova’s professional and personal life. This series is the most complete in the collection. It is housed in a little more than ten boxes, including a box of blank postcards (box 40), many of which Danilova collected on her tours around the world, and some of which picture her or other dancers. The photos included in or considered for Danilova’s memoirs, Choura: The Memoirs of Alexandra Danilova, are specifically referenced in this series, although they are housed with the memoir materials in the Writings by Danilova series. Several different categories, or "subseries," constitute the Photographs series: Ballets; Danilova alone; Danilova with others; Other people; Places. Please note that in the entire Photographs series, as well as throughout the container list, sequentially repeated names in an alphabetical list (this applies only to the initial name in an entry in cases where multiple names are present for a single entry, as is the case with the group photos) have been replaced by a series of dashes (e.g., --------). The "Ballets" photographs are grouped alphabetically by ballet and number approximately 450. With rare exceptions, the photos in the "Ballets" subseries feature Danilova, alone or with others. Photos in which Danilova is not pictured are generally filed in the "Other people" subseries under the names of those who do appear. Not every ballet in which Danilova appeared is identified here but a great many are (46 are listed). Most "Ballets" photos come from her years with the de Basil Ballets Russes (1933-38) and the Denham Ballet Russe (1938-51); some are from Danilova’s post-Ballet Russe years, when she made guest appearances with various companies and had her own touring company, Great Moments of Ballet; and a few photos are present from her years with the Diaghilev Ballets Russes (1924-29). Many of the photos have approximate dates written on the back; these are sometimes unreliable and have not been recorded. The user will best be able to identify and verify dates by correlation with reference sources that list years of performance and the persons with whom Danilova danced. In the cases of photos of unidentified works, the photos are filed in the "Danilova alone" or "Danilova with others" subseries under the term "Dancing." Almost all photos in "Ballets" are black and white. No effort has been made to distinguish between studio shots and actual performance photos. Each ballet title is followed by a separate listing for each person or group of people shown. One listing (for example, Danilova w/ Franklin), may represent multiple photographs, but if only one or two photos are present, such information may be indicated parenthetically following the listing: e.g., Danilova alone (1). The remaining subseries (Danilova alone; Danilova with others; Other people; Places) within the Photographs series are self-explanatory. Almost all photos prior to the 1960s are black and white. Where possible, dates have been provided for the photos in these subseries. Dimensions are not provided, but oversize photos are contained in box 42. Individual listings may represent single or multiple photographs. The Correspondence consists of approximately 800 letters, telegrams, cards, or postcards from people, institutions, and organizations. Housed in five boxes, the correspondence dates from 1937 to 1997, the bulk running from the 1970s to the 1990s. In addition to 125 personal names–representing many of the ballet world’s leading figures--and a small number of institutional and company names, the alphabetical list of correspondents includes several generic categories, such as "Telegrams," "Fan mail," and "Unidentified." Some correspondents, typically the less well-known, are not listed individually but are filed in "miscellaneous" folders according to their last names; miscellaneous folders are listed following individual names under the relevant letter of the alphabet. The correspondence also includes a few letters from Danilova. These are either drafts or copies that she retained, and are filed together with the material from the correspondent to whom she is writing. Where such correspondence is present, a special bracketed reference follows the name of the correspondent, indicating the presence of a Danilova letter. The Writings by Danilova in the collection are not extensive, consisting of two boxes of drafts (mostly typescripts, some annotated by Danilova), galleys, and page proofs of Danilova's memoirs, Choura: The Memoirs of Alexandra Danilova (1986); a box of manuscript and typescript notes--primarily for lectures that Danilova delivered in the late 1950s and early 1960s on various ballet-related topics--some of which are loose, but many of which are collected in seven notebooks; a poem in Russian concerning Serge Denham, the director of the Ballet Russe de Monte Carlo; and miscellaneous notes, probably for lectures. Two contributions by Danilova to Ballet Review are not included in this series but are listed instead in the "Articles" section of the Press series. Seventy-nine Programs are included in the Danilova Collection. Only ten programs feature Danilova as a performer. Of these ten, the earliest dates from 1935, while Danilova was with the de Basil Ballets Russes; several others are from the 1940s, when she was with the Denham Ballet Russe; and the rest are from the 1950s when she made guest appearances or was on tour with her own company, Great Moments of Ballet. Included is a program for the final performance of Danilova's career, in Tokyo with the Asami Maki Ballet in September of 1957. Most of the other programs in this series involve events with which Danilova had some connection, but not as a performer: performances of students of the Edith James School of Ballet (1950s) or the School of American Ballet; performances of operas or ballets for which Danilova did the choreography or staging; or tributes to Danilova and other ballet stars. In the Danilova Collection, Press consists of newspapers, magazines and journals, and periodical newsletters. Almost all of the press material pertains to Danilova or the field of ballet: reviews of performances; announcements of appearances; reminiscences; articles on the various Ballets Russes, or on leading dancers and choreographers. The press material is composed of three subseries: Newspaper clippings; Articles; and Magazines and Newsletters. The clippings number about 350 and date from 1929 to 1997. The "Articles" subseries contains about 40 citations of articles of interest from complete magazines and journals. These articles range in date primarily from the 1970s to the 1990s. Two articles by Danilova are included. Many of the journals in the "Magazines and Newsletters" subseries contain ballet reviews written by Danilova’s goddaughter Kim Kokich in the 1980s. Among the press materials can be found interesting anecdotes and facts about Danilova’s life. The Danilova Collection's holdings of Awards and Honors consist of sixteen plaques, commemorative plates, medallions, ribbons, and certificates given to Danilova from. The awards and honors are in three categories: Arts Awards (the Kennedy Center Honors; the Handel Medallion; and others); Civic Honors (city keys; honorary titles and appointments); and Memberships. The Subject Files series in the Danilova Collection consists of one box of miscellaneous papers-- some pertaining to Danilova. A sampling includes business, financial, and medical records, biographical sketches of dancers other than Danilova, a dress appraisal, an itinerary for Danilova's 1993 trip to Russia, a copy of Danilova and Balanchine's copyright registration for their staging of Coppélia, and a transcript in Russian of an interview of Danilova by Nina Alovert. Most of the material dates from the 1960s to the 1990s. The series Writings by Others contains 17 items in one box, and consists of the writings (mostly unpublished and primarily manuscripts and typescripts) of persons other than Danilova. They take the form of ballet synopses and scenarios, an outline for a television drama, radio and motion picture scripts, a research paper, and a film scenario. Items of interest include: the film script of The Turning Point, the 1977 motion picture in which Danilova played a small role; the radio script for a Woman’s Hour radio profile of Danilova; an unpublished review of Danilova’s choreography for La Gioconda (1958); a transcript of Danilova’s comments on ballet costumery; and manuscript and typescript drafts (incomplete) for Elizabeth Twysden’s biography of Danilova (1945). Printed Material refers primarily to "Books" and "Catalogs" from Danilova’s personal library. The seventy-five books are relating to ballet, art, or religion. Many are in Russian and some contain author inscriptions. Nineteen catalogs are mostly art exhibition and auction catalogs, including several costume design catalogs. Also included in Printed Material is the miscellaneous category of "Other," which contains an assortment of booklets and brochures such as souvenir books from School of American Ballet benefits and galas, publicity brochures of various ballet companies, and tourist information booklets. The Danilova Collection contains a small quantity (9 items) of Music, namely, photocopied sheet music in piano score from five different ballets: Naïla, The Nutcracker, Paquita, Raymonda, and Swan Lake. Some pages are annotated (as photocopied annotations they are barely legible in some cases). Artwork in the Danilova Collection consists of 14 items in one folder. Included are drawings, prints, and a "painting" on an envelop. Items of intrerest include: two large prints of Czar Nicholas and Alexandra provide some samll evidence of Danilova’s roots in pre-Revolution Russia. The Personal Materials series consists of address books (4), datebooks (1989-1994, incomplete), business cards of others, and Danilova namecards and passports. Also included are an autograph book signed by members of the Ballet Russe on Danilova’s birthday in 1943, and a souvenir notebook from a 1952 performance directed by Danilova of the Edith James Ballet in Dallas, Texas. The Audiovisual Materials consist of two audiocassettes, one audiotape, one film, one record album and eight videocassettes. Of particular interest are videos of an interview with Dick Cavett in 1978; the Kennedy Center Honors in 1989; and Nijinska: A Legend in Dance, a television documentary with some commentary by Danilova. In addition, an audiocassette recording of a radio program discussing The Firebird includes commentary by Danilova, and a video recording of This Is Your Life (1995), featuring the British ballerina Alicia Markova, with comments by Danilova, provides a glimpse of Danilova in her final years. These materials have been transferred to Motion Picture, Broadcasting, and Recorded Sound Division. (See Appendix A for a brief list of these materials) Return to the Table of Contents Selected Search TermsPeople
Organizations
Subjects
Occupations
Return to the Table of Contents Organization of the Alexandra Danilova CollectionThe Alexandra Danilova Collection is organized in 12 series:
Return to the Table of Contents Container ListPhotographs, 1920s-1990sThe Photographs, over 2,200 of them, dating from the 1920s to the 1990s, document in a fairly complete manner the events and people of Danilova’s professional and personal life. Arranged by subseries, and subject. BalletsBallets: photos showing Danilova either dancing in or in the costume of particular ballets. Photos known to be from particular ballets, but that do not picture Danilova are usually found under “Other people” identified by the name(s) of those shown. Oversize ballet photos are housed in box 41. Arrangement is alphabetical by ballet. Apollon musagète, or, ApolloDanilova alone------ w/ Doubrovska, Felia; Lifar; others------ w/ Lifar, SergeAurora’s WeddingDanilova alone (photocopy)Le Baiser de la féeDanilova alone (1)Le BalDanilova alone------ w/ Dolin, AntonLe Beau DanubeDanilova alone------ w/ Franklin, Frederic------ w/ Libidins, David (1)------ w/ Massine, Léonide------ w/ Youskevitch, Igor------ w/ othersLa Boutique fantasqueDanilova alone (1)------ w/ Massine, Léonide------ w/ corpsCapriccio EspagnolDanilova alone------ w/ Franklin, Frederic (for film)Le CarnavalDanilova alone------ w/ other (1)Chopin ConcertoDanilova w/ groupChoreartiumDanilova alone------ w/ de Basil companyCimarosianaDanilova w/ Jasinski, Roman; Petroff, PaulCoppéliaDanilova alone------ w/ Franklin, Frederic------ w/ Youskevitch, Igor------ w/ othersFranklin alone (1)in JapanFranklin alone------ w/ Maki, Asami; others------ w/ othersThe Cuckold’s FairDanilova alone------ w/ Franklin, FredericDanses ConcertantesDanilova alone------ w/ Danielian, Leon------ w/ corpsDanses slaves et tziganesDanilova aloneDevil’s HolidayDanilova alone------ w/ Platoff, MarcLes Femmes de bonne humeur (The Good-Humored Ladies)Danilova alone------ w/ Petroff, PaulThe FirebirdDanilova alone------ in dressing room------ w/ corpsGaîté ParisienneDanilova alone------ w/ Franklin, Frederic------ w/ Franklin; othersin JapanDanilova w/ FranklinGiselleDanilova alone------ w/ Franklin, Frederic------ w/ corpsThe Gods Go a-BeggingDanilova alone------ w/ Beecham, Sir Thomas; Doubrovska, Felia; Tchernicheva, Lubov; Woizikowsky, Leon------ w/ Woizikowsky (photocopy)The Great Waltz (1934)Danilova alone (1)Lola MontezDanilova alone (1)Mademoiselle FifiDanilova alone------ w/ [Lindgren, Robert]------ w/ Maule, Michael------ w/ Tyven, Sonja; others------ w/ othersLes MatelotsDanilova w/ Woizikowsky, LéonMozartianaDanilova alonein JapanDanilova alone------ w/ Franklin, Frederic [also, 41/2]------ w/ Franklin; Lindgren, Robert; Tyven, SonjaThe New YorkerDanilova alone (1)Night Shadow, or, La SonnambulaDanilova w/ Magallanes, Nicholas------ in dressing roomThe NutcrackerDanilova alone------ w/ Franklin, Frederic------ w/ Magallanes, Nicholas------ w/ Maule, Michael------ w/ Youskevitch, Igor------ w/ othersin JapanDanilova w/ others (2)PaquitaDanilova w/ Tupine, Oleg (1)Le Pas d’acierDanilova w/ Massine, Léonide (1)Pas de quatreDanilova aloneLa Pastorale (1926)Danilova alonePetrouchkaDanilova alone------ w/ othersRaymondaDanilova alone------ w/ Danielian, Leon; Tallchief, Maria; Williams, Joy; others------ w/ Franklin, Frederic; others------ w/ Magallanes, Nicholas------ w/ Talin, Nikita------ w/ othersothersin Japan (farewell performance, Tokyo, 1957)Danilova alone------ w/ Franklin, Frederic------ w/ Franklin; Tyven, Sonja; Lindgren, Robert------ w/ Franklin; Tyven; Lindgren; McDermott, William; Maki, Asami; [Tachibana, Akiko]------ w/ [Tachibana, Akiko]------ w/ companyFranklin aloneLindgren w/ TyvengroupsThe Red PoppyDanilova alone (1)------ w/ Franklin, FredericSaratogaDanilova w/ Beriozoff, Nicholas; Chamié, Tatiana------ w/ Chamié------ w/ Franklin, FredericSchéhérazadeDanilova alone (2)SerenadeDanilova alone (2)------ w/ Franklin, FredericThe Snow MaidenDanilova alone (1)------ w/ others (1)Le Soleil de nuit (The Midnight Sun)Danilova alone (2)Swan LakeDanilova alone------ w/ [Danielian, Leon] and others------ w/ Franklin, Frederic------ w/ Franklin; Danielian------ w/ Franklin; others------ w/ [Jasinski, Roman]------ w/ Panaiev, Michel; others------ w/ Petroff, Paul------ w/ others [also, 41/5]corps de balletin Spain (3)Danilova w/ othersin JapanDanilova alone------ w/ Franklin, Frederic------ w/ Franklin; Lindgren, Robert; others------ w/ Jasinski, Romanthe “Black Swan” pas de deuxDanilova w/ Franklin, Frederic------ w/ Youskevitch, IgorLes Sylphides (also called Chopiniana)Danilova alone------ w/ Jasinski, Roman------ w/ Maule, Michael------ w/ Maule; Jasinski; Larkin, Moscelyn [same photo in 15/4]The Triumph of Neptune (1926)Danilova alone (1)------ w/ Lifar, Serge (1)Vienna: 1814Danilova alone------ w/ Youskevitch, IgorZéphire et FloreDanilova w/ Chamié, Tatiana; De Valois, Ninette; Doubrovska, F.; Mikerska, [?]; Sokolova, Lydia; Soumarokova, L.; Tchernicheva, LubovDanilova AloneDanilova alone: photos arranged alphabetically by descriptive term(s). Place names used as terms of reference are listed alphabetically under the term “in....” Arrangement is alphabetical by descriptive term(s) 1930s-1990s (5 folders)at age 13 [same photo in 15/4]at the New Jersey homeDance Magazine award, 1984Dancingin rehearsal (1)miscellaneousDegas picture poseDisporting on the lawnDrawing by Z[inaida] Serebriakova, 1925Exercising, 1958Heads1930s-1980s (6 folders)pastel by Lisa Rhanamiscellaneousin...Carnegie House apartment (N.Y.), 1980s/90sdressing room (post-performance)Japan, 1950sNew Jersey homeRussia, 1990sSouthhampton, 1985Villa Serena, Italy, 1982Legs (1)[miscellaneous]Oh, Captain!, 1958 (1)Oil painting by Albert Lake, Dallas MuseumPassport photosPortrait by Sir Oswald Birley, 1937 (Swan Lake)[postcards]Practicing before performanceWaltzes from Vienna, 1931 [musical by Sir Oswald Stoll]with Russian icon in home of Mrs. Long, Louisville, Ky., 1955Danilova with OthersDanilova with others: photos arranged alphabetically by descriptive term(s). All personal names used as references appear alphabetically under either “with...(individuals)” or “with...(groups),” depending on whether Danilova appears with one person or more than one person. When more than one person is pictured in a photo, the name under which the photo is alphabetized is somewhat arbitrary. Nevertheless, cross-referencing has not been provided, the assumption being that computer searching capability obviates such a requirement. Place names used as descriptive identifiers are arranged alphabetically under “in....” Arrangement is alphabetical by descriptive term(s) American Dance Camp, 1967at the beachat the New Jersey homeBallet Russe de Monte Carlo (Col. W. de Basil’s), shipboardBallet Russe de Monte Carlo draftee, 1940sBallet students, 1980Birthday party, Chicago, 1936 (Sol Hurok and de Basil’s Ballet Russe)Birthday party with Mr. And Mrs. V. Tanny, 1961Birthday party (Danilova’s), cutting the cake, 1974Birthday party (Danilova’s), 1989 (Mikhail Baryshnikov; Anne Bass; Suzanne Farrell; Frederic Franklin; Peter Martins; Jerome Robbins; John Taras; Lewis Ufland; Stanley Williams; others)Boat to South America (Ballet Russe of Col. W. de Basil)Bolshoi Ballet’s final performance at the Met, May 1966: Grand promenade of honored guests (Franklin; Graham; Krassovska; Laing; Markova; Plisetskaya; Robbins; Slavenska; Youskevitch; others)Boston Symphony Ball, 1964Capezio dance award, 1958 ([Walter Terry]; Igor and Vera Stravinsky; others)Capezio dance award, 1980 (Walter Terry)Capezio dance award, 1992Choura publication [w/ Holly Brubach?]Christmas party for children, State Theatre, N.Y., 1983Claytonshire Coaching Club, [Missouri?], 1955Cole party (Janet Bell; Whitefoord and Helen Cole; Betty Weber Flock; Anne and Bill Habich; Bill Huber; Harry Leigh; John McGrath; Jack Miekle; Jude Paul; Connie [Phelps?]; Ethel Trost; Bill Lee Weber)Coppélia, New York City Ballet, 1974 (Balanchine; P. McBride; H. Tomasson)Coppélia rehearsal and gala performance (Shaun O’Brien and NYC Ballet), 1990Coppélia rehearsal w/ Carla Fracci and corps, La Scala, 1961Coppélia rehearsal (Balanchine; McBride; others)Dance Magazine award ceremony, 1984 (Franklin; Tallchief; others)Dancing...at Maryinsky Theatre Schoolin Japan (Franklin; Jasinski; Larkin; Lindgren; Tyven; corps)in rehearsal ([Danielian]; Maule)in rehearsal (Franklin; Diane Rhodes; Nikita Talin; Shirley Weaver; Joy Williams)[postcards]w/ Baryshnikov, Mikhail 1976w/ Danielian, Leonw/ Franklin, Frederic [also, 41/13]w/ Youskevitch, Igorw/ othersDanilova’s performing group (Great Moments of Ballet), 1950sCarribean tour (Jasinski; Larkin; Maule; others)in Japan (Franklin; Lindgren; Twysden; Tyven; others)in South Africa (Franklin; Lindgren; McDermott; Tyven; others)to South Africa (Jasinski; Larkin; Maule; Twysden; others)in South America (Jasinski; Larkin; Maule; others)De la Torre Bueno Prize, 1986Florence Bartova School of Ballet, 1959Great Moments of Ballet see Danilova’s performing groupHandel Medallion, 1989Houston Ballet’s “Tribute to Ballets Russes,” 1983 (Dolin; Krassovska; Markova)in...Japan, 1950s (Franklin; Lindgren; Asami Maki; William McDermott; [Akiko Tachibana]; Twysden; Tyven; others)Japan, 1980s/1990sJapan, with Franklin and friends, 1950sJapan, with the Slavenska-Franklin Ballet, 1953Philippines, 1950s (Dolin; [Jasinski]; Larkin; Twysden; others)Philippines, 1955Russia, 1993Southhampton, 1985Spain with the Festival Ballet (Anton Dolin)Texas (Dallas), 1970 [small album]Villa Serena, Italy, with students, 1982Japanese restaurant, Chicago, ca. 1937(Maria Chabelska; Eugénia Delarova; R. Jasinski; [Nelidova?] Massine, Vera [or, Vera Nemchinova]; Sono and Teru Osatu; Paul Petroff; Lubov Rostova; Yurek Shabelevsky; Alexander Jakovlev [Yakovleff]; T. Toumanova)Kennedy Center Honors reception, 1989Lockwood party, 1984 (John Lockwood)Marriage, 1941 (Kazimir Kokich; Mr. and Mrs. Kurtz; Mr. and Mrs. Libidins; Markova)Maryinsky Theatre School (in class w/ students, including G. Balanchine)Metropolitan Opera Association dinner, 1978National Association of Dance & Affiliated Artists, 1950Oh, Captain! (with Tony Randall), 1958Opening of hotel, Ft. Worth, Texas, 1981 (Seed-Bass girls)Painting of 1948 Pas de quatre, by Natasha Rawson (Danilova; Krassovska; Markova; Slavenska)Pool party at the estate of Natalie Hays [Hammond], Gloucester, Mass. (Franklin; Marguerite Namara; others)[postcards]Russian trip, 1993Song of Norway [operetta] (Franklin and others)Southwest Regional Ballet Festival, Tulsa, Okla., 1978 (Franklin; Roman Jasinski; Krassovska; Larkin; George Skibine; Maria and Marjorie Tallchief; others)Teaching...1986 (note included from George [Haessler])[contact sheets]Convention in Chicago, 1950s [same photo in 15/4]in Hawaii, 1978in Japanmiscellaneous (2 folders)with Markova and othersThanksgiving, 1987The Turning Point (Baryshnikov; Leslie Brown; others)with... (individuals)Anderson, Jennifer, 1985Anderson, MarianArgentinita [López, Encarnación] (in Capriccio Espagnol costume)Baryshnikov, Mikhail1976, Hamburg1978 [may not be Baryshnikov]1989Bass, AnneBelle, AnneBoutnikoff [Butnikoff], IvanBrown, Stephenie Anne, 1981Bush, Barbara (Kennedy Center Honors)Chujoy, AnatoleCliburn, Van, [1960s]Coates, Dean, 1987[Cole, Whitefoord]Dalí, Salvador, 1963Danielian, Leon (rehearsing)[De Basil, Col. Wassily]Denham, Serge, 1940Dingham, Edwina“Dobbin” (a costumed horse), New York World’s Fair, 1940Dolin, Anton, 1950s; 1970sDoubrovska, Felia1937, Venice1951, New Jersey19751979Feuerhardt, HeinzFeuerhardt, RuthFranklin, Fredericbackstage (Nutcracker)capers by the seacityscapein New Jersey [same photo in 15/4]in swimming attireon the roadpoolsiderehearsalsRussian Tea RoomSong of NorwayotherHammerschlaag, Dr. ErnstHammerschlag [or, Hammerschlaag], Margo HarrisHobard, RickHurok, Sol, 1966Keating, Larry, 1941Knight, Esmond, 1939Koch, Edward, 1989Kokich, Kazimir [Kokitch, Casimir] (in N.J. home)Lang, Harold, 1964Leslie, CherryLifar, SergeLindgren, Robert (in Bassano del Grappa, Italy, 1982)Lortel, Lucille, 1990Manchester, BillMarkova, Alicia1940s ; 1976in New Jerseyin Paris, ca. 1940Martins, Peter, 1980sMassey, Dick, 1987Massine, Léonidein Chattanooga, Tenn. [same photo in 15/4]rehearsal for Capriccio EspagnolMendoza, Cesar, 1980sMigel, Parmenia, 1985Neumeier, John, [1970s]Nordine, Ken (for broadcast of Famous Names at Blackstone’s Balinese Room)Novak, Nina, 1988Nureyev, Rudolf, 1965Obolensky, Prince Serge, 1964O’Brien, Shaun (Coppélia rehearsal, 1990)Petroff, Paul (rehearsal)Pupsik, Baron, 1979Reddy, Robert, 1986Reisner, Barbara Joan1966 ; 1990sin Carnegie House, 1963Romanov, Vassily, 1979Schwarz, Sofia Gostovich, 1992Schwarz, Walter, 1992Sherwood [later, Stane], RuthSlavenska, Mia1970sotherSmith, DonaldStane, RuthStane, WalterSterling, MyraStevenson, BenStrauss, PaulStravinsky, VeraTallchief, Maria (Dance Magazine award ceremony, 1984)Taras, John, 1979Trapp, Nancy, 1991Twysden, Aileen Elizabethat the N. J. homein Carnegie house, 1963in dressing roomUfland, LewisBoston Symphony Ball, 1964other[unidentified individuals] (2 folders)Ustinoff, Peter, 1963Vaught, MarionWallis, Dr., 1964Weller, IrinaYouskevitch, Igor (Monte Carlo beach and elsewhere)Zoritch, George (rehearsing)with... (groups)Anderson, Marian; [Terry, Walter]; othersBalanchine, George; other, 1967---------; Chamié, T.; Lifar, Serge; Soumarokova, L.; Tcherkas, [?]; others, 1928Baronova, Irina; Grigorieva, Tamara; Toumanova, TamaraBaryshnikov, Mikhail; othersBass, Anne; Taras, JohnBass, Anne; othersBishop, Brian; Gustafson, Eric; Stane, RuthBush, George; othersCoates, Lola Mae; Massey, Ann, 1987Cole, Whitefoord; othersDanielian, Leon; others, 1963Denham, Serge; Moylan, Mary-Ellen, 1940sDolin, Anton; Franklin, Frederic (Houston Ballet’s “Tribute to Ballets Russes”)---------; Markova, Alicia, [1950s]---------; Ufland, Lewis; others---------; othersDoubrovska, Felia; otherEkstrom, Arne; Ufland, LewisFeuerhardt, Ruth; Manchester, Bill---------; othersFeuerhardt, Ruth and Heinz; othersthe Feuerhardts; Gebhart, EdgarFracchia, Eugene; [Lozhinsky], Jeffrey, 1981Franklin, Frederic; Danielian, Leon (Russian Tea Room, 1980)---------; Dolin, Anton; Markova, Alicia (Monte Carlo beach)---------; Kokich, K.; Mitchell, Arthur (Capezio dance award, 1992)---------; Markova; others (at table)---------; Namara, Marguerite (Pool party, Gloucester, Mass.)---------; Slavenska, Mia; other (on the U.S.S. Arizona, Pearl Harbor)---------; others---------; others (Dance Magazine award ceremony, 1984)[Gebhart, Edgar]; otherGollner, Nana; [Hassalevris, Constantine]; Petroff, Paul; otherGomez, Michael; and familyGrey, Chris; Kelley, C. J., 1987Grigorovich, Yuri; Bessmertnova, Natalia; others (D.L.I.-Gregorovich Gala, 1990)Hammerschlaag, Dr. Ernst and Margo; Greenacre, Phyllis; Stane, RuthHurok, Sol; and de Basil’s Ballet Russe (Birthday party, 1936)---------; Markova, Alicia; Plisetskaya, Maya, 1966Irving, George; Karnilova, Maria, 1980s/90sKokich, Kazimir; Twysden, Elizabeth; otherKrassovska, Nathalie; otherLarkin; Jasinski; [Balanchine]; others (in Tulsa)Leslie, Cherry and Howard, 1987Leslie, Howard; Coates, Dean; Massey, Dick, 1987Manchester, Bill; othersMarkova, Alicia; Boris, Ruthanna---------; and [grand]children, 1976---------; Krassovska, Nathalie, 1983---------; [Mrs. Massine]; others---------; Nerina, Nadia, 1963---------; [Terry, Walter]; others---------; Ustinoff, Peter, 1963---------; [Zoritch, George]---------; othersMartins, Peter; and corps, 1970s---------; and flowergirl, 1980sMassey, Dick and Anne, 1987Massine, Léonide; Baronova, Irina; Markova, Alicia; Mrs. Massine; Slavenska, Mia---------; [Lifar, Serge]; other (in dressing room)---------; Markova; Slavenska; Mrs. Massine---------; [Zoritch, George]; otherMaule, Michael; Cole, Whitefoord; Leigh, Harry; others---------; [Cole, Whitefoord]; Twysden, Elizabeth; othersMiller, Buzz; Hobard, Rick; Stane, Ruth and WalterMitchell, Arthur; othersMitchell, Jimmy; Lang, Harold, 1963Miyamoto, Hidsaki; Kondo, Sigeru; othersNerina, Nadia; others1963boating, picnicking, swimmingNoble, [?]; Tarakanova, Nina, 1936O’Brien, Shaun; others (New York City Ballet)Poulenc, Francis; other, 1960Randall, Tony; others (New York competition, [1980s])Reiman, Elise; Kirstein, Lincoln, [1989]Reisner, Barbara Joan and mother; other---------; Twysden, Elizabeth; other (Carnegie House, 1963)Robbins, Jerome; Baronova, Irina; other(s)Rubinstein, Arthur; [Chamié, Tatiana]; Franklin, Frederic; Lauret, Jeannette; Markova, Alicia; Platoff, Marc (on boat to South American, 1941)Sherwood [later, Stane], Ruth; Lang, HaroldSlavenska, Mia; Franklin, Frederic, 1950s---------; Markova, Alicia, 1940---------; othersStane, Ruth; Lang, HaroldStane, Ruth and WalterStane, Ruth and Walter; others, 1960s-1980sStrauss, Paul; Ahdar, David; Chamié, Tatiana; Dowd, [?]; Edwards, Norman; Tinova, NinaStravinsky, Igor and Vera (Capezio award ceremony, 1958)Stravinsky, Vera; Craft, Robert; others, 1979---------; otherTallchief, Maria; othersTaras, John; Doubrovska, Felia, 1979Toumanova, Tamara; Baronova, Irina; de Basil; Riabouchinska, T., Zorina, Vera---------; [Kurtz, Efrem]; [Mrs. Massine]; others (de Basil group)Twysden, Aileen Elizabeth; Feuerhardt, Ruth; others---------; Reisner, Barbara Joan---------; othersTyven (Lindgren), Sonja; [Noble], Duncan, 1982 (in Villa Serena)[unidentified groups] (4 folders) see also 41/10 (contact sheets)Verdak, George; other, 1988Wills, Paulina and Com[mander]; otherYouskevitch, Igor; Boris, Ruthanna; Libidins, David; Markova, Alicia; others---------; Franklin; Markova; Slavenska, Mia---------; Franklin, Frederic; other (on train)---------; Toumanova, Tamara; others, 1940s (shipboard)Zeckendorf, Nancy; Smith, Donald (incl. Zeckendorf wedding pictures)Other PeopleOther people: photos lacking Danilova, organized alphabetically by last name. In group pictures, selection of the name used for alphabetization is somewhat arbitrary. Cross-referencing from the names of others pictured has not been provided. Arrangement is alphabetical by descriptive term(s) Adin, MichaelAndrew, TomAsami Maki Ballet (in Mandara Symphony), 1989Balanchine, George; others (photocopy)Baronova, Irina, 1983 (rehearsal for Pas de quatre)---------;Danielian; Franklin; Krassovska; Markova; Scarpova; Semenova; Slavenska; Youskevitch (Houston Ballet’s Tribute, 1983)Batianov, LidiaBatianov, Machuta [Maria]Brown, Stephenie AnneDanilova, Elena [same photo in 15/4]Daniluck, SteveDe Mille, AgnesDiaghilev, Serge [postcards (2)]Dolin, Anton[Ervine], Bob; and family (incl. Danilova’s goddaughter Kathy Brown)Feuerhardt, HeinzFeuerhardt, RuthFeuerhardt, Ruth and HeinzFeuerhardt, Ruth, Heinz and StephenFonteyn, Margot; Nureyev, RudolfFracci, Carla (in La Cenerentola)Franca, CeliaFranklin, Frederic (Capezio dance award, 1992)---------; Dolin, Anton (Monte Carlo beach), 1940s---------; Semenova, [Tatiana]; others (Houston Ballet’s Tribute, 1983)---------; others (poolside)Gaubier, AlbertGebhart, EdgarGomez, Michael; and childrenGunn familyHolmes, Jennifer StarrJasinski, Roman (in Paquita)Knight, Esmond, 1930sKokich, Kim; others (Kazimir Kokich grave)Krassovska, NathalieLane, LuellaLarkin, Moscelyn---------; Jasinski, Roman (in Swan Lake)Lee, BessieLichine, David; Grigorieva, TamaraLifar, Serge (in Icare)Lindgren, Robert; [Maule, Michael]Lockwood, John, 1984Manchester, BillMarkova, Alicia195119591980sin Les Sylphidesrehearsal for Pas de quatre, 1983---------; Dolin, AntonMassine, Léonide (in Le Beau Danube)Maule, MichaelMazzo, Kay; Martins, Peter (in Giselle)Miró, Joan; Nikitina, AliceMiyamoto, Hidsaki; Kondo, Sigeru; othersMladova, Milada; Geleznova, KatiaNerina, NadiaNimura, Yeichi; Kay, Lisan (“Bach,” 1942)Panov, G[alina], 1993Petroff, PaulPupsik, BaronReagan; Bush; Ford; Nixon (Richard Nixon Library and Birthplace, 1990)Reiman, EliseRomanov, VassilySchuman, William; Belafonte, Harry; Bush, Barbara; Colbert, Claudette; Martin, Mary (Kennedy Center Honors reception)Sevastianov, German (Gerry)Slavenska, Mia (in Paris; and 1979)---------; Bayless, Betty Lou (Houston Ballet Tribute, 1983)Sommaripa familyStevenson, Ben; Baronova; Cerrone; Danielian; Dolin; Franklin; Krassovska; Markova; Semenova; Slavenska; Youskevitch (Houston Ballet Tribute, 1983)Szmyd, Linda, Tim and childrenTarakanova, Nina (in Blue Danube)Toumanova, Tamara ( in The Three-Cornered Hat)---------; Lifar, Serge (in Giselle)Twysden, Aileen Elizabeth see also 7/11Tyven, Sonja; Lindgren, Robert[unidentified] (2 folders) [also, 41/10 (contact sheets) and 41/17]Wills, Paulina and Com[mander]PlacesPlaces: photos of places or objects, with no people present. In alphabetical order. Arrangement is alphabetical by descriptive term(s) “Alexandra Danilova House,” Jacob’s Pillow, Mass.Church of St. NicholasEngraved plate and chalice“Favorite spot in the garden”Hotel Tabard InnHouse in New JerseyLeland Dysart home (“Brookhall”)[miscellaneous]Statue of Danilova (fabricated by Chaeff Enterprises, Los Altos, Calif.)Vaganova Choreographic SchoolCorrespondence, 1937-1997Correspondence to Danilova from persons or organizations. Well-known or frequent correspondents are listed alphabetically by name. Miscellaneous correspondents are filed in bulk by the first letter of the last name (“B” miscellaneous, e.g.) after all identified correspondents of that last-name letter. Several other bulk files with generic descriptors (“telegrams,” or “unidentified,” e.g.) are included. Only a few replies from Danilova are present, being mostly draft letters, sometimes in an unidentified hand. They are filed together with the material from the correspondent to whom Danilova is writing and their presence is indicated in the finding aid by a bracketed note following the listing of the correspondent. Arrangement is alphabetical by correspondent. [All-Russian Foundation for Culture], 1992 (2) [incl. Danilova response]Archer, Kenneth and Hodson, Millicent, 1989-93 (3)“A” miscellaneousBallet Midland (Texas) [Keith Martin, director], 1989 (3)Ballet Russe de Monte Carlo [Danilova letter], 1940 (1)Bancroft, Anne, 1986 (1)Barbieri, Margaret and Webb, Iam, n.d. (1)Barclay, Colville, 1940-41 (6)Baronova, Irina, 1987 (1)Bass, Anne H., 1981-93, n.d. (10)Bellas, Albert, 1996 (2) [incl. Danilova response]Belle, Anne, 1982-88, n.d. (6)Bing, Rudolf, 1959 (1)Bolender, Todd, 1985-91 (2)Brett, Doris (Terry), 1964-97, n.d. (16)Browne, Leslie [draft letter from Danilova to Browne], n.d. (1)Buckle, Richard, 1985-93 (3)Burr, Raymond W., n.d. (1)Byers, Bettina, 1984 (1)“B” miscellaneousCalegari, Maria, 1989-95 (2)Carnegie House, 1994-96 (5)Carpenter, Russel D., Jr., 1974-76, n.d. (3)Chauviré, Yvette, 1984 (1)Chernow, Ron, 1993 (2)Christopher, Warren [Kennedy Center Honors invitation], 1994 (1)Coates, Lola [Lola Mae Jones], 1982-94 (4)Croce, Arlene, 1986-95, n.d. (4)“C” miscellaneousD’Amboise, Jacques, 1993-95 (2)Danieli, Fred and Evelyn, 1966 (1)Danielian, Leon, 1959 (1)De Valois, Ninette, 1988 (1)Denham, Serge, 1949 (1)[Diaghilev House Cultural Foundation], 1991 (1)Dolin, Anton, 1965-82 (3)“D” miscellaneousEgorova, Lubov, n.d. (1)Ekstrom, Arne Horlin, n.d. (1)“E” miscellaneous (1)[Fan mail]Farrell, Suzanne, 1993 (1)Fleishmann, Charles (“Skip”) and Tobin, Joan Fleishmann, 1979-95 (3)Fonteyn, Margot, 1987-90, n.d. (3)Franklin, Frederic, 1961-96, n.d. (7)Franklin, Robert (a.k.a. Bob Steele), 1990 (1)“F” miscellaneousGielgud, John, 1948 (1)Gilpin, John, n.d. (1)Gomez, Grace, 1987-92 (6)Gottlieb, Robert, 1986 (1)Gruen, John, 1987 (1)“G” miscellaneousHammond, Richard, 1961 (1)Howard, Alan, n.d. (1)Hurok, Sol, 1961-66 (3)“H-I” miscellaneousJasinski, Roman and Larkin, Moscelyne, 1973-91 (3)Jennings, Peter, 1992 (1)Johnson, Margaret, 1983-93 (7)Jones, Alun, 1989 (1)“J” miscellaneousKendall, Elizabeth, 1994 (1)Kirov Ballet, Leningrad, n.d. (1)Kirstein, Lincoln, n.d. (5) [incl. Danilova draft letter (1983)]Kistler, Darci, 1989, n.d. (2)Knight, Esmond, 1945-86, n.d. (14)Kokich, Kim (and family), 1987-96, n.d. (6)Komleva, Gabriella, 1994 (1)Konstantin Sergeyev Ballet Foundation, 1993 (5)“K” miscellaneousLaukshtein, Joan and Walter, 1981-95 (8)Lee, Bessie, 1989-93 (6)Lerman, Leo, 1986 (1)Lester, Edwin, 1980 (1)Lindgren, Robert and Sonja (Tyven), 1982, n.d. (2)Linn (DeJesus), Bambi, 1994 (1)Lobanov, Nikita, 1980-81 (3)Lopez, Lourdes and Lionel, 1987-89, n.d. (3)Lopoukhova, Lydia (Mrs. John Maynard Keynes), 1962-65 (2)“L” miscellaneous (2 folders)Maki, Asami, 1987-97 (8)Markova, Alicia, 1977-96, n.d. (12)Martins, Peter and Kistler, Darci, 1986-96, n.d. (7)Mason, Francis, 1991 (1)Massine, Léonide, n.d. (1)Matz, Sidney, 1938, n.d. (23)Mazzo, Kay, n.d. (2)McLain, David, 1979 (1)Mendoza, Cesar, 1985-93 (4)Migel, Parmenia (Mrs. Arne Ekstrom), 1985-86, n.d. (4)Mitchell, Arthur, 1982-95, n.d. (4)Morishita, Yoko, n.d. (1)Moylan (Hanks), Mary-Ellen, 1984-97 (5)“M” miscellaneousNerina, Nadia, 1983-84 (3)Neumeier, John, 1975-89 (3)New York City Ballet, 1988-94 (6)New York Public Library, 1974-92 (6)Nikitina, Alice, 1976-78 (2)Noble, Duncan, 1987-92 (2)Novak, Nina, 1988 (1)“N” miscellaneousOsato, Sono (Sono Osato Elmaleh), 1993, n.d. (2)“O” miscellaneous (1)Page, Ruth, n.d. (1)Paige, Brydon, 1987 (1)Panov, G[alina], 1989 (1)[Perm State Art Gallery], 1989, n.d. (3) [incl. Danilova response]Petit, Roland, 1952 (1)Pickett, Hugh, 1987 (1)“P” miscellaneousRainer, Luise, 1987 (1)Reisner, Barbara Joan, 1987-92 (3)Renaud, Zuma and Sara, 1988-89 (3)Reuss, Lindsay and Flavia, 1977-91 (4)Robbins, Jerome, 1996-97, n.d. (3)Robinson, Harlow, 1993 (2) [incl. Danilova response]Ross, Herbert, 1992 (1)Russell, Francia, 1990-94 (3)“R” miscellaneousSaddler, Donald, 1989 (1)Salas, Zully, 1994-97 (4)School of American Ballet, 1985-89, n.d. (8)Shawn, Ted, 1958 (1)Shearer, Moira, n.d. (1)Slavenska, Mia, 1949-85 (3)Smith, Don, 1988, n.d. (3)Smith, Oliver, 1987 (1)Smithers, Dojean and Peter, 1962-97, n.d. (23)Sokolow, Anna, 1988 (1)Sommaripa, Amory (and family), 1979-96 (16)Starbuck, James, n.d. (1)Stevens, George, Jr., 1989 (1)Strauss, Paul, 1958, n.d. (4)Sumner, Carol, 1987-89 (2)“S” miscellaneousTaras, John, 1984, n.d. (2)[Telegrams (re Covent Garden opening, 14 March 1949)] (2 folders)Ter-Arutunian, Rouben, 1975 (1)Terry, Walter, 1980 (1)Thevenin, Charles and Sallie, 1993-95 (3)Thornton, Nina Sommaripa, 1987-93 (4)Tomasson, Helgi, 1992 (1)Tupine, Oleg and Tania, n.d. (2)“T” miscellaneousUfland, Lewis, 1978-89 (3)[Unidentified] (2 folders)Usui, Kenji, 1981 (1)“U” miscellaneous (1)Vaughan, David, 1986 (1)Verdak, George, 1983-88 (2)Voisin, Gabriel, 1937-39 (5)“V” miscellaneousWilson, Sallie, 1991 (1)“W” miscellaneous“Z” miscellaneousWritings by Danilova, 1950s-1980sManuscript and typescript material pertaining to Danilova’s memoirs and numerous speeches and lectures she delivered; a poem; and miscellaneous notes on various ballets, people, and subjects. Arrangement is alphabetical by title (Choura) or by a descriptive term, which can refer to a single item (“poem”) or multiple items or notes (“lectures”; “notebook”). Miscellaneous notes conclude the listing. Photographs included in or considered for Choura are filed in this series but are referenced individually in the Photographs series. Published contributions by Danilova to the periodical literature are listed in the Press series. Arrangement is alphabetical by title. Choura: The Memoirs of Alexandra DanilovaDrafts (typescripts, annotated), and ms. notes (3 p.). (11 folders)Galleys, page proofs, and photos. (7 folders in 2 boxes)[Lectures/Speeches]Typescript, annotated, of a speech concerning an award from the American School of Ballet; 1 p.Ms. notes for a lecture concerning career, Birmingham, Alabama, post-1983; 2 leavesTypescript, annotated, of a speech for the Congress of Russian Americans upon induction into the Russian-American Hall of Fame, 21 May 1983; 1 p. Note: filed with Awards and Honors.Typescript, annotated, of a lecture for Goodwill Industries, post-1960; [7] p.Typescript of a lecture concerning career, Santa Catalina Festival of the Arts, ca. 1960; 15 p.Ms. draft of a speech for Stravinsky’s 80th birthday celebration committee, 8 May 1961; 1 leaf.Ms. draft of a lecture[?] concerning Akiko Tachibana and Asami Maki; [4] p.[Notebook #1]Ms. notes on Coppelia, some in Russian.[Notebook #2]Ms. drafts entitled “My childhood,” “Theatrical school,” etc., possibly intended for Choura or a planned earlier memoir. Includes 1 loose page of ms. notes.[Notebook #3, ca. 1960s]Ms. notes on the Nutcracker ballet.Ms. drafts of lectures[?] on Stravinsky and the “ballet tree” (genealogy of ballet).[Notebook #4]Ms. choreographic notes, including diagrams, for “Adagio,” “Dance of Pages” (Le Pavillon d’Armide), and others. In Russian, French, and English.Ms. draft of the “ballet tree” (genealogy of ballet) lecture.Ms. (loose) for a lecture on the history of dance, incl. references to S. Africa and the Orient, presented at the Public Library of Dallas, 2/57; 3 p.[Notebook #5]Ms. notes for Goodwill Industries lecture on career in ballet, [ca. 1960].Ms. draft of a children’s lecture on ballet and fairy tales.Ms. notes on Serge Lifar.Ms. notes/draft for a lecture on the Lifar Collection, Syracuse, New York.[Notebook #6 (water damaged)]Ms. notes for a lecture on career, [ca. 1962/63].Ms. notes for a lecture on career, [ca. 1962].Ms. notes/draft on the Maryinsky Theatre.Ms. notes (loose) on the Maryinsky Theatre; [2] leavesMs. comments (loose) on ballet and physical and mental health; 1 p.Ms. draft letter (unknown hand) to Alicia Markova on her 80th birthday, 1990.[Notebook #7]Ms. draft for a lecture/demonstration at P.C.S., New York City, 1970, discussing the “ballet tree” (genealogy of the ballet).Ms. draft of a lecture at P.C.S., New York City, 1971, discussing female dancers and the Ballet School of the Paris Opera. (“Ballet tree II” lecture)Ms. early draft (loose) of the “ballet tree II” lecture, [10] p.Ms. draft of a workshop lecture, State Theatre for Friends of City Center, 5/72.Ms. early draft #1 (loose) of the workshop lecture of May 1972; [3] p.Ms. early draft #2 (loose) of the workshop lecture of May 1972; [7] leavesMs. comments (unknown hand) on Alicia Markova’s beginnings; [3] p.Ms. notes on Stravinsky’s life.Ms. notes on Robert Joffrey and Gerald Arpino; [1] p.Ms. notes/draft (loose) on Marius Petipa (2 versions); [3] p., [3] p.Ms. notes (loose) on Coppelia; 5 p.Ms. notes (loose) on Léo Delibes, composer for Coppelia; [2] p.[Poem]“Sergei Ivanovich Denkham”Ms. in Russian; 1 leaf[Miscellaneous notes]Ms. notes on Mikhail Fokine and Les Sylphides, for presentation at an annual performance of the School of American Ballet; [2] p.Ms. notes on experiences at the Jackson, Mississippi, International Ballet Competition, 6/79; [2] p.Ms. notes on Léonide Massine (1 p.), Germany (1 p.), and other subjects (1 p.)Ms. notes on Marius Petipa; [3] p.Ms. comment on principles and smart alecks; [1] p.Ms. notes and lists, some in an unknown hand, concerning incidents in Danilova’s life, people she met, and a list of conductors; [4] p.Programs, 1935-1997, undatedPrograms of ballet productions in which, in most instances, Danilova was involved in some capacity: dancing, teaching, choreographing, or staging. Arrangement is chronological by date. 1935-1997, n.d. (12 folders)Press, 1929-1997Published writings in the periodical literature (newspapers and magazines/journals) whose subject is primarily Danilova herself, though sometimes dealing with colleagues or famous acquaintances, or with dance-related organizations or issues. Arrangement is by subseries. Newspaper ClippingsNewspaper clippings: arranged chronologically in 12 folders. Includes a scrapbook, boxed separately. Arrangement is chronological by date. 1929-1997, n.d. (17 folders)Scrapbook, 1955-64ArticlesArticles: complete magazines from which relevant articles have been identified and referenced in standard citation form, alphabetically by author. Includes two contributions by Danilova. Arrangement is alphabetical by author Ackerman, Gerald S. and Susan Cook Summer. “Ballerina Imperial.” Ballet News 3 (May 1982).Acocella, Joan. Review of Choura: the Memoirs of Alexandra Danilova and Markova Remembers by Alicia Markova. Dance Magazine 61 (Oct. 1987).Anderson, Jack. “The Ballets Russes Saga.” Ballet News 3 (Jan. 1982).---------. “The One and Only: The Ballet Russe de Monte Carlo. The Balanchine Years.” Ballet Review 8, no. 4 (1980).Arnold, Joan. “Alexandra Danilova.” New York Woman 2 (Aug. 1988).Barnes, Clive. “Danilova at Ninety.” Dance Magazine 68 (Mar. 1994).Como, William. “Three Festivals: Personal Comments on Venice, Hamburg, and Spoleto.” Dance Magazine 49 (Sept. 1975). [re Danilova: photos only]Crisp, Clement. “Dame Alicia Markova: An Eightieth Birthday Tribute.” Dance Gazette 1990 (Oct.).Croce, Arlene. “The Children of Sixty-Sixth Street.” The New Yorker, 5 June 1978.---------. “Dancers at a Gathering.” The New Yorker, 17 Nov. 1980.---------. “The Godmother.” The New Yorker, 21 Nov. 1977.---------. “I Have Made You and You Are Beautiful.” The New Yorker, 5 Aug. 1974.---------. “Writings.” The New Yorker, 13 Apr. 1987.Danilova, Alexandra. “Choura: A memoir.” Ballet Review 14 (summer/fall 1986). [2 excerpts from Danilova’s memoirs]“Danilova, Alexandra.” Current Biography 48 (July 1987).Danilova, Alexandra et al. “Balanchine: First Impressions.” Ballet Review 21 (spring 1993).Fay, Anthony. “The Belle of the Ballets Russes: Alexandra Danilova.” Dance Magazine 51(Oct. 1977).Fitzgerald, Gerald. “Lady of the Hours: Alexandra Danilova.” Opera News, 5 Jan. 1959.Fitzgerald, John. “Social Publicity Is a Private Man’s Game.” Avenue Magazine 6, (Apr. 1982). [about Lewis Ufland, Danilova’s publicist, and others]Flatow, Sheryl. “True to the Spirit.” Ballet News 6 (Sept. 1984). [about F. Franklin]Horosko, Marian. “The First New York International Ballet Competition.” Dance Magazine 58 (Sept. 1984).Hurford, Daphne. “The Boys at the Barre.” Life, May 1984. [about the Sch. of Amer. Ballet]Lerman, Leo. “At the Theatre: The Body Beautiful, Oh Captain, New Girl in Town.” Dance Magazine (Mar. 1958). [incl. Capezio Award announcement]Linfield, Susan. “Gotta Dance: Ten Films to Keep You on Your Toes.” American Film 11 (Dec. 1985).Lowry, W. McNeil. “Conversations with Balanchine.” The New Yorker, 12 Sept. 1983.Maynard, Olga. “Fred Fehl: the Eye behind the Image.” Dance Magazine 46 (July 1972). [re Danilova: photo only]Moore, Lillian. “Danilova’s New Career.” The Dancing Times 53 (Apr. 1963).Moss, Allyn. “Beauty and the Ballerina: Alexandra Danilova.” Dance Magazine (Mar. 1961).“On Their Toes.” News from Home 13 (holiday 1952). [re Danilova: photo only]Philp, Richard. “Danilova on Balanchine.” Dance Magazine 57 (July 1983).---------. “A Feeling of Family: The 1984 Dance Magazine Awards.” Dance Magazine 59 (Aug. 1984).Pierre, Dorathi Bock. Review of Alexandra Danilova by A. E. Twysden. Dance (Screen and Stage) 21 (Sept. 1947).Prideaux, Tom. “Misia, a Free Spirit, Knew (and Loved) Just about Everyone.” Smithsonian (Feb. 1980).Ross, Janice. “Marin Ballet’s Cloistered Realists.” Dance Magazine 55 (Nov. 1981). [re Danilova: photo only]Shapiro, Laura. “Loving and Leaving George Balanchine.” Review of Choura: The Memoirs of Alexandra Danilova. Newsweek, 15 Dec. 1986.Sinclair, Janet. “Choura.” Review of Choura: The Memoirs of Alexandra Danilova. Dancing Times 77 (Apr. 1987).Skliarevskaya, Inna. “Иванова и Данилова” (Ivanova and Danilova). Московский Наблюдатель (Mar. 1991).Stoop, Norma McLain. “Drama Defines Dance: The Turning Point.” Dance Magazine 51 (Oct. 1977). Note: filed with Fay, AnthonySwitzer, Ellen. “Beauty/Energy at Any Age: Alexandra Danilova.” Vogue, May 1985.Terry, Walter. “The Dancer’s Composer.” The Saturday Review, 29 May 1971.“They Could Have Danced All Night.” Ballet News 6 (Aug. 1984). [photo]Tobias, Tobi. “New York City Ballet: II. Contradictions: The New Coppelia.” Dance Magazine 49 (Apr. 1975).Twysden, A. E. “An Introduction to Ballet History. Chapter 1.” Dance (Screen and Stage) 21 (Sept. 1947). Note: filed with Pierre, Dorathi BockMagazines and NewslettersMagazines and Newsletters: publications from which particular articles have not been identified and referenced. Accordingly, the magazines themselves are alphabetically referenced and the newsletters in toto (7 items) are receive a single generic reference. Arrangement is alphabetical by title. Ballet News 4 (June 1983). [about Balanchine]Ballet Review 14 (spring 1986).Ballet Review 14 (winter 1987).Ballet Review 15 (spring 1987).Ballet Review 19 (winter 1991).Life, January 1982.New York, 27 June 1983.Советский Балет (Soviet Ballet) 6 (Nov. 1990).[Newsletters (7)]Awards and Honors, 1950s-1990sAwards and honors, listed alphabetically under three subheadings--Arts Awards, Civic Honors, and Memberships--by name of the award/honor or by name of the organization or place presenting the award/honor. Arrangement is alphabetical by title. Arts AwardsDance Masters of America, n.d. [membership plaque]De la Torre Bueno Prize, 1986. [framed certificate]Denver Ballet Guild, n.d. [plaque]Documents of Dance Award, 1986. [plaque]Garden State Ballet Arts Award, 1966. [silver plate]Handel Medallion, [6 Dec. 1989].International Ballet Competition, Jacksonville, Mississippi, 1979. [commemorative medallion]Kennedy Center Honors, 3 Dec. 1989.Louisville Ballet, 14 March 1955. [commemorative plate]Russian-American Hall of Fame induction, 21 May 1983. [plaque]Civic HonorsBirmingham, Alabama: key to the city.Kansas City, Missouri: key to the city.MembershipsState of Indiana: Sagamore of the Wabash award, 1985. [certificate]State of Mississippi: appointment as Colonel and Aide-de-Camp, 1979. [certificate]Boston City Opera Company: Board of Overseers membership certificate, 1994.New York Public Library: Bigelow Society membership certificate, 1991.Subject Files, 1940s-1990sMiscellaneous files, arranged alphabetically. Include business contracts and an interview in Russian. Arrangement is alphabetical by subject. American Dance Camp: brochure, 1970 [Danilova on faculty]Carnegie House Co-op, 1968-87Contracts, 1946-88Contracts, book (w/ Charles France), 1978-79Contracts, School of American Ballet, 1966-71Coppélia copyright, 1981Dress (Schiaperelli) appraisalFur coats, 1985-91Great Moments of Ballet. A Lecture Demonstration: publicity brochureInterview [in Russian] by Nina Alovert, 1983Lissanevitch [Lisanevich], Boris: Nepalese restaurant brochure (the Yak & Yeti)Markova, Alicia: bio sketch, 1 p.Medical records, 1981-95New School for Social Research: honorarium receiptNew York City Ballet: history write-ups (2)Russian trip itinerary and room list, 1993School of American Ballet pension statements, 1994-97Screen Actors Guild, 1988-98Slavenska, Mia: bio sketch, 1 p.Taxes, 1992, 1994-96Teachers Insurance.../College Retirement Equities Fund (TIAA/CREF), 1975-95TIAA/CREF newsletters and annual reports, 1984-95Twysden, Aileen Elizabeth: estate and funeral, 1977-84Ufland, Lewis: publicity bio of Danilova; payments to, 1989Vladimiroff, Felia: affidavit for probate, 1981Yorkshire Ballet seminars, 1983Writings by Others, 1940s-1980sRadio and film scripts (including The Turning Point); ballet, film, and television scenarios; unpublished articles/essays; reprints; a research paper; and drafts for a biography of Danilova by her friend A. E. Twysden. Primarily manuscripts and typescripts on dance topics, several dealing with Danilova. Arrangement is alphabetical by author and title. Cruickshank, Gordon. Woman’s Hour. “March Profile: Danilova.”Ford, George. The Octoroon.Irvine, Chippy. [untitled].Jones, Jenkin Lloyd. “Much more than dance.”Kolinski, Mieczyslaw. “Consonance and dissonance.”Laurents, Arthur. The Turning Point.Miller, Carolyn and Daryl Warner. “To live, to dance.”Taras, John. “Nora Kaye: A tribute.”Terry, Walter. “Metropolitan Opera ballet.”Thigpen, Paula. “Nijinsky: Clown of God.”Twysden, Aileen Elizabeth. Alexandra Danilova.---------. “Alta California.”---------. “Gaite Parisienne.”---------. “An introduction to ballet history.”---------. [miscellaneous ms. fragments/notes].---------. [untitled].Printed MaterialPrinted Material refers primarily to "Books" and "Catalogs" from Danilova’s personal library. The seventy-five books are relating to ballet, art, or religion. Arrangement is by subseries. BooksBooks (75): the books, forty percent of which are in Russian, deal primarily with dance, art, or religious or spiritual issues (several Bibles, e.g.). Organization is alphabetic by author. Access is limited to those books which the Library does not hold elsewhere in its collections. Arrangement is alphabetical by author and title. A. C. Bhaktivedanta Swami Prabhupāda. The journey of self-discovery.---------. Krsna: the supreme personality of Godhead.---------. A second chance: the story of a near-death experience.---------. Śrīmad-Bhāgavatam: first canto (“Creation”). *---------. The teachings of Lord Kapila: the son of Devahūti.All things wise and wonderful: a big little book of hints. *Anderson, Jack. The one and only: the Ballet Russe de Monte Carlo.[Arkhimandrit, Īosif]. Святыни Москвы: Издано къ преддверію 1000-лѣтія Крещенія Руси. *Avtamonov, Igor. Владимир Мономах и Гита Гарольдовна.Balanchine, George, and Francis Mason. Balanchine’s Complete stories of the great ballets.Beliaev, Vladimir. Залив в тумане. *Berezov, Nikolai. Жизнь и балет.Библия: Книги Священного писания. [The Bible]Bourassé, Jean J., and Pierre D. Janvier, trans. Les Saints Évangiles. [New Testament Gospels]Buckle, Richard. Diaghilev.Buckle, Richard, and John Taras. George Balanchine, ballet master.Chakirov, Nikita, ed. Преподобный Серафимъ Саровскій Чудотворецъ: Дивѣевская тайна и предсказанїя о Воскресенїи Россїи. *Croft, Lusay. Impressions. [booklet of poems] *Decter, Jacqueline. Nicholas Roerich: the life and art of a Russian master.Ezerskaia, Bella. Мастера, kn. 1.Fehl, Fred, photographer, and Doris Hering. Giselle and Albrecht: American Ballet Theatre’s romantic lovers.Feifer, George. Our Motherland.Fletcher, Ifan Kyrle, Selma Jeanne Cohen and Roger Lonsdale. Famed for dance: essays on the theory and practice of theatrical dancing in England, 1660-1740.Frangopulo, Marietta, and Leonid Entelis, comps. 75 балетных либретто. *Galland, Jean-Paul. Genève au fil des siècles.Galushko, Tatiana. Пушкинский календарь.Géraldy, Paul. Toi et moi.Golynets, Sergei. Ivan Bilibin.Grigoriev, S. L. The Diaghilev ballet, 1909-1929. Trans. and ed. Vera Bowen. *(this ed.) (fragile)Grigorovich, [Y.] N. Балет. Энциклопедия.Gross, Ruth Below. If you were a ballet dancer.Gruen, John. The private world of ballet.Hategan, Vasile, et. al, comps. Prayers for Orthodox Christians used in private devotions. *Homans, Jennifer. A celebration of India. 1991 Artistic Supplement of the National Dance Institute.Howard, Nicholas. Costume at Castle Howard. Photographs by Naruhito.Knight, Esmond. Seeking the bubble.Kochno, Boris. Diaghilev and the Ballets Russes.Komitet po Delam Iskusstv pri SNK SSSR. Государственный театр оперы и балета Aрмении имени А. А. Спендиарова.Ladré, Illaria Obidenna. Illaria Obidenna Ladré: memoirs of a child of Theatre Street. *Laurents, Arthur. The turning point. *Liukom, Elena M. Моя работа в балете.Maclean, Fitzroy. Eastern approaches.Matveev, Mikhail A. Ленинградский и государственный ордена Ленина академический театр оперы и балета имени С. М. Кирова.Mikhailov, Mikhail. Жизнь в балете.Milstein, Nathan, and Solomon Volkov. From Russia to the West: the musical memoirs and reminiscences of Nathan Milstein.Mulys, Gérard. Vie des Ballets de Monte-Carlo, direction René Blum: vue par detaille photographe. *Neale, Wendy. On your toes: beginning ballet.Nekhendzi, A., comp. Мариус Петипа: Материалы, воспоминания, статьи.Nekrasov, Nikolai A. Лирика. * (this edition)The New Testament of our Lord and Saviour Jesus Christ.Novikov, N. V., comp. Русские сказки в ранних записях и публикациях (xvi-xviii века).Новый Завѣтъ. [New Testament]Паломничество Царя-мученика Благочестивѣйшаго Государа Императора Николая Александровича.Petrov, Anatoly N. Город Пушкин: Дворцы и парки.Polevoi, Petr N. Отголоски старины.Pushkin, Alexander. Евгеній Онѣгинъ: Романъ въ стихахъ.Robinson, Harlow. The last impresario: the life, times, and legacy of Sol Hurok.Ross, Marvin C. The art of Karl Fabergé and his contemporaries.Sarukhanian, Evgenia. Достоевский в Петербурге.Scribe, Eugène, and E. Legouvé. Adriana Lecouvreur. [libretto]Shchipunov, P., ed. Ленинградское Государственное Хореграфическое Училище.Shearer, Moira. Balletmaster: a dancer’s view of George Balanchine.Shvarts, Vsevolod. Ленинград: Художественные памятники.Simonov, Konstantin. Из трех тетрадей: стихи, поэмы.Sitwell, Sacheverell. The romantic ballet. (signed by A. E. Twysden)Snowman, A. Kenneth. The art of Carl Fabergé.Sydykbekov, Tugelbai. Рассказы.Taper, Bernard. Balanchine.Tisdall, E. E. P. Marie Fedorovna: Empress of Russia.Tkacheva, A., comp. Новый русско-французскій словарь.Volkov, Nikolai D., and Yuri I. Slonimskii, eds. Агриппина Яковлевна Ваганова.Volkov, Solomon. Balanchine’s Tchaikovsky.Weinstock, Herbert. Handel.Zasosov, Dmitri A., and Vladimir I. Pyzin. Из жизни Петербурга 1890-1910-х годов: Записки очевидцев.Zhigulin, Anatoli. Жизнь, нечаянная радость.CatalogsCatalogs: primarily art exhibition and auction catalogs. Arrangement is alphabetical by title. 100 years of Russian ballet, 1830-1930. [exhibition catalog, 1989]American ballet theatre: thirty-six years of scenic and costume design 1940-1976. [exhibition catalog, inscribed by Oliver Smith]Art nouveau/art déco and opera, ballet and related material. [auction catalog, 1982]Ballet, 1582-1984: three hundred books and manuscripts from the collection of Parmenia Migel Ekstrom.Ballet material and manuscripts from the Serge Lifar collection. [auction catalog, 1984]Benefit auction for the Performing Arts Research Center, The New York Public Library at Lincoln Center. [1983]Catalogue principally of Diaghilev ballet material: costumes, costume designs and portraits. [1967]Diaghilev: costumes and designs of the Ballets Russes. [exhibition, 1978?]Exhibition of stained glass by Alice D. Laughlin, May 4-22, 1948.Fabergé: Jeweler to royalty. [exhibition catalog, 1983]The Hermitage: selected treasures from a great museum.Modern, Haitian and Latin American paintings, drawings and sculpture, including a selection of ballet, old master and 19th century drawings. [auction catalog, 1982]The Nutcracker: costume designs by Alain Vaës for the Fort Worth Ballet.Rare books, libretti, prints, periodicals, photographs, posters, programs: Duplicates from the dance collection of the New York Public Library.... [auction catalog, 1970]RM associates: new programs, 1987-1988. [film catalog]Russian and Soviet paintings, 1900-1930: selections from the State Tretyakov Gallery, Moscow, and the State Russian Museum, Leningrad. [exhibition catalog, 1988]School of American Ballet. [catalogs: 1980/81 (2), post-1991]Tribute to the ballet: Lisa Rhana. [art exhibition]OtherOther: informational and publicity brochures and booklets, including souvenir books. Arrangement is alphabetic by title. 1936-1986: AGMA Golden JubileeL’Après-midi d’un faune, Nijinsky, 1912 [publicity for photographic exhibition]Bassano del Grappa [tourist booklet]The Bolshoi Ballet, United States tour, 1987Dancers. Occupational briefs on America’s major job fields, 1947Houston Ballet (2)I Was There, by Walter Terry [publicity brochure]In the beginning, man was made to dance [Houston Ballet publication]Indianapolis Ballet TheatreThe Kirov Ballet United States tour, 1989 (2)New York City Ballet annual spring galas: 1983, 1991, 1995 [souvenir books]A pictorial tribute to Sir Anton Dolin, 1984 [souvenir book]The School of American Ballet, 1934-1979 (2)The School of American Ballet: 1980 (2), [1981]The School of American Ballet 50th anniversary campaign (2)The School of American Ballet 50th anniversary gala, 1984 [souvenir book]School of American Ballet winter benefits: 1986, 1990 [souvenir books]School of American Ballet workshop performance benefit, 1991 [souvenir book]The seventh annual Capezio Dance Award, 1958 (2)Tulsa Ballet Theatre, 1993-94 Season of GoldVaganova Ballet Academy, LeningradMusicBallet titles, arranged alphabetically, under which the appropriate music (photocopied sheet music) is filed, alphabetically when applicable. A photocopy of an unidentified fragmentary manuscript is also included following the other listings. Arrangement is alphabetical by title. Naïla (music by Delibes)Variation de NaïlaThe Nutcracker (Tchaikovsky)Variation-Valse (no. 11)Paquita (Minkus)[Allegro]Grand pasVariation (pour l’harpe) [by Albert Zabel]Raymonda (Glazunov)Pizzicato ; Variation IIISwan Lake (Tchaikovsky)Pas de deux (Act III)[unidentified ms. (photocopy) short score/conductor’s score w/ accompanying words (“although a mother’s mind may be unclouded...”); 8 measures.]ArtworkPrints, drawings, and a painting. Alphabetical listing of individual work titles and generic descriptive headings (“drawings,” e.g.). Individual works subsumed within generic headings are likewise alphabetized by title, real or artificial. Arrangement is by format and medium. Alexandra Feodorovna, Empress of Russia. Print, 15.5 in. x 11.5 in.[Drawings]La Chatte. Colored pencil and marker, by Millicent Hodson/Kenneth Archer.[Dancers’ dressing rooms]. In pen (photocopy).[Danilova]. Line drawing in ink by [?] Nelson.[Male dancer]. Sketch (reproduction) by Virginia Irvin Noehren, for the Ballet Russe de Monte Carlo.[Man and woman dancing]. Magazine clipping.[Praying hands]. In pencil, by G. Fe[d]iw.[“The Swan and I”]. Sketch in pencil of an imaginary book cover adorned with dancing Danilova figures, by Kelly [?].Letniĭ sad [Summer Garden, St. Petersburg]. Reproduction (8.5 in. x 11.25 in.) on cloth of a photo by V. Stukalova.Nicholas Alexandrovich (Nicholas II), Emperor of Russia. Print, 15.5 in. x 11.5 in.[Painting][Aboriginal campfire dance?]. Gouache[?] with colored pencil or crayon, affixed to an unfolded envelope, 5.5 in. x 7.5 in.[Victorian prints, ca. 7 in. x 5 in.]Camélia.Orange. (framed)Pensée. (2)Personal Materials, 1940s-1990sFour box-groupings according to marginal (and unindicated) similarities: 1) address books, name cards, passports (records of identification); 2) datebooks/calendars; 3) souvenir/autograph books; 4) unused folders (miscellaneous). Arrangement is alphabetical. Address books (4)Business cards (1 folder)Namecards (Danilova’s)Passports (3), vaccination certificates (2), border crossing I.D.Calendar, signed by Carla Fracci, 1994Datebooks/calendar, 1989, 1993, 1994Autograph book, signed by members of the Ballet Russe de Monte Carlo on the occasion of Danilova’s 40th[?] birthday. San Francisco, 20 Nov. 1943.Souvenir notebook, in memory of one of the first programs directed by Danilova of the Edith James Concert Ballet Group, Dallas Museum of Fine Arts, 16 Mar. 1952. (Includes member signatures, program, pictures, museum postcards and exhibition booklets.)Folders (3): one monogrammed, containing stationery and namecards; the others empty, labeled “Dinah Shore Chevy Show, 8 March 1959,” and “International Ballet Competition, Jackson, Miss., 18-30 June 1979.”Return to the Table of Contents |