Contents


Collection Summary

Biographical Sketch

Scope and Content Note

Organization of the Vernon Duke Collection

Selected Search Terms

Container List

Show Music

Vocal Music

Choral Music

Instrumental Music

Sketchbooks

Music by other Composers

Lyric Sheets

Writings by Vernon Duke

Correspondence

Subject Files

Programs, 1927-1968, undated

Photographs

Miscellaneous

Scrapbooks

Vernon Duke Collection

Processed by the Music Division of the Library of Congress

2007

Collection Summary

Creator Duke, Vernon, 1903-1969
Title Vernon Duke Collection
Span Dates 1918-1968
Abstract: The collection is in two series, Music and Non-music. The former includes his stage, vocal, and instrumental music, sketchbooks, lyric sheets, and music not by Duke, including the holograph of Signature for the High-low concerts by Aaron Copland. The latter consists of: correspondence with, among others, George Balanchine, Martin Charnin, Peter De Vries, Howard Dietz, Dean Dixon, Neshui Ertegun, Ira Gershwin, Bernard Hermann, George Ivask, Serge, Olga, and Natalie Koussevitzky, John Latouche, Jerome Lawrence, Robert E. Lee, Lotte Lehmann, Anthony Lindsay-Hogg, Jimmy McHugh, Johnny Mercer, Ogden Nash, Gabriel Paitchadze, Roland Petit, Serge Prokofiev, Ginger Rogers, Harold Rome, Ann Ronell, Nicolas Slonimsky, Leopold Stokowski, David Turet, William Walton, and Arthur Whitelaw, as well as ASCAP, American Guild of Authors & Composers, and the puplishers Broude Bros., Carl Fischer, Frank Music Corp., Little, Brown & Co., G. Ricordi, and attorneys Weissberger & Frosch; subject files of correspondence, clippings, and other material; photographs; programs; scrapbooks; and miscellaneous material.
Extent: circa 17,500 items145 boxes52 linear feet
Language: Collection material in English
Identification: ML31.D98

Biographical Sketch

Date Event
1903 Oct. 10 Born Vladimir Alexandrovitch Dukelsky, Parafianove, Minsk
1916-1919 Studied composition with Reinhold Glière and Marian Dombrovsky at the Kiev Conservatory
1920 Fled the Revolution with his family, settling first in Constantinople
1921 Autumn Sailed for New York
1924 Sailed to Paris at the behest of Artur Rubinstein
1925 Feb. 21 Katja the Dancer opens in London, two songs by Duke added to score
1925 Zephyr and Flora performed (Diaghilev Ballets Russes, Kochno-Braque-Chanel-Massine)
1926 May 22 Yvonne opens in London, half of the score by Duke
1927 April Two Little Girls in Blue closes during pre-London tryout, one song by Duke
1927 Oct. 12 Bow-Wows opens in London, one song by Duke
1928 Feb. 8 Yellow Mask opens in London
1928 June 14 First Symphony premiered by Koussevitzky and the Boston Symphony
1929 August Open Your Eyes closes during pre-London tryout
1930 Duke contributes songs or instrumentals to the films: Follow the Leader, Follow Thru, Heads Up, Hold Your Man, Laughter and The Sap from Syracuse
1930 June 4 Garrick Gaieties (Third Edition) opens in New York, partial score by Duke
1930 Oct. 15 Three's A Crowd opens in New York, one song by Duke
1931 July 21 Shoot the Works opens in New York, one song by Duke
1931 Epitaph premieres in Boston; July 31st, Shoot the Works opens, which included one song by Duke
1932 Oct. 5 Americana (1932) opens in New York, one song by Duke
1932 Dec. 7 Walk a Little Faster opens in New York, Duke's first complete Broadway score, which included his most famous song "April in Paris"
1933 May 31 "Composers' manifesto" published in the New York Times
1934 Jan. 4 Ziegfeld Follies of 1934 opens in New York, music mostly by Duke
1934 Dec. 27 Thumbs Up opens in New York, one song by Duke--"Autumn in New York"
1934-35 Duke studies orchestration with Joseph Schillinger
1935 March 8 Public Gardens ballet premieres in Chicago
1936 Jan. 30 Ziegfeld Follies of 1936 opens in New York, score includes "I Can't Get Started"
1936 April Revised ballet Jardin presented at the N.Y. Metropolitan Opera House, then Covent Garden (London) in June
1936 Dec. 25 The Show Is On opens in New York, partial score by Duke
1937 Second Symphony in Paris, conducted by Albert Wolff
1937 July 11 George Gershwin dies; Duke is a pallbearer at the funeral
1937-38 Duke completes Gershwin's score for the film The Goldwyn Follies
1938 Jan. 12 The End of St. Petersburg is premiered at Carnegie Hall
1938 Duke organizes High-Low Concerts in New York
1939 March 7 Vladimir Dukelsky becomes an American citizen and takes Vernon Duke as his legal name
1939 Dec. 26 The White Plume retitled A Vagabond Hero opens and closes in Washington, D.C., during pre-Broadway tryout, partial score by Duke
1940 May 23 Keep Off the Grass opens in New York with Duke's contribution, the ballet "Raffles," choreographed by George Balanchine for Ray Bolger
1940 Oct. 25 Cabin in the Sky opens in New York, score includes "Takin' a Chance on Love"
1940 Duke writes songs for the Seymour Felix-staged Midnight Frolics, and composes "New York Nocturne," to become Charlie Barnet's theme song
1940-41 Duke contributes songs to the shows: Crazy With the Heat, Ice-Capades of 1941 and It Happens on Ice
1941 Dec. 25 Banjo Eyes opens in New York
1942 Jan. 9 The Lady Comes Across opens in New York
1942 April Duke's mother dies.
1942 Duke contributes a song to the film White Catgo; he is drafted and enters the Coast Guard for two and one half years; composes Cello Concerto for Gregor Piatigorsky
1943 March Cabin in the Sky (film) opens
1943 March 18 Violin Concerto premiered by Koussevitzky in Boston
1943 March 22 Dancing in the Streets opens and closes in Boston during pre-Broadway tryout
1944 Jan. 13 Jackpot opens in New York
1944 May 5 Tars and Spars opens in New York and tours the country
1944 Nov. 16 Sadie Thompson opens in New York
1946 Jan. 4 Cello Concerto premieres in Boston with Piatigorsky, conducted by Koussevitzky
1946 Oct. 10 Sweet Bye and Bye opens and closes in New Haven during its pre-Broadway tryout
1946, Nov. 18 "Ode to the Milky Way" premieres at City Center in New York, conducted by Leonard Bernstein
1946 Dec. 19 Le Bal des Blanchisseuses (Ballets des Champs Elysées, Kochmo-Stanislao Lepri-Roland Petit)
1948 Feb. Paris Aller et Retour broadcast on French radio
1948 Harpsichord Sonata composed for Fernando Valenti; Duke founds the Society for Forgotten Music
1952 Dec. 15 Two's Company opens in New York
1955 Duke's autobiography--Passport to Paris--is published
1956 May 22 The Littlest Revue opens in New York (Off-Broadway,) score mostly by Duke
1957 Vernon Duke marries Kay McCracken
1957 Nov. 12 Time Remembered opens in New York, a play with two songs by Duke
1959 Oct. 14 The Pink Jungle opens and closes in San Francisco during its pre-Broadway tryout
1963 Listen Here!: a Critical Essay on Music Depreciation published. Zenda performed on the west coast
1963 Aug. 5 Zenda opens and closes in San Francisco during its pre-Broadway tryout
1964 Jan. 21 Cabin in the Sky revival opens in New York
1969 Jan. 16 Vernon Duke dies in Santa Monica, California

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Scope and Content Note

In addition to being a renowned composer, Vernon Duke was an author, poet, translator, gourmand, businessman, bon vivant, and an intellectual. Duke's eclecticisim is well documented in the Vernon Duke Collection. As a result, the collection is rich in research potential for a wide variety of topics. The music holographs cover the entire length of Vernon Duke's career--from compositions dating from his student days in 1918 (Morceaux pour piano, op. 1, composed when he was fifteen) to works from 1968 (the revised version of his ballet Entr'acte)--a year before he died. The collection represents the dual nature of Dukelsky/Duke as a composer of twentieth century European/Russian influenced "serious" or "classical" music, and a composer of jazz-influenced American popular and show music. Documenting his position as an international professional in the world of music, the collection contains voluminous correspondence between Duke and prominent composers, conductors, scholars, producers, lyricists, journals, universities and performers.

The Vernon Duke Collection is in two series: Music and Non-Music; Music is in eight subseries:

1. Stage Music: music for musicals, operas, operettas, ballets, films and background music and songs for plays.2. Stage Music, Zenda: approximately half of the musical materials in the collection.3. Vocal Music: art songs, song cycles, and popular songs.4. Choral Music.5. Instrumental Music, which includes works for solo instruments.6. Sketchbooks.7. Non-Duke Music.8. Lyric Sheets.

When a page count appears within square brackets, the pages are not numbered and the count was supplied by the author of this Guide. When an item is described as ms. as opposed to Copyist's ms., the hand is believed to be that of an orchestrator or arranger. Ozalids, unless otherwise noted, are typically believed to have been prepared from a copyist's manuscript. Numbers in parentheses are item counts. When there were multiple copies of a musical item, we always retained at least two. If there were variant annotations, more than two copies of an item may have been retained.

When a song title in the Stage Music subseries is followed by "#" and a number or combination of numbers and letters, that designation appears on all or most of the items listed below that title, indicating its position in the running order of the stage work. These numbers are supplied here for purposes of differentiating multiple versions of the same song title or to indicate songs that at least appear to have made it into the rehearsal process for a production of the show. When a portion of a song title is crossed through on the music, it is also crossed through in the Guide.

Because of the quantity of music from Zenda, the music from that show has been divided into three sets of boxes: piano-vocal scores, piano-conductor scores, sketches; parts; and full scores. Although this Guide lists song titles alphabetically within a show, the box/folder numbers are not consecutive because of the division of types and sizes of material. Thus, if a reader wishes to consult all parts from Zenda in alphabetical order, boxes 57-72 should be requested. For every song title in Zenda, the first time a lyricist is credited (rarely on full scores or parts) his name is given in the description of that item and not again unless there is a change in the lyricist for that title. When a song title includes designations such as: "pno. cond.", "vocal", or "vocal choir", that is how it appears on the item. Unless it grossly misleads in describing the item, we have let the original designation stand.

The correspondence in the Vernon Duke Collection is extensive--approximately 4,500 items. There are some details about the organization and makeup of those items that will be useful to the researcher:

1) Not all correspondence in the collection is in the Correspondence series--some correspondence may be found in: Writings by Duke, Subject Files, and Scrapbooks; these items are not cross-referenced, but, with some familiarity with Duke's career, the researcher should be able to determine where such correspondence is likely to be found. For instance, much of the correspondence with collaborators--lyricists, librettists--may be found in the Show files; and responses to a questionnaire Duke sent to major musical figures for inclusion in his book Listen Here may be found in the Writings by Duke subseries.2) Correspondence includes: letters, telegrams, postcards, notes, cards, and invitations; in some cases photographs are either laid in or affixed to a piece of correspondence.3) A large portion of the correspondence is from Duke, in the form of carbons, photocopies, rough drafts, and letters marked "not sent". In some cases--where this Guide lists correspondence with a given individual--the only item(s) in the collection are from Duke, to the individual listed.4) We have retained, to the degree possible, Vernon Duke's organization of the correspondence. This has caused some letters from prominent people to be filed with the correspondence of a certain organization. For instance, the "ASCAP" file contains letters from Arthur Schwartz, Stanley Adams, Irving Caeser, and L. Wolfe Gilbert, among others. These items are not cross-referenced. This is also true of topics; for instance, correspondence on Zenda can be found in a variety of places within the collection.5) Correspondence in the "Miscellaneous" sections is from less-prominent people for whom we have five or fewer letters.

The researcher studying Vernon Duke's biography should note that the Writings by Duke subseries includes the original manuscripts for Duke's autobiography, Passport to Paris, including entire chapters that were deleted prior to publication.

Appendix I is an alphabetical list of all songs from Stage Music (including Zenda) that also lists the show that the song is from. The only titles that are not included are generic ones such as: "Overture," "Opening," "Exit music," and "Finale."

Appendix II is a list of the recordings (reel-to-reel tapes, accetate discs, and commercial recordings) that are a part of the Collection, but have been transferred to the custody of the Motion Picture, Broadcasting and Recorded Sound Division.

Mark Eden Horowitz, September 1994

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Selected Search Terms

People

  • Balanchine, George--Correspondence.
  • Charnin, Martin--Correspondence.
  • Copland, Aaron, 1900-1990--Autographs.
  • Copland, Aaron, 1900-1990. Signature for the High-low concerts.
  • De Vries, Peter, 1910-1993--Correspondence.
  • Dietz, Howard, 1896-1983--Correspondence.
  • Dixon, Dean, 1915-1976--Correspondence.
  • Duke, Vernon, 1903-1969--Autographs.
  • Duke, Vernon, 1903-1969--Correspondence.
  • Duke, Vernon, 1903-1969.
  • Duke, Vernon, 1903-1969.
  • Ertegun, Nesuhi--Correspondence.
  • Gershwin, Ira, 1896-1983--Correspondence.
  • Herrmann, Bernard, 1911-1975--Correspondence.
  • Ivask, I︠U︡riĭ--Correspondence.
  • Koussevitzky, Natalie--Correspondence.
  • Koussevitzky, Olga--Correspondence.
  • Koussevitzky, Serge, 1874-1951--Correspondence.
  • Latouche, John, 1917-1956--Correspondence.
  • Lawrence, Jerome, 1915-2004--Correspondence.
  • Lee, Robert Edwin, 1918-1994--Correspondence.
  • Lehmann, Lotte--Correspondence.
  • Lindsay-Hogg, Anthony--Correspondence.
  • McHugh, Jimmy, 1894-1969--Correspondence.
  • Mercer, Johnny, 1909-1976--Correspondence.
  • Nash, Ogden, 1902-1971--Correspondence.
  • Paĭchadze, Gabriel--Correspondence.
  • Petit, Roland, 1924-2011--Correspondence.
  • Prokofiev, Sergey, 1891-1953--Correspondence.
  • Rogers, Ginger, 1911-1995--Correspondence.
  • Rome, Harold, 1908-1993--Correspondence.
  • Ronell, Ann--Correspondence.
  • Slonimsky, Nicolas, 1894-1995--Correspondence.
  • Stokowski, Leopold, 1882-1977--Correspondence.
  • Turet, David--Correspondence.
  • Walton, William, 1902-1983--Correspondence.
  • Whitelaw, Arthur--Correspondence.

Organizations

  • American Guild of Authors and Composers.
  • American Society of Composers, Authors and Publishers.
  • Broude Brothers Limited.
  • Carl Fischer Inc.
  • Chappell and Co.
  • Frank Music Corp.
  • Little, Brown and Company.
  • Ricordi (Firm)
  • Weissberger & Frosch.

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Organization of the Vernon Duke Collection

The Vernon Duke Collection is organized into fourteen series:

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Container List

Show Music

Show music of Vernon Duke consisting of manuscripts, scores, parts, etc.

Arrangement is alphabetical by title.

April in Paris, 1951-2 film musical. Lyrics to english titles by Sammy Cahn.

Aupres de Ma Blonde Ozalid piano-vocal score ; 2 p.

I ask you Ozalid piano-vocal score ; 4 p.

I don't know what I've got Ozalid piano-vocal score ; 3 p.

It must be good Ozalid piano-vocal score ; 5 p.

Life is such a pleasure Ozalid piano-vocal score ; 3 p.

Life is such a pleasure (Ray Bolger) Ozalid piano-vocal score ; 5 p.

Only once Ozalid piano-vocal score ; 3 p.

Sur le Pont d'Avignon Ozalid piano-vocal score ; 1 p.

That's what makes Paris, Paree Ozalid piano-vocal score ; 6 p.

Who needs it? Ozalid piano-vocal score ; 4 p.

Le Bal des blanchisseuses, [The washerwomen's ball], ballet suite for orchestra, 1946-47

[Le Bal des blanchisseuses] Ozalid of holograph full score ; 104 p.

Cabin in the sky, 1940 musical; revival, 1964. Lyrics by John Latouche

Cabin in the sky Eric W. Knight ms. short score arrangements for 1964 revival ; [108] p.

Cabin in the sky Mimeograph of ms. short score ; 148 p.

Fugue Photocopy of holograph piano-vocal score with annotations ; 5 p.

General's entrance Holograph piano-vocal score ; [2] p.

It's not so bad to be good Holograph piano-vocal sketch in pencil ; [4] p.

It's not so bad to be good Photocopy of ms. piano-vocal score ; 4 p.

Jazz fugue ; Scotch jingle Holograph piano-vocal sketch in pencil ; [2] p.

Little poppa Satan Photocopy of holograph + ms. piano-vocal score ; 4 p.

Little poppa Satan Typed lyric sheet + carbon ; [2 p. each]

Livin' it up Photocopy of copyist's ms. piano-vocal score ; 3 p.

The man upstairs ; There's honey in the honeycomb ; Love me tomorrow (but leave me alone today) Holograph sketches ; [3] p.Holograph piano-vocal ; [3] p.

The man upstairs (verse) ; Verse (picture in the sky) ; Verse "love put the light out" ; Verse "Virginia home" ; "Savannah" verse Holograph sketches ; [4] p.

The man upstairs Photocopy of holograph piano-vocal score ; 4 p.

[The] man upstairs finish Holograph piano-vocal score ; [1] p.Ms. piano-vocal score ; [1] p.

Opening Chant ; Fleetfoot's theme Photocopy of holograph piano-vocal score with annotations ; 3 p.

The vision (ballet) Negative photostat of ms. piano score ; [3] p.

We'll live all over again Holograph piano-vocal ; [2] p.

We'll live all over again

[Miscellaneous]

[Unidentified] Photocopy of ms. piano score ; 4 p.

Cabin in the sky ; curtain call Greenwich mews Printed (2) programs

[Song listing] Holograph ; [1] p.

[Invoice to Kay Duke] Photocopy ; [1] p.

[Outline for overture(?)] Ms. ; [2] p.

Casey Jones, unproduced musical. Lyrics by Sammy Cahn

The big towns and the small towns Ozalid piano-vocal score ; 9 p.

Extenuatin circumstances Ozalid piano-vocal score ; 4 p.

Fight over me Ozalid piano-vocal score ; 5 p.

The girl with the prettiest legs in town Photocopy of copyist's piano-vocal score ; 5 p.

He said Photostat of copyist's piano-vocal score ; 4 p.

Honor me with this dance Ozalid piano-vocal score ; 6 p.

I can take it or leave it alone Photostat of copyist's piano-vocal score ; 5 p.

I may say maybe Ozalids (2) piano-vocal score ; 7 p.

I'm goin' places Ozalid piano-vocal score ; 4 p.

Ladies like us ; Gay little tune ; Bolero-cancion Holograph sketches ; [2] p.

The man my mother married Holograph piano-vocal score ; [4] p.

The man my mother married

Mister Harvey Pruitt

Once I fall Ozalid piano-vocal score ; 4 p.

Parties Photostat of copyist's piano-vocal score ; 11 p.

A railroad woman Copyist's ms. piano-vocal score (transparencies) ; 4 p.

Same as a man Ozalid piano-vocal score ; 4 p.

Step up and shake Photosat of copyist's piano-vocal score ; 8 p.

There comes a time Photostat of copyist's piano-vocal score ; 4 p.

Wait till you see New York Ozalids (2) piano-vocal score ; 6 p.

We're alone in the world Ozalid piano-vocal score ; 5 p.

With a man on first Holograph piano-vocal score ; 7 p.

With a man on first Ozalid piano-vocal score ; 10 p.

Casey Jones

Casey Jones

Casey Jones

Casey Jones

Dancing in the streets, 1943 (film?) musical. Lyrics by Howard Dietz

Bay of Botany Ozalid of piano-vocal score ; 7 p.

Boys, boys Holograph piano-vocal score, no lyric ; [5] p.

Cancan in the canteen Holograph piano-vocal score ; [4] p.

Comforts of home Holograph piano-vocal score ; [4] p.

Friendly bar Ms. (holograph?) piano-vocal score ; 7 p.

Hip! (the girls are marching) Ms. (holograph?) piano-vocal score ; [4] p.

In my dreams Holograph piano-vocal score ; [4] p.

Keep your amateur standing Ms. (holograph?) piano-vocal score ; [6] p.

Kiss your baby goodbye Ms. (holograph?) piano-vocal score ; [2] p.

We've been through the mill Holograph piano-vocal score ; [4] p.

[Unidentified]

Dancing in the streets, 1943 ; or, Jackpot, 1943-4 musical. Lyrics by Howard Dietz. (see also listings under Jackpot)

Below the equator Copyist ms. piano-vocal score, no lyric (transparencies) ; 4 p.

Honeypie's dance Ms. (holograph?) piano score ; [4] p.

I'm in love with a dame (with a muscular frame) ; Ella the elephant ; Arm-in-arm ; Farewell for a while Holograph sketches ; [4] p.

I'm in love with a dame/with a muscular frame

Swattin' the fly Copyist ms. piano-vocal score, no lyric (transparencies) ; 3 p.

This particular party Holograph piano-vocal score, no lyric ; [4] p.Ms. (holograph?) piano-vocal score ; 4 p.

Under my umbrella Holograph piano-vocal score ; [3] p.

"Jackpot" and "Dancing in the streets"

Where did you come from

[Unidentified]

Diamond in the rough (the Mark Twain musical), 1964-68 unproduced. Lyrics by John Everest

Afternoon delightful Holograph piano-vocal score ; [2 p]

Afternoon delightful Holograph piano-vocal score (transparencies) ; 2 p.

Ban the book! Holograph piano-vocal score ; [8] p.

Ban the book! Holograph piano-vocal score (transparencies) ; 6 p.

Diamond in the rough Holograph piano-vocal score ; 3 p.

Ev'ry one of us Holograph piano-vocal score (transparencies) ; 2 p.

The grand manner # 5 Holograph piano-vocal score ; 9 p.

The grand manner # 5 Holograph piano-vocal score (transparencies) ; 8 p.

I may never get well again Holograph piano-vocal score ; 3 p. + typed lyric sheet + dance ; [2] p.

I may never get well again Holograph piano-vocal score (transparencies) ; 5 p.

I'm not his sister anymore Holograph piano-vocal scores ; verse 2 p. ; refrain 3 p. + dance [1] p.

Jumpin' frog Holograph piano-vocal score ; 4 p.

Jumpin' frog Holograph piano-vocal score (transparencies) ; 6 p.

Live and love a lot # 2 Holograph piano-vocal score ; 12 p. + 12a-12b

Live and love a lot # 2 Holograph piano-vocal score (transparencies) ; 13 p.

The man you are # 9 Holograph piano-vocal score ; 4 p.

The man you are # 15 Holograph piano-vocal score (transparencies) ; 4 p.

The new Pilgrims' prayer # 1 Holograph piano-vocal score (transparencies) ; 2 p.

A new year filled with love # 6 Holograph piano-vocal score ; 5 p.

A new year filled with love # 6 Holograph piano-vocal score (transparencies) ; 6 p.

The perfect chaperone # 8 Holograph piano-vocal score ; 8 p.

Please be patient with me Holograph lead sheet sketch ; [1] p.

The quadrille (act I) from The Right Guy Holograph with ozalids pasted in piano score ; 9 p.

The quadrille (act I) from The Right Guy Copyist's ms. with holograph piano score (waxed transparencies) ; 9 p.

Safe little world # 3 Holograph piano-vocal score ; 5 p.

Safe little world # 3 Holograph piano-vocal score (transparencies) ; 5 p.

She has to be the right girl # 4 Holograph piano-vocal score ; 4 p.

She has to be the right girl # 4 Holograph piano-vocal score (transparencies) ; 5 p.

We're all going on a honeymoon # 12 Holograph piano-vocal score (transparencies) ; 3 p.

What do you wanna get married for? # 14 Holograph piano-vocal score ; 8 p.

What do you wanna get married for? # 10 Holograph piano-vocal score (transparencies) ; 8 p.

When I was a little boy Holograph piano-vocal score ; 7 p.

When I was a little boy # 16 Holograph piano-vocal score (transparencies) ; 5 p.

You are youth # 13 Holograph piano-vocal score + lead sheet sketch on verso of p. 1 ; 7 p.

You are youth # 9 Holograph piano-vocal score (transparencies) ; 7 p.

[Diamond in the rough]

Diamond in the rough ; the Mark Twain musical

[Diamond in the rough]

Diamond in the rough ; the Mark Twain musical

Mark Twain musical, The

Dilly, 1954-1955 unproduced musical. Lyrics by Vernon Duke, Jerome Lawrence and Robert Lee.

Another day, another buck Ozalid piano-vocal score ; 3 p.

Bachelorhood Ozalid piano-vocal score ; 3 p.

The backlot blues Ozalid piano-vocal score ; 3 p.

Dilly Holograph piano-vocal score ; 6 p.Holograph piano-vocal score ; [2] p.

Don'tcha hate it (when they sing a love song) Holograph piano-vocal score ; [4] p. + 1 p. crossed out

Farewell to New York ; II.ii Holograph piano-vocal score (transparencies) ; 8 p.Ms. with holograph lyric piano-vocal score ; 5 p.

He's back in town ; I.3 ; Time passes by Ms. with holograph lyric piano-vocal score ; 3 p.

Holiday in Hollywood ; II (1) ; (12) (c) Ozalid piano-vocal score ; verse 2 p., refrain 2 p.

I sure have been in love Holograph melody sketch ; [1] p.

I'm about to become a lover Ozalid piano-vocal score, no lyric ; 4 p.

Just lucky, I guess Holograph piano-vocal score ; [5] p.

The kissing ballet song Ozalid piano-vocal score ; 7 p.

A lad for ev'ry lass # 11 Holograph piano-vocal score ; 4 p.

A lad for ev'ry lass # 11 Holograph piano-vocal score (transparencies) ; 3 p.Holograph melody sketch ; [1] p.

Look at me Holograph piano-vocal score ; verse [2] p., refrain [3] p.

Love me now Holograph lead sheet ; [2] p.

Lucre, love or liquor Ozalids (2) piano-vocal scores ; 3 p.

Mocambo mambo Holograph piano-vocal score ; 7 p.

Now is the time for all good men Ozalid piano-vocal score ; 3 p.

Roses in the rain (canon version) Holograph vocal score ; [3] p.

Roses in the rain ; I.7 Ozalid piano-vocal score ; verse 2 p., refrain 3 p.

Since yesterday ; I.4 Ozalid piano-vocal score ; 2 p.

Small world Holograph piano-vocal score ; [4] p.

The story conference # 6 Holograph piano-vocal score ; 20 p.

Take the money (finale act I) ; I.11 Ozalids (2) piano-vocal scores ; 8 p. + 1 copy has [2] p. holograph & 1 copy has [4] p. holograph added

There's nothing like an this old fashioned waltz ; II.8 Ozalid piano-vocal score ; 4 p.

A village named called Hollywood ; I.1-A Ozalid piano-vocal score ; 3 p., Coda [1] p.

What if you're not ; Small talk, verse: ; In our chateau in Brooklyn Holograph sketches ; [3] p. ; lyric for "In our chateau in Brooklyn" by John Latouche

What if you're not ; II.4A Ozalid piano-vocal score ; verse 2 p., refrain 3 p.

Who's excited? ; II.6A Ozalid piano-vocal score + holograph material ; 3 p., verse [1] p.

Dilly lyrics Bound typed lyric sheets, some photocopies ; [36] p.

Dilly score ; routine - "Dilly"/audition

Dilly

Emperor Norton, 1954, ballet after Jacques Offenbach, scenario and choreography by Lew Christensen David Lichine ; originally titled: Girls' dormitory

Emperor Norton (after Offenbach) 1954 Holograph full score ; 251 p.

Emperor Norton Holograph piano score ; 91 p.

[Emperor Norton]. Girls' Dormitory Bound photocopy of above + laid in holographs: insert (p. 90) ; [1] p., and "Emperor Norton" coda (to follow Ballerina's variations) ; [3] p.

Emperor Norton Bound photocopy of holograph full score with annotations ; 251 p. ; holograph [9] p. laid in

Entr'acte, ballet, 1938-1947-1968

Entr'acte Holograph full score (transparencies) ; 174 p.

Entr'acte

Entr'acte "finale", ballet orchestrated 1952 Holograph full score ; 42 p.

Entr'acte

Entr'acte ballet en 1 acte de George Balanchine ; partition de piano, New York 1947-1950 Holograph piano score (waxed transparencies) ; 52 p.Ozalids (2) of above, 1 copy to p. 50 with holograph "codetta" laid in ; p. 51-52

Girls' dormitory see Emperor Norton

Gondla prelude pour le drame de N. Gumileff ; op. 4 ; pour grand orchestre ; partition 1922, New York Holograph full score ; 29 p.

Gondla Parts (50)

Helen of Troy, unproduced(?) operetta, music mostly by Offenbach. Lyrics by Marshall Barer

Finale (act I) Holograph piano-vocal score ; 16 p. + 9 p. + counter-melody ; [1] p.

Finale - act I Ozalids (2) of copyist's ms. piano-vocal score ; 34 p.

I'm called the king # II Holograph piano-vocal score, no lyric ; 2 p.Ozalids (2) of copyist's ms. piano-vocal score ; 4 p.

Invocation to Venus # V Ozalids (2) of copyist's ms. piano-vocal score ; 4 p.

The judgement of Paris # III Ozalids (2) of copyist's ms. piano-vocal score ; 10 p.

No one is perfect # I Holograph piano-vocal score, sans most of lyric ;13 p.Ozalids (2) of copyist's ms. piano-vocal score ; 19 p.

No one is perfect ; No. 15 duo Printed Offenbach piano-vocal score with new lyric written in ; p. 135-152

A queen is always on display # IV Holograph piano-vocal score, no lyric ; 6 p.Ozalids (2) of copyist's ms. piano-vocal score ; 6 p.

[Unidentified] Holograph melody sketches ; [1] p. + [2] p.

Helen of Troy (La Belle Helene) Typed script, book by Bill Hoffman ; 37 p. + 41 p. ; 2nd p. 2-1 laid in

Jackpot, musical 1943-4. Lyrics by Howard Dietz. (see also listings under Dancing in the streets, or Jackpot)

Blind date # 4 Ozalid of copyist's ms. piano-vocal score ; 6 p.

Dear little cottage # 16 Ozalid of copyist's ms. piano-vocal score ; 5 p.

First night # 6 Holograph piano-vocal score ; [5] p.Copyist ms. piano-vocal score ; [4] p.

An hour ago Holograph piano-vocal score ; [4] p.Ozalid of copyist's ms. piano-vocal score ; 5 p.

I adore a saloon # 3 Holograph and ms. piano-vocal score ; 7 p. + choral arrangement ; p. 3-14 laid inMs. piano-vocal score ; 13 p. (p. 5-9 wanting)

I kissed my girl goodbye Holograph piano-vocal score ; [4] p. (p. wanting)

I own a piece of a girl # 5 Ozalid of copyist's ms. piano-vocal score ; 5 p.

I wanna go back Ozalid of copyist's ms. piano-vocal score ; 5 p.

I'm in love with my top sergeant # 1 Ozalid of copyist's ms. piano-vocal score ; 5 p.

Jackpot (finale act I.) Holograph piano-vocal score ; 5 p.

A little marriage is a dangerous thing Ozalid of copyist's ms. piano-vocal score ; 3 p.

The little Streptococcus Ozalid of copyist's ms. piano-vocal score ; 5 p.

The long last mile Ozalid of copyist's ms. piano-vocal score ; 5 p.

Since the ballet came to Shubert Alley Ozalid of copyist's ms. piano-vocal score ; 5 p.

What's mine is yours # 19 Ozalid of copyist's ms. piano-vocal score ; 4 p.

Jardin publicsee: Public gardens

Kings and cabbagessee: Zenda

Lady Blue ballet de Roland Petit paroles pour la chanson "Lady Blue" de Bernard Dimey, 1961

Lady Blue Holograph full score (transparencies) ; 20 p. + 12 p. + 8 p.

Lady Blue Holograph piano score (transparencies) ; 54 p.

Lady Blue Copyist ms. piano-vocal score (transparencies) ; 5 p.

Midwinter's night dreamsee: Songe d'une nuit d' hiver

Mistress into maid (opera in two acts) based on Pushkin's tale, libretto by the composer, english version by Gregory Golubeff, May 1928-August 1958, revised: September 1967, London/Pacific Palisades, Calif. ; to the memory of Serge de Diaghilev

Mistress into maid ; act I Holograph full score ; 188 p.

Mistress into maid ; act II Holograph full score ;p. 189-417

Mistress into maid ; Demoiselle-Paysanne Holograph piano-vocal score ; 162 p.

Mistress into maid [copy 1] Ozalid of holograph piano-vocal score ; 162 p.

Mistress into maid [copy 2] Ozalid of holograph piano-vocal score ; 162 p. + 2 p. holograph laid in + "duet (Liza, Miss Jackson)" ozalid ; 11 p.

Mistress into maid [copy 3] Ozalid of holograph piano-vocal score ; 162 p.

Mistress into maid [copy 4] Ozalid of holograph piano-vocal score ; 162 p.

Mistress into maid [copy 5] Ozalid of holograph piano-vocal score ; 162 p.

Mistress into maid [copy 6] Ozalid of holograph piano-vocal score ; 162 p.

Mistress into maid [corrected copy] [copy 7] Ozalid and holograph piano-vocal score ; 193 p.

Mistress into maid [copy 8] Ozalid piano-vocal score (corrected copy) ; 193 p.

Mistress into maid [copy 9] Ozalid piano-vocal score (corrected copy) ; 193 p.

Mistress into maid [copy 10] Ozalid piano-vocal score (corrected copy) ; 193 p.

Mistress into maid [Duet (by Wm. Jackson of Exeter)] Copyist's ms. piano-vocal score (transparencies) ; 11 p.

Mistress into maid Typed libretto, heavily annotated, in English and Russian ; [46] p. + [1] p. holograph laid in

Mistress into maid

Nantucket, unproduced musical, 1960. Lyrics by Harold Rome

Alone (the whaling widows) # 1 Holograph piano-vocal score ; 4 p.

Diddle-daddle # 3 Holograph piano-vocal score ; [8] p.

I knew you well # 4 Photocopy of holograph piano-vocal score ; 4 p.

Je t'aime-I love you # 6 Holograph piano-vocal score ; [3] p.

Love is like an elephant # 5 Holograph piano-vocal score ; 4 p.

Made in Nantucket # 9 Holograph piano-vocal score ; [7] p.

My heart decided Photocopy of holograph piano-vocal score ; [4] p.

Nothing is too good # 2 Holograph piano-vocal score ; 7 p.

Opening (act I) Holograph piano-vocal score ; [4] p.

Pincus et cie # 11 Holograph piano-vocal score ; [6] p.

Song of our love Holograph piano-vocal score ; [3] p.Ozalid of holograph piano-vocal score ; [3] p.

There you are again Holograph piano-vocal score ; [4] p.

They never told me #10 Photocopy of holograph piano-vocal score ; [4] p.

They never told me (Sylvia's reprise act II) Holograph piano-vocal score ; [2] p.

Unlucky Pierre (song and trio) # 12 Holograph piano-vocal score ; [6] p.

A whaler's life # 13 Holograph piano-vocal score ; 12 p.

The whalers' return # 1A Holograph piano-vocal score ; 11 p.

When it's love Holograph piano-vocal score ; 3 p.

When it's love # 8 Holograph piano-vocal score ; [5] p.

When the devil played the fiddle (can-can) # 7 Holograph piano-vocal score ; [6] p.

You after all these years Ozalid of copyist's ms. piano-vocal score ; 3 p.

[Nantucket]

[Nantucket]

Paris after dark, unproduced musical. Lyrics by Leonard Adelson and Dusty Negulesco

Everybody loves everybody Holograph lead sheet ; [4] p.

I haven't a bean in my jeans Holograph lead sheet ; [2] p.

It's been pleasant, pleasant Holograph lead sheet ; [2] p.

Jenny, Jenny (save your dreams) Ozalid of copyist's ms. lead sheet ; 2 p.

The language of love Holograph lead sheet ; [2] p.

Lonely in Paris Holograph lead sheet ; [2] p.

Paris after dark Holograph lead sheets (2) ; [2] p.

The pink jungle, unproduced musical (?), 1959-60. Lyrics by Vernon Duke

Act II page 88 Ozalids (2) copyist's ms. piano score ; 2 p.

Act II page 112 Ozalid copyist's ms. piano score ; 2 p.

All the luck in the world # V Holograph piano-vocal score ; [4] p.

Blow the man down ; chanty Ozalid copyist's ms. piano score ; [1] p.

Brian Ozalids (2) copyist's ms. piano-vocal score ; 5 p.

Brian ; act I page 3 Ozalid copyist's ms. piano score

Chase music Ozalid copyist's ms. piano score ; 1 p.

Chic talk Ozalid copyist's ms. piano-vocal score ; 12 p.

Don't you ever cross me path Holograph piano-vocal score ; 6 p. + insert ; [1] p.

Fanfare Ozalid copyist's ms. piano score ; 1 p.

Free as the air Ozalid copyist's ms. piano-vocal score ; 5 p.

Funeral # 7-B Ozalid copyist's ms. piano score ; 1 p.

Funeral music # 7 Ozalids (3) copyist's ms. piano-vocal score ; 2 p.

Ghost music Ozalid copyist's ms. piano score ; 2 p.

Harvey's theme Ozalid copyist's ms. piano score ; 1 p.

A hundred women in one Ozalid copyist's ms. piano-vocal score ; 6 p.

It's tough to be a girl Ozalids (2) copyist's ms. piano-vocal score ; 6 p.

Love for sure Ozalids (2) copyist's ms. piano-vocal score ; [2] p.

M-10 Ozalid copyist's ms. piano score ; 3 p.

M-11 Ozalid copyist's ms. piano score ; [1] p.

Nobody but Tess Ozalid copyist's ms. piano-vocal score ; 6 p.

Persian room-ba Ozalid of holograph piano-vocal score ; 4 p.

The pink jungle Ozalids (2) copyist's ms. piano-vocal score ; 4 p.Ozalid copyist's ms. vocal arrangement by Jack Latimer ; 5 p.

Plaza music Ozalid copyist's ms. piano score ; 2 p.

Prelude Holograph piano score/sketch ; [1] p.

Same old love Ozalid copyist's ms. piano-vocal score ; 3 p.

Tess mambo Ozalid copyist's ms. piano score ; 6 p.

There was I (and where were you?) Ozalids (2) copyist's ms. piano-vocal score ; 4 p.Photocopy copyist's ms. alternate version piano-vocal score ; p. 4

Where do you go when you arrive? Ozalid copyist's ms. piano-vocal score ; 5 p.

Where do you go when you're on top? Ozalids (2) copyist's ms. piano-vocal score ; 5 p.

[The pink jungle]

The pink jungle ; third draft

The pink jungle ; fourth draft

The pink jungle ; fourth draft

The pink jungle ; act two

The pink jungle

[Public garden] ; Jardin public, ballet, 1934-35 (revised 1945-54). Argument d'apres Andre Gide, decor et costumes de Alice Halicka, choregraphie de Leonide Massine

Jardin public Holograph piano/short score ; 70 p. + [3] p. laid in

Rainsee: Sadie Thompson

[Rich girl, peasant girl] ; [Baryshnia - Krest'ianka], "opera in two acts, after Pushkin/(May 1928 - February 1931.)/.../scenario by the composer; text by the composer (apart from excerpts from the original)."

[Rich girl, peasant girl] Holograph piano-vocal score ; 137 p.

La Robe de Mariee, ballet de vertes

La Robe de Mariee Woodwind, brass and percussion parts (11)

Sadie Thompson, musical, 1944 (originally titled: Rain). Lyrics by Howard Dietz

Any woman who is willing will do # 10 Holograph piano-vocal score ; [3] p.

Back in circulation Holograph piano-vocal score ; [4] p.Sketch for "I told a lie" crossed out on p. [4]

Codetta (act I) # 13A Holograph piano score ; [1] p.

The devil in you is strong # 20 Holograph piano-vocal score ; [3] p.

Fisherman's wharf # 4 Holograph piano-vocal score ; [4] p.

From the cradle to the grave # 21 Holograph piano-vocal score ; [4] p.

Happy again Holograph piano-vocal score ; [4] p.

He's good for nothing but me Holograph piano-vocal score ; [4] p.

A house with a piano # 18 Holograph piano-vocal score ; [5] p.

Incidental music (act I) (to follow opening) # 1A Holograph piano score ; [3] p.

Incidental music (act I) # 10A Holograph piano score ; [2] p.

Interlude Holograph piano-vocal score ; [3] p.

Join the marines # 6 Holograph piano-vocal score ; [3] p.

The key to the gates # 12-B Holograph piano-vocal score ; [4] p.

Men's dance Holograph piano score ; [4] p.

My handsome # 12 Holograph piano-vocal score ; [4] p.

Overture Ms. piano score ; [7] p.

Stayin'-in woman # 5B Holograph piano-vocal score (no lyric); [4] p.

The weeping sky # 9 Holograph piano-vocal score ; [4] p.

When you live on an island # 2 Holograph piano-vocal score ; [4] p.

Where the sun god walks # 8 Holograph piano-vocal score ; [4] p.

You-U.S.A. # 7 Holograph piano-vocal score ; [4] p.

You'll be born all over again Holograph piano-vocal score (no lyric) ; [4] p.

You're dreamlike Photocopy of holograph piano-vocal score (no lyric) ; [4] p.

[Sadie Thompson]

She's working her way through college, film musical, 1952. Lyrics by Sammy Cahn

I'll be loving you Ozalid copyist's ms. piano-vocal score ; 5 p.

Love is still for free Ozalid copyist's ms. piano-vocal score ; 9 p.

Stuff that dreams are made of, The Ozalid copyist's ms. piano-vocal score ; 5 p.

Who can tell? Ozalid copyist's ms. piano-vocal score ; 3 p.

She's working her way through college

Songe d'une nuit d' hiver (midwinter's night dream), ballet en 1 acte, argument de Vernon Duke, décors et costumes de André Beaurepaire, New York 1949

Songe d'une nuit d' hiver Holograph piano score (transparencies) ; 47 p.

Sweet bye and bye, musical, 1946-1948. Lyrics by Ogden Nash

Chase music Ozalid of ms. piano score ; 2 p.

I says to him Ozalids (2) of ms. piano-vocal score ; 5 p.

Let's be young Ozalid copyist's ms. piano-vocal score ; 6 p.

My broker told me so Ozalid copyist's ms. piano-vocal score ; 3 p.

Opening-act I Ozalid of copyist's ms. piano score ; 2 p.

Singing commercial Ozalid copyist's ms. piano-vocal score ; [1] p.

Sweet bye and bye Ozalid copyist's ms. piano-vocal score ; 4 p.

Utility bridge Ozalid copyist's ms. piano score ; [1] p.

Sweet bye and bye

Time remembered, background score and 2 songs for stage play, 1957

Ages ago Holograph full score ; 17 p.

Time remembered Ms. full score ; 14 p.

Overture Holograph full score ; 32 p.

I time remembered Holograph full score ; 12 p. + p. 5A-6A

II lunch music Holograph full score ; p. 13-22

II-A time remembered Holograph piano score ; [1] p.

III (Amanda opens the window) Holograph full score ; p. 23-35

IV Leocadia Holograph full score ; p. 35-49 + p. 38a-39b

V last scene ; VI Amabile (Albert) Holograph full score ; 28 p. + p. A-M laid in

VIII coda (act I) Holograph full score ; 9 p.

IX act II (opening) Holograph full score ; 5 p.

X tango Holograph full score ; 9 p.

XI waltz codetta (act II) Holograph full score ; 6 p.

Entr'acte act III Holograph full score ; p. 5-[26]

XII tango (music on stage) act III Holograph full score ; 8 p.

XIII "time remembered" (waltz) act III Holograph full score ; 15 p.

XIV polka (act III) Holograph full score 9 p.

XV ages ago (act III) ; (out) Holograph full score ; 11 p.

XVII transformation scene (act III) Holograph full score ; 12 p.

XVIII Dawn music Holograph full score ; 10 p.

XIX final scene (act III) Holograph full score ; 22 p.

XX Duchess exits - act III Holograph full score, 1st p. copyist's ms. piano score ; [4] p.

Time remembered Photocopy (reverse image) of holograph piano-score (transparencies) ; 51 p.

Act II (new opening) Holograph piano score ; [2] p.

Entracte (act III) Ozalid copyist's ms. conductor short score ; 5 p.

The waltz (act III) # XIII Ozalid copyist's ms. piano conductor score ; p. 5-9

Love scene # XIX Ozalid copyist's ms. piano conductor score ; p. 21-28

Exit music Copyist's ms. short score (transparency) ; p. 3

Ages ago Printed piano-vocal score ; Chappell & co. Inc., New York, N.Y. ; p. 3-5

Time remembered Holograph piano-vocal score of verse ; [3] p.

Time remembered Printed piano-vocal score ; Chappell & co. Inc., New York, N.Y. ; p. 3-5

[fragments]

[sketches]

Entr'acte Parts (25)

I. Time remembered Parts (25)

II. Lunch music Parts (1)

IIa. Parts (11)

III. Amanda opens the window Parts (1)

IV. Leocadia Parts (15)

V. last scene ; VI. Albert's theme ; VII. Amanda Parts (11)

VI. Albert Parts (1)

VIII. coda (act I) Parts (1)

IX. act II (opening) Parts (2)

X. tango Parts (1)

XI. waltz codetta (act II) Parts (1)

XIII. time remembered (waltz act III) Parts (4)

XIV. polka (act III) Parts (4)

XV. ages ago (act III) Parts (5)

XVII. transformation scene (act III) Parts (1)

XVII. dawn music - act 3 Parts (1)

XIX. final scene (act II) Parts (3)

[XIX.] 19. (new) Parts (8)

XX. Duchess exits - act III Parts (1)

Exit music Parts (1)

Ages ago Ozalid copyist's ms. 3 violin arrangement ; 3 p.

Time remembered Ozalid copyist's ms. 3 violin arrangement ; 3 p.

I think you're pretty too

Washerwomen's ball, Thesee: Bal des Blanchisseuse, Le

Zenda, 1963 musical. Lyrics by Leonard Adelson, Sid Kuller and Martin Charnin

Alone at night # 5 Ms. full score ; 24 p.

Alone at night # 6 Holograph piano-vocal score ; 9 p.Photocopy of holograph piano-vocal score alternate section (m. 26-27 changed) ; 1 p.

Alone at night Copyist's ms. piano conductor score (transparencies) ; 10 p.

Alone at night Copyist's ms. piano-vocal score (transparencies) ; 10 p.

Alone at night

Alone at night

Alone at night piano-vocal ; alternate opening Copyist's ms. (transparencies) ; 2 p.

Alone at night (interlude) Holograph piano-vocal score ; 2 p.Copyist's ms. piano-vocal score (transparencies) ; 2 p.

Announcement/rehearsal # 20B Ozalids (5) short scores all with revisions, some extensive ; pagination varies, approximately 9 p.

Artists # 20 Ms. full score ; 53 p.

Artists # 20 Copyist's ms. (transparencies) ; 27 p.

Artists # 20

Artists B. G. # 24B Ms. full score ; 4 p.

Artists B. G. # 24B Copyist's ms. piano conductor score (transparencies) ; 2 p.

Artists B. G. # 24B

Artists - opening act II Holograph piano-vocal sketch ; 8 p.

Artists - opening act II Copyist's ms. (transparencies) ; 8 p.

[Artists] opening act II Ozalids (2) choral arrangement ; 2 p.

New artists Ozalids (4) piano-vocal scores ; 3 p.

Athena's dance/pt. 1 inst./pt. II # 26A, # 26B Ms. full score ; p. 1-17 + p. 1-8 laid in

Athena (piano-vocal) Holograph piano-vocal score ; 4 p. + ms. lyric sheet ; 1 p.

Athena's dance part I & II inst. pno. cond. Ms. (transparencies) ; p. 1-6, 8-10

Athena's dance/pt. 1 instr. # 26AA Parts (22)

Athena's dance part III # 26C Ms. full score ; 16 p.

Athena's dance pt. III (conclusion) # 26C Ms. piano conductor score (transparencies) ; 7 p.

Athena's dance pt. III (conclusion) # 26C

Beautiful B.G. # 17A ; pno. cond.See also: Let her not be beautiful... Ozalids (2) ; 2 p.

Beautiful curtain # 18 Ozalids piano conductor score (2) ; 2 p.

Beautiful curtain # 18

A bird that never learned to fly # 20 Holograph piano-vocal score ; 5 p. + [1] p. crossed out at front

A bird that never learned to fly # 20 Copyist's ms. piano-vocal scores (wax transparencies) ; 4 p.Ozalid lead sheet/condensed score ; 2 p.

Reprise of "a bird that never learned to fly" Holograph piano-vocal score ; p. 6-8

A bird that never learned to fly/reprise Copyist's ms. (transparencies) ; 4 p.

Born at last # 21 Ms. full score ; 42 p.

Born at last # 21 Holograph piano-vocal score ; 4 p.

Born at last # 21 Ozalids (5) piano conductor score ; 13 p.

Born at last # 21 Copyist's ms. piano conductor score/later version (transparencies) ; 22 p.

Born at last # 21 Parts (22)

Born [at last]/insert Copyist's ms. piano conductor score (transparencies) ; 3 p.

Born [at last]/insert Parts (37)

Born [at last]/rescore ; (this is in the overture also used for "exit") Ms. full score ; 5 p.

Born [at last]/rescore ; (this is in the overture also used for "exit") Copyist's ms. (transparencies) ; 3 p.

Born [at last]/rescore # 24B Parts

Exit ; Born [at last]/rescore # 21A Parts (22)

Bounce # 1A Ms. full score ; 30 p.

Bounce # 1A Ms. piano-vocal score ; 7 p.

Bounce # 1A Copyist's ms. piano conductor score (transparencies) ; 8 p.

Bounce # 1A Parts (23)

Bounce # 34 Ozalids (4) piano-vocal score ; 9 p.

Bounce ; new copy Ms. lead sheet/condensed score ; [4] p.

Bounce Ozalids (3) lead sheet/condensed score ; 3 p.

Bounce #2, # 1A Ms. full score ; 31 p. + new p. 18-21 laid in, p. 19-20 in short score format

Bounce #2, # 1A Copyist's ms. piano conductor score (transparencies) ; 16 p.

Bounce #2, # 1A Parts (23)

Bounce 2 9/21/63 fix ; pno-cond Copyist's ms. (transparencies) ; [3] p.

Bounce #2 fix 8/23/63 ; pno-cond Ms. (2) ; [1] p. each

Bounce exit # 1B Ms. full score ; 3 p. + note attached to cover

Bounce exit # 1B Copyist's ms. piano conductor score (transparency) ; [1] p.

Bounce exit-new # 1B Copyist's ms. (transparency) ; [1] p.

Bounce exit # 1B Parts (22)

Bounce exit-new # 1-B Parts (20)

Breakfast ; pno-cond Copyist's ms. (transparencies) ; 11 p.

Breakfast coda Holograph choral arrangement with accompaniment ; [1] p.

[Breakfast]

Breakfast # 20 Parts (22)

Bridge # 3-A Ms. full score ; 1 p. ; on t.p.: segue to Wonderful sounds

Bridge # 3-A Ms. short score (transparencies) ; [1] p.Ms. piano score ; [1] p.

Bridge # 3-A Parts (19)

Bridge # 3-A (different version from above) Parts (13)

Business or pleasure On cover: Opening act IHolograph piano-vocal score ; 8 p.

Charming waltz (utility) # 15B Ms. full score (correction attached on p. 4) ; 7 p.

Charming waltz (utility) # 15B Ms. piano conductor score (transparencies) ; 2 p.

Charming waltz (utility) # 15B Parts (36)

Charming waltz (utility) # 26D Parts (17)

Come to me Photocopy of holograph piano-vocal score with annotations ; 9 p.

Command performance (part I) # 26 Ms. full score ; 10 p.

Command performance (part I) # 26 Copyist's ms. piano conductor score4 (transparencies) ; 6 p.

Command performance (part I) # 26 Parts (22)

Command [performance] #2, # 26A Ms. full score ; 8 p.

Command [performance] #2, # 26A Copyist's ms. piano conductor score (transparencies) ; 5 p.

Command [performance] #2, # 26A

Montage "command performance" ; opening - fanfare Ms. short score with ozalid material pasted in ; [12] p.

Montage "command performance" ; opening - fanfare Copyist's ms. short score (transparencies) ; 12 p.

Count the stars # 17 Ozalids (2) piano-vocal scores ; 5 p.

Curtain act I Ms. full score ; 2 p. + note included on score paper

Orchestral curtain act I Ms. full score ; 2 p. + note attached

Orch. curtain act 1 # 18A Copyist's ms. (transparencies) ; [1] p.

Orch. curtain act 1 # 18A Parts (2)

Curtain/act I/new # 18 Copyist's ms. piano conductor score (transparencies) ; 2 p.

Curtain/act I/new # 18 Parts (21)

Curtain act II (yesterday's forgotten) Ms. full score ; 6 p.

Curtain act II ; pno.cond. Copyist's ms. (transparencies) ; 3 p.

Curtain act II # 35 Parts (21)

The elusive Mr. Rassendyl girls dance & vocal # 27 Ms. full score ; 18 p.

The elusive Mr. Rassendyl girls dance & vocal # 27 Copyist's ms. piano conductor score (transparencies) ; 9 p.

The elusive Mr. Rassendyl girls dance & vocal # 27 Parts (22)

The elusive Mr. Rassendyl # 24 Holograph piano-vocal score ; 6 p.

The elusive Mr. Rassendyl (Rassendyl and girls) part 1 # 24 Ozalids (6 + one p. [1]) piano-vocal scores

The elusive Mr. Rassendyl (Rassendyl and girls) part 1 # 24 Copyist's ms. (transparencies) ; 6 p. + [1] p. with 4 m. marked: old-intro ; and Addelson listed as lyricist

The elusive Mr. Rassendyl part 2 (Rassendyl and girls) # 25 Copyist's ms. (transparencies) ; 2 p.

[The] elusive Mr. Rassendyl intro Holograph piano score ; 1 p.

The elusive Mr. Rassendyl/(added verse) Holograph piano-vocal score ; [1] p.

[The] elusive [Mr. Rassendyl] patter # 27A Ms. full score ; 6 p.

[The] elusive [Mr. Rassendyl] patter # 27A Copyist's ms. piano cond. score (transparencies) ; [2] p. with 4 m. marked: old-intro

[The] elusive [Mr. Rassendyl] patter # 27A Parts (19)

The elusive Mr. Rassendyl # 21, # 22 Ozalid (various sections) and 1 p. of manuscript piano-vocal score ; [6] p.

Enchanting girls Holograph piano-vocal score and sketch; [4] p.

Enchanting girls Ozalids (6) ; 4 p.Ozalids (2) lead sheet marked: (-2nd chorus-) ; [1] p.

Entre acte ; pno. cond. Ozalids (3) ; 2 copies are 6 p., 1 copy is 9 p.

Entre acte ; overture fine to train station # 19 Parts (20)

Exit music Ms. full score ; 12 p.

Exit music Copyist's ms. piano conductor score (transparencies) ; 15 p.

Exit music Parts (20)

Fanfare Ms. full score, unfinished ; 3 p.

Festive march/inst. # 6 Ms. full score ; 9 p.

Festive march/inst. # 6 Copyist's ms. short score (transparencies) ; 3 p.

Festive march/inst. # 6 Holograph piano score ; 2 p.

Festive march/inst. # 6 Copyist's ms. piano score (transparencies) ; 2 p.

Festive march/inst. # 6 Parts (19)

Folk dance ; polka # 11 Holograph piano score ; [5] p.

Folk dance ; polka # 11 Copyist's ms. piano score (transparencies) ; 5 p.

A gift of love ; wedding chorus ; piano-chos Copyist's ms. (transparencies) ; 4 p.

A gift of love Holograph choral parts SATBBa ; 1 p. each, Baritone and Bass together, for a total of 4 p.

A gift of love Copyist's ms. choral parts SATBBa (transparencies) ; 1 p. each, Baritone and Bass together, for a total of 4 p.

A gift of time ; (vocal) Ozalid piano-vocal score ; p. 3-6

A gift of time ; duet version (verse wedded to chorus) Ozalid (2) piano-vocal score ; p. 7-11

A gift of time ; Life/Time and place (music under dialogue) Ozalid piano score ; 2 p.

A girl for every day of the week # 2 Holograph piano-vocal score ; 4 p.

A girl for every day of the week # 2 Copyist's ms. piano-vocal score (transparencies) ; p. 5-10

Girls Holograph piano-vocal sketch ; [2] p.

Girls

Girls and Rassendyl # 29 Manuscript full score ; 16 p.

Girls and Rassendyl # 29 Copyist's ms. piano conductor score (transparencies) ; 11 p.

Girls and Rassendyl # 29 Parts (22)

Girls exit # 32 Ms. full score ; 7 p. + 1 p. crossed out

Girls exit # 32 Copyist's ms. piano conductor score (transparencies) ; 3 p.

Girls exit # 32 Parts (21)

Girls exit - new intro # 32 Copyist's ms. piano conductor score (transparencies) ; 1 p.

Girls exit - new intro # 32 Ms. short scores, alternate from above (2) ; 1 p. + attached to: "Girls exit ; pno. cond." ; 3 p.

Happy horns and merry bells # 4 Copyist's ms. piano-vocal score (transparencies) ; 7 p.

He wouldn't dare # 32 Ozalids (2) piano-vocal scores ; 5 p.

Hello, must do a show, goodbye! Holograph piano-vocal score ; 11 p.

Hello, must do a show, goodbye! Copyist's ms. (transparencies) ; 14 p.

Here and there # 11 Copyist's ms. piano conductor score (transparencies) ; 13 p.

Here and there # 11 Parts (20)

Here and there # 32 Ozalids (6) piano-vocal scores ; 11 p.

I wonder what he meant by that Holograph piano-vocal score ; 8 p. + an original 1st p. that is crossed out

I wonder what he meant by that Copyist's ms. (transparencies) ; 12 p. + alternate p. 10 with different lyric at the bottom

I wonder what he meant by that # 15 Ozalids (10) (various) ; 12 p. ; some copies have laid in "new ending" and/or "vocal"

I wonder what he meant by that / vocal # 15A Ms. full score ; 26 p. + additional internal pages stapled or taped together

I wonder what he meant by that / vocal # 15A Copyist's ms. piano cond. score (transparencies) ; 10 p. + p. 11 "new ending", p. [12] "extension", p. [13] "insert", p. 2 (p. [14]) "insert"

I wonder what he meant by that / vocal # 15A Parts (26)

I wonder what he meant by that choir Ms. choral sketches ; [3] p.

I wonder what he meant by that ; vocal Copyist's ms. choral score (transparencies) ; 2 p.

New end - meant by that Ms. piano-vocal sketch ; 1 p.

End-meant Ms. piano-vocal sketch ; 1 p.

"Meant by that" ; new ending Copyist's ms. piano-vocal score (transparencies) ; 1 p.

I wonder what he meant by that/cerem. dance # 15 Ms. full score ; 10 p. + p. "a" at front

I wonder what he meant by that/cerem. dance # 15 Copyist's ms. piano-conductor score (transparencies) ; 4 p.

I wonder what he meant by that/cerem. dance # 15 Parts (22)

I wonder [what he meant by that]/insert (utility) Parts (17)

I won't stand in your way # 7 Photocopy of holograph piano-vocal score with annotations ; 5 p. (pages taped vertically and horizontally)

I'll marry a soldier # 5 Photocopy of holograph piano-vocal score with annotations ; 5 p. (pages taped vertically and horizontally)

It does not # 17, # 23 Holograph piano-vocal score ; 7 p.

It does not # 17, # 23 Ozalids (7) piano-vocal scores (with pasteovers) ; 9 p.

It does not why not Ozalids (2) piano-vocal scores (later alternate version than above) ; 8 p.

It does not why not Ms. listing of productions staff telephone numbers ; 1 p.

It's a quaint little custom # 10 Holograph piano-vocal score ; verse p. 1-3, refrain p. 1-5

It's a quaint little custom # 10 Ozalids (2) piano-vocal scores ; 8 p.Ozalids (2) (alternate from above) including verse ; 11 p. ; on t.p.: 10Ozalids (2) verse only ; 3 p.

Kings and cabbages # 8 Holograph melody sketch with some chord indications ; [1] p.

Kings and cabbages # 8 Photocopy of holograph piano-vocal score with annotations ; [3] p.

Let her not be beautiful # 17 Ms. full score ; 16 p.

Let her not be beautiful # 17 Copyist's ms. piano conductor score (transparencies) ; 8 p. + "Fix on let her not be beautiful" ; [1] p.

Let her not be beautiful # 17 Copyist's ms. piano-vocal score (alternate version from above) ; 4 p.

Let her not be beautiful # 17 Parts (22)

Let her not be beautiful (you are all that's beautiful) Holograph piano-vocal score ; 4 p.

Let her not be beautiful (you are all that's beautiful) Ozalid piano-vocal score ; 4 p.

Let her not be beautiful reprise # 33, # 17A Ms. full score (some p. are stapled on top of others) ; 14 p.

Let her not be beautiful reprise # 33, # 17A Parts (22)

Let her not be beautiful (reprise) ; pno. cond. Copyist's ms. (transparencies) ; 6 p.

Let her not be beautiful (reprise-new) # 33 Copyist's ms. (transparencies) ; 2 p.

Let her not be beautiful/reprise Ozalid (non-reprise version with annotations regarding the reprise) piano-vocal score ; 4 p.

Ending of "let her not be beautiful" reprise Ms. sketch ; 2 p.

Beautiful B.G. # 17A

Beautiful B.G. # 17A Parts (20)

Life (music under dialogue) ; Life [verse] ; Life/duet version (verse wedded to chorus) Ozalids (2) piano-vocal score with no lyric ; 11 p.

Love is the worst possible thing # 25 Ms. full score ; 30 p. + [1] p. "insert before last 4 bars"Short score sketch laid in: "Sexy episode" and "Punch and Judy" ; [1] p.

Love is the worst possible thing # 25 Copyist's ms. piano conductor score (transparencies) ; 11 p. + old p. 11

Page - 9 - new (love is the worst) Copyist's ms. (transparency) ; 1 p.

Love is the worst possible thing Copyist's ms. piano vocal score (transparencies) ; 6 p.

Love is the worst possible thing Copyist's ms. piano-vocal score (transparencies) ; 4 p.Ozalid + holograph attached ; p. 4

Love is the worst possible thing Parts (23)

Love is [the worst possible thing] (counter melody) Holograph sketch, unidentified sketches on verso ; [1] p.

[Love is the worst possible thing] reprise Ms. full score ; 2 p. + note attached to front

Love [is the worst possible thing] reprise # 34 ; pno. cond. Ozalids (2) ; 6 p.

Fix 8/22/63 Love [is the worst possible thing] reprise Copyist's ms. short score (transparencies) ; [1] p.

Love [is the worst possible thing] reprise new # 34 Parts (20)

Loveless you and hateful me # 13 Holograph piano-vocal score ; 6 p. + [1] p. crossed out piano score for "National anthem"

Loveless you and hateful me # 13 Copyist's ms. piano-vocal score (transparencies) ; 8 p.Ozalid, alternate version ; 6 p.

Magic music # 28 Ms. full score ; 6 p.

Magic music # 28 Ms. short score ; [3] p.

Magic music # 28 Copyist's ms. piano conductor score (transparencies) ; 2 p.

Magic music # 28 Parts (23)

Magic music # 31 Parts

Mazurka # 12 Holograph piano score ; [3] p.

Mazurka # 12 Copyist's ms. in ink on (transparencies) ; 3 p.Ozalids (3) ; 2 copies 4 p., 1 copy 2 p.

Montage poster # 26A ; train Copyist's ms. short score (transparencies) ; [2] p. ; on first p. "old pg. 8", from: Overture fine to train stationOzalids (2) ; [4] p. (?, 9, 5, 6)

Montage poster # 26A ; train Parts (20)

The morning you were born Photocopy of holograph piano-vocal score with holograph lyric ; [3] p.

My heart has come a tumblin' down # 24 Ms. full score ; 15 p.

My heart has come a tumblin' down # 24 Copyist's ms. piano conductor score (transparencies) ; 8 p.

My heart has come a tumblin' down # 24 Parts (20)

My heart has come a-tumblin-down ; new verse Holograph piano-vocal score ; [3] p.

My heart has come a tumblin' down - rehearsal ; pno. cond. Copyist's ms. (transparencies) ; 2 p.

My heart [has come a tumblin' down] - rehearsal ; change master bars 8 + 9 Ms. (2) sketches ; [1] p. each

My heart has come-a-tumbling-down (refrain - beguine version) Ms. piano-vocal score ; 2 p.

My heart has come-a-tumbling-down (refrain - beguine version) Copyist's ms. piano-vocal score (transparencies) ; 3 p.

My heart has come a tumblin' down / vocal tag # 24A Ms. full score ; 7 p.

My heart has come a tumblin' down / vocal tag # 24A Copyist's ms. piano conductor score (transparencies) ; 4 p.

My heart has come a tumblin' down / vocal tag # 24A Parts (21)

[My heart has come a] tumbling [down] - opt. end Ms. full score ; p. 10-12 + title p. attached

[My heart has come a] tumbling [down] - opt. end Ms. piano conductor score (transparencies) ; 2 p.

[My heart has come a] tumbling [down] - opt. end Parts (19)

[My heart has come a] tumbling down / march int. # 23 Ms. full score ; 13 p.

[My heart has come a] tumbling down / march int. # 23 Copyist's ms. piano conductor score (transparencies) ; 4 p.

[My heart has come a] tumbling down / march int. # 23 Parts (22)

My royal majesty # 3 Ms. full score ; 48 p. + [3] p. laid in: bar 166, new p. 46-47

My royal majesty # 3 Copyist's ms. piano conductor score (transparencies) ; 13 p.Ozalids (5) (with pasteovers), 1 copy has laid in ms.: #3A ; [1] p.

My royal majesty # 3 Holograph piano-vocal score ; 15 p. + "introduction (royal fanfare)" inside of front cover ; [1] p., and "interlude" at back ; [3] p.

My royal majesty # 3 Ozalids (7) (first version) ; 15 p. ; some dated: 6/27/63 ; 1 copy has laid in "ending" in ms., lyric sketch on back ; [1] p. with "coda"Ozalids (2) (2nd version) ; 18 p. ; on t.p.: out ; 1 copy dated: 5/31/63Ozalid ; 13 p.

My royal majesty # 3 Parts (25)

My royal majesty ; new end ; new 183 ; not this end Ms. full score ; [1] p.

My royal majesty ; rescore 165-166 Ms. full score (crossed out) ; [1] p.

My royal majesty ; 10/17/63 new bars 175 to end Copyist's ms. piano-vocal score (transparencies) ; [1] p.

My royal majesty ; 10/16/63 (new revised) ; coda Copyist's ms. piano-vocal score (transparencies) ; p. 17-18

My royal majesty ; 10/15/63 (revised) ; coda Copyist's ms. piano-vocal score (transparencies) ; p. 17-18

My royal majesty/B.G. # 14 Ms. full score ; 4 p.

My royal majesty/B.G. # 14 Copyist's ms. piano conductor score (transparencies) ; 2 p.

My royal majesty/B.G. # 14 Parts (23)

National anthem Photocopy of holograph piano-vocal score with "dummy lyric" ; [2] p.Photocopy of holograph piano-vocal score, no lyric ; [2] p.Copyist's ms. piano-vocal (transparencies), no lyric ; 2 p. ; note attached

Never let them know what's going on Photocopy of holograph piano-vocal score with holograph lyric ; [3] p.

The night is filled with wonderful sounds # 4 Ms. full score ; 32 p. + [2] p. of sketch material attached at p. 16

The night is filled with wonderful sounds # 4 Copyist's ms. piano conductor score (transparencies) ; 13 p. + "new 58-59 [4] 8/13/63" ; [1] p., "[4] fix 8/8/63" ; [1] p.

The night is filled with wonderful sounds # 4 Ms. piano-vocal score ; [2] p.

The night is filled with wonderful sounds # 4 Ozalids (2) piano-vocal scores ; 2 p.

The night is filled with wonderful sounds # 4 Parts (22)

The night is filled with wonderful sounds # 4 Copyist's ms. piano-vocal score (transparencies) ; 7 p.

[The night is filled with] wonderful sounds # 4 (pages 3-4 in Ab) Holograph piano-vocal score corrections ; [1] p.

The night is filled with wonderful sounds # 4 Ozalids (alternate version from above) (5) piano-vocal score ; 7 p., 1 copy only p. 3-5

Night [is] filled [with wonderful sounds, The] Copyist's ms. (transparencies) ; p. 3-4 ; marked "obsolete"

[The night is filled with] wonderful sounds intro ; choir Ms. short score with choral arrangement ; [1] p.

[The night is filled with] wonderful sounds intro ; choir Copyist's ms. (transparency) ; [1] p.Ozalids (6), 1 copy attached to ozalid piano-vocal score ; 7 p.

[The] night is filled with wonderful sounds - last choir chorus Ms. choral arrangement ; [2] p. ; laid in choral sketch ; 2 p.

[The] night is filled with wonderful sounds - last choir chorus Copyist's ms. (transparencies) ; 2 p.

[The night is filled with] wonderful sounds (utility) Ms. full score ; 8 p. + p. 47 laid in

[The night is filled with] wonderful sounds (utility) Copyist's ms. piano conductor score (transparencies) ; 4 p.Ozalids (2) with "born/insert" attached ; [7] p.Ozalid with "yesterdays/orch." attached ; [6] p.

[The night is filled with] wonderful sounds (utility) Parts (37)

No ifs - no ands - no buts # 22 Ms. full score ; 26 p. + insert new p. 16-18 + "insert #2" ; [1] p.

No ifs - no ands - no buts # 22 Copyist's ms. piano conductor score (transparencies) ; 7 p.

No ifs - no ands - no buts # 22 Parts (20)

No buts! no ifs! no ands! # 33 Ozalids (6) piano-vocal score ; 6 p. ; 1 copy has laid in revision : p. 3-9

"No buts! no ifs! no ands!" 10/15/63 (revised) Copyist's ms. piano-vocal score (transparencies) ; p. 3-9

No more love # 2 Ms. full score ; 32 p. + "new intro" attached at front ; p. a

No more love # 2 Copyist's ms. piano conductor score (transparencies) ; 16 p.Ozalids (4), 1 copy has "no more love intro" attached ; [1] p.

No more love # 2 Ozalids (5) piano-vocal scores ; 10 p. ; 1 copy 1st p. of "pno. cond." attached ; + [1] p.

No more love # 2 Copyist's ms. piano-vocal score (transparencies) ; 10 p.Ozalids (6) ; 12 p. ; 1 copy has "interlude (1), (2) & (3)" laid in ; [3] p., 1 copy has holograph 3 m. sketch laid in ; [1] p., 1 copy has "pno. cond." attached, and holograph sketch of "interludes" laid in ; [1] p. each

No more love # 2 Parts (20)

No more love new intro # 2 Ms. full score ; 5 p.

No more love new intro # 2 Parts (5)

No more love new intro # 2 Copyist's ms. piano conductor score (transparencies) ; 2 p.

No more love intro # 2 ; pno-cond ; 8/1/63 Copyist's ms. (transparencies) ; [1] p.

No more love ; vocal Copyist's ms. choral score (transparencies) ; 4 p.

No more love interlude (1) 7/16 ; No more love interlude (2) 7/16 ; No more love interlude (3) 7/16 Ms. piano-vocal sketches (3) ; [1] p. eachCopyist's ms. (3) (transparencies) ; [1 p]. each

New end no more love Ms. piano-choir score ; [1] p.

No more love/new (new ending) ; pno. choir ; 7/27/63 Copyist's ms. (transparencies) ; 2 p.

No one owns tomorrow Copyist's ms. piano-vocal score (transparencies) ; 5 p. + note attached

"Tomorrow" ; 7/1/63 Ms. 3 m. piano-vocal sketch ; [1] p.

No one owns tomorrow # 17 Ozalids (4) piano-vocal scores, various versions ; 5 p.

No two ways about love Holograph sketch ; [1] p.

Old friend Copyist's ms. piano-vocal (transparencies) ; 4 p.

One night ago Holograph piano-vocal score ; 8 p. ; on cover: (instrumental in act I; sung in act II)

One night ago # 19 Copyist's ms. (transparencies) ; 11 p.Ozalids (4), 1 copy has typed lyric sketch laid in ; [1] p., 1 copy is 5 p. long with an alternate p. 5, and missing measure numbers on p. 2-5

One night ago (dance interlude) Holograph piano score ; [2] p.

Opening act I Holograph piano score ; 1 p.

Act one opening # 1 Copyist's ms. piano-vocal score (transparencies) ; 4 p.

Opening act II Ms. full score ; 5 p.

Opening act II # 19 Copyist's ms. piano conductor score (transparencies) ; 3 p.

Opening/act II # 35 Ozalids (2) piano-vocal scores, 1 copy leads into "Artists" ; 9 p., the other copy is 2 p.

Opening act II # 19 Parts (22)

Organization ; (act II) opening # 14 Holograph piano-vocal score ; 15 p. + taped on extension on p. 5

Organization Ozalid piano-vocal score ; 19 p.

Overture ; pno. cond. Copyist's ms. (transparencies) ; 10 p.Ozalids (2), "insert" attached ; 17 p. (approx.)

Overture # 1 ; overture insert ; born/rescore ; born/insert Parts (23)

Overture (insert) Copyist's ms. piano conductor score (transparencies) ; p. 11-17

Overture (insert) Parts (17) (transparencies)

New overture # 2 Ms. full score ; 36 p.

Overture # 2 Ms. full score ; [34] p., p. 1, 3-4, 7-8, 18-46

Overture # 2 Parts (26)

Overture # 2 ; 8/23/63 Copyist's ms. piano cond. score (transparencies) ; [16] p. 1-13 + 8A-8CCopyist's ms. short score fixes (transparencies) ; [6] p.

Overture fine to train station # 1C Ms. full score ; 18 p.

Overture fine to train station # 1C Copyist's ms. piano conductor score (transparencies) ; 7 p.Ozalids (3) ; 9 p.

Overture fine to train station # 1C Parts (35)

Orland national anthem Holograph piano score ; 1 p. ; on t.p.: Kings and cabbages

Patroness of art (opening act II) Holograph piano-vocal score ; 9 p. + 2-A and 2 crossed out p. including sketch for "interlude I wonder what he meant"

Patroness of Art # 18 Copyist's ms. piano-vocal score (transparencies) ; 16 p.Ozalids (2) ; 16 p.Ozalid, alternate version ; 15 p.

Pull a rabbit out of the hat Ozalids (2) piano-vocal score ; 8 p.

Queen mother's crossover Ms. full score ; 26 p.

Queen mother's crossover Ms. short score sketch ; [8] p., p. 1-3, 3A, 4-6, [unnumbered]

Queen mother's crossover Copyist's ms. piano conductor score (transparencies) ; 14 p.

Queen mother's crossover Parts (22)

A royal confession # 13 ; (my son-in-law the king) Ms. full score ; 19 p.

A royal confession # 13 ; (my son-in-law the king) Copyist's ms. piano conductor score (transparencies) ; 8 p.

A royal confession # 13 ; (my son-in-law the king) Parts (23)

My son-in-law the king # 14 Holograph piano-vocal score ; 4 p.

A royal confession ; My son-in-law the king Ozalids (7) piano-vocal scores ; 7 p.

Segue to palace # 34-A Ms. full score ; [4] p., last p. crossed out

Segue to palace # 34-A Copyist's ms. piano conductor score (transparencies) ; 2 p.

Segue to palace # 34-A Parts (20)

Sign on the dotted line Holograph piano-vocal score ; [3] p.

Sign on the dotted line Copyist's ms. piano-vocal score (transparencies) ; 4 p.

Sign on the dotted line (instrumental) #22A Holograph piano score ; [1] p.Copyist's ms. (transparencies) ; 2 p.

Something new Holograph piano-vocal score ; 6 p.

Something new Ozalids (2) piano-vocal score ; 6 p.

Thanks to love # 21 Ozalids (2) piano-vocal scores ; 11 p. ; on t.p.: out

That was then, Mr. Rassendyl Photocopy of holograph piano-vocal score with holograph lyric ; [4] p.Copyist's ms. "ending of 3rd chorus" ; [1] p.Copyist's ms. 3 m. of melody ; [1] p.

There are girls Holograph piano-vocal score ; 20 p. + crossed out and unnumbered p.

There is nothing like a wedding ; coda Holograph piano-vocal score ; [1] p.

There's nothing wrong with marriage Holograph piano-vocal score ; 5 p.

New title "there's room for her" # 11 ; here and there Ms. full score ; 42 p. + laid in: here and there (new intro) ; 1 p.

There's room for her # 11 Copyist's ms. piano conductor score (transparencies) ; 8 p.Ozalids (3) ; 1 copy has laid in ozalid of "Here and there ; pno. cond." ; 13 p.

There's room for her # 11 Parts (21)

Tour de force Ms. full score ; [27] p., p. 1-15, 19-21, 21a, 22-29

Tour de force Copyist's ms. piano conductor score (transparencies) ; 8 p.

Tour de force Holograph piano score ; 3 p.

Tour de force Copyist's ms. piano-vocal score (transparencies) ; 14 p.

Tour de force Parts (21)

Train music # 28 Holograph piano score in pencil ; 2 p.

Train music # 28 Copyist's ms. (transparencies) ; 2 p.

Trust in me Holograph piano-vocal score ; [8] p.

Turlututu Holograph piano-vocal score ; [4] p.

Verdi duo Ms. full score ; 11 p.

Verdi duo Copyist's ms. piano conductor score (transparencies) ; 6 p.Ozalids (3) 1 copy has laid in ms. short score sketch "Command performance #3" ; [2] p.

Verdi duo Parts (21)

Vernon Duccini Holograph piano score ; [1] p.Copyist's ms. (transparencies) ; [1] p.

Waltz fantasy # 15AA Ms. full score ; 60 p. + "Waltz fantasy new end "attached ; 2 p.

Waltz fantasy # 15AA Copyist's ms. piano conductor score (transparencies) ; 16 p.

Waltz fantasy # 15AA Ms. piano score sketch ; 6 p. + "Mambo" ; 10 p.

Waltz fantasy # 15AA Copyist's ms. piano score (transparencies) ; 15 p.

Waltz fantasy # 15AA Parts (11 + 28)

New new waltz/fantasy fix # 15AA Ms. full score ; p. 13-21

Waltz fantasy ; new 9-17-63 Copyist's short score (transparencies) ; p. 4-7

Waltz fantasy rescore Ms. full score ; p. 13-20

Waltz fantasy ; [new 9/1/63 Copyist's short score (transparencies) ; p. 4-6

Waltz fantasy - (old) Ozalid short score, new ending pasted over last p. ; p. 14-16 (p. 16 pasted over)

Waltz fantasy - (very old) Ozalid short score, new ending attached ; p. 14-16 + attached p.

[Waltz fantasy] old Parts (19)

Waltz fantasy new new end Ms. full score ; p. 1-5, m. 202-221

Waltz fantasy new ending 8/10/63 ; 15AA cont. Ms. full score ; p. a-b + a-h, m. 192-221

Waltz fantasy new end 9/17/63 Copyist's ms. short score (transparencies) ; p. 2-3, m. 200-221

Waltz fantasy - new end/revised 9/1/63 Copyist's ms. short score (transparencies) ; p. 2-4, m. 200-221

Waltz fantasy - new end Copyist's ms. short score (transparencies) ; p. [2]-4, m. 192-221

Waltz fantasy (new ending) Ozalids (2), dated: 8/7/63 ; 1 p., m. 234-a - 238-a

We Photocopy of holograph piano-vocal score with holograph lyric ; 4 p.

Interlude Holograph lead sheet ; [1] p.

We just might # 13 Holograph piano-vocal score and piano score ; 5 p. + [3] p.

Wedding march # 7 Holograph piano score ; [3] p.

Wedding march # 7 Copyist's ms. piano score (transparencies) ; 4 p.

New wedding march # 7 Parts (20)

New wedding march ; pno. cond. Copyist's ms. (transparencies) ; 5 p.

New wedding march # 7 ; pno. c[o]nd. Copyist's ms. (transparencies) ; [1] p. ; m. 40-42

New wedding march ; pno. cond. ; 9-4-63 ; Love is the worst possible Copyist's ms. (transparency) ; 1 p., m. 24

[Wedding march] Copyist's ms. (transparencies), 4 fragments ; m. 3-10, 15-16, 19-20, 29-33

New wedding march # 7 ; pno. cond. ; 8/6/63 Ozalids (3) (pasteovers) ; 5 p.

Wedding march/insert # 7 Ms. full score ; 12 p. + 1a and 6a laid in

Wedding march/insert # 7 Ozalids (3) piano conductor score , 1 copy has note attached ; 5 p.

Wedding march/insert # 7 Parts (23)

Wedding music Holograph piano-choral score, note attached ; 5 p.

Wedding music (world begins) Copyist's ms. (transparencies), note attached ; 5 p.

Wedding music ; choir ; 9/20/63 Copyist's ms. (transparencies) ; [2] p.

Wedding music ; choir ; 7/23 Holograph ; 1 p.Copyist's ms. (transparencies) ; 2 p.

Wedding music (world begins) ; vocal choir ; 7/5/63 Copyist's ms. (transparencies), note attached ; 3 p.

Wedding song/orch # 6 Ms. full score ; 4 p.

Wedding song/orch # 6 Copyist's ms. piano conductor score (transparencies) ; 4 p.

Wedding song/orch # 6 Parts (21)

[Wedding song] ; [Wedding music] Holograph and ms. piano-vocal/choral sketches (4 items) ; [5] p.

What does one do? # 4 Photocopy of holograph piano-vocal score with holograph lyric ; 3 p.

When you stop and think # 5 Ms. full score ; 28 p.

When you stop and think # 5 Copyist's ms. piano conductor score (transparencies) ; 11 p.

When you stop and think # 5 Holograph piano-vocal score ; 9 p. + 2nd p. 5Holograph piano-vocal score ; 6 p. + 1 p. laid in

When you stop and think # 5 Copyist's ms. piano-vocal score (transparencies) ; 8 p.

When you stop and think # 5 Parts (22)

A whole lot of happy # 10 Ms. full score ; 27 p. + "added intro" attached at front ; 1 p.

A whole lot of happy # 10 Copyist's ms. piano conductor score (transparencies) ; 12 p.

A whole lot of happy # 10 Ms. piano-vocal score ; 5 p.

A whole lot of happy # 10 Ozalid piano-vocal score ; 5 p.

A whole lot of happy # 10 Copyist's ms. piano-vocal score (transparencies) ; 13 p.

A whole lot of happy # 10 Parts (22)

A whole lot of happy ; vocal choir Copyist's ms. ; 8 p.

Intro to happy # 10 Copyist's ms. piano conductor score (transparency) ; [1] p.

A whole lot of happy # 10 Copyist's ms. piano conductor score (transparency), dated: 8/22/63 ; 1 p.

Intro to happy # 9A, # 10 Parts (20)

New "happy" opening Ms. short score ; [1] p.

New opening - happy Copyist's ms. short score (transparency) ; [1] p.

"Happy" opening Ms. short score ; 4 p.

Happy opening ; pno. cond. Copyist's ms. (transparencies) ; 4 p.

4-bar interlude "happy" ; mod. Eb to F Ms. short score ; [1] p.Copyist's ms. (transparency) ; 1 p.

"Happy" paraphrase ; 2) tempo di polka (con grazia) Holograph sketch ; [1] p.

A whole lot of happy (utility) # 8 Ms. full score ; 9 p.

A whole lot of happy (utility) # 8 Copyist's ms. piano conductor score (transparencies) ; 3 p.

A whole lot of happy (utility) # 8 Parts (62)

Happy / rock section # 10A Ms. full score ; 15 p. + "new" p. 10-13 laid in

Happy / rock section # 10A Copyist's ms. piano conductor score (transparencies) ; 7 p.

Happy / rock section # 10A Parts (25)

Whole lot of happy (rock) ; follows vocal Ms. lead sheet and short score in pencil ; 3 p.

Whole lot of happy (rock) ; follows vocal Copyist's ms. lead sheet and short score (transparencies) ; 3 p.

"Happy-rock" ; pno. cond. ; 9-4-63 Copyist's ms. (transparencies) ; 3 p., m. 36-54

Happy-rock # 10-A (old) Ozalids (2) ; p. 4-7 + 6-7

Rock for whole lot of happy Ms. sketches ; [1] p.

Whole lot of happy ; twist (dirty) Photocopy of ms. sketch ; 3 p.

Why not # 25 Ms. full score ; 17 p.

Why not # 25 Copyist's ms. piano conductor score (transparencies) ; 8 p.

Why not # 25 Parts (23)

Why not # 25 Copyist's ms. piano-vocal score (transparencies) ; 8 p.

Why it does not Ozalid piano-vocal score with new ms. lyric, "It does not" lyric by Leonard Adelson

Verse (abridged) Holograph lead sheet sketch with some piano score in pencil ; 1 p.

Why not? Typed lyric sheets (4) with annotations ; 8 p. ; 1 set dated "7/1/63", 2 sets dated "7/5/63"

Why not reprise/vocal # 34 Ms. full score ; 14 p.

Why not reprise (vocal-happy) # 34 ; pno. cond. Copyist's ms. (transparencies) ; 7 p.

Why not reprise/vocal # 34 ; old Parts (22)

The wine is mine # 3 Holograph piano-vocal score ; 7 p.

The wine is mine # 3 Copyist's ms. (transparencies) ; 6 p.

Words # 30 Ms. full score ; 42 p. ; note laid in

Words # 30 Copyist's ms. piano conductor score (transparencies) ; 15 p.

Words # 30 Ozalid piano conductor score ; dated: CP. 7/19/63 ; 15 p.Ozalids (6), various versions (undated) ; 15 p. ; 1 copy has laid in correction form. 17-20, ms. ; 1 p.

Words # 30 Parts (22)

Words - pt. II Ms. full score ; 18 p.

Words - pt. II Copyist's ms. piano conductor score (transparencies) ; 11 p.

Words - pt. II Parts (22)

Words Ms. piano-vocal score ; 5 p.

Words Copyist's ms. lead sheet (transparencies) ; 4 p.

Words

Words - new end Ms. piano-vocal sketch ; 6 p.

Yesterday's forgotten (and tag) # 16 Ms. full score ; 17 p. + "tag" 6 p. + "new" [1] p., m. 20-23, with note attached

Yesterday's forgotten # 16 Copyist's ms. piano conductor score (transparencies) ; 9 p. + "tag" 3 p.Ozalids (3), 2 copies with pasteovers and "fix" in ms. attached ; 1 p.

Yesterday's forgotten # 16 Parts (22)

Yesterdays [forgotten]/orch. # 37 ; pno. cond. Copyist's ms. (transparencies) ; 5 p.

Yesterdays [forgotten]/orch. # 37 ; pno. cond. Parts (51)

New ending ; 8/8/63 Copyist's ms. (transparency) ; [1] p., m. 20-23

You're not at all like you # 9 Photocopy of holograph piano-vocal score with holograph lyric ; [3] p.

You're not old enough (waltz and tango version) # 10 Holograph piano-vocal score ; 4 p. + "intro" [1] p. + [vocal] 4 p.

You're not old enough (waltz and tango version) # 10 Copyist's ms. (transparencies) ; 4 p. ; with note attached

You're not old enough Ozalids (2) piano-vocal scores ; 4 p.

Zarape (Antoinette's dance) Holograph piano-score ; [4] p.

Zarape (Antoinette's dance) Copyist's ms. (transparencies) ; 4 p.

Zenda - verse # 9 Ms. full score ; 36 p. + "Zenda end" ; 1 p.

Zenda - verse # 9 Copyist's ms. piano cond. score (transparencies) ; 13 p. + "fix" [1] p.Holograph piano-vocal score: "Zenda paraphrase"; [1] p.

Zenda - verse # 9 Copyist's ms. piano-vocal score (transparencies) ; 10 p.

Zenda - verse # 9 Parts (22)

Zenda (new verse) Holographs (2) piano-vocal scores ; [2] p.

Zenda # 9 Copyist's ms. piano-vocal score (transparencies) ; 3 p.Ozalids (5) with various annotations ; 10 p.

Zenda # 9 ; refrain II (duet) ; (verse) Holograph piano-vocal score ; [7] p.

Zenda Ozalids (2) piano-vocal score ; 1 copy 6 p., 1 copy 10 p.

Zenda end # 36-A Copyist's ms. piano conductor score (transparency) ; [1] p.

Zenda end # 36-A Parts (19)

Zenda theme # 29 Holograph piano score ; 2 p.

Zenda theme # 29 Copyist's ms. piano score (transparencies) ; 2 p.

[fragments removed from parts]

Multiple titles - all holographs

Various titles

[Unidentified, miscellaneous music, often appears to be fragments cut from parts]

Librettos, Script Revisions and Lyric Sheets

Zenda

Zenda ; interim working script ; May 1, 1963 ; #10

[Script revisions (most typed items appear to be either carbons, or some form of photocopy)]

Zenda (lyrics) ; compiled by John Everest

[Lyric sheets attached]

[Lyric sheets A-N, many with various annotations]

[Lyric sheets O-Z, many with various annotations]

[Unidentified lyric sheets]

Miscellaneous Items

Miscellaneous items

[Miscellaneous and oversized items]

[Fragments from parts]

[Annotated folders that contained music and other materials from Zenda (55 items)]

Vocal Music

Vocal Music of the Vernon Duke Collection consisting of manuscripts, scores, parts, etc.

Arrangement is alphabetical by title.

Anima eroica (ode to St. Brigitte) ; for soprano solo, two flutes, oboe, clarinet and piano ; August 1966 Holograph score (transparencies) ; 18 p.

Anima eroica (ode to St. Brigitte) ; for soprano solo, two flutes, oboe, clarinet and piano ; August 1966

Anima eroica (ode to St. Brigitte) ; for soprano solo, two flutes, oboe, clarinet and piano ; August 1966 Holograph parts (4) (transparencies) and (4) ozalids

As white swans slumber ; poem for voice and orchestra (reduction for voice and piano) Holograph piano-vocal score (Russian) ; [2] p.

La Bohême et mon couer ; deuxième serie ; New York, May 1950 Copyist's ms. piano-vocal score (transparencies) (French) ; 21 p.

La Bohême et mon couer ; deuxième serie ; New York, May 1950

Fool that I was Holograph piano-vocal score (no lyric) ; [3] p.

Free as the air Ozalids (2) of copyist's ms. piano-vocal score ; 5 p.

I touched a leaf of eucalyptus ; for soprano or tenor [and piano] Holograph piano-vocal score (transparencies) (Russian) ; 5 p.

I'm mad about a man about town Holograph piano-vocal score ; [4] p.

In this life ; 1964 Ozalid of holograph piano-vocal score with holograph lyric (Russian) ; 3p.

Journey to Italy (suite for voice and piano) ; April 1932 Holograph piano-vocal score (incomplete) (Russian) ; [8] p.Ozalids (2) ; 18 p.

Let me match my private life with yours Printed piano-vocal score from November 5, 1932 "Daily Mirror" ; p. 6

Little boy ("Colgate") Ozalid of copyist's ms. piano-vocal score ; [3] p.

Little girl ("Colgate") Ozalid of copyist's ms. piano-vocal score ; [3] p.

Lover's song, The Holograph piano-vocal score ; [4 p.] + [2] p. sketches (unidentified, crossed out)Holograph piano-vocal score (transparencies) ; 6 p.

Six mélodies sur les paroles de Tristan L`Hermite ; 1951-1953 Holograph piano-vocal score (transparencies) ; 21 p.

Six mélodies sur les paroles de Tristan L`Hermite ; 1951-1953

My, what a rainy day Holograph lead sheet ; [1] p.

Park avenue lyrics ; twelve songs for parlor use ; 1945 Copyist's ms. piano-vocal score (transparencies) ; [17] p.

Park avenue lyrics ; twelve songs for parlor use ; 1945

Quatre poèmes de Ch. Cros Copyist's ms. piano-vocal score ; 18 p.

Two poems of Baron A. Delvig ; for high voice and piano Holograph piano-vocal score (Russian) ; [12] p.

Two poems of Baron A. Delvig ; for high voice and piano Ms. piano-vocal score (transparencies) ; 14 p.

Six poems of Kevgeny Baratynsky ; for high voice and piano Ms. piano-vocal score (Russian) ; 17 p.

Cinq Poésies (nos. 1, 2, 3) ; Russischer Musikverlag G. m. b. H. Berlin, 1928 Piano-vocal score (3 titles) ; 3 p. each

Six romances ; 1964 Holograph piano-vocal score (transparencies) (Russian) ; 18 p.

Six romances ; 1964 Holograph piano-vocal score (transparencies) "To a foolish beauty" ; 4 p.

Six romances ; 1964

Two romances on lyrics of Dimitrii Klenovskii ; 1965-66 Holograph piano-vocal score (transparencies) (Russian) ; 7 p.

Two romances on lyrics of Mikhail Kuzmin ; 1930 Holograph piano-vocal score (transparencies) (Russian) ; 8 p.

Six songs (1919-1921) ; newly edited in 1930, New York Holograph piano-vocal score (Russian with English versions by André Skalski) ; [18] p.

Six songs (1919-1921) ; newly edited in 1930, New York Ms. piano-vocal score (transparencies) ; 20 p.

Piêsen; op. 4, no. 5. ; September 1919 Kiev Holograph piano-vocal score (Russian) ; [1] p.

II. Morning in Florence (incomplete) ; IV. The Venice Moon Holograph piano-vocal score (Russian) ; [6] p.

II. Morning in Florence (incomplete) ; IV. The Venice Moon Photocopy of ms. piano-vocal score (Russian w/ ms. English text) ; 18 p.

Three songs for tenor solo, three women's voices and piano accompaniment Ozalids (2) of holograph piano-vocal score ; 19 p.

Six songs from a Shropshire lad by A.E. Housman ; 1945-49 Holograph full score ; 34 p.

Six songs from a Shropshire lad by A.E. Housman ; 1945-49

Ten songs to words by Robert Hillyer and Charles Henri Ford ; 1936-1943 Copyist's ms. piano-vocal score (transparencies) ; 52 p.

Ten songs to words by Robert Hillyer and Charles Henri Ford ; 1936-1943

Sweetheart ; duet (two female voices) with orchestral accompaniment Holograph full score (Russian) ; 31 p.

Time to return home Ozalid of ms. piano-vocal score with holograph lyric transliteration (Russian) ; 4 p.

Victorian street ballads for women's voices and piano ; October 1943 Ozalid (bound) of holograph piano-vocal score ; 22 p.

Yours for keeps Ozalid of copyist's ms. piano-vocal score ; [3] p.

Choral Music

Choral music of the Vernon Duke Collection consisting of manuscripts, scores, parts, etc.

Arrangement is alphabetical by title.

Ballade made in the hot weather ; for women's voices and small orchestra (or piano) ; New York, 1945 Holograph piano-vocal score ; 12 p.

The end of St. Petersburg an oratorio for soprano, tenor and baritone, mixed chorus and orchestra ; 1933-1937-1960 Holograph (bound) full score ; 153 p.

The end of St. Petersburg an oratorio for three soloists (soprano, tenor, baritone), mixed chorus and orchestra ; 1933-1937-1960 Ms. and holograph full score (transparencies) ; 153 p.

The end of St. Petersburg ; 1932-1937 Ozalid (bound) of holograph score ; 101 p.

The end of St. Petersburg ; 1937-1960 ; oratorio (trois soloistes, choeur mixte grand orchestre) Ozalids (2) (bound) piano-vocal score, 1 copy with holograph annotations and p. laid in ; 103 p.

The end of St. Petersburg ; mixed choir & soloists Ms. condensed/chorus score (transparencies) ; 55 p.

The end of St. Petersburg ; mixed choir & soloists Holograph condensed/chorus score (transparencies) ; p. 7-11, 20, 41-44, 53-55, 72

The end of St. Petersburg Printed condensed/chorus scores (2) ; [25] p.

The end of St. Petersburg Printed program from premiere, January 12, 1938 Carnegie Hall ; 20 p. + [3] p. laid in, including some holograph material

The end of St. Petersburg

Epitaphe [sic] Holograph full score ; 55 p.

Epitaph for soprano solo, mixed chorus and orchestra ; 1931-1962 Holograph full score (transparencies) ; 75 p.

Epitaph for soprano solo, mixed chorus and orchestra ; 1931-1962

Epitaph for soprano solo, mixed chorus and orchestra ; April-May 1931 Holograph piano-vocal score ; 30 p.

Epitaph for soprano solo, mixed chorus and orchestra ; April-May 1931 Holograph piano-vocal score (transparencies) ; 31 p.

Paris aller et retour Ozalid of ms. piano-vocal score ; 55 p.

A song about myself (poem by John Keats) for mixed chorus and orchestra or piano accompaniment ; June 1944 Ms. piano-vocal score ; 30 p.

A song about myself (poem by John Keats) for mixed chorus and orchestra or piano accompaniment ; June 1944

A song about myself (poem by John Keats) for mixed chorus and orchestra or piano accompaniment ; June 1944

Instrumental Music

Instrumental music of the Vernon Duke Collection consisting of manuscripts, scores, parts, etc.

Arrangement is alphabetical by title.

Ballade for piano with strings with timpani obligato Holograph score ; 52 p.

Dance of the harlequin [Tanets Arlekina] Holograph score for two pianos ; [4] p.

Dédicaces for piano solo, soprano obligato and orchestra Holograph score ; 88 p.

Hommage [sic] to Offenbach for violin and piano ; November 1957 Holograph score ; 21 p.

Hommage [sic] to Offenbach for violin and piano ; November 1957 Parts (8)

Malibu elegy Ozalid of holograph piano score ; 6 p.

Trois morceaux pour piano, op. 1 ; 1918 Holograph piano score ; [2] p.

Deux morceaux ; pour piano seul ; op. 5 Holograph piano score ; 5 p.

Morning mist (theme) Holograph score ; 7 p.

Five novellas, op. 6 for piano ; September 1919 Kiev Holograph piano score (incomplete) ; [4] p.

Ode to the milky way for large orchestra ; 1937-1945 Holograph piano reduction ; 14 p.

Ode to the milky way for large orchestra ; 1937-1945 Negative photostat of holograph full score ; 40 p.

Our last tango for piano or orchestra ; October 1955 Ozalids (2) of holograph piano score ; 7 p.

Two pieces for orchestra, op. 3 ; arranged for piano - 4 hands by the author Holograph piano score (incomplete) ; [8] p.

Quatre preludes, op. 9 ; Novembre 1919 Kiev Holograph piano score ; [4] p.

Public gardens (overture) for small orchestra ; 1934, revised 1945 Holograph score ; 31 p.

Public gardens (overture) for small orchestra ; 1934, revised 1945

The public gardens Typed synopsis with holograph annotations ; [2] p.

Quartet in C major ; 1956 Parts (bound) (4)

Serenade to San Francisco ; July-September 1956 Ozalid (bound) of holograph piano score with holograph annotations & p. laid in ; 52 p. + ozalid of holograph piano score for "Sailors on Market stree" laid in ; p. A-M ; + holograph piano-vocal score for "opening" laid in ; [2] p.

Sonata in f# minor (for piano) (unfinished) by Franz Schubert, edited by Vernon Duke 1967 Editor's holograph piano score (transparencies) ; 24 p.

Sonata no. 1. in g minor, op. 1, for piano ; 1920-1921 Holographs piano score in pencil ; 22 p.Holograph piano score in ink ; 18 p

Sonate (violin et piano) ; 1948-1949 Holograph violin part ; 13 p.

Second symphony (in D flat major) new version (1952) ; 1928-1945 Holograph full score ; 136 p.

Symphony n. 3 (in E) ; 1946 Ozalid (bound) of holograph full score ; 161 p.

Symphony n. 3 (in E) ; 1946 Parts (string) (4)

Symphony n III in E (piano duet version) Ozalids (bound) (2) of copyist's ms. two piano score ; 59 p.

Variations on an old Russian chant (XVIIIth century) for oboe and strings ; September 1955 Holograph score ; [24] p.

Verlainiana, little suite for large orchestra on poems of Paul Verlaine for two pianos, four hands Holograph two piano score ; [22] p.

Waltz anyone (piano solo) ; October 1955 Ozalid of holograph piano score ; 8 p.

[Unidentified] Holograph piano score/short score (various) ; [24] p.Holograph full score ; [8] p.

Sketchbooks

Sketchbooks of the Vernon Duke Collection.

Arrangement is chronological by date.

[Sketchbook 1]. The spiral Mozart music book no. 1928 Holograph sketches ; [36] p. + [10] p. laid in

[Sketchbook 2]. Music writing book no. 4 standard size 60 pages Holograph sketches ; [50] p. + sketchbook with cover wanting laid in + [50] p. + [3] loose sheets

[Sketches]. Holograph sketches ; [2] leaves (1 with torn leaf attached)

Music by other Composers

Music by other composers in the Vernon Duke Collection.

Arrangement is alphabetical by composer and title.

Berger, Arthur

Garlands

Three poems from "words for music perhaps"

Bower, Wally

Three tapestries

Chanler, Theodore

The flight

The second joyful mystery (2)

Chapman, Roger E.

Three serious songs

Chordas, Michel

Hamlet

I heard a bird...

Night wind, about what do you cry?

Prelude

A sea bird

`Tis happiness that grieves

Winter night

Copland, Aaron

Signature for the high-low concerts Composers holograph score ; 6 p.

Feather, Leonard

Don't pin me down

The heart you stole from me

Nobody taught me

Time for love

Ferriera, Djalma

Foi a saudade (you can't go home again)

The lady from Leblon

Peace of mind

Gershwin, Alan

Nowhere

Gershwin, George

It's just another rhumba

Groudine, V.

Deux preludes pour piano

Horak, Alexander

Dawn in America

[Unidentified]

Irwin, Will

Always a mother

The weaker sex

Jacobi, Frederick

Tarantella

Kohs, Ellis

Fatal interview

Leplin, Emanuel

Two French songs

Two songs

Whose woods

La Montaine, John

Ode for oboe and orchestra

[Untitled]

Porter, Cole

Waltz down the aisle

When love comes your way (p. 5 only)

Schubert, Franz

Adagio

Scherzo

Sonate (in F moll) für pianoforte componirt

Semenoff, Ivan

Duo, air, et cheur final/la nuit de Lysistrata

Du côté du manche... (la nuit de Lyisistrata) no. 20

Le printemps stenavance (la nuit de Lysistrata) no. 12

Panique en Mozambique.. (la nuit de Lysistrata) no. 27

[Unidentified]

Sendrey, Albert

Two songs (2)

Siegmeister, Elie

For my daughters ; a song cycle

Trudin, V.

Kalina ; Russian folk song for high voice and piano

Two romances, op. 15 for high voice and piano

Three romances, op. 27 on lyrics of Kol'tsov

Trio, op. 18: Intermezzo (second part) for piano, violin and violincello

Two waltzes, op. 24 for piano

[Unidentified composer]

You made me fall in love

Lyric Sheets

Lyric sheets in the Vernon Duke Collection.

Arrangement is alphabetical by composer/lyricist and title.

Adamson, Harold

Good evening, Mademoiselle

Carter, Desmond

Here comes tomorrow

I may seem shy

The seven-step

Dietz, Howard

Bran' new daddy

Can-can in the canteen

Friendly bar (3 versions)

I have grown to love New York

I lived in a house with a piano

In my dreams

[It happened before - it will happen again]

Join the marines

[Kiss your baby good-bye]

Should happen to you ; Rose of Chihuahua

[The side streets of the city]

Stayin' in woman

When the sun goes down

Duke, Vernon

All the luck in the world (4)

Brian (2)

Ev'ry one of us (2)

Free as the air (10)

A hundred women in one (5)

I'm mad about a man about town (3)

Just like children (7)

Lonely violin

My latest and last

My sky without a star (2)

Paris in New York (6)

She's my candy date

Take me out or take me in (but take me) (4)

Where do you go when you're on top? (2)

Why are you so good to me (2)

You're gonna get caught

Eliscu, Edward

Ask me

I kiss at midnight

It's ten to one

One tete-a-tete

Fetter, Ted

All in fun

At your feet

Baby it may be fate

Come what may

Greek to you

Hello forever

Here comes romance

I do the same old thing again

I'm delighted with you

Is it you

Kinda care for you

Let's raise the curtain

Let me tie your tie for you

Love speaks louder than words (2)

Lucky to live

Mademoiselle

Music sends me

No moon

Searching through the attic

Sheer heaven

Soothing and sweet

The tide is turning

Under the spell of the moonlight

We two

What do I care about moonlight

Where do we go from here (3)

You're part of the moonlight

You're too lovely to lose

You're right down my alley

You've got me guessin'

Your love had better be good (2)

Fetter, Ted and John Latouche

Beware of me

A charming weekend at le Touquet

I'm about to become a lover

The shadow of a tree

Thick and thin

Gershe, Leonard

Alone in the world

Does a duck love water (2)

The happiest day of my life

Gershwin, Ira

The cabby song

Hot number

I can't get started with you

Modernistic Moe (with Billy Rose)

She hasn't a thing except me (2)

Goltz, Eric Von Der

O spring, I feel your soft caresses (2) (english version)

Goulding, Edmund

Broadway, near Columbus (3)

Guterman, Arthur

Just one rendezvous (2)

Harburg, E. Y.

I've a rendezvous with spring (2)

Sweet edelweiss (with Berman Fluke)

There goes my heart

Until today (I had no tomorrow)

Water under the bridge

Jonas, Nita

Angelo (3)

It's you again (2)

When I'm not in love (3)

Kayne, Richard

I make with the charm (2)

No other spring (3)

Paris in your eyes

Latouche, John

Banjo eyes

Follow the leader

Hushabye land

I'd like to talk about the weather

In our chateau in Brooklyn

Modes made in Manhattan

My heart's in the heather

Upsala

Lawrence and Lee

Bachelorhood

Love me now

Serenade to San Francisco (section listing)

The three of us

Two on telegraph hill (2)

Underneath the spreading chestnut tree

Lief, Max & Nathaniel

Apple blossom waltz

Lady in love

Sunday in the country (3)

Nash, Ogden

The boy who laughed at Santa Claus

Colgate - little girl

[A flair for you]

Flying Dutchman

I think you're pretty too (2)

My pretty girl at home

[You know far too much about me]

Parish, Mitchell

Sunshine and roses

Rome, Harold

Alone (song of the willing, whaling widows of Nantucket) (3)

Diddle daddle (6)

I knew you well (6)

Je t'aime (French grammar) (5)

Love is like an elephant (3)

Made in Nantucket (5)

My heart decided

Nantucket data (not a lyric)

Nothing is too good (5)

Pincus et cie (3)

Song of our love (4)

There you are again

They never told me (3)

Unlucky Pierre (3)

A whaler's life is a merry life

The whaler's return (2)

When it's love (6)

When the devil played the fiddle (5)

You after all these years (2)

Ross, Jack

Is it too late ;

What do you hear from your heart ;

Piano tuner man;

Somebody thinks I'm marvelous ;

I wasn't born yesterday ;

A friend of the family

Shaw, Naomi

My little shy Hawaiian maid

You belong in a song

Testoni, G. C.

Ripetilo con me (2)

Zeno, Norman L., jr.

I've had a change of heart (2)

The last dance of the season (2)

Let us sing a duet (2)

My fountain of youth (2)

There's nothing that lasts but you (2)

[Unidentified lyricists - A-J]

Angel in disguise

[Ask no questions of love]

Background song for opening

D.A.R.

Dame of my dreams

Dancing in the streets musical synopsis

First night

Fisherman's wharf

The four phonies

[Get yourself a woman! find yourself a job!]

The girl with the green eye (2)

Go climb a tree

Good-bye good-luck

Hit the ramp you tramp

I kissed my girl goodbye (2)

I never like the leading lady

I forget myself

I'd rather be me (2)

I'll always be twenty one

It's time to sing of spring

Jackpot (2)

[Unidentified lyricists - L-Z]

The last long mile (2)

Life's a funny present from someone (2)

Love can never be a one way street

Much ado about nothing. Opening, Act one, scene one ; [6] p.

One and one make two

Opening

Saloon (verse) (2)

See here Private Hargrove

Someone lovely just passed by (2)

Summer is a-comming in (2)

Swattin' the fly

This is where I came in

Under the spell of the moment

[Unidentified lyricists - Untitled lyrics, first lines:]

By this time the natives all rose up in a rage

I want to fall in love

If it's smart to be late - I'm the smartest

In a jungle near Nairobi

New York - the Shangri-la that is New York (2)

Over and over - a million times

Poor little Ella. Contains holograph musical sketch

This particular party (3)

We happened on this planet as a resident

We haven't the slightest notion

The weeping sky

[Lists of lyric sheets (incomplete) ; 15 p.]

Writings by Vernon Duke

Writings of Vernon Duke in various forms (i.e., holograph, published, etc.).

Arrangement is alphabetical by title.

ASCAP Salute (12)

American Theater, Essay On (1)

Articles & Interviews for New Yorker and New York Times (12/30/65 - 5/25/66) (19)

Articles in Russian

Clippings - published articles and letters by Duke (14)

Conductor's Conduct - Clippings (Research material) (18)

Lectures By Duke (9)

Listen Here!

About Myself Chapter 3, Work In Progress (2)

Chapter 6, Work In Progress (2)

Chapter 7, Work In Progress (2)

Chapter 9, Work In Progress (2)

Chapter 10, Work In Progress (1)

Clippings (84) Correspondence (2/15/60 - 1/12/68) (35)

Miscellaneous (1)

Name Index (1)

Research (Text & Quotes) (4)

Surveys (Critics, Composers, & Conductors) (57)

Miscellaneous Writtings (8)

Passport To Paris

Chapters 1-15, Work In Progress (includes multiple copies)

Chapters 16-19, Work In Progress (includes multiple copies)

Correspondence (4/22/55 - 4/28/64) (13)

Early Draft(?) (1)

Early Draft(?) - Labeled April In Paris (6)

Early Draft(?) - Labeled April In Paris (3)

Unused miscellaneous parts (4)

Schonberg - Article & Response (2)

Stories - Articles, Liners & Book Reviews by Duke (30)

Stravinsky

Controversy (8)

Research For Article - Clippings (33)

Surrealist Suite, Essay on the (1)

Thomson, V. - Critiques & Response (4)

Correspondence

Correspondence of the Vernon Duke Collection.

Arrangement is alphabetical by correspondent.

A (miscellaneous)

ABC-Paramount Records, Inc., (undated) [1]

ASCAP, (1948-68) [61]

Abbott, George, (1940-48) [2]

Abravanel, Maurice, (1956 & undated) [4]

Academy of Motion Picture Arts & Sciences, (1953) [1]

Adams, Stanley, (1960-69 & undated) [3]

Adamson, Harold, (1953) [1]

Allen, Steve, (1959) [1]

Alphand, Claude, (1948-54) [4]

Altman, Leonard, (1963-66 & undated) [29]

American Guild of Authors & Composers, (1958-69 & undated) [8]

Andrewski, Gene (& Bronner, Edwin), (1963 & undated) [4]

Atlantic Recording Corp., (1949-57) [6]

Avedenskii, A., (1955 & undated) [5]

Ba - Bh (miscellaneous)

Bacall, Lauren, (undated) [1]

Bacherac, Alexandre, (1965-67) [13]

Bagley, Ben, (1964-67) [9]

Baker, Dorthy Gilliam , (1955) [3]

Balanchine, George, (1939-52 & undated) [6]

Barati, George, (1960-62 & undated) [18]

Baron, Herman, (1955-64) [5]

Barraud, Henri, (1948-64 & undated) [33]

Basil, Colonel Wassili de, (1935-41) [2]

Bason, Fred, (1965-68) [17]

Bastien, André Paul, (1953 & undated) [4]

Beach, Denny, (1952-62 & undated) [73]

Beamish, Elsa & Leander, (1955 & undated) [6]

Beaton, Cecil, (undated) [1]

Bechert, Paul , (1949-1950) [4]

Beckhard, Robert, (1955-56) [5]

Behrman, S. N., (1941) [1]

Bennett, Robert Russell, (1950) [1]

Bermuda Trade Development Board, (1965) [6]

Bernstein, Leonard, (1946-68 & undated) [8]

Bertenson, Sergei, (1955-51 & undated) [63]

Beucler, Andre, (1953 & undated) [6]

Bi - Bz (miscellaneous)

Bois, Mario, (1966) [7]

Bolshukin, Yuri, (1965-67) [8]

Bongartini, Serge, (1963 & undated) [5]

Boosey & Hawkes, Inc., (1948-68) [17]

Braggiotti, Mario, (1951-55 & undated) [4]

Breyner, Charles, (1947-49) [8]

Bronner, Edwinsee: Andrewski, Gene

Broude Brothers, (1954-68 & undated) [137]

Brown, LTD., Curtis, (1947-57) [8]

Brown, Malcolm, (1961-65 & undated) [16]

Buchwald, Art, (1954) [2]

Ca - Cn (miscellaneous)

Cadillac Motor Car (G.M.), (undated) [1]

Caen, Herb, (undated) [1]

Cahn, Sammy, (1952 & undated) [12]

California, University of, (1956-66) [2]

Carter, Desmond, (1934) [1]

Castelli, Bertrand, (1962 & undated) [6]

Cerf, Mrs. Bennett, (1949) [1]

Champion, Gower and Marge, (undated)

Chappell & Co., Inc., (1952-69 & undated) [86]

Charchoune, Serge, (1949-65 & undated) [27]

Charnin, Martin, (1963-69 & undated) [60]

Chatman, Boris, (undatd) [1]

Chautauqua Institution, (1955) [3]

Chicago Symphony Orchestra, (1946) [1]

Ciardi, John, (1964) [1]

Cincinnati Symphony Orchestra, (1948) [1]

Cinnov, Igor, (1962-66 & undated) [25]

Claiborne, Craig, (1967 & undated) [2]

Clark, Serafinasee: Lindsay-Hogg, Anthony

Claude, Francis, (1949-69) [29]

Clayburgh, Alma, (1952-56) [23]

Co - Cz (miscellaneous)

Cohen, Ruth Steinkraussee: Steinkraus, Ruth

Colomb de Daunant, Edmond, (1948-66 & undated) [57]

Columbia University, (1955) [1]

Condé Nast, (1951-53 & undated) [5]

Contemporary Records, Inc., (1966) [1]

Cooper Associates, Frank, (1956-57) [7]

Criterion Music Corp., (1953-66) [4]

Curcio, Armando, (1966-68) [8]

D (miscellaneous)

Dallas Symphony Orchestra, (1955) [5]

Darov, Anatole, (1967-68 & undated) [45]

Dauphin, Claude, (undated) [2]

De Casa Fuerte, Yvonne, (1963 & undated) [2]

De Obeldja, Rene, (1966) [6]

De Vries, Peter, (1955-65) [11]

Diamond, David, (1963) [1]

Dietz, Howard, (1948-68 & undated) [10]

Diners' Club, (1961) [1]

Dixon, Dean, (1949-61 & undated) [29]

Doubleday & Co., (1967) [1]

Dramatists' Guild, (1948-68) [8]

Draper, Muriel, (1938) [1]

Dugardin, Herve, (1948-60 & undated) [25]

Duke, Kay, (1956-68 & undated) [133]

Duke, Vernon & Kay, (undated) [1]

Duke, Vernon & Kay (wedding ann.), (1957) [1]

Dukelski, Alexis, (1925-55) [61]

Dukelski, Natasha, (undated) [1]

Dukelsky, Anna, (1920-42 & undated) [428]

Duncan, Todd, (1940-65) [2]

E (miscellaneous)

Edition Russe De Musique, (undated) [1]

Elagin, Ivan, (1964-66 & undated) [40]

Elektra Corp., (1965) [1]

Elsbach, Edwin A. & Viola, (1955-65) [4]

Engel, Lehman, (1955) [1]

Ertegun, Nesuhi, (1952-59 & undated) [24]

Everest, John, (undated) [3]

Everest Records, (1968) [9]

Ewen, David, (1956-58) [5]

F (micellaneous)

Fessenko, Tatiana, (1965-68 & undated) [65]

Fischer, Inc., Carl, (1947-53) [41]

Franco, Johan & Eloise, (1950-57) [5]

Frank Music Corp., (1955-57) [50]

Frank, Sherman, (1960-68) [11]

Freedley, Vinton, (1947) [3]

G (miscellaneous)

Garland, Patrick, (1960 & undated) [13]

Gershwin, Ira, (1936-69) [13]

Gilbert, L. Wolfe, (1955-60 & undated) [4]

Goulding, Edmund, (undated) [1]

Gourmet Magazine, (1954-62) [7]

GRAM (Group Russian Youth Artists), (1967-68 & undated) [21]

Grant, George, (1965 & undated) [5]

Green, John, (1969) [1]

Gruber, John, (1964 & undated) [13]

Guild of American Composers, (1955) [2]

Ha - Hh (miscellaneous)

Haggard, Philip W., (1964-68) [6]

Harford, Margaret, (1952-54) [7]

Harms, Inc., (1953-54) [2]

Harper's Bazaar, (1955) [1]

Harris, Roy, (1938) [1]

Heifetz, Jascha, (1941-49) [6]

Heindorf, Ray, (1952) [1]

Hendl, Walter, (1954-62) [6]

Herman, Jerry, (1964) [1]

Herrmann, Bernard, (1947-59 & undated) [5]

Heyd, Varvara, (1952-53 & undated) [8]

Hi - Hz (miscellaneous)

Hillyer, Robert, (1937 & undated) [2]

Hirshman, Henrietta Leopoldovna, (1951-56 & undated) [6]

Hodges, Leigh Mitchell, (1949-55 & undated) [6]

Homijakow, G. A., (1965-68) [45]

Hopkinson, Cecil & Fay, (1954-69 & undated) [110]

Horner, Harry, (1963) [1]

Horwitt, Arnold, (1955) [2]

Houseman, John, (1951-56) [3]

I (miscellaneous)

Indianapolis Symphony Orchestra, (1948) [1]

Irwin, Will & Helen, (1956-57) [7]

Isaenko, Eugenia S., (1967-68 & undated) [19]

Ivask, George, (1958-1968 & undated) [276]

J (miscellaneous)

Jaffe, Boris, (1951) [1]

Johnson, Theodate, (1964) [6]

Jones, Dean, (1955) [1]

Ka - Kk (miscellaneous)

Kamkin, Victor, (1962-67) [7]

Kasha, Lawrence, (1967-68) [27]

Kaufman, Louis, (1945-51) [6]

Kipnis, Leonid, (1967 & undated) [2]

Kirsten, Dorothy, (1945) [1]

Kl - Kz (miscellaneous)

Klausner, Bertha, (1956-68 & undated) [60]

Klenowsky, Dimitri, (1962-68 & undated) [42]

Knightly Order of St. Brigitte, (1966 & undated) [10]

Knopf Inc., Alfred A., (1962-65) [6]

Kochanski, Zosia, (1955 & undated) [3]

Kochno, Boris, (1948) [1]

Kohs, Ellis B., (1964) [2]

Kopylov, Alexis, (1936-65 & undated) [110]

Kopylov, Genia, (1921-56 & undated) [32]

Koshin, Sergei, (1957-66 & undated) [18]

Koussevitzky, Serge and Olga & Natalie, (1927-46 & undated) [16]

Kubelik, Rafael, (1950) [1]

La - Lh (miscellaneous)

La Marchina, Robert, (1955 & undated) [12]

Lane, Burton, (undated) [1]

Latouche, John, (1942-60 & undated) [19]

Laurel Music, (1950) [2]

Lawrence, Jerome (& Robert E. Lee), (1954-56) [7]

League of Composers, (1949 & undated) [2]

Le Clercq, Tanaquil, (undated) [2]

Lee, Robert E.see: Lawrence, Jerome

Leeds Music Corp., (1948-56) [3]

Lehmann, Lotte, (1949-69 & undated) [12]

Leplin, Emanuel, (1964 & undated) [4]

Lester, Edwin, (1952-57 & undated) [3]

Lesur, Daniel, (1949-60 & undated) [5]

Levin, Herman N., (1944) [1]

Levine, Joseph, (1959-60) [4]

Li - Lz (miscellaneous)

Liashkov, Peter, (undated) [7]

Liberman, Frank, (1955-69 & undated) [41]

Lieberson, Goddardsee: Yale University

Liebman, Max, (1940 & undated) [8]

Lifar, Serge, (1931) [1]

Lindsay-Hogg, Anthony, (1939-69 & undated) [75]

Little, Brown & Co., (1952-61 & undated) [175]

Loesser, Frank, (1957) [2]

London Museum, The, (1956) [1]

Lopatnikoff, Nikolai, (1966) [1]

Los Angeles Times, (1968) [2]

Louisiana State University, (undated) [1]

Louisville, University of, (1949) [2]

Louisville Orchestra, (1961) [9]

Lourié, Arthur, (1952-56) [58]

Lyons, Leonard, (1956) [1]

M (miscellaneous)

Maher, James T., (1968) [2]

Mamchenko, Victor, (1962-68 & undated) [47]

Markevitch, Dmitri, (undated) [1]

Markov, Vladimir, (1959-64) [21]

Marks Music Corps., Edward B. , (1964) [2]

Marvin, Frederick, (1965-67) [7]

Mauro, Luba Tcheresky, (1956-68 & undated) [27]

McCracken, Sandy, (1964) [1]

McHugh, Jimmy, (1954-69) [4]

Meiff, Albert, (1952 & undated) [15]

Meller, A., (1957-58) [6]

Mercer, Johnny, (1966-68 & undated) [6]

Mercury Record Corp., (1965) [4]

Metropolitan Museum of Art, (1955) [1]

Mitropoulos, Dmitri, (1952) [1]

Monteux, Pierre, (1946-50) [3]

Moore, Douglas, (1947-62) [3]

Moore, Marianne, (1964-65) [2]

Edwin H. Morris Co., (1953-68) [4]

Morris Agency, William, (1949) [1]

Morshen[ko], N., (1962-68 & undated) [13]

Munch, Charles, (1955-61) [5]

Murray, Earl, (1958-60) [3]

Music Corp. of America, (1952) [1]

Music Publishers Holding Corp., (1952-67) [8]

N (miscellaneous)

Nash, Ogden, (1949-73 & undated) [126]

National Symphony Orchestra, (1948) [1]

Negulesco, Dusty & Jean, (1955-65) [2]

New York Times, The, (1946-68) [10]

New Yorker Magazine, The, (1955) [1]

Newman, Alfred, (1955) [1]

Newsweek, (1951-64) [4]

New York Herald Tribune, (1941-64) [2]

Niedzwiedski, Nic, (1968 & undated) [11]

North, Alex, (1949) [1]

Northwestern University, (1949) [1]

O (miscellaneous)

Oakland Tribune, (1965) [3]

Obelensky, Serge, (1951-63) [2]

Oxford University Press, (1955) [2]

Pa - Pd (miscellaneous)

Pacific Coast Festival, (1954) [24]

Paitchadze, Gabriel, (1929-69) [58]

Parfenov, A[lexis] & V[era]?, (1948-65) [47]

Payne, Robert, (1967-68) [2]

Pe - Pz (miscellaneous)

Péne du Bois, Jane, (1945 & undated) [3]

Petit, Roland, (1952-65) [62]

Philadelphia Orchestra, (1946-54) [3]

Philharmonic Symphony Society of New York, (1950) [3]

Piatigorsky, Gregor, (1949) [2]

Pickford, Mary, (1955) [1]

Pickman, Mrs. Dudley, (1940) [5]

Pikelny, Robert, (1948-57 & undated) [40]

Pincherle, Marc, (1949-51) [10]

Portman, Julian, (1964-65 & undated) [19]

Presser Co., Theodore, (1959) [4]

Prokofiev, Serge, (1929-46 & undated) [35]

R (miscellaneous)

Rabinof, Benno, (1948-50) [6]

Randolph, David, (1967 & undated) [2]

Reiner, Fritz, (1946-55) [4]

Reis, Claire R., (1964) [1]

Remizov, Alexeïsee: Souvtchinsky, Pierre

Revel, Harry, (1941) [2]

Reyes, Angel, (1949) [1]

Ricordi & Co., G., (1947-67) [43]

Riegger, Wallingford, (1947-49) [3]

Robbins, J.J., (1941-57 & undated) [14]

Robbins Music Corp, (1940) [1]

Rodgers, Richard, (1964) [1]

Rodzinski, Artur, (1946-48) [3]

Rogers, Ginger, (undated) [3]

Rome, Harold, (1960) [2]

Ronell, Ann, (1965) [1]

Root, Lynn, (1955-60) [2]

Roquiere, Georges, (1966) [5]

Rountree Productions, (1949-50) [3]

Rudel, Julius, (1958-59) [4]

Russian Review, (1968) [15]

Ryshna, Natalie, (1955-59 & undated) [20]

Sa - Sb (miscellaneous)

Salgo, Sandor, (1960-61) [5]

St. Louis Symphony Orchestra, (1946-50) [5]

Samoilenko, Fatima Hanoum, (1948-58 & undated) [26]

San Francisco Chronicle, (1966) [1]

San Francisco Symphony Orchestra, (undated) [1]

Sandburg, Carl, (1964) [1]

Sargeant, Winthrop, (1964-66) [9]

Sarnoff, Thomas W., (1960) [1]

Sauget, Henri, (1947-50) [5]

Savin, V. A.see: Sovremenik

Sc - Sz (miscellaneous)

Schaefer, George, (1961-69) [15]

Schafer, Milton, (1956-64) [5]

Schary, Dore, (1955) [1]

Schillinger, Joseph, (1948-56) [3]

Schirmer, Inc., G., (1950) [1]

Schwartz, Arthur, (undated) [1]

Schwerke, Irving, (1955-64) [4]

Shapiro, Bernstein & Co. Inc., (1957) [5]

Shaw, Arnold, (1964-68 & undated) [22]

Shaw, Robert, (1945-46) [7]

Short, Bobby, (1962) [2]

Sirmay, Albert, (1964) [1]

Skrowaczewski, Stainislaw, (1961-69) [30]

Slonimsky, Nicolas, (1937-69 & undated) [54]

Slovenska Filharmonija, (1953) [6]

Small Artists, Paul, (1950) [5]

Smith, Gregg, (1961) [1]

Société Anonyme Des Grandes Editions Musicales, (1950) [1]

Solomon, Izler, (1966) [1]

Sondheim, Stephen, (1966) [1]

Songwriters of America, (1955-56) [3]

Southern Music Publishing Co. Inc., (1955) [1]

Souvtchinsky, Pierre (and Remizov, Alexeï), (1947-63 & undated) [47]

Sovremenik (V. L. Savin), (1964-68 & undated) [64]

Spewack, Bella, (1955) [1]

Stalio, Marina, (1948-57 & undated) [14]

Steinberg, William, (1954) [1]

Steinkraus, Hermann, (1965 & undated) [3]

Steinkraus, Ruth (aka Ruth Stoneridge, Ruth Cohen), (1952-69 & undated) [30]

Stern, Isaac, (1949) [1]

Sternefeld, Daniel, (1947-66 & undated) [3]

Stevens, Risë, (1965) [3]

Stewart, Howard Douglas, (1960-70 & undated) [38]

Stokowski, Leopold, (1944-50 & undated) [20]

Stoneridge, Marjorie, (1951-61 & undated) [11]

Stoneridge, Ruthsee: Steinkraus, Ruth

Strasberg, Susan, (1957) [1]

Swift, Kay, (undated) [1]

Szell, George, (1954-60) [2]

Szigeti, Joseph, (1949) [1]

T (miscellaneous)

Taper, Bernard, (1961-62) [7]

Time, (1953-61) [4]

Tremblay, George, (undated) [1]

Tucker, Alexander, (1952-66) [22]

Turet, David, (1955-69 & undated) [103]

Twentieth Century-Fox, (1955) [1]

U (miscellaneous)

Usigli, G., (undated) [1]

Utah, University of, (1956-66) [3]

V (miscellaneous)

Vanderbilt, Mrs. Cornelius, (undated) [1]

Van Vechten, Carl, (1945-64) [3]

Variety, (1956-69 & undated) [19]

Varshavsky, Vladimir, (undated) [19]

Visson, Andre, (1950) [4]

Vogue, (1953) [1]

Voice of America, (1949-51) [2]

Wa - Wd (miscellaneous)

Wagner, Sergei and family, (1964-67 & undated) [16]

Walton, William, (1955-66 & undated) [39]

Warner Brothers/Seven Arts Music, (1952-68) [7]

Warner, Jack L., (1955) [1]

Warren, Harry S., (1954) [3]

We - Wz (miscellaneous)

Weidman, Jerome, (1938) [1]

Weinstein, Leo & Claire, (1959-68 & undated) [68]

Weissberger & Frosch, (1947-69 & undated) [227]

Welles, Ben, (1949-56) [3]

Westminster Choir School, (1945) [1]

Westminster Recording Co., (1952) [2]

Weston, Paul, (undated) [1]

Wheeler, Hugh, (undated) [1]

Whitelaw, Arther, (1963-68 7 undated) [65]

Whitney, Robert, (1952) [3]

Wilder, Alec, (undated) [1]

Wilder, Clinton, (1951) [4]

Wilson, Earl, (1965-66 & undated) [5]

Winchell, Walter, (1940) [1]

Wisconsin, The University of, (1961) [4]

Wood, Audrey, (1948-56) [5]

Wright, Cobina, (1953-67 & undated) [6]

Writers Guild of America, (1956) [1]

Yale University, (1957 & undated) [3]

Yates, William, (1956-58) [2]

Youmans, Vincent, Jr., (1960) [2]

Z (miscellaneous)

Zalewski, M. de, (1936-37) [2]

Zimbler, Josef, (1952) [2]

Miscellaneous and Unidentified Correspondence

Subject Files

Subject files of the Vernon Duke Collection.

Arrangement is alphabetical by subject.

Musical Works

America Dances - Correspondence [1]

April In Paris

Clippings [16]

Correspondence [15]

Autumn In New York - Correspondence [14]

Le Bal De Blanchisseuses Ballet

Clippings [1]

Correspondence [29]

Receipts (miscellaneous) [8]

Scenarios [3]

Banjo Eyes - Clippings [2]

Les Belles Damnees Ballet [1]

Black Spectacles - Outline for Ballet [1]

Cabin In The Sky

Clippings [72]

Compilations [2]

Correspondence (1941-53) [20]

Correspondence (1954) [58]

Correspondence (1955) [36]

Correspondence (1956-59) [27]

Correspondence (1960-63) [34]

Correspondence (1964-66 & undated) [50]

Liner Notes [1]

Casey Jones

Correspondence (1952) [25]

Correspondence (1955-66) [48]

Script [1]

Synopsis [1]

The Catherinettes (by Shavelson) - Synopsis [1]

The Charm Ball (by Rosan & Jacoby) - Synopsis [1]

Diamond In The Rough - Correspondence [1]

Dilly

Clippings & Publicity [7]

Correspondence (8/28/53 - 4/24/54) [40]

Correspondence (4/27/54 - 8/9/54) [33]

Correspondence (8/11/54 - 12/30/54) [29]

Correspondence (1/6/55 - 2/9/55) [20]

Correspondence (2/10/55 - 12/30/55) [35]

Correspondence (1956) [29]

Correspondence (1957 & Undated) [6]

The End Of St. Petersburg

Clippings [4]

Notes On Work - Oratorio [1]

Emperor Norton Ballet - Correspondence [7]

Entracte (1820) Ballet (By Duke & Balanchine) [8]

Girl's Dormitory

Correspondence [1]

Synopsis [5]

The Happy Dollar - Correspondence [4]

He & She

Clippings [1]

Correspondence [16]

Helen Of Troy

Clippings [1]

Correspondence [26]

Scenario/Lyric [3]

Jackpot - Correspondence [1]

The Littlest Revue (By Chris Story)

Clippings & Press Review [23]

Correspondence (1949-56) [28]

Correspondence (1959-63) [7]

Love & Obey

Clippings [3]

Correspondence [28]

Script [1]

Milord L'Arsouilles

Correspondence (4/19/48 - 12/8/49) [25]

Correspondence (1/3/50 - 12/12/50) [52]

Correspondence (1/12/51 - 12/29/53) [49]

Correspondence (1/4/54 - 12/8/55) [39]

Correspondence (1/22/56 - 4/12/60) [76]

Correspondence (2/23/61 - 7/19/63) [56]

Notes By Duke [4]

Scenarios [8]

Miscellaneous/Untitled Scenarios & Synopsis [2]

Mr. Balzac's Walking Stick - Condensed Synopsis By Duke [1]

Mistress Into Maid

Clippings [6]

Correspondence [2]

Miscellaneous [1]

Scenario [2]

Musical Zoo - Correspondence [4]

The Newest New York [3]

Les Nuees (Clouds) - Scenario [1]

The Pink Jungle

Clippings [43]

Correspondence [38]

Miscellaneous [1]

Paris After Dark

Correspondence [1]

Script [1]

La Robe De Marie - Scenario [1]

Serenade To San Francisco - Script [2]

Shanghai Lullaby - Correspondence [1]

The Shot - Script By Golubeff [1]

Soucoupes Volantes Ballet En Le Tobleaux (By Bastien) - Scenario [1]

Symphony No. 3 [1]

Tars & Spars - Correspondence (to Ellis-Reed Hill) [8]

Time Remembered

Clippings [64]

Clippings [72]

Correspondence [26]

Miscellaneous [3]

Program [1]

Scenario/Lyrics [1]

Two's Company

Clippings [1]

Correspondence [34]

Unexpected Town (Duke & Nash) - Scenario [1]

En Valsant - Correspondence [8]

Voyage to Somewhere - Poem & projected staging [11]

Wedding Day - Correspondence [5]

Yvonne - Correspondence [1]

Zenda

Clippings [97]

Correspondence (1958-62) [18]

Correspondence (1963) [66]

Correspondence (1964-65) [30]

Correspondence (1966-69 & Undated) [34]

Correspondence (with Peter Pryor - Attorney) (12/61 - 4/64) [41]

Miscellaneous [4]

Scenarios (French Version) [2]

Ziegfeld Follies - Clippings [3]

Other Topics/Projects

Addresses [2]

ASCAP

Clippings [10]

General [4]

Business Situation [2]

Biographical Sketch on Duke [6]

Miscellaneous Clippings [66]

Clippings on Duke [76]

Downbeat & Metronome Magazine [146]

Essay/Travelogue by Kot (Russian) [1]

European Trip (October, 1962) [23]

Form letter to Composers of Russian Background in US [1]

French Clippings [12]

French Music - Paris (1947-49) [61]

Government Support Clippings [4]

Government Support Correspondence & Documents (2/23/55 - 5/22/65) [15]

High-Low Concert Clippings [7]

Korwin-Piotrovsky Controversy [23]

Koussevitzky, Serge - Clippings [1]

Magazines - Miscellaneous (1949-61) [3]

Music Catalogs (1935-52) [9]

La Musique Populaire Articles (1883) [3]

New York Review of Books (1964-66) [2]

Notes - Miscellaneous [6]

Orchestral/Chambers Works [18]

Picture Gallery Correspondence [34]

Poems (Russian) by Korbin-Piotrovski [3]

Poems (Russian) [11]

Poems (Russian) - Titles/Collections/1st Lines with commentary (Blok & Poplovski) [3]

Poetry - Correspondence [15]

Poetry (Russian) - Drafts [68]

Poetry - Miscellaneous [2]

Poetry (Russian)

Poetry (Russian) - Clippings

Poetry (Russian) - Correspondence [57]

Poetry (Russian) - Printed [4]

Previn, Andre: Plays songs by V.D. (Clippings)

Prokofiev, Serge - Clippings [12]

Radio Liberty

Clippings (English) [14]

Clippings (Russian) [20]

Correspondence (English) (1955 - 12/31/65) [52]

Correspondence (English) (3/10/66 - 12/19/66) [33]

Correspondence (English) (1/5/67 - 12/19/68 & undated) [40]

Correspondence (Russian) (1963-67 & undated) [20]

General [6]

Lyrics (Russian) [3]

Miscellaneous (English) [20]

Miscellaneous (Russian) [26]

Scripts (#1-6) [17]

Scripts (#7-14) [13]

Scripts (#15-22) [17]

Scripts (#23-30) [13]

Recording Project Correspondence (3/54 - 7/26/54) [20]

Royalty Statements [13]

Russian Articles (Printed) by others [6]

Russian Article/Speech [1]

Russian Clippings [176]

Schonberg (Article and Response) [4]

Society For Forgotten Music

Newspaper/Magazine Articles & Clippings (1948-62 & miscellaneous) [40]

Concert Program Notes [8]

Concert Programs [33]

Correspondence (1949-57) [15]

Correspondence (1958) [34]

Correspondence (1959) [35]

Correspondence (1960) [56]

Correspondence (1961) [28]

Correspondence (1962) [10]

Correspondence (1963-65) [9]

Correspondence (undated) [37]

Goodtime Jazz & Contemporary Records Newsletter (1957-61) [18]

Miscellaneous [22]

Publicity Catalogs [22]

Radio Talks [4]

Songs - Clippings [17]

Transliterated lyrics in Russian of American Songs [1]

Works - General (1946)

Programs, 1927-1968, undated

Programs of the Vernon Duke Collection.

Arrangement is chronological by date.

1927-29 [9]

1930 [5]

1931-33 [6]

1934-37 [7]

1938-40 [12]

1941-43 [8]

1944-46 [15]

1947-49 [16]

1950 [14]

1951-55 [11]

1956-58 [13]

1959-62 [13]

1963-68 [10]

Undated [20]

Photographs

Photographs of the Vernon Duke Collection.

Arrangement is alphabetical by grouping and subject.

Photographs of Vernon Duke

Photograph of Vernon Duke

Photographs of Mrs. Kay McCracken Duke

Photograph Album. Containing mostly photographs of or with Vernon Duke

Photographs of Vernon Duke with:

Abbott, George

Balanchine, George

Cahn, Sammy

Cahn, Sammy ; Ray Heindorf

Ceucel, Elaine

Chaffee, Louise

Clayburgh, Alma

Cochran, Zizi (Mrs. Winston Guest)

Curcic, Alfredo

Duke, Kay McCracken

Dukelsky, Anna Kopglov (Vernon Duke's mother) ; Colonel Lvov

Gershwin, Ira

Gilson, Paul

Koussevitzky, Serge ; Gregor Piatigorsky

Lindsey-Hogg, Sir Anthony

Loesser, Frank

Loesser, Frank ; Bernard Herman ; Luba Tcheresky

Martin, Mary ; Richard Halliday ; Kay Aldridge

Nash, Ogden ; Jane Robbins

Pfeiffer, Jean

Prokofiev, Lina ; Sofronitzky

Prokofiev, Serge ; Ernest Newman ; Lina Prokofiev

Roth, Ferri ; Roy Dunann

Sondeirie, Sergei ; Jeanne Palmer

Strukov

Tcheresky, Luba

Trumbull, Marjorie

Voinoff, Cyril

Waesche, Admiral

Warren, Mr. and Mrs. Harry ; Kay McCracken Duke

Woodward, Ethel

Photographs of Vernon Duke in group shots or with unknown people. Including a number of photographs from backers auditions

Photograph of American Composers Testimonial Dinner in Honor of Dr. Serge Koussevitzky 5/10/44

Photograph of Dinner to "Serious" Composers Song Writers Protective Assoc. 10/12/42

Photograph of George Balanchine

Photographs of Serge Diaghilev

Photographs of George Gershwin

Photograph of Serge and Olga Koussevitzky

Photographs of Serge Prokofiev and family

Photograph of bust of Serge Prokofiev with note and signed by Prokofiev and sculptor Gleb Deriuzhinskii

Photographs of:

Bernstorff, Louise V. (Bernhardt)

Bertsonsen, Dr.

Bishop, Marie-Adele

Blackwood, Joyce

Caeser, Sid

Garland, Ewart

Kaufman, Harry ; Mr. Neuburg

Lambo

Lear, Mary

Liashkou, Peter

Lindsay-Hogg, Tony ; Ma Wessell ; Zizi Cochran

Lynch, Jack

Pfeiffer, Jean

Pikelny, Robert

Thorpe, Morgan

Wayne, David

Weed, Molly

Photographs of unidentified people

Photograph unidentified

Photographs of Dukelsky family

Production photos, primarily from Tars and Spars

Photographs labelled: West Indies

Landscape, architectural and cityscape photographs

Photographs of Monte Carlo

Negatives

Miscellaneous

Miscellaneous items of the Vernon Duke Collection.

Arrangement is by format and size.

4 address books

Diary/appointment/date books: 1959 ; 1962 ; 1963 ; 1964 (unbound, loose pages) ; 1966

Inscribed Memories book from funeral

Plaque ; Song hits award of the month, Vernon Duke November 1940

Storyboard for television commercial for Colgate soap

Windowcard for McCracken/Duke Concert

Citations (2)

Scrapbooks

Scrapbooks of the Vernon Duke Collection.

Arrangement is chronological by date.

1921-1935 ; Ballet: Zephyr & Flora ; Symphony in F Major, Boston Symphony ; Symphony #2 ; Garrick Gaieties ; Walk a Little Faster ; Ziegfeld Follies 1934 ; Ballet: Jardin Public

1936 [1937]

Society [1938]

1938 - Hi-Lo Concerts ; End of St. Petersburg ; 1939 - Keep Off the Grass ; 1942 - Lady Comes Across ; '43 & '44

Cabin in the Sky 1940[-1943]

'41-'42 ; Cabin [in the Sky] ; Banjo Eyes

1943[-1944] ; Jackpot ; Cabin [in the Sky] (movie)

Tas and Spars ; 1943

Tars and Spars ; Sadie Thompson ; 1st Violin Concerto ; [1944]

1942-1944-1948-1949 [1950] ; Banjo Eyes - Eddie Cantor ; Violin Sonata premiere ; Society for Forgotten Music (American founding) ; Cello Sonata ; Yado Festival - 1950 ; Dean Dixon ; Bal des Blanchisseuses ; x-tra pages in back

1946-1947 ; French ballet performances "Le Bal des Blanchisseuses" ; Symphony #3 - Brussels performance ; x-tra pages in back

[1948-49] '50 & '52

'50's '51 & '52 ; Wedding Day

1952 ; Two's Company, Bette Davis show ; x-tra pages in back

1952 ; Two's Company, Bette Davis ; 1953

1954[1955][1957] ; Dilly ; Dean Dixon - Violin Concerto

1955-56-57 ; "Passport to Paris" ; 3rd Symphony ; Littlest Review ; Latouche "Obit"

'62 & '63 ; Zenda, etc.

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