ContentsOrganization of the Moldenhauer Archives at the Library of Congress Container List |
Moldenhauer Archives at the Library of CongressProcessed by the Music Division of the Library of Congress2005
Biographical SketchThe ardent music collector and mountain climber Hans Moldenhauer was born in Mainz, Germany, in 1906, and died in 1987. Over the course of forty years he established the Moldenhauer Archives, a matchless resource of musical documents that encompasses music history from the Middle Ages through the 20th century, and about which Moldenhauer said, “the Archives includes not only bricks, but the mortar,” referring to both the great musicians and critical but lesser-known figures that hold it together. Hans Moldenhauer emigrated to the United States in 1938, settled in mountainous Spokane, Washington, in 1939, and served in the U.S. Mountain Troops during World War II. In 1942, as he embarked upon a musical career in collecting, performance, and writing, he founded the Spokane Conservatory. In 1943 he married his piano pupil, Rosaleen Jackman, to whose memory he would later dedicate his Archives. When Moldenhauer was diagnosed with the incurable retinitis pigmentosa and told he would soon be blind, he focused much more of his energy on acquiring the monuments of “Music History from Primary Sources,” as he called the growing Moldenhauer Archives. Hans Moldenhauer procured manuscripts from composers such as Berg, Brahms, Beethoven, Liszt and Lutoslawski, and obtained numerous items from the archives of Mahler, Castelnuovo-Tedesco, and Schoenberg. Moldenhauer acquired the Webern Archive in the 1960s and with his wife Rosaleen wrote the seminal biography Anton Webern, A Chronicle of His Life and Work (New York: Knopf, 1978), along with other publications on Webern. At the time of Hans Moldenhauer’s death in 1987, the Moldenhauer Archives included many thousands of items that are now housed in nine institutions around the world: in the United States, at the Library of Congress, Harvard University, Northwestern University, Washington State University, and Whitworth College; in Basel, Switzerland, at the Paul Sacher Foundation; the Bayerische Staatsbibliothek in Munich; the Zentralbibliothek in Zurich; and in Vienna at the Stadtarchiv und Oesterreichische Nationalbibliothek. The Moldenhauer bequest to the Library of Congress in 1987 consisted of over 3,500 music manuscripts, letters, and other materials and was the greatest composite gift of musical documents yet received. The Library also received the funds to produce a volume, now published, The Rosaleen Moldenhauer Memorial: Music History from Primary Sources: A Guide to the Moldenhauer Archives, edited by Jon Newsom and Alfred Mann, Washington, D.C.: Library of Congress, 2000 [ISBN 0-8444-0987-1]. Return to the Table of Contents Scope and Content NoteThe Moldenhauer Archives at the Library of Congress consist primarily of music (both manuscript and printed), correspondence, photographs, sound recordings, books, newspaper clippings, printed programs, drawings, and engravings. The Archives span years from the Middle Ages to the present, and include documents of composers, musicians, and literary figures, among others. The music in the collection includes holograph scores or sketches, both published and unpublished, as well as a number of copyist’s and printed scores, transcriptions, and arrangements by composers and musicians such as Beethoven, Bloch, Brahms, Chopin, Franck, Mendelssohn, Puccini, Rimsky-Korsakov, Schoenberg, Webern, and many others. Also included is correspondence of great historical and musical interest, such as letters of Metastasio and Handel. Some composers (Arnold Schoenberg and Anton Webern, for example) are represented by numerous manuscripts. A sample of other composers, musicians, and literary figures that are represented by both music and non-music materials includes George Auric, Johann Sebastian Bach, Béla Bartók, Hector Berlioz, Georges Bizet, Pierre Boulez, Anton Bruckner, Charles Burney, Feruccio Busoni, Claude Debussy, Frederick Delius, Hermann Hesse, György Ligeti, Federico García Lorca, Wolfgang Mozart, Maruice Ravel, Rainer Maria Rilke, Frank Wedekind, Kurt Weill, and Gioseffo Zarlino. Return to the Table of Contents Selected Search TermsPeople
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Return to the Table of Contents Organization of the Moldenhauer Archives at the Library of CongressThe Moldenhauer Archives at the Library of Congress is organized in two series: Return to the Table of Contents Container ListMusic Materials, 1000-1987The Music Materials series contains items such as original compositions (manuscript and printed scores), arrangements and transcriptions. This series also contains writings (manuscript, typescript, printed material, published and unpublished), correspondence, programs of music performances, and works of art. Arrangement is alphabetical by composer, arranger, or title. Abeille, Ludwig, 1761-1838A. L. S.: to Breitkopf & Härtel. Stuttgart, 24 Nov. 1809. 1p., GermanAbert, Hermann, 1871-1927A. Card S.: 1 Dec. 1926. 1p., GermanAbert, Johann Joseph, 1832-1915A. Mus. Quot. S.: Ekkehard, Act II, scene 2, Stuttgart, Mar. 1887Abt, Franz Wilhelm, 1819-1885A. Mus. ms. S.: Es klinget so lieblich im grünen Hain, op. 131, No. 2. 2p., 28x34cm. Complete scoreA. Mus. ms. S.: Leise rauscht's im Lindenbaume, 29 June 1870. 3p., 35x22cm. Complete scoreA. Mus. ms. S.: Mein Lieb ist fortgezogen, op. 131, No. 1. 2p., 28x34cm. Complete scoreA. Mus. ms. S.: Schifferständchen, op. 176. 3p., 27x34cm. Full scoreMus. ms. cop.: [Two songs with piano accompaniment]. 4p.3 A. L. S.: Braunschweig, 12 Dec. 1854, 5 Sept. 1862, 11 June 1875. 5p., German7 A. L. S.: [to Bartolf Senff]. Braunschweig, 1857-1878; Suderode, 1882. 10p., GermanAccorimboni, Agostino, 1739-1818A. Mus. ms. S.: Litanies de la Ste Vierge. 8p., 22x29cm. Full scoreA. Mus. ms. S.: Veni sponsa Christi. 8p., 22x28cm. Full scoreAchron, Joseph, 1886-1943A. Mus. ms. S.: Hebrew Dance for, Orchestra, op. 35, No. 1, St. Petersburg, Russia, Aug. 1912, orchestrated 1913. 44p., 38x26cm. Full scoreMus. ms. arr.: Children's Suite, op. 57, 1923, transcribed for large orchestra by David Tamkin, 1942. 94p.Mus. ms. cop.: Sextet, op. 73, 1938. 8p. Bassoon partMus. ms. Repro.: Elegy for String Quartet (or String Orchestra), op. 62. 8p.Mus. ms. Repro.: Sextet, op. 73, 1938, in New Music, July 1942. 32p.Pri. Sco.: Statuettes, 1930, in New Music, Oct. 1931. 16p.Port. Phot.: by Maurice Toldberg (Box 110)Adam, Adolphe, 1803-1856A. Mus. ms. S.: Marche de la jolie..., 12 July 1842. 1p., 32x27cm. Piano scoreA. L. S.: to Pacini. ?, 1 Oct.[?] 1842. 1p., French. Mounted with portrait lithograph, by Aubert (Box 110)A. L. S.: to David. Paris, 24 Mar. 1851. 3p., FrenchPort. Lith.: see letter above (Box 110)Alary, Jules Eugène Abraham, 1814-1891A. L. S.: Haymarket, 2 July 1871. 1p., FrenchAlbéniz, Isaac, 1860-1909A. L. S.: to Kufferath. Nice, 28 Mar. 1904. 4p., French. Regarding PepitaPri. Sco. S.: Mazurka, Madrid: Antonio Romero, to Madame Berthe --[?], London, 18 May 1889. 8p.Albergati, Pirro, 1663-1735A. L. S.: to Count Silvio Albergati (uncle). Bologna, 6 Jan. 1693. 2p., ItalianAlboni, Marietta, 1826-1894A. L. S.: London, 14 Dec. 1870. 1p., ItalianA. L. S.: to Countess Tuaffe. n.p., n.d. 1p., ItalianA. Mus. Quot. S.: Cenerentola by Rossini. Paris, 29 Nov. 1871Related Collection MaterialsSee: Grisi, GiuliaAlessandrescu, Alfred, 1893-1959Port. Phot. S.: to Boaz Piller, Bucharest, Apr. 1938Altmann, Wilhelm, 1862-1951A. L. S.: Berlin, 30 July 1924. 1p., German. Mentions BusoniAmadé, August, 1867-1930A. Mus. ms. S.: Klavier-Etude, op. 52, No. 5, to Ella Panera. 5p., 34x27cm.Ambros, August Wilhelm, 1816-1876A. Mus. ms. S.: Benedictus, for men's voices, 8 Jan. 1875. 1p., 24x19cm.Ambrosi, Gustinus, 1893-1975P. card S.: to Karl Weigl. Vienna, 22 Jan. 1924. German. With photograph of his sculptureRelated Collection MaterialsSee: Weigl, KarlAnder, Aloys, 1817-1864A. L. S.: Vienna, 20 Mar. 1839. 1p., GermanA. L. S.: Salzbrunn, 4 July 1839. 1p., GermanAndré, Johann Anton, 1775-1842A. Mus. ms. S.: Missa, No. 2. 52p., 21x34cm., German. Full score. Bound. With autograph title page, and 1p. "Vorbericht" on inside coverAndriessen, Hendrik, 1892-1981A. Mus. ms. S.: Symphonie II, Fantasia, 1937. 1p. (opening page), 36x24cm.A. L. S.: to Hans Moldenhauer. The Hague, 31 May 1959. 1p., EnglishL. S.: to Hans Moldenhauer, from Caecilia Andriessen. The Hague, 27 June 1956. 1p., EnglishCall. c. S.Andriessen, Jurriaan, 1925-1996A. Mus. ms. S.: Concerto per due pianoforte, 1944. 27p., 34x27cm.2 T. L. S.: to Hans Moldenhauer. The Hague, 30, 31 Oct. 1959. 2p., EnglishAngyal, László, b. 1900A. Doc. S.: Testimonial. Gustav Mahler's period of activity in Hungary. 1p., GermanT. Doc.: Biography. 3p., GermanAnonymousA. Mus. ms.: [Songs], "dedié à Made. de B--," 1775. 6p., 22x30cm., French. For voice, solo and duet, with figured bass acccompanimentDoc.: Dictionary. [post-1780]. 15 leaves, Italian, ink. Covering composers G-Q(Shelf)Mus. ms.: [Neumes]. Vellum leaf, richly illuminated in black, red, blue, with gold, 22x17cm., Latin. The first four lines (of eighteen) with musical notation for the text passage beginning with "O culpa" (Shelf)(Shelf)Mus. ms.: [Organ Tablature]. 32x20cm., German, ink. 8p. Excerpt. The cover is a floral patterned marbled paper (Shelf)Doc.: Historical essay. Liutomonografia, on violin making and violin builders in Italy. [1872]. 52p. + 3 leaves inserted + 5p. clippings (German), 23x18cm., Italian. Bound. On inside cover, "Bart. Poda, Pietro Bagatella, Pavia"Ansorge, Conrad, 1862-1930A. L. S.: to Schrader. Irvington-on-the-Hudson, 8 Sept. 1888. 4p., GermanDraw. Repro.: Ansorge at the pianoAnthes, Georg, b. 1863A. Alb. l. S.: Dresden, May 1889Apostel, Hans Erich, 1901-1972A. Mus. ms. S.: Cello Sonate, op. 35. 2p., 30x21cm. SketchesA. Mus. ms. S.: Haydn Variationen, op. 17. 1p., 44x34cm. Full score. With autograph note on versoA. Mus. ms. S.: Rondo rítmico für grosses Orchester, op. 27. 9p., 34x27cm. SketchesA. Mus. ms. S.: Zwei Gesänge, op. 40, No. 1. 3p., 34x27cm.P. card S.: to Julius Schloss. Vienna, 13 Nov. 1935. German. Also signed by Steuermann, Felix Galimir, Novakovic, Polnauer, Leopold Spinner, Jakob Gimpel, Zenk and others. Card announces program for the Verein für Neue MusikP. card S.: to Paul Sanders. Recco, 24 May 1939. German. Quotes a phrase from WozzeckT. L. S.: to Hans Moldenhauer. Vienna, 5 July 1965. 1p., GermanA. Mus. Quot. S.: Der Sechziger dankt für die Wünsche, to Polnauer, 2 Feb. 1961. 1p.Mus. ms. Repro. S.: Ode, op. 36, to Hans Moldenhauer, Vienna, July 1970. 52p. + 2p. typed text signed. Blueprint scorePri. Sco. S.: Kammersymphonie, op. 41, Vienna: Universal, c1969, to Hans Moldenhauer, 1970. 68p.Prog.: Kammersymphonie, op. 41, to Hans Moldenhauer, 4 June 1968. With accompanying printed invitation to the premiere, to Hans Moldenhauer, and musical quotationPort. Phot. S.: Vienna, 1971. By Bellingrath (Box 110)Related Collection MaterialsSee: Füssl, Karl HeinzArditi, Luigi, 1822-1903A. Mus. ms. S.: Il desio, duetto fantastico per soprano e contralto, to Carlotta and Barbara Marchisio, London, 5 Sept. 1862. 12p., 25x31cm. With cadenzas. Complete scoreA. Mus. Quot. S.: Margherita, Cincinnati, 6 Feb. 1883. 1p.Port. Phot. S. Repro. (Box 110)Arensky, Anton Stepanovitch, 1861-1906Port. Phot. S.: With accompanying musical quotation, [Piano trio in D Minor]Argentina, 1888-1936Port. Phot. S.: to Boaz Piller. Boston, Nov. 1929(Shelf)Bk.: La Argentina, by Carlos Manso (Shelf)Arkan, Muzaffer, b. 19233 T. L. S.: to Hans Moldenhauer. Ankara, 6 Dec. 1959, 1 May, 1 Sept. 1960. 3p., GermanL. Repro.: Ankara, 22 Oct. 1961. 1p., GermanT. Doc.: Biographical sketch. 1 May 1960. 1p., GermanMus. ms. Repro. S.: Suite, op. 14, No. 2. 13p.Arnold, Samuel, 1740-1802A. L. S.: Duke St., 20 Apr. 1802. 1p., English. With accompanying portrait engraving, by Vernor & HoodArregui Garay, Vicente, 1871-1925A. Mus. ms. S.: Sonata en fa menor para piano, Paris, 1902. 17p., 27x34cm.Artôt, Désirée, 1835-1907A. L. S.: to Abt. Karlsruhe, 21 Aug. 1867. 4p., FrenchA. L. S.: Cologne, 8 Oct. 1869. 3p., FrenchAsencio, Vicent, 1903-1979A. Mus. ms. S.: Foc de festa, to Ricardo Viñes, San Sebastian, 8 Sept. 1938. 11p., 31x22cm. Ballet arranged for piano soloMus. ms. Repro. S.: Albada y danza, to the Moldenhauer Archives, Valencia, 31 May 1970. 6p.Mus. ms. Repro. S.: Danza, Valencia, 31 May 1970. 4p. Blueprint scoreMus. ms. Repro. S.: Danza V, Valencia, 31 May 1970. 3p. Blueprint scoreMus. ms. Repro. S.: Desespero, Valencia, 31 May 1970. 3p. Blueprint scoreMus. ms. Repro. S.: Roda la mola. 3p. Blueprint scorePri. Sco. S.: Pièces originales pour guitare, Sonatina, Brussels: Schott, c1964, to the Moldenhauer Archives, Valencia, 31 May 1970. 3p.Pri. Sco. S.: Pièces originales pour guitare, Tango de la Casada Infiel, Brussels: Schott, c1964, to the Moldenhauer Archives, Valencia, 31 May 1970. 3p.Askenase, Stefan, 1896-1985A. L. S.: to [Edward] Clark. Brussels, 7 Mar. 1933. 2p., GermanAuber, Daniel-François-Esprit, 1782-1871A. L. S.: to Eugène Scribe. n.p., Friday, 22 June. 1p., French. Mentions MeyerbeerA. L. S.: n.p., n.d. 1p., FrenchA. L. S.: n.p., n.d. 1p., French. Outlining concert programPort. Engr.: by Walter (Box 110)Port. Lith.: with biographical sketch. French (Box 110)Auer, Leopold, 1845-1930A. Mus. ms. arr. S.: Two Caprices by Dont. 6p., 33x26cm. Concert arrangement by Auer for violin with piano accompanimentA. Mus. ms. S.: [Violin exercises]. 101p., 35x27cm. + various sizes. With accompanying 5p. autograph documentA. L. S.: St. Petersburg, 14 Dec. 1902. 2p., French, with typed translationA. L. S.: [to Bruno Eisner]. St. Petersburg, 13 June 1905. 2p., GermanAuric, Georges, 1899-1983A. Mus. ms. Rev.: Les Enchantements d'Alcine, for piano solo, Paris, 21 May 1929. 20p., 35x27cm., ink, pencil. Tableaux I, II (incomplete), and III ("Danse des jeunes hommes et des jeunes femmes")A. L. S.: Clavary Auribeau, n.d. 1p., FrenchBach, Carl Philipp Emanuel, 1714-1788A. L. S.: [to Breitkopf]. Hamburg, 27 Dec. 1783. 1p., German. New Year's letter; refers to songs, changes in his choralesBach, Johann Christian, 1735-1782Related Collection MaterialsSee: Bach, Johann SebastianBach, Johann Sebastian, 1685-1750A. Rcpt. S.: Leipzig, 26 Oct. 1746, 25 Oct. 1747, 27 Oct. 1748, n.d. 1 leaf (2p.), 16x10cm., German, ink. Fourth receipt in the hand of Johann Christian Bach (Box 3)Bachrich, Sigmund, 1841-1913A. L. S.: 1p., GermanBackhaus, Wilhelm, 1884-1969T. L. S.: to Bruno Eisner. Lugano, 29 June 1954. 1p., GermanP. card S.: Lugano, June 1954. German. With portrait photograph of Backhaus in TokyoBader, Karl Adam, 1789-1870A. L. S.: to J. E. Elszler. Munich, 18 Aug. 1838. 3p., German. Reports on a journey from Salzburg to Munich, and details of a performance of Meyerbeer's Les HuguenotsDoc.: Concert invitation. Berlin, 31 Apr. 1823. 1p., GermanBadings, Henk, 1907-1987A. Mus. ms. S.: Concerto for Two Violins and Orchestra, 1954. 2p., 31x24cm. Sketches from the first and second movementsA. Mus. ms. S.: Piano Sonata III, Lento. 1945. 2p., 34x26cm. SketchesT. L. S.: to Hans Moldenhauer. Bilthoven, 29 July 1956. 1p., EnglishT. L. S.: to Aurelio de la Vega. Utrecht, 15 May 1963. 1p., EnglishBagge, Selmar, 1823-1896Related Collection MaterialsSee: Chrysander, FriedrichBalfe, Michael William, 1808-1870A. Mus. ms. S.: Lo! The Early Beam of Morning. 9p., 23x31cm., English, ink. Vocal quartet with piano accompanimentL.: to Lady Morgan. n.p., 13 Feb. 1839[?]. 1p., English2 A. L. S.: to Simpson. n.p., 19 July 1860, 12 July 1862. 3p., EnglishA. L. S.: Seven Oaks, Kent, 18 Aug. 1864. 1p., EnglishPort. Phot. (Box 110)Barbi, Alice, 1862-1948A. L. S.: to a conductor, [Louis Lüstner?]. Karlsruhe, 29 Oct. 1892. 1p., German. With program for a Wiesbaden concertBarchet, Siegfried, b. 1918A. Mus. ms. S.: Duo für Violine und Cello in A Moll, op. 7. May 1942. 20p., 32x24cm.A. Mus. ms. S.: Images de Menton. 8p., various sizes. SketchesA. Mus. ms. S.: Streichersinfonie. 7p., various sizes. Sketches6 A. L. S.: to Hans Moldenhauer. Stuttgart, 1956-1960, 1976. 16p., GermanCall. c. Annot.: to Hans Moldenhauer. GermanCall. c.Sig.Pri. Sco.: Duo in A Moll für Violine und Violoncello, Stuttgart: Schultheiss, n.d. 16p. + 7p. (parts)Pri. Sco. S.: Sieben Gedichte, Stuttgart: Schultheiss, n.d., to Hans Moldenhauer, 16 Sept. 1956. 24p.Bargiel, Woldemar, 1828-1897A. L. S.: to Selmar Bagge. Rotterdam, 28 Nov. 1867. 4p., German2 A. L. S.: to Breitkopf & Härtel. Berlin, 12 May 1878, 2 Aug. 1879. 7p., GermanBarnay, Ludwig, 1842-1924A. L. S.: Berlin, 11 Apr. 1891. 1p., GermanBarnby, Sir Joseph, 1838-1896A. Mus. ms. S.: Sweet 'n Low. 2p., 30x24cm., English2 A. L. S.: to Miss Stephenson. London, 24 June 1875, 3 Dec. 1895. 4p., English2 Obit.Barraqué, Jean, 1928-1973A. Mus. ms.: ... au delà du hasard, pour quatre formations instrumentales et une formation vocale, Section XIII, D'une pensée sans nuit. 3p. (pp.120-122), 44x31cm., French. Full score. Also printed score, c19672 T. L. S.: to Hans Moldenhauer. Paris, 7 June 1961; Trélévern, 17 Sept. 1961. 2p., EnglishDoc. A. Annot.: Brochure. 1969. 6p., English. With reviews for Chant après chant; Temps restituéBarth, Richard, 1850-1923A. L. S.: to a pianist. Hamburg, 12 Feb. 1906. 2p., GermanBartók, Béla, 1881-1945Pri. Sco. A. Rev.: Second Violin Concerto, 1937-1938. 132p., 36x25cm. First proofs (London: Hawkes & Son, c1945) with autograph corrections and annotationsA. L. S.: Pozsony, 26 Dec. 1904. 3p., Hungarian. Regarding desire to give lessons; mentions Mahler, StraussA. L.: to Jelly d'Arányi. Budapest, 7 Dec. 1921. 2p., Hungarian, with English translation. Close of letter is missingA. L. S.: to Rudolph Ganz. Budapest, Jan. 1910, German. Mentions Busoni, Dohnányi, Leichtentritt, RavelA. L. S.: to the Budapest Radio, Foreign Department. Budapest, 4 May 1936. 1p., Hungarian, with German translation. Regarding a musical folklore lectureA. L. S.: to Paul F. Sanders. London, 10 Feb. 1937. 1p., GermanP. card S.: to Hanna Schwarz. Budapest, 13 Feb. 1938. GermanMus. ms. Repro.: [Two Cadenzas]. 8p. Written by Bartók for Mozart's Concerto in E-flat Major for Two PianosL. Repro.: to Bartók, from Hans Rosbaud. Curaglia (Ticino), 18 July 1935. 2p., GermanPort. Phot. S.: to Boaz Piller, New York, 10 Jan. 1945 (Box 110)Battiferri, Luigi 1600/10-after 1682Rcpt.: 12 June 1662. 1p., ItalianBaur, Jürg, b. 1918T. L. S.: to Aurelio de la Vega. Vienna, 3 Apr. 1951. 1p., EnglishBaussnern, Waldemar von, 1866-1931A. Mus. ms. S.: Gebet, Chorus for Four Women's Voices, 10 Jan. 1901. 2p., 47x35cm.A. L. S.: to Eugen Lindner. Weimar, 28 Feb. 1901[?]. 1p., GermanA. L. S.: to ?. Charlottenburg, 4 May 1923. 3p., GermanA. L. S.: to ?. 20 Oct. 1925. 4p., GermanDoc. Annot.: Brochure. Waldemar von Bausznern 1866-1931: Verzeichnis des gesamten musikalischen Nachlasses. 8p.Bayer, Joseph, 1852-1913A. Mus. Quot. S.: Die Puppenfee, Vienna, Oct. 1909Beauplan, Amédée Rousseau de, 1790-1853A. Mus. ms. S.: Le pardon, Romance. 3p., 20x30cm., French. Song with piano accompaniment. With poem, Le voyage, and drawings (by Louis Delâtre)Doc.: Biographical sketch. FrenchBeck, Joseph Nepomuk, 1827-1904A. L. S.: Vienna, 26 June 1856. 3p., GermanBeck-Weixebaum, Frieda, 1814-18905 A. L. S.: 1859-1874. 21p., GermanBecker, Hugo, 1863-1941A. Doc. S.: Letter fragment with signatureA. Mus. Quot. S.: Andante, Nov. 1903. On postcard with silhouette of cellistPort. Phot. S. Repro. (Box 110)Becker, Jean, 1833-1884A. L. S.: Brünn, 2 Jan. 1870. 1p., GermanBecker, Reinhold, 1842-1924A. Mus. ms. S.: Ich sah deine Lippen blühen, op. 91. 3p., 24x27cm.A. Doc. S.: Aphorisms on music. 1p., GermanPort. Phot. S. (Box 110)Becker, Valentin Eduard, 1814-1890A. Mus. ms. S.: Liebeshelfer, op. 120, No. 4, 12 Mar. 1886. 2p., 27x21cm., GermanBeer, Wilhelm, 1797-1850A. L. S.: to the editor of a newspaper. Berlin, 5 Nov. 1846. 1p., German. Beer is the brother of Giacomo MeyerbeerBeeth, Lola, 1862-1940Call. c. Annot.: to Kugel. n.p., n.d. 2p., German. Regarding a concert in PestBeethoven, Caspar Anton Carl, 1774-1815Pri. Rcpt. S.: Tax receipt. Vienna, 7 Mar. 1807. 1p.Beethoven, Ludwig van, 1770-1827A. Mus. ms.: [Don Giovanni by Mozart]. 23p., 23x32cm., German, ink. Beethoven's autograph copy, containing nos. 16 (Terzett) and 20 (Sextett), of the second act. Complete score of the vocal parts, with sketches of orchestral partsA. Mus. ms.: [Piano Sonata in A Major, op. 101, Allegro, 1816?]. 2p., 23x29cm., ink. Sketch. On recto, unidentified sketches in D Minor and sketches for the canon "Das Schweigen," WoO 168A. Mus. ms.: [Piano Sonata in D Major, op. 28, Andante, 1801?]. 2p., 22x30cm., ink. Continuity draft. With note of authentication inscribed by Ignaz SauerL. S.: to Johannes Andreas Streicher. Vienna, 16 Sept. 1824. 1p., German. Letter in secretarial hand, possibly of his nephew Karl, but place, date, and signature in Beethoven's autograph. Regarding the Missa solemnisMus. ms. Repro.: Sonate "Appassionata," op. 57, Paris: Piazza. 42p. Facsimile. With accompanying facsimile note by BaillotRelated Collection MaterialsSee: Lecocq, CharlesBegnis, Giuseppe de, 1793-1849A. L. S.: to Ayrton. n.p., n.d. 3p., FrenchBellermann, Heinrich, 1832-1903A. L. S.: to Chrysander. Berlin, 21 June 1874. 2p., German. Regarding SpittaBelletti, Giovanni Battista, 1813-18902 A. L. S.: to J. Oliver Mason. London, 30 June, 1 Sept. 1852. 3p., French (Box 5)Bellini, Vincenzo, 1801-1835A. Mus. ms. S.: Tantum ergo, for Soprano, Tenor, Alto, Bass, and Orchestra, in E Major. 4p. (33m.), 24x29cm., ink. Incomplete. BoundL. S.: to Tomarro of Florence. n.p., 12 Mar. 1813. 3p., Italian(Shelf)Mus. ms. Repro.: Norma, Rome: Reale Accademia d'Italia, 1935. (2 vols.), 148p. + 104p. Facsimile (Shelf)Mus. ms. Repro.: Composizioni giovanili inedite, Rome: Reale Accademia d'Italia, 1941 Shelf)Belyayav, Viktor Mikhaylovich, 1888-1968Port. Phot. S.: to Mrs. PiskBenavente, Manuel José, b. 1903A. Mus. ms. S. Rev.: "Quenas" (Evocaciones Indígenas), para piano, to Ricardo Viñes, Buenos Aires, 24 July 1924. 5p., 33x26cm.Benda, Franz, 1709-1786A. L. S.: to Carl [son]. Potsdam, 14 Aug. 1781. 1p., GermanBendel, Franz, 1833-1874A. L. S.: to Erler. n.p., n.d. 3p., GermanPort. Phot. Repro. (Box 110)Bender, Paul, 1875-1947A. L. S.: to Tischer. Vienna, 13 Mar. 1929. 2p., GermanBendix, Victor, 1851-1926A. L. S.: Leipzig, 28 Mar. 1883. 1p., GermanBenelli, Antonio, 1771-1830A. L. S.: to J. B. Benelli. Dresden, 10 Dec. 1818. 3p., ItalianBenelli, LuigiA. L. S.: to Jean Baptiste Benelli. Forl, 14 June 1817. 2p., ItalianBenelli, VittorioA. L. S.: to his "carissimo fratello." Rome, 17 [Dec.?] 1817. 1p., ItalianBenguerel, Xavier, b. 1931Mus. ms. Repro. A. Annot.: Joc, to Hans Moldenhauer, Barcelona, June 1970. 13p.Benigni, Tommaso, 1547-1616A. Rcpt. S.: 16 Apr. 1596. 2p., ItalianBenoit, Peter, 1843-1901A. Mus. Quot. S.: [Agnes motive, 8m.], Antwerp, 29 Oct. 1897A. Mus. Quot. S.: Concerto, op. 36, to Braun, Brussels, 4 Apr. 1866A. Mus. Quot. S.: Te Deum Laudamus, to ?, Brussels, 4 Apr. 1866. Latin, FrenchPort. Phot. S. Repro. (Box 110)Benvenuti, Tomaso, 1838-1906A. Mus. Quot. S.: Canzonetta scherzo, 24 Aug. 1887Berg, Alban, 1885-1935Related Collection MaterialsSee: Schoenberg, ArnoldRelated Collection MaterialsSee: Webern, AntonBerg, Helene, 1885-1976Related Collection MaterialsSee: Schoenberg, ArnoldRelated Collection MaterialsSee: Webern, AntonBerger, Jean, b. 1909A. Mus. ms. S.: Ne joue pas avec mon coeur. 2p., 23x10cm.Berio, Luciano, b. 1925A. Mus. ms. S.: Quaderni per orchestra (I). 22p., 47x32cm., pencil. Draft in full score2 T. L. S.: to Hans Moldenhauer. Oakland, 25 Mar. 1962, 23 Nov. 1963. 2p., EnglishL.: to Hans Moldenhauer, from Cathy Berio. Milan, 10 Dec. 1961. 1p., EnglishBériot, Charles-Auguste de, 1802-18702 A. L. S.: to Vivenot. Vienna, 4 June 1826, 27 Jan. 1840. 3p., FrenchA. L. S.: to the Mayor. Brussels, 11 Jan. 1843. 1p., French. Mentions Sigismond ThalbergA. L. S.: to Jules Benedict. Paris, 8 Apr. 2p., FrenchPort. Engr. S. Repro. (Box 110)Bériot, Charles-Wilfride, 1833-1914A. Mus. ms. S.[?]: Sérénité, for piano solo. 4p., 35x27cm.Berlioz, Hector, 1803-1869A. Mus. ms. S.: Scènes d'Alceste, [Alceste, by Christoph Willibald Gluck]. 75p., 35x27cm., French, ink. Written out by Berlioz for Pauline Viardot-García.(Shelf)Six scenes in full score, the role of Alceste, prepared for the Opéra performance in 1861. Contains authentication and provenance by Alfred Cortot (Shelf)A. L. S.: to Morel. London, 5 Jan. 1848. 3p., FrenchBernaola, Carmelo, b. 1929A. Mus. ms. S.: Superficie, No. 3, Madrid, 12 Mar. 1963. 7p., 20x27cm. Complete draftMus. ms. Repro. A. Rev. S.: Superficie. 4p. + 2p. (autograph instructions). Blueprint score2 Doc. Repro.: Biographical notes. 2p., SpanishBernhard, Christoph, 1628-1692A. Rcpt. S.: Receipt for services. Dresden, 28 Dec. 1687. 1p., German. With accompanying authentication and biographical information, by Aloys Fuchs (1846)Bertram, Theodor, 1869-1907A. L. S.: [Stuttgart?], n.d. 1p., GermanBerwald, Franz, 1796-18682 A. L. S.: to Julius Rietz. Stockholm, 10 May 1862, 28 Apr. 1863. 2p., German, SwedishObit.: 1p., SwedishBerwald, Johan Fredrik, 1787-1861A. L. S.: to ?. Stockholm, 19 Aug. 1834. 2p., GermanBessel & Co. [founded by Vasily Vasil'yevich Bessel, 1843-1907]A. L. S.: Bad Wildungen, 9 Aug. 2p., GermanBetti, Adolfo, 1873-19502 A. L. S.: to Solomon Pimsleur. New York City, 31 Dec.; Bologna, 22 June. 6p., EnglishBetz, Franz, 1835-1900A. L. S.: to Bassin. B[erlin], 17 Nov. 1876. 1p., GermanA. Alb. l. Sig.Beyer, Frank Michael, b. 19282 A. Mus. Quot. S.: to Gloria [Coates]Bianchi, Bianca, 1855-1947A. L. S.: to Kugel. Salzburg, 9 Feb. 1888. 3p., GermanCall. c. Annot.: 2p., GermanBillroth, Theodor, 1829-1894P. card S.: to Wetzlar. Wien, Nov. 1888. GermanBisetzka, M. deA. Mus. ms. S.: Les Fileuses. 8p., 35x27cm.Bistevins, OlgertsA. L. S.: to Aurelio de la Vega. Argentina, 22 Mar. 1951[?]. 2p., EnglishBittermann, Karl FriedrichA. Mus. ms. S.: Walzer mit VIII Variationen für das Clavier oder Piano-Forte. 8p., 24x30cm.Bittner, Julius, 1874-1939P. card S.: to Otto Jokl. Vienna, 29 Apr. 1917. GermanBizet, Georges, 1838-1875A. Mus. ms. arr.: Scènes de bal, Entrée des masques, op. 17 by Jules Massenet. Piano solo arrangement, written by Bizet in 1865[?]. 1p., 35x26cm., inkA. L. S.: n.p., n.d. 2p., French. On verso, note by the addresseeBlacher, Boris, 1903-1975A. Mus. ms.: Music for Cleveland, for orchestra. 20p., 34x27cm., pencil. Complete sketches. With two typed letters to Hans Moldenhauer, from Bote & Bock (Berlin, 1958), about manuscriptL. Repro.: to Hans Moldenhauer. Berlin, 25 Nov. 1957. 1p., GermanRelated Collection MaterialsSee: Hartmann, Karl AmadeusBlech, Leo, 1871-1958A. Mus. ms. S.: Schön Rothraut, for four women's voices with piano. 2p., 35x27cm.A. L. S.: to Bruno Eisner. Berlin, 1935. 1p., German. With musical notationA. L. S.: to Fritz Steinbach. Berlin, 30 Aug. 2p., GermanPort. Phot. Repro. S. (Box 110)Bleyle, Karl, 1880-1969A. Mus. ms. S.: Christ's Descent into Hell, op. 17. 1p., 18x23cm. ExcerptA. L. S.: Munich, 6 July 1911. 4p., GermanPort. Phot. S.: by Hartmann (Box 110)Bloch, Ernest, 1880-1959A. Mus. ms. Annot. S.: Schelomo, Geneva, Jan.-Feb. 1916, to Alexandre and Catherine Barjansky. 63p., 40x31cm., blue ink, pencil, black, brown, blue and orange crayon. Full score. Acquired in tribute to Rabbi Salomon Weil, his son Abraham Weil, and his eldest daughter Thekla Weil. A Christian, she married Richard Moldenhauer and became the mother of Hans MoldenhauerA. L. S.: to Aurelio de la Vega. Agate Beach, 1 Feb. 1958. 2p., EnglishBlomdahl, Karl-Birger, 1916-1968A. Mus. ms. S.: Five Songs for Mezzo and Piano, 1954. 7p., 29x22cm., Italian, pencil. Stage music. SketchesA. Mus. ms. S.: De Trogna, 1954. 5 leaves (9p.), 31x24cm., pencil. Sketches. Stage music for a Masefield dramaA. L. S.: to Hans Moldenhauer. Sweden, 9 Mar. 1960. 1p., EnglishBlumenthal, Jakob, 1829-1908A. Mus. ms. S.: A Twilight Song, to Tennant, 4 May 1863. 5p., 22x30cm. Exhibited at the Victorian Era Exhibition, London, 18972 A. L. S.: to Silas. Montreaux, 15 Dec. 1850; Kensington Gore, 18 Mar. 1872. 5p., French, EnglishA. L. S.: to Lady Mary. London, 1 May 1856. 2p., GermanA. L. S.: to a student. London, 1863. 3p.3 A. L. S.: to Miss Stephenson. Kensington Gore, 1873-1876. 7p., EnglishA. Card S.: to Mrs. Eliot. Kensington Gore, 15 Feb. 1892. 2p., EnglishA. L. S.: to Mrs. Eliot. Kensington Gore, 16 Jan. 1894. 4p., EnglishA. Doc. S.: Autograph title. She Is No More. 1p.Bochkoltz-Falconi, Anna, 1820-18704 A. L. S.: Gotha, Coburg, 1854. 7p., GermanBoehe, Ernst, 1880-1938Call. c. Annot.: GermanA. Mus. Quot. S.: Odysseus, to Schey, Munich, 14 Nov. 1905Boelke, Walter R., 1905-1987Obit.Böhme, Franz Magnus, 1827-1898A. L. S.: [to A. W. Gottschalg]. Dresden, 22 Aug. 1862. 1p., GermanBöhme, Walther, 1884-1952A. Mus. ms. S.: Jugend, op. 3, No. 3. 3p., 34x27cm. Full scoreBöhner, Ludwig, 1787-1860A. Mus. ms. Annot.: Pianoforte Conzert, Allegro con brio, 1844. 19p., 21x34cm. Draft in condensed and full score. BoundBoieldieu, Adrien, 1775-1834A. L. S.: to Castil-Blaze. n.p., n.d. 2p., French. With draft of "Air de Victor au 1er acte" from La Dame blancheBónis, Ferenc, b. 19325 T. L. S.: to Hans Moldenhauer. Budapest, 1986-1987. 5p., English, German2 L.: to Bónis. n.p., 1986-1987. 2p., EnglishBonn, Ferdinand, 1861-1933Port. Repro. S.Bonnet, Joseph, 1884-1944Port. Phot. S.: to Boaz Piller, Boston, 22 Dec. 1918Borch, Gaston Louis Christopher, 1871-1926A. Mus. ms. S.: Romance sans paroles, op. 69, No. 2, for piano. 4p., 34x26cm.L. S.: to Hans Moldenhauer, from Gerald Borch. Bellevue, Washington, 19 Sept. 1964. 1p., EnglishBorghi-Mamo, Adelaide, 1826-1901A. L. S.: ?, 1 Oct. 1860. 1p., ItalianBote & Bock est. 1838, BerlinA. L. S.: to ?. Berlin, 25 Apr. 1872. 2p., GermanBoulanger, Nadia, 1887-19792 A. L. S.: to Boaz Piller. Boston, 23 Oct., 25 Dec. 1945. 2p., FrenchA. L. S.: Paris, n.d. 1p., EnglishBoulez, Pierre, b. 1925A. Mus. ms.: [Le Marteau sans maître, Cantata for Contralto, Flute, Viola, Guitar, Vibraphone, and Percussion, 1953-1955]. 5p., 20-28x34cm., pencil, colored pencil. SketchesA. Mus. ms.: [Third Sonata for Piano], Formant I. 1p., 35x27cm., ink. First draftA. L. S.: to Hans Moldenhauer. Baden, 9 Feb. 1960. 1p., FrenchT. L. S.: to Hans Moldenhauer. Baden, 14 Sept. 1962. 1p., FrenchPri. Sco. S.: Le Soleil des eaux, 31 Oct. 1948, Paris: Heugel, c1959, to Karl Amadeus Hartmann. 44p.Bourgault-Ducoudray, Louis, 1840-1910A. Mus. Quot. S.: Thamara, Largo Amoroso, Act IIPort. Phot.: by Henri Manuel (Box 110)Bozza, Eugène, 1905-1991Port. Phot. S.: to Hans Moldenhauer, 1954Brahms, Johannes, 1833-1897(Shelf)A. Mus. ms. Rev.: Rinaldo v. Göthe [Rinaldo, op. 50, Cantata for Tenor solo, Men's Chorus, and Orchestra, 1868]. 162p., 23x35cm. + 26x33cm., ink, black and colored pencils. Full orchestral-vocal score. In original cardboard folder (Shelf)A. Mus. ms.: [Vier Lieder für Singstimme und Klavier, op. 46, No. 1, Die Kränze], Baden-Baden, 26 June 1865. 4p., 25x33cm., ink. With documentation of provenance(Shelf)Pri. Sco. A. Annot.: Neue Liebeslieder Walzer, op. 65a, [1877]. 38p. + 6 leaves (separated after conservation), ink, pencil, blue pencil. Full score of the version for piano four hands, with autograph additions and annotations. Basing his arrangement on the proofs of the original setting for vocal quartet with piano duet accompaniment, Brahms makes all appropriate changes, many glued into the proofs. The closing section, Zum Schluss (text by Goethe), is fully written out as a separate autograph (1 leaf, 25x34cm.) (Shelf)A. L. S.: to Philipp Spitta. Vienna, Jan. 1874. 3p., German. Musical topics; Nottebohm, Bach biographyA. L. S.: [to Dr. Max Abraham at C. F. Peters]. [Vienna, 3 Oct. 1881]. 3p., German. Expressing thanks for honorarium; mentions von Bülow, Julius Stockhausen, Franz Wüllner, Adolph SchulzeA. L. S.: [20 Nov. 1881]. Regarding laurel twigs; NänieA. L. S.: Ischl, 18 June 1882. 2p., German. Refers to marital differences between Joseph and Amalie Joachim; Riedel, Hanslick. Engraved portrait of Hans von Bülow on stationeryA. L. S.: [Ischl], [11 Aug. 1896?]. 3p., German. Sarcastic letter to a friend about literary matters; illnessA. L. S.: to Rudolf von der Leyden. Vienna, 1887. 1p., German. Comments about a difficult situationA. L. S.: to Ferdinand Vetter. n.p., [Sept. 1896]. 3p., GermanA. L. S.: to a copyist. n.p., n.d. 1p., GermanPort. Phot. Gr.: May 1896, after the funeral of Clara Schumann (Box 110)Brandt, Marianne, 1842-19214 A. L. S.: to ?. Aug. 1869-Sept. 1871. 10p., GermanBrandts Buys, Jan Willem Frans, 1868-1939A. Mus. ms. S.[?]: A.E.I.O.U., op. 48. 22p., 26x35cm. Full scoreBraunfels, Walter, 1882-1954A. L. S.: to Tischer. Munich, 27 Jan. 1925. 2p., GermanBresgen, Cesar, 1913-1988A. Mus. ms. S.: Advent, 22 Nov. 1966. 2p., 32x24cm., German. Text by Hans MoldenhauerA. Mus. ms. S.: Drei Gesänge nach Hans Moldenhauer für Bariton und Streichquartett, 31 July 1972. 14p., 34x27cm.A. Mus. ms. S. Rev.: Drei Gesänge..., July 1972. 10p., 34x27cm. SketchesA. Mus. ms. S.: Ester, ("Der Engel von Prag"), [1977]. 16p., 17x23cm. Notebook of first sketches to Act III, scene 2A. Mus. ms. S.: [same], July 1977. 14p., 34x27cm. Piano-vocal scoreA. Mus. ms. S.: Requiem für Webern, [1945], revised 1972. 42p., 32x25cm. Complete draft and sketchesA. Mus. ms.: Trio, Aug. 1972. 15p., 34x27cm. + various sizesMus. ms. Repro.: Advent, 22 Nov. 1966. 2p., 32x23cm., German. Text by Hans MoldenhauerMus. ms. Repro. S.: Requiem für Webern, Sept. 1945, revised July 1972. 68p., 34x25cm., Latin. Autograph title pagePri. Sco. S.: Balkanstudien, vols. 1 and 2, Frankfurt: Litolff's, c1964, to Rosaleen Moldenhauer, Grossgmain, 1965. 18p. (vol. 1) + 16p. (vol. 2)Pri. Sco. S.: Bilder des Todes, Vienna: Doblinger, c1973, to Hans Moldenhauer. 44p. 2 Pri. Sco. S.: Klaviertrio, Vienna: Doblinger, c1974, to Hans Moldenhauer, 1975. 20p. + 7p. + 4p.Pri. Sco.: Requiem für Anton Webern, Cologne: Gerig, c1976. 51p., Latin2 Clip.: 27 Oct. 1975. German2 Port. Phot. S.: by Alfred Pittertschatscher (Box 110)Port. Phot. S.: by Carl Pospesch (Box 110)(Shelf)Bk. S.: Europäische Liebeslieder aus acht Jahrhunderten. München: Heimeran, c1978, to Hans Moldenhauer, 19 Aug. 1978. 360p. (Shelf)(Shelf)Bk. S.: Trariro, Zurich: Gemeinschaft, n.d., to Hans Moldenhauer, Grossgmain, 1 Aug. 1965. 44p., German (Shelf)Breunung, Ferdinand, 1830-1883A. L. S.: Aachen, 13 Feb. 1877. 1p., GermanBrisman, Heskel, b. 1923A. Mus. ms. S.: Cantata: "Don't Listen to the Wind" for Chorus, 4 Soloists, Wind Ensemble, Percussion, 1978. 195p., 34x27cm. Piano reductionA. Mus. ms. S.: Chaconne and Allegro for Double Bass Solo. 6p., 34x27cm. With reproduction of same, signedA. Mus. ms. S.: Concerted Music for Piano and Percussion Ensemble, to Paul Price and Elizabeth Marshall. 50p., 34x27cm. DraftA. Mus. ms. S.: Concerto for French Horn and Orchestra, 1982. 43p., 32x24cm.A. Mus. ms. S.: Menagerie Suite for Piano (Eight Character Sketches of Diverse Animals), 1968. 17p., 32x24cm.A. Mus. ms. S.: Serenata for Flute, Viola, and Harp, 1985. 23p., 32x24cm.A. Mus. ms. S.: Sonata II. 25p., 32x23cm. With reproduction of sameA. Mus. ms. S.: Trio for Flute, Cello, and Piano, 1980. 42p., 32x24cm.A. Mus. ms. S.: Trio Sonata for Violin, Viola, and Cello, 1955, revised May 1979. 24p., 34x26cm.T. L. S.: to Mary Moldenhauer. Teaneck, 14 June 1989. 1p., EnglishA. L. S.: to Mary Moldenhauer. n.p., 16 Aug. 1989. 1p., EnglishL. S.: to Brisman, from Lukas Foss. 10 Oct. 1980. 1p., EnglishL. Repro.: to Brisman, from Paul Doktor. New York, 9 Dec. 1984. 2p.Mus. ms. Repro. S.: Andante Sostenuto, transcription of the 2nd movement from String Quartet I, 1983. 15p., 32x21cm. With autograph inscription by Lukas FossMus. ms. Repro. S.: Cantata: "Don't Listen to the Wind." 188p., 28x21cm. Accompanying program and flyer for the premiereMus. ms. Repro.: Canto I, 1959. 6p.Mus. ms. Repro.: Canto III. 4p.Mus. ms. Repro. A. Annot. S.: Cinemuse, 1987. 85p. Blueprint scoreMus. ms. Repro. A. Rev. S.: Concerted Music for Piano and Percussion Ensemble, 1975. 50p. Blueprint score. With program of the premiere New York City performanceMus. ms. Repro. A. Rev. S.: Concerto for French Horn and Orchestra, 126p. (see letter above, from Lukas Foss)Mus. ms. Repro.: Dithyrambic Ode. 2p.Mus. ms. Repro.: Interplay, 1974. 16p.Mus. ms. Repro. S.: Profiles, 1987. 37p.Mus. ms. Repro.: Serenata, 1985. 25p.Mus. ms. Repro. A. Rev.: String Quartet I, 1951, revised 1982. 40p.Mus. ms. Repro.: Woodwind Trio I, 1986. 19p.Mus. ms. Repro.: Woodwind Trio II, 1986. 15p.S. rec.: Dithyrambic Ode. Solo fluteBrod, Max, 1884-1968A. L. S.: to Alma Mahler. Tel-Aviv, 2 Apr. 1959. 2p., GermanPri. Sco. S.: Vier Lieder, Vienna: Universal, to Alma Mahler Werfel, 25 Dec. 1950. 22p.Port. Phot.: of Brod and Hans Pfitzner, Apr. 1928 (Box 110)Bronsart von Schellendorf, Hans, 1830-191315 A. L. S.: to Eugen Lindner. 1896-1913. 50p., German. Critical commentaries on cultural life and composersCall. c. Annot.: to Eugen Lindner. New Year's greetings. German. Satiric poem in which Bronsart refers to Reger, Pfitzner, and Strauss. Illustrated with musical quotationsBrosig, Moritz, 1815-1887A. L. S.: Breslau, 21 Oct. 1874. 2p., GermanBruch, Max, 1838-19203 A. L. S.: to Karl Krebs. Friedenau [Berlin], 23 Mar. 1907, 5, 7 Apr. 1910. 15p., German. Expresses outrage over a newspaper articleA. L. S.: to Bruch, with response to Radecke. Friedenau, 24, 26 Apr. 1906. 2p., GermanBruckner, Anton, 1824-1896A. L. S.: to a friend. Vienna, 13 Nov. 1883. 2p., GermanA. L. S.: to Baron von Perfall. Vienna, 27 Feb. 1885. 4p., German. Regarding the Richard Wagner Society; Munich and Seventh Symphony, asking Levi for special rehearsalsDraw. Repro.: "Gedenkblatt zum Zyklus der 9 Symphonien in der Aula der Universität zu München 1946/1947." 1p., 32x22cm., pencil. Rosbaud conducted the cycleBrüll, Ignaz, 1846-1907A. Mus. ms. S.: Nachtwandler. 4p., 34x26cm., German. Complete scoreA. L. S.: Voslau, 28 Sept. 1875. 2p., GermanA. L. S.: [to Carl Reinecke?]. Vienna, 16 Dec. 1896. 2p., GermanA. L. S.: Vienna, 12 Nov. 1897. 2p., GermanA. L. S.: Unterach, 30 May 1903. 1p., GermanBruneau, Alfred, 1857-1934A. Mus. ms. S.: Ballade de l'Amie bien belle. 4p., 35x27cm., French. Complete scoreA. L. S.: to Manheim. Paris, 2 May 1882. 1p., FrenchA. Card S.: n.p., 4 Jan. 1897. 2p.Bull, Ole, 1810-1880Port. Phot.: 1870. By Warren. With accompanying album leaf signed, Boston, 29 Apr. 1877Bülow, Cosima Liszt von, 1837-1930Related Collection MaterialsSee: Wagner, CosimaBülow, Hans von, 1830-1894A. Mus. ms. arr. S.: Sechs Menuetten von L. v. Beethoven, für das Pianoforte. 7p., 27x34cm. Complete scoreA. L. S.: to Steyl. Meiningen, 8 Dec. 1884. 1p., GermanA. L. S.: to Leopold Marxsen. Hamburg, 21 Nov. 1887. 2p., German, with translationObit.: With portrait photograph. England, Mar. 1894. EnglishPort. Phot.: 1884 (Box 110)Related Collection MaterialsSee: Brahms, JohannesBülow, Marie Schanzer vonA. L. S.: to Miss Eisenach. Florence, 15 Feb. 1897. 3p., GermanP. card S.: to Bruno and Olga Eisner. Charlottenburg, 13 Mar. 1932. 2p., GermanA. Doc. S.: Attestation. For Olga Eisner. Berlin, 14 July 1938. 1p., GermanBulss, Paul, 1847-19022 A. L. S.: to Senff. Dresden, 8 Jan., 10 Nov. 1877. 2p., GermanBungert, August, 1845-1915A. Mus. ms.: [Corrections for a vocal composition]. 1p., 25x20cm.Buonamente, Giovanni Battista, d. 16426 A. L. S.: to Prince Cesare Gonzaga in Mantua. Vienna, Prague, 1627. 6p., ItalianL. Repro.: 3 Dec. 1627. 1p., ItalianBuonamici, Giuseppe, 1846-19142 A. L. S.: to Murdoch. ?, 10 Oct. 1884; 1901[?]. 2p., English, ItalianBurmester, Carl Adolph Wilhelm, 1869-1933A. L. S.: to Eugen Lindner. Bayhill on Sea, 5 Mar. 1927. 1p., GermanBurney, Charles, 1726-1814A. L. S.: to Samuel Wesley. n.p., [ca. 15 July 1810]. 1p., English. With authentication of letter and short history written on letter by Vincent NovelloL.: to Rev. Dr. Burney [Charles Parr Burney, grandson]. Kent, 13 Feb. 1829. 4p., English. With newspaper clipping in which Percy Scholes asks for available letters about Burney. Also response letter (from the previous owner of this letter) to ScholesBury, Agnes, 1831-1902A. L. S.: to a theater director in Bremen. Leipzig, 8 Oct. 1855. 4p., GermanA. L. S.: to a Kapellmeister. Berlin, 27 Sept. 1858. 1p., GermanA. L. S.: to a patron. Zehlendorf, n.d. 2p., GermanBusch, Adolf, 1891-1952A. L. S.: to Karl Weigl. Basel, 3 July 1928. 4p., GermanBusoni, Ferruccio, 1866-19243 A. L. S.: to Rüppel. Leipzig, 5 Feb., 15 Feb., 12 Apr. 1887. 3p., German9 A. L. S.: to Rudolph Ganz. 1899-1908. 20p., French, GermanA. L. S.: to Rudolph Ganz. Weimar, 16 July 1900. 2p., German. With self-caricature(Shelf)Pri. Sco. S.: Concerto, op. 39, Breitkopf & Härtel, c1906, to Rudolph Ganz, 1906. 328p. First edition (Shelf)Doc.: Essay. "An Unknown Essay by Busoni: Critique of Beethoven's Last String Quartets," by Hans Moldenhauer, in Neue Zeitschrift für Musik, Dec. 1960. 2p., GermanDoc. Repro.: Critical discussion of Beethoven. Neuchatel, 15 Nov. 1917. 8p.Related Collection MaterialsSee: Palmgren, SelimBussotti, Sylvano, b. 1931A. Mus. ms. S.: Breve; Due voci, 1958. 1p., 30x30cm. SketchesA. Mus. ms. S.: Sonate pour clavier, aprés Pièces de chair II, Florence, 27 Apr. 1960. 1p., 20x27cm.A. Mus. ms. S.: [Torso], Milan, 22 Nov. 1960. 2p., 66x16cm. First version2 A. L. S.: to Hans Moldenhauer. Venice, 20 Apr. 1963; Florence, 21 Sept. 1963. 3p., ItalianMus. ms. Repro. A. Rev.: Torso III, 1963. 1p.Cage, John, 1912-1992A. Mus. ms. S.: The Wonderful Widow of Eighteen Springs, for voice and piano, New York, Nov. 1942. 6p. (2p. of music), 33x26cm., ink. On transparent sheets (used for publication by Peters)A. L. S.: to Adolph Weiss. Urbana, Illinois, 28 Oct. 1966. 2p., EnglishDoc.: Brochure. KPFA radio station, Berkeley, California, 1965. 4p., EnglishCampana, Fabio, 1819-1882A. L. S.: London, 2 Feb. 1882. 2p., FrenchA. L. S.: to Mrs. Graham. London, n.d. 3p., FrenchCanneti, Francesco, 1807-1884A. L. S.: to Marchese Gherado Bevilacqua in Ferrara. Bologna. May ?. 3p., ItalianCapoul, Victor, 1839-1924A. Mus. ms. S.: Demain. 3p., 34x26cm., French. Complete scoreA. Mus. ms. S.: [same]. 4p., 30x24cm., French. Fair copyCarafa, Michele, 1787-1872A. Mus. ms. S.: Abufar. 6p., 26x32cm., French. Duet in piano-vocal scoreA. L. S.: to Schieker. Paris, 19 Feb. 1847. 1p., FrenchA. L. S.: to a colonel. Paris, 21 June 1850. 2p., FrenchA. Mus. Quot. S.: O caro..., to Adele di Lopigerane, Milan, Autumn, 1817. ItalianObit.: from Le Figaro, Paris, 29 July 1872. FrenchPort. Lith. S. Repro. (Box 110)Carelli, VicenteA. Mus. ms. S.: Danza vida porteña, to Ricardo Viñes. 8p., 36x26cm.Carré, Michel, 1822-1872A. L. S.: n.p., n.d. 1p., FrenchCarter, Thomas, ca. 1740-1804A. L. S.: to a theater director. London, 29 Dec. 1802. 2p., EnglishCaruso, Enrico, 1873-1921Port. Caric. S.: 1916Casadesus, Robert, 1899-1972Port. Phot. S.: to Boaz Piller, 1938. By HrandCasals, Pablo, 1876-1973A. L. S.: to Boaz Piller. Prades, 6 May 1940. 2p., French. Discusses the conditions in Europe as a result of the Hitler regime. With clipping regarding letter12 A. L. S.: to Boaz Piller. 1918-1951. 19p., French, EnglishA. L. S.: to Karl Weigl. Vienna, 30 Mar. 1927. 2p., FrenchA. L. S.: to Guido Adler. Vienna, 12 Mar. 1928. 2p., FrenchP. card S.: to Karl Weigl. Barcelona, 3 June 1935. French23 P. cards S.: to Boaz Piller. 1936-1957. French, EnglishP. card S.: to Vally Weigl. Prades, 8 May 1951. FrenchT. L. S.: to Boaz Piller. Puerto Rico, 20 Feb. 1958. 1p., EnglishPort. Gr.: at the organ with Schweitzer (Box 110)Bk. S.: Gespräche mit Casals, by J. MA. Corredor, Bern: Alfred Scherz, c1954. 328p.Bk. S.: Pablo Casals, by Bernard Gavoty, Geneva: René Kister, c1955, to Hans Moldenhauer. 31p.Related Collection MaterialsSee: Weigl, KarlCasella, Alfredo, 1883-194753 L. S.: to Boaz Piller. 1927-1946. 65p., French. Five letters are from his wife, Yvonne, who writes on his behalf3 T. L. S.: to Paul Sanders. n.p., 18 May 1931; Rome, 4 Oct. 1931; Siena, 15 Sept. 1933. 5p., French. Regarding the ISCM; Pijper2 A. L. S.: to Hanna Schwarz. Jassy, 16 Apr. 1937; Egypt, 12 Jan. 1938. 2p., French2 A. L. S.: to Ruzena Herlinger. Siena, 15 Feb. 1938; Rome, 23 Mar. 1938T. L. S.: to Ruzena Herlinger. Dahlem, n.d.T. Doc. A. Rev.: Essay. On the development of the modern orchestra. 3p., FrenchA. Mus. Quot. S.: Concerto, 1924, 14 Feb. 1927Pri. Sco. S.: Tre canzoni trecentesche, Ricordi, to Ruzena Herlinger, Vienna, 20 Dec. [1911?]. 16p.Port. Phot. S.: to Boaz Piller, Boston, 12 Jan. 1927. By de Gueldre (Box 110)Cassadó, Gaspar, 1897-1966A. L. S.: to Bruno Eisner. Venice, 22 July 1934. 2p., FrenchCastelnuovo-Tedesco, Mario, 1895-1968A. Mus. ms. S.: Alborada del gracioso for Cello and Piano by Ravel, Beverly Hills, 20 Oct. 1944. 17p., 33x24cm. (80/1)A. Mus. ms. S.: [Amours de Ronsard, op. 197], Beverly Hills, 30 July 1961. 1p., 33x27cm. (80/1)A. Mus. ms. S.: The Book of Esther, op. 200, to Hans Moldenhauer, Beverly Hills, July 1962. 1p., 24x31cm. Sketches (80/2)A. Mus. ms. S.: [same], Beverly Hills, 10-23 Sept. 1962. 3p. (pp.42, 244-245), various sizes. Discarded master sheets (80/2)A. Mus. ms. S.: Capriccio, op. 133, Beverly Hills, 21 May 1947. 9p., 32x25cm. (80/3)A. Mus. ms. S.: "Cherubino," from The Marriage of Figaro by Mozart, Beverly Hills, 1944. 21p., 31x24cm. (80/3)A. Mus. ms. S.: Le Columbe, 6 May 1946. 4p., 36x27cm. (80/3)A. Mus. ms. S.: Concerto for Guitar and Orchestra, to Andrés Segovia, Florence, 1938-1939. 67p., 32x23cm. (80/4)A. Mus. ms. Rev. S.: [Concerto for Two Guitars and Orchestra], Beverly Hills, 10 July 1962. 10p., 24x33cm. + 35x28cm. Sketches and discarded pages (80/5)A. Mus. ms. S.: Dodici studi dodecafonici. 5p., 33x25cm. (80/6)A. Mus. ms. S.: 2. Quintetto per due violini, viola, violoncello, e pianoforte, 28 Feb. 1934. 3p., 33x24cm. Draft (80/6)A. Mus. ms.: Exotica, [1934]. 8p., 33x24cm. Violin part (80/6)A. Mus. ms. S.: Fantasia Napolitana, for Two Pianos, 19-21 Mar. 1945. 15p., 31x25cm. (80/6)A. Mus. ms. S.: La figlia del reggimento, op. 110, to Jascha Heifetz, Hollywood, May 1941. 56p., 32x24cm. Full score (80/7)A. Mus. ms. S.: [Greeting Card], "Preparations" for Nos. 18, 19, to Hans and Rosaleen Moldenhauer, Beverly Hills, Mar. 1959. 1p., 24x33cm. Sketches (80/8)A. Mus. ms. S.: [Greeting Card], Choral-Prelude, op. 170, No. 18, on the name Albert Schweitzer, Beverly Hills, 1 Mar. 1959. 4p., 33x24cm. Draft (80/8)A. Mus. ms. S.: [Greeting Card], Duo-Pianism, Impromptu for Two Pianos, op. 170, No. 19, on the names Hans and Rosaleen Moldenhauer, Beverly Hills, Mar. 10, 1959. 10p., 33x27cm. Master sheets (80/8)A. Mus. ms. S.: [Greeting Card], Suite 508, op. 170, No. 21, to Hans Moldenhauer, Beverly Hills, 24 Mar. 1960. 1p., 24x33cm. (81/1)A. Mus. ms. S.: [Greeting Card], [Ein Quartett-Satz], op. 170, No. 28, Beverly Hills, 18-19 Sept. 1960. 1p., 33x27cm. Closing page (81/1)A. Mus. ms. S.: [Greeting Card], Arabesque, op. 170, No. 29, on the name Roger Taylor, 1961. 1p., 33x24cm. Master sheet. With accompanying note to Hans Moldenhauer (81/1)A. Mus. ms. S.: [Greeting Card], Ballatella, op. 170, No. 34, on the name Chris Parkening, Beverly Hills, 10 Nov. 1963. 1p., 36x28cm. Master sheet (81/1)A. Mus. ms.: [Greeting Card], [Fanfare], on the name E. Power Biggs. 2p., 22-36x30cm. Sketches (81/1)A. Mus. ms. S.: Les Guitares bien tempérées, op. 199, Nos. 2, 21-24, Beverly Hills, 6 Apr. 1962. 3p., various sizes. Sketches (81/1)A. Mus. ms. S.: Hommage à Paderewsky, Hollywood, 21-23 Mar. 1941. 9p., 31x24cm. (81/2)A. Mus. ms. S.: The Importance of Being Earnest. 7p. (pp.1-6), 34x27cm. Master sheets (81/2)A. Mus. ms. S.: The Importance of Being Earnest, to Hans Moldenhauer, Beverly Hills, 26 Dec. 1961. 3p., 33x27cm. (81/2)A. Mus. ms. S.: Jeux d'Eau by Ravel, Beverly Hills, 14 Oct. 1944. 18p., 31x24cm. Transcribed for violin and piano (81/3)A. Mus. ms.: Die Kraniche des Ibykus, op. 193, No. 1. 1p., 34x27cm. (81/4)A. Mus. ms.: Lament of David, op. 169. 2p., 35x31cm. Sketch of opening (81/4)A. Mus. ms. S.: Minstrels by Debussy, 30 June 1951. 3p., 32x24cm. Transcribed for guitar (81/4)A. Mus. ms.: [Naaritz'cho]. 2p., 36x31cm. Draft of ending (81/4)A. Mus. ms. S.: The Octoroon Ball, op. 136. 14p., 30x24cm. Beginning of the piano score (81/4)A. Mus. ms. S.: Ozymandias, op. 124, for voice and piano, Beverly Hills, 8 June 1944. 5p., 36x27cm. Unpublished. Based on the poem by Shelley. Inspired by the reading of the poem when Raymond Gram Swing announced the downfall of Mussolini over the radio. See letter below to Hans Moldenhauer, 6 Feb. 1959 (81/4)A. Mus. ms. S.: Pavane pour une infante défunte by Ravel, Beverly Hills, 28 July 1946. 9p., 32x24cm. Arranged for two pianos, four hands (81/5)A. Mus. ms. S.: Platero y yo, op. 190, Beverly Hills, 18 July 1960. 2p., 33x24cm. With accompanying work sheet, containing four themes and the composer's comments, to Hans Moldenhauer, 26 Dec. 1960 (81/5)A. Mus. ms.: I Profeti. 7p., 32x23cm. Piano-violin version. Draft of introduction (81/5)A. Mus. ms.: The Queen of Sheba, op. 161. 1p., 36x30cm. Draft of opening (81/5)A. Mus. ms.: Rondo, op. 129. 5p., 36x27cm. Sketches (81/6)A. Mus. ms. S.: "Rosina," from The Barber of Seville by Rossini, Beverly Hills, 30 Sept. 1944. 11p. (full score) + 4p. (parts), 31x24cm. (81/6)A. Mus. ms. S.: Saul, op. 191, 1 Aug.-12 Sept. 1960. 1p., 43x29cm. (81/7)A. Mus. ms. S.: The Seventh Day, 1963. 2p., 33x27cm. Formerly called "The Peace of the Sabbath." Master sheets (81/7)A. Mus. ms. S.: The Shadow, Beverly Hills, 14 June 1944. 4p., 36x27cm. (81/7)A. Mus. ms. S.: "Shakespeare Overtures," ca. 1932. 3p., 33x24cm. Thematic sketches to As You Like It, Othello, Romeo and Juliet, Antony and Cleopatra, All's Well That Ends Well (81/7)A. Mus. ms. S.: Shakespeare Sonnets, Sonnet No. LVII, "What is your substance whereof you are made," 22 Sept. 1945. 5p., 31x24cm. Full score (81/8)A. Mus. ms. S.: Shakespeare Sonnets, Sonnet No. XXX, op. 125, to Aldo, Beverly Hills, 3 July 1944. 4p., 32x24cm. (81/8)A. Mus. ms. S.: Shakespeare Sonnets, Sonnet No. XCIV, op. 125, 11 Oct. 1945. 10p., 31x26cm. (81/8)A. Mus. ms. S.: Shakespeare Sonnets, Sonnet No. CLIV, op. 125, Beverly Hills, 21 Sept. 1945. 6p., 31x24cm. (81/8)A. Mus. ms. S.: [Six Keats Settings, op. 157], 30 Dec. 1952. 2p., 36x30cm. Drafts of opening and closing pages (81/8)A. Mus. ms. S.: 16 Préludes by Chopin, Beverly Hills, 23 Nov. 1944. 36p. (piano score) + 16p. (violin part). 32x25cm. Markings by Heifetz (81/9)A. Mus. ms.: [Sketches]. 4p., various sizes. Includes Divertimento, op. 119; Suite nello Stile Italiano, op. 138; Sonatina, op. 130; Serenade; Second Concerto (81/10)A. Mus. ms.: Sonata, op. 208, 1967, to Hans Moldenhauer, 1967. 48p., 38x28cm. (81/10)A. Mus. ms.: Sonata for Oboe and Piano, op. 146. 2p., 38x28cm. (81/10)A. Mus. ms. S.: Sonatina for Flute and Guitar, op. 205,2 Aug. 1965. 3p. (pp.9, 15, 16), 36x28cm. Master sheets (81/10)A. Mus. ms.: Songs of the Shulamite, op. 163. 1p., 31x24cm. Opening page (81/10)A. Mus. ms. S.: "Susanna," from The Marriage of Figaro by Mozart. 2p., 31x24cm. Violin part (81/10)A. Mus. ms. S.: Three Sephardic Songs, to Bracha Zefire, Beverly Hills, 14-15 Sept. 1949. 9p. + 1p. (of themes), various sizes. Transcribed and harmonized with piano or harp accompaniment (82/1)A. Mus. ms.: Tobias and the Angel. 8p., various sizes. Includes an omitted aria, p.31 (piano-vocal score), p.73 (orchestral score), pp.77-81 (full score), and 1p. (master sheets) (82/1)A. Mus. ms. S.: La Vallée des Cloches by Ravel, Beverly Hills, 16 Oct. 1944. 6p., 31x24cm. Arranged for cello and piano (82/1)A. Mus. ms. S.: Variazioni sinfoniche, part I, 1928. 18p., 33x24cm. Draft of full score (82/2)A. Mus. ms.: 24 caprichos de Goya, op. 195, Nos. X, XIX, XXII, Mar. 1961. 7p., 33x24cm. Master sheets (82/2)A. Mus. ms. S.: "Violetta," from La Traviata by Verdi, Beverly Hills, 30 Sept. 1944. 4p., 32x24cm. (82/2)A. L. S.: to Andrés Segovia. Pisa, 22 Sept. 1948. 2p., French. Containing musical illustrations (Box 118)4 A. L. S.: to Andrés Segovia. Beverly Hills, 10 Mar., 3 June 1951, 18 July 1955, 20 June 1956. 8p., French. Discussing compositions and Segovia's performances (Box 118)134 A. L. S.: to Hans Moldenhauer. 1958-1967. 261p. Much detail about his works, some cards and post cards; includes notes from his wife Clara (Box 118)A. L. S.: to Andrés Segovia. n.p., n.d. 1p., French. Fragment, containing musical illustrations (Box 118)Card S.: to Hans and Rosaleen Moldenhauer, from Lisbeth, wife of Castelnuovo-Tedesco's son Pietro. Los Angeles, 1960. English (Box 118)Card: Birth announcement for Diana Clara Castelnuovo-Tedesco. 22 June 1960 (Box 118)2 L. S.: to Hans Moldenhauer, from Clara Castelnuovo-Tedesco. Beverly Hills, 8 Mar. 1980. 2p., with two clippings and application forms for the Castelnuovo-Tedesco Society (Box 118)A. Lib. S.: The Importance of Being Earnest. 41p. (Box 118)T. Doc.: Biographical data with accompanying catalog of works. 8p., English (Box 118)A. T. p.: The Merchant of Venice, also titled " Sem " (82/2)Mus. ms. Repro. S.: Amours de Ronsard, op. 197, 1961. 29p. (I) + 33p. (II). Blueprint score (82/3)Mus. ms. Repro. S.: Appunti, Ritmi, 1967-1968, to Hans and Rosaleen Moldenhauer, 2 Feb. 1968. 34p. (I) + 29p. (II). Blueprint score (82/4)Mus. ms. Repro. S.: Appunti, Intervalli, 1967, to Hans and Rosaleen Moldenhauer, 28 Nov. 1967. 34p. Blueprint score (82/4)Mus. ms. Repro. Annot. S.: Il bestiario, op. 188, 1960. 45p. Blueprint score (82/5)Mus. ms. Repro. S.: Bitter Lemons, 1960. 3p. Blueprint score (82/5)Mus. ms. Repro. S.: The Book of Esther: A Biblical Oratorio, op. 200, 1962, to Hans and Rosaleen Moldenhauer, 4 Dec. 1962. 144p. Blueprint score (82/6)Mus. ms. Repro.: [Tobias and the Angel], The Book of Tobit, op. 204, 1964-1965, to Hans Moldenhauer, 1964/1965. 83p. (I) + 125p. (II) + 33p. (III). Blueprint score (83/1)Mus. ms. Repro. S.: Candide, op. 123, 1944. 50p. Blueprint score (83/2)Mus. ms. Repro. S.: Cherry Ripe, 1955. 6p. Blueprint score (83/2)Mus. ms. Repro. S.: 5 Poesie Romanesche, op. 131, 1946. 13p. Blueprint score (83/2)Mus. ms. Repro. S.: Concerto for Two Guitars and Orchestra, op. 201, 1962. 132p. (orchestral score) + 57p. (two guitars and piano). Blueprint score (83/3)Mus. ms. Repro. S.: The Divan of Moses-Ibn-Ezra, op. 207, 1966, to Hans and Rosaleen Moldenhauer, 22 July 1966. 59p. Blueprint score (84/1)Mus. ms. Repro. S.: 2 Canti Greci, 1916. 16p. Blueprint score (84/2)Mus. ms. Repro. S.: Eclogues, op. 206, 1966, to Hans and Rosaleen Moldenhauer, 15 June 1966. 25p. Blueprint score (84/2)Mus. ms. Repro. S. Rev.: 11 Preludes by Chopin, May 1946. 25p. Arranged for violin and piano. Blueprint score (84/2)Mus. ms. Repro. S.: Exotica (A Rhapsody of the South Seas), 1943, to Hans Moldenhauer, 1964. 23p. (parts). Blueprint score (84/3)Mus. ms. Repro. S.: Fantaisie impromptu by Chopin, 1947. 11p. Arranged for violin and piano. Blueprint score (84/3)Mus. ms. Repro. S.: The Fiery Furnace, op. 183, 1958, to Joseph Leonard. 30p. Blueprint score (84/4)Mus. ms. Repro. Rev. S.: La figlia del reggimento, op. 110, 1941, to Hans Moldenhauer, 9 Apr. 1964. 54p. Arranged for violin and piano. Blueprint score (84/5)Mus. ms. Repro. S.: [same]. 44p., missing pp.23-32. Arranged for violin and piano. Blueprint score (84/5)Mus. ms. Repro. S.: Fuga elegiaca, 1967, to Hans and Rosaleen Moldenhauer, 3 Nov. 1967. 8p. Blueprint score (84/6)Mus. ms. Repro. Annot.: [Greeting Card], Tango, op. 170, No. 1, on the name André Previn, 1953. 5p. Blueprint score (85/1)Mus. ms. Repro. Annot. S.: [Greeting Card], Serenatella, op. 170, No. 2, on the name Jascha Heifetz, 1954. 12p. Blueprint score (85/1)Mus. ms. Repro. S.: [Greeting Card], Valse, op. 170, No. 3, on the name Gregor Piatigorsky, 1954. 14p. Blueprint score (85/1)Mus. ms. Repro. Annot. S.: [Greeting Card], Mirages, op. 170, No. 4, on the name Gieseking. 7p. Blueprint score (85/1)Mus. ms. Repro. Annot. S.: [Greeting Card], Tonadilla, op. 170, No. 5, on the name Andrés Segovia, 1954. 6p. With autograph fingerings by Segovia. Blueprint score (85/1)Mus. ms. Repro.: [same]. Blueprint score (85/1)Mus. ms. Repro.: [Greeting Card], Rondel, op. 170, No. 6, on the name Siegfried Behrend, 1954. 8p. Blueprint score (85/1)Mus. ms. Repro.: [Greeting Card], Preludio, op. 170, No. 7, on the name Bruno Tonazzi, 1954. 5p. Blueprint score (85/1)Mus. ms. Repro. S.: [Greeting Card], Humoresque, op. 170, No. 8, on the name Tossy Spivakovsky, 1954. 12p. Blueprint score (85/1)Mus. ms. Repro. S.: [Greeting Card], Fandango, op. 170, No. 9, on the name Amparo Iturbi, 1954. 8p. Blueprint score (85/1)Mus. ms. Repro.: [Greeting Card], Tanka, op. 170, No. 10, on the name Isao Takahashi, 1955. 5p. Blueprint score (85/2)Mus. ms. Repro.: [Greeting Card], Étude, op. 170, No. 11, on the name Jakob Gimpel, 1955. 8p. Blueprint score (85/2)Mus. ms. Repro. S.: [Greeting Card], Für Erna, op. 170, No. 12, 1956. 3p. (85/2)Mus. ms. Repro.: [Greeting Card], A Canon for Robin, op. 170, No. 13, on the name Robin Escovado, 1956. 4p. Blueprint score (85/2)Mus. ms. Repro.: [Greeting Card], A Lullaby for Eugene, op. 170, No. 14, to Eugene Robin Escovado, 1957. 4p. Blueprint score (85/2)Mus. ms. Repro.: [Greeting Card], A Fandango for Escovado, op. 170, No. 16, to Robin Escovado, on the name Robin Escovado, 1958. 5p. Blueprint score (85/2)Mus. ms. Repro.: [Greeting Card], Ricercare, op. 170, No. 17, on the name Luigi Dallapiccola, 1958. 8p. Blueprint score (85/2)Mus. ms. Repro.: [Greeting Card], Choral-Prelude, op. 170, No. 18, on the name Albert Schweitzer, 1959. 7p. Blueprint score (85/2)Mus. ms. Repro. S.: [Greeting Card], Duo-Pianism, op. 170, No. 19, to Hans and Rosaleen Moldenhauer, 10 Mar. 1959. 10p. each. Two copies. Blueprint scores (85/2)Mus. ms. Repro. S.: [Greeting Card], Little March, op. 170, No. 20, on the name Scott Harrison, 1960. 2p. each. Two copies. Blueprint scores (85/3)Mus. ms. Repro. S.: [Greeting Card], Suite 508, op. 170, No. 21, on the name Walter Hodgson, 1960. 31p. (score) + 15p. (parts). Blueprint score (85/3)Mus. ms. Repro. S.: [Greeting Card], Slow--with Variations, op. 170, No. 22, 1960. 9p. Blueprint score (85/3)Mus. ms. Repro. S.: [Greeting Card], Intermezzo, op. 170, No. 23, on the name Harvey Siegel, 1960. 8p. + 3p. (insert). Blueprint score (85/3)Mus. ms. Repro. S.: [Greeting Card], Valse-Bluette, op. 170, No. 24, on the name Eric Friedman, 1960. 6p. + 2p. (insert). Blueprint score (85/3)Mus. ms. Repro.: [Greeting Card], Hungarian Serenade, op. 170, No. 25, on the name Miklós Rózsa, 1960. 8p. Two copies. Blueprint scores (85/4)Mus. ms. Repro.: [Greeting Card], La torre del diavolo, op. 170, No. 26, on the name Gisela Selden-Goth, 1960. 12p. Blueprint score (85/4)Mus. ms. Repro.: [Greeting Card], Angelus, op. 170, No. 27, on the name Nino Rota Rinaldi, 1960. 5p. Blueprint score (85/4)Mus. ms. Repro.: [Greeting Card], Ein Quartett-Satz, op. 170, No. 28, on the name Walter Arlen, 1960. 14p. (full score) + 19p. (parts). Blueprint score (85/4)Mus. ms. Repro.: [Greeting Card], Arabesque, op. 170, No. 29, on the name Roger Taylor, 1961. 7p. Blueprint score (85/4)Mus. ms. Repro. S.: [Greeting Card], Melodia (o Tema?...), op. 170, No. 30, on the name Claudio Sartori, 1961. 6p. Blueprint score (85/5)Mus. ms. Repro. S.: [Greeting Card], Prelude and Fugue, op. 170, No. 31, on the name Gerhard Albersheim, 1962. 7p. Blueprint score (85/5)Mus. ms. Repro. S.: [Greeting Card], Toccata, op. 170, No. 32, to Hugh Mullins. 10p. Blueprint score (85/5)Mus. ms. Repro.: [Greeting Card], Canzone Siciliana, op. 170, No. 33, on the name Mario Gangi, 1962. 4p. Blueprint score (85/5)Mus. ms. Repro. S.: [Greeting Card], Ballatella, op. 170, No. 34, on the name Christopher Parkening, 1963, to Hans Moldenhauer, 18 Nov. 1963. 4p. Blueprint score (85/5)Mus. ms. Repro.: [Greeting Card], Sarabande, op. 170, No. 36, on the name Rey de la Torre, 1964. 3p. Blueprint score (85/5)Mus. ms. Repro.: [Greeting Card], Romanza, op. 170, No. 37, on the name Oscar Ghiglia, Beverly Hills, 1964. 4p. Blueprint score (85/5)Mus. ms. Repro. S.: [Greeting Card], Homage to Purcell, op. 170, No. 38, on the names Ronald, and Henry Purcell, 1966, to Hans Moldenhauer, 22 July 1966. 7p. Blueprint score (85/5)Mus. ms. Repro.: [Greeting Card], Canción Venezuela, op. 170, No. 40, on the name Alirio Díaz, 1966. 4p. Blueprint score (85/6)Mus. ms. Repro. S.: [Greeting Card], Canción Venezolana, op. 170, No. 40, on the name Alirio Díaz, to Hans Moldenhauer, 1966. 4p. Blueprint score (85/6)Mus. ms. Repro. S.: [Greeting Card], Canción Argentina, op. 170, No. 41, on the name Ernesto Bitetti, 1966, to Hans Moldenhauer, 22 July 1966. 4p. Blueprint score (85/6)Mus. ms. Repro. S.: [Greeting Card], Estudio, op. 170, No. 42, on the name Manuel López Ramos, 1966, to Hans Moldenhauer, 22 July 1966. 4p. Blueprint score (85/6)Mus. ms. Repro. S.: [Greeting Card], op. 170, No. 43, on the name Ruggero Chiesa, 1967, to Hans and Rosaleen Moldenhauer, 1967. 3p. Blueprint score (85/6)Mus. ms. Repro. S.: [Greeting Card], op. 170, No. 44, on the name Laurindo Almeida, 1967, to Hans and Rosaleen Moldenhauer, 1967. 4p. Blueprint score (85/6)Mus. ms. Repro. S.: [Greeting Card], op. 170, No. 45, on the name Pearl Chertok, 1967, to Hans and Rosaleen Moldenhauer, 1967. 4p. Blueprint score (85/6)Mus. ms. Repro. S.: [Greeting Card], op. 170, No. 46, on the name Jiro Matsudo, 1967, to Hans and Rosaleen Moldenhauer, 1967. 5p. Blueprint score (85/6)Mus. ms. Repro. S.: [Greeting Card], op. 170, No. 47, on the name Angelo Gilardino, 1967, to Hans and Rosaleen Moldenhauer, 1967. 6p. Blueprint score (85/6)Mus. ms. Repro. S.: [Greeting Card], op. 170, No. 48, on the name Ernest Calabria, 1967, to Hans and Rosaleen Moldenhauer, 1967. 4p. Blueprint score (85/6)Mus. ms. Repro. S.: [Greeting Card], op. 170, No. 49, on the name Frederick Tulan, 1967, to Hans and Rosaleen Moldenhauer, 1967. 4p. Blueprint score (85/6)Mus. ms. Repro. S.: [Greeting Card], op. 170, No. 50, on the name Eugene DiNovi, 1967, to Hans and Rosaleen Moldenhauer, 1967. 6p. Blueprint score (85/6)Mus. ms. Repro.: La guarda cuidadosa, 1955. 5p. Blueprint score (86/1)Mus. ms. Repro. S.: Les Guitares bien tempérées, op. 199, to Hans and Rosaleen Moldenhauer, 1962. 4 vols.: 53p. (I) + 51p. (II) + 48p. (III) + 50p. (IV). Blueprint score (86/2)Mus. ms. Repro. S.: Der Handschuh, op. 193, No. 2, 1961. 13p. each. Two copies (86/3)Mus. ms. Repro. S.: The Importance of Being Earnest, 1961-1962, to Hans and Rosaleen Moldenhauer, 1962. 123p. (I) + 146p. (II) + 94p. (III). Full score. Blueprint score (87/1-3)Mus. ms. Repro. A. Rev. S.: Keats's Songs, On the Grasshopper and the Cricket, op. 113, No. 4, to Walter Kramer, 1951. 6p. With accompanying letter from Kramer. Blueprint score (88/1)Mus. ms. Repro. S.: Die Kraniche des Ibykus, op. 193, No. 1. 37p. (score) + 7p. (parts). Two copies. Blueprint score (88/1)Mus. ms. Repro.: Lauda--In honore Sanctæ Birgittæ, op. 189A, 1960. 5p. each. Two copies. Blueprint score (88/2)Mus. ms. Repro. S.: Liberty, Mother of Exiles, to A. Walter Kramer, 1944. 19p. Blueprint score (88/2)Mus. ms. Repro. S.: Memorial Service for the Departed, op. 192, 1960. 10p. Blueprint score (88/2)Mus. ms. Repro.: The Merchant of Venice, 99p. (I) + 120p. (II) + 131p. (III). Blueprint score (88/3-5)Mus. ms. Repro. S.: The Mermaid Tavern, opera 113A and 113B, 1942. 6p. (A) +10p. (B). Blueprint score (89/1)Mus. ms. Repro. S.: Nocturne in Hollywood, 1941. 9p. Blueprint score (89/1)Mus. ms. Repro. S.: I Nottambuli, 1960. 93p. Blueprint score (89/2)Mus. ms. Repro.: Notturno, 1960. 19p. each. Two copies. Blueprint scores (89/3)Mus. ms. Repro.: Ozymandias, 1944. 4p. Blueprint score (89/3)Mus. ms. Repro. S.: Partita in B Minor by J. S. Bach, to Hans Moldenhauer, April 1964. 35p. Arranged for string orchestra. Blueprint score (89/4)Mus. ms. Repro. Annot. S.: Pastorale and Rondo, op. 185, 1958. 35p. Blueprint score (89/5)Mus. ms. Repro. S.: Platero y yo, op. 190, 1960. 35p. (I) + 30p. (II) + 36p. (III) + 39p. (IV). Blueprint score (89/6)Mus. ms. Repro.: Poesia Svedese, op. 189, 1960. 67p. Blueprint score (90/1)Mus. ms. Repro. S.: Prayers My Grandfather Wrote, 1962, to Hans and Rosaleen Moldenhauer, 4 Dec. 1962. 18p. Blueprint score (90/2)Mus. ms. Repro.: Primavera Fiorentina, 1911, 1967. 28p. Blueprint score (90/2)Mus. ms. Repro.: The Proverbs of Solomon, op. 168, Go to the Ant; Hear, Ye Children; There Be Six Things; The Foolish Woman Is Clamorous; Who Hath Woe?, to Hermann Stein; A Virtuous Woman Who Can Find, 1953. 45p. Blueprint score (90/3)Mus. ms. Repro. S.: Psyche, op. 113, No. 5, 1951. 10p. Blueprint score (90/3)Mus. ms. Repro. S.: The Queen of Sheba, op. 161, 1953. 32p. Blueprint score (90/3)Mus. ms. Repro. S.: Sacred Service, op. 122, 1943. 54p. Blueprint score (90/4)Mus. ms. Repro. A. Rev. S.: Serenade, op. 118, 1942-1943. 48p. + 13p. (guitar part, revised). Blueprint score (90/5)Mus. ms. Repro. S.: The Seventh Day, op. 202, 1963, to Hans Moldenhauer, 18 Nov. 1963. 16p. Blueprint score (90/6)Mus. ms. Repro. S.: Shakespeare Sonnets, Nos. XXXV, XL (to Hans Moldenhauer), XLVII, LXXI, 1963. 17p. Blueprint score (90/6)Mus. ms. Repro. S.: La Sirenetta e il pesce Turchino. 28p. each. Two copies. Blueprint scores (90/6)Mus. ms. Repro.: Sonatina canonica, op. 196. 23p. Blueprint score (90/7)Mus. ms. Repro. S.: Sonatina for Bassoon and Piano, to Adolph Weiss, 1946. 39p. Blueprint score (90/7)Mus. ms. Repro. S.: Sonatina for Flute and Guitar, op. 205, 1965, to Hans and Rosaleen Moldenhauer, 14 Feb. 1966. 30p. Blueprint score (91/1)Mus. ms. Repro. S.: Sonatina zoologica, op. 187, 1960. 18p. Blueprint score (91/1)Mus. ms. Repro. S.: The Song of Songs, op. 172, 1954, to Hans Moldenhauer. 200p. With autograph Italian text. Blueprint score (91/2)Mus. ms. Repro.: Songs of the Oceanides, 1954. 25p. each. Two copies. Blueprint scores (91/3)Mus. ms. Repro. A. Rev. S.: Songs of the Shulamite, op. 163, 1953. 66p. Blueprint score (91/4)Mus. ms. Repro. S.: Stars, op. 104, 1940. 86p. Blueprint score (91/4)Mus. ms. Repro. S.: 3rd String Quartet, op. 203, to Bernard Berenson, Beverly Hills, 1964, also inscribed to Hans Moldenhauer, 13 May 1965. 57p. + 58p. (parts). Blueprint score (91/5)Mus. ms. Repro. S.: Three Sephardic Songs, 1960. 43p. Blueprint score (92/1)Mus. ms. Repro. S.: Three Shelley Songs, op. 173, to A. Walter Kramer, 1955. 21p. Blueprint score (92/2)Mus. ms. Repro. S.: Tre preludi al Circeo, 1961. 11p. Blueprint score (92/2)Mus. ms. Repro. S.: Tre preludi Mediterranei, op. 176, 1955. 13p. Blueprint score (92/2)Mus. ms. Repro. S.: Two Motets, op. 174, 1955. 18p. Blueprint score (92/2)Mus. ms. Repro. S.: Two Sonatas, op. 179, 1955. 95p. Blueprint score (92/3)Mus. ms. Repro. S.: 24 caprichos de Goya, op. 195, 1961. 30p. (I) + 29p. (II) + 29p. (III) + 29p. (IV). Blueprint score (92/4)Mus. ms. Repro. S.: Vogelweide, op. 186, 1958, to Hans and Rosaleen Moldenhauer, 26 Feb. 1959. 54p. Blueprint score (92/5)Mus. ms. Repro. S.: Le Voyage, 1959, to Hans and Rosaleen Moldenhauer. 4p. Blueprint score (93/1)Mus. ms. Repro.: Le Voyage, 1959. 4p. Blueprint score (93/1)Doc. Repro. S.: "Complete Bibliography (up to 1962)." Compiled by Robert Taylor, for the University of California, Los Angeles, to Hans Moldenhauer, 1 Oct. 1963. 30p. (Box 118)Doc. Repro.: List of lectures. 1p., English (Box 118)Doc. Repro.: News release. Michigan State University, Oct. 25 (Box 118)Doc. Repro.: Text. Aucassin et Nicolette. 18p., English (Box 118)Pri. Sco.: Appunti, I and III, Milan: Zerboni, c1968. 31p. (93/1)Pri. Sco. S.: Aria of Ruth, New York: Mills Music, c1950, to Irene Hanna, 7 Jan. 1952. 4p. (93/2)Pri. Sco.: La barba bianca, in Il giornalino della Domenica, Milan, 26 Dec. 1920. 4p. (93/2)Pri. Sco. S.: Endymion, New York: Marks Music, c1960, to Hans and Rosaleen Moldenhauer, 9 Mar. 1960. 20p. (93/2)Pri. Sco. S.: English Suite, New York: Mills Music, c1962, to Hans and Rosaleen Moldenhauer, 31 Jan. 1962. 11p. (93/2)Pri. Sco. Rev. S.: Evangelion, op. 141, 1949, Florence: Forlivesi, c1958. 77p. (93/3)Pri. Sco. S.: The Fiery Furnace, New York: Ricordi, c1959, to Hans and Rosaleen Moldenhauer, Dec. 1959. 36p. (93/4)Pri. Sco.: Girotondo dei Golosi, in Il giornalino della Domenica, Florence, 31 Jan. 1924. 4p. (93/4)Pri. Sco. S.: Homer, Los Angeles: Delkas, c1944, to Irene Hanna, 13 Aug. 1944. 4p. (93/4)Pri. Sco. S.: The Nightingale, New York: Galaxy, c1944, to Irene Hanna, 7 June 1944. 4p. (93/4)Pri. Sco.: Passacaglia, op. 180, Milan: Edizioni Musicali, c1970. 11p. (93/5)Pri. Sco.: Platero y yo, op. 190, Milan: Edizioni Musicali, c1972. 38p. (93/5)Pri. Sco.: The Shadow, New York: Carl Fischer, c1945. 5p. (93/5)Pri. Sco.: Sonatina canonica, Paris: Max Eschig, c1971. 17p. (93/5)Pri. Sco. S.: Songs of the Oceanides, New York: Franco Colombo, c1963, to Hans and Rosaleen Moldenhauer, 15 Mar. 1963. 40p. (93/6)Pri. Lib. A. Rev.: The Merchant of Venice. 17p. (93/6)Pri. Lib. S.: The Merchant of Venice, Milan: Ricordi, to Hans Moldenhauer, 25 May 1961. 70p. (93/6)Pri. Sco.: 24 caprichos de Goya, op. 195, Nos. 13-18, Milan: Edizioni Musicali, c1971. 34p. (93/6)2 Prog.: Undicesimo Concerto, Florence, 1959 (Box 118)Prog.: 6 Oct. 1959 (Box 118)Prog.: Michigan State University, 13 Nov. 1959 (Box 118)Prog.: San Francisco Symphony, 3-6 Feb. 1960 (Box 118)Prog.: University of Southern California, 30 Apr. 1961 (Box 118)Prog.: The Merchant of Venice, 1961. 23p. Synopsis in Italian, French, English, German (Box 118)Prog. S.: The Song of Songs, to Hans and Rosaleen Moldenhauer, 7-8 Aug. 1963. With clipping regarding world premiere (Box 118)2 Clip.: Los Angeles, Apr. 1966. English (Box 118)Port. Phot. Draw.: Sept. 1964, by Pablo Ghiglia, inscribed 7 Apr. 1965 (Box 110)Phot. Draw.: sketch of the set of The Merchant of Venice, by Attilio Colonnello (Box 110)3 Port. Phot. S.: 1958, 1961 (Box 110)Port. Gr. (Box 110)(Shelf)S. rec.: The Merchant of Venice (1961); Song of Songs (1963); Sonnets (1964) (RXA 6747, 6748-6752, 6754) (Shelf)Related Collection MaterialsSee: Segovia, AndrésCastiglioni, Niccolò, 1932-1996A. Mus. ms. S.: Quodlibet at the Year's Corner, Wie schön leuchtet der Morgenstern, 1968-1969. 20p., 31x24cm.Castillo, Manuel, b. 1930A. Mus. ms. S.: Cuatro invenciones para cuarteto de cuerda, Sevilla, May 1967. 14p., 36x27cm. Full scoreA. Mus. ms. S. Rev.: Sonata para violín y piano, Sevilla, 1961-1962. 26p., 36x26cm. Full scoreCaudella, Eduard, 1841-1924A. L. S.: Jassy, 4 May 1909. 2p., FrenchP. card S.: to Georges Bainton. Jassy, 12 May 1909. FrenchCall. c.A. Mus. Quot. S.: Chant de la race latine, Jassy, 12 May 1909. 1p., FrenchCerha, Friedrich, b. 1926A. Mus. ms.: [Enjambements, for six players, 1959]. 3p., 44x59cm. + 44x56cm. SketchesA. Mus. ms.: [Lanbegger Nachtmusik, II, for orchestra, 1969-1970]. 12p., various sizes. Sketches on master sheets3 T. L. S.: Vienna, 12 Mar. 1970, 19 Dec. 1971. 3p., German; Maria Langegg, 19 July 1973. 1p., GermanPri. Sco. S.: Enjambements, Universal Edition, 1959, to Hans Moldenhauer, 1975Chabrier, Emmanuel, 1841-1894A. Mus. ms. S.: [Piano composition in E Major], to Boaz Piller. 1p., 25x32cm., ink. Incomplete, in 9/8 time. Mounted with portrait photographA. L. S.: to "Maman" [Mme. Chabrier]. Paris, 1887. 1p., FrenchPort. Phot.: mounted with music manuscript abovePort. Phot.: by Benoue (Box 110)Chaminade, Cécile, 1857-1944A. L. S.: to ?. Marseille, 5 Mar. 2p., French. On musical mattersA. Mus. Quot. S.: Au Pays bleu, Côte d'Azur, Feb. 1914. French. On picture postcardChampein, Stanislas, 1753-1830A. L. S.: Theater Feydeau, [8 Mar. 1813]. 1p., FrenchChapí, Ruperto, 1851-1909A. Mus. ms. S.: Las hijas del Zebedeo, Carceleras. 7p., 35x27cm. Complete scoreChaulieu, Charles, 1788-1849A. L. S.: to Noqford. London, n.d. 2p., FrenchA. L. S.: London. 1p., French, EnglishChelard, Hippolyte-André-Baptiste, 1789-1861A. Mus. Quot. S.: Die Seekadetten, Andantino, to Schlösser, Darmstadt, 28 Aug. 1848. GermanCherubini, Luigi, 1760-1842A. Mus. ms.: Sujet de fugue, traiter avec deux contre-sujets seulement..., "(concours de 1838)." 1p. (12m.), ink. With authentication by DanclaA. L. S.: to Breitkopf & Härtel. Paris, 10 Dec. 1833. 2p., French. Regarding Ali BabaA. L. S.: to Levasseur. n.p., Monday, the 19th. 1p., French2 A. Doc. S.: Certificates of admission. For conservatory classes, to Charles Dancla. 22 Apr. 1828, 7 Sept. 1829. 2p., FrenchPort. Lith. S. Repro.: Mounted on page of Allgemeine Musikalische Zeitung, 1833 (Box 110)Chevillard, Camille, 1859-1923A. L. S.: Paris, 18 June 1910. 2p., French. Mentions conducting Elgar's Gerontius. On verso, 8m. autograph musical quotation from Gounod's MireillePort. Phot. S.: 1910 (Box 110)Port. Phot. Repro. (Box 110)Chopin, Fryderyk Franciszek, 1810-1849A. Mus. ms. S.: [Prelude in A-flat Major, op. posth.], for piano solo, to P[ierre] Wolff, 10[?] July 1834. 2p., 16x24cm., ink. Complete score. With letter of authentication reproduced, from Arthur HedleyMus. ms. Repro.: Nocturne, op. 62, No. 1. 4p. Sketch. Mounted on board (Box 109)Mus. ms. Repro.: Tarantelle, op. 43, Paris: Catlin, 1930. 8p. FacsimileChrysander, Friedrich, 1826-1901A. L. S.: to Selmar Bagge. Berne, 28 Feb. 1876. 4p., German. Includes a second letter to Selmar Bagge, from Karl Opitz (24 Feb. 1876)A. L. S.: to Elise. London, n.d. 3p., GermanChung, Woo-HyenA. Mus. ms. S.: Quartett, to Adolph Weiss, 23 May 1955. 12p., 39x27cm.Cilea, Francesco, 1866-1950T. L. S.: to Baron Angelo d'Eisner. Naples, 16 May 1930. 2p., ItalianA. Mus. Quot. S.: Adriana, Naples, 17 Jan. 1930. 1p.Cimarosa, Domenico, 1749-1801A. Mus. ms.: [Il marito disperato], "Come gli animali," premiered Naples, 1785. 8p., 22x29cm. 17 measures of the prelude to the aria, and the first 26 measures of the aria itself, "Voi siete un amoroso galante francesino"Ciortea, Tudor, 1903-1982A. Mus. ms. Annot. S.: Variatiuni. 52p., 35x25cm. Full scoreClauss-Szarvady, Wilhelmine, 1834-1907A. L. S.: to Fischer. n.p., n.d. 3p., FrenchA. L. S.: [London], 30 Jan. 1871. 2p., FrenchObit.: for Frederick Szarvady (husband). 1p., English. Transcribed from World, 8 Mar. 1882Clementi, Muzio, 1752-1832A. L. S.: to Viotti. 20 Jan. 1813. 3p., French, English. Letter written by Viotti in French, with reply written in English by ClementiA. L. S.: London, 17 Apr. 1823. 1p., EnglishPri. Sco. S.: Sonata for the Pianoforte or Harpsichord, op. 26, London: Preston. 10p. Also signed by Margaret AbernethieCoates, Gloria, b. 1938Related Collection MaterialsSee: Otte, HansCocteau, Jean, 1889-1963Related Collection MaterialsSee: Stravinsky, IgorCoelho, Olga Praguer, b. 1909(Shelf)Mus. ms.: [Music manuscripts, mostly for voice and piano or guitar] (Shelf)(Shelf)Doc.: Files containing correspondence, photographs, printed scores (Shelf)Related Collection MaterialsSee: Segovia, AndrésColonne, Edouard, 1838-1910A. L. S.: to Fischer. Paris, 19 Aug. 1877. 1p., French. Regarding a concerto by LaloComes, Liviu, b. 1918Pri. Sco.: Melopee, Cluj: Conservatorul de Muzica, c1970. 5p.Pri. Sco.: Sonata pentru pian, Cluj: Conservatorul de Muzica, c1970. 32p.Commer, Franz, 1813-1887A. L. S.: B[erlin], 27 Jan. 1848. 1p., GermanConstantinescu, Dan, b. 1931A. Mus. ms. S.: Strukturi I, II, pentru pian. 8p., 33x25cm.Cooper, Emil, 1877-1960Doc. S. Repro.: Schedule. Baton Rouge Civic Symphony Association. 23 Sept. 1960. 2p., EnglishObit.Cortolezis, Fritz, 1878-1934A. L. S.: to Alexander Zemlinsky. Karlsruhe, 2 Mar. 1924. 1p., GermanCortot, Alfred, 1877-1962A. L. S.: [to Boaz Piller]. 14 Feb. 1929. 2p., FrenchA. L. S.: [to Boaz Piller]. 12 May 1938. 1p., FrenchPort. Phot. S.: to Boaz Piller, 1921 (Box 110)Port. Phot. Repro. S.: to Boaz Piller, Boston, 1918 (Box 110)Cossmann, Bernhard, 1822-1910A. L. S.: Weimar, 22 Feb. 1860. 1p., GermanRelated Collection MaterialsSee: Tchaikovsky, Pyotr IlyichCottrau, Giulio, 1831-1916A. Mus. Quot. S.: Addio di Griselda. ItalianCourtois, P.A. Mus. ms. S.: Le Tambour major amoreaux. 3p., 35x27cm., FrenchCoussemaker, Charles-Edmond-Henri de, 1805-1876A. L. S.: Dunkirk, 3 Feb. 1857. 6p., FrenchA. L. S.: [to Schneider?]. Lille, 6 Dec. 1875. 3p., FrenchCramer, Johann Baptist, 1771-1858A. L. S.: to Charles Ashley. London, 12 Jan. 1814. 1p., EnglishA. L. S.: to Costa. n.p., 24 Feb. 1856. 1p., FrenchA. Mus. Quot. S.: Piccolo canone, to J. Dessauer, Paris, 17 Aug. 1833Crescentini, Girolamo, 1762-1846A. L. S.: n.p., 15 Apr. 1807[?]. 1p., ItalianA. L.: to Irene Ricciardi. n.p., Wednesday, 9 Sept. 1p., ItalianCruvelli, Friederike Marie, 1824-1868A. L. S.: to Escudier. n.p., n.d. 4p., FrenchCruvelli, Jeanne Sophie Charlotte, 1826-19073 A. L. S.: to Fiorentino. n.p., n.d. 9p., FrenchCui, César, 1835-1918A. L. S.: to Heugel. n.p., 28 Apr. 1887. 1p., FrenchA. L. S.: [to von Schuch]. Petersburg, 24 Oct. 1898. 3p., French. Mentioning Dresden concertsA. Mus. Quot. Repro.: see portrait reproduced below (Box 110)Port. S. Repro.: with musical quotation reproduced, 1888. By A. de Wit (Box 110)Curschmann, Karl Friedrich, 1805-1841A. Mus. ms. S.: "Im Walde geh' ich wohlgemuth," Berlin, to ?, 26 Sept. 1834. 3p. 22x27cm.Czerny, Carl, 1791-1857A. L. S.: to Breitkopf & Härtel. Vienna, 16 Mar. 1836. 1p., GermanA. L. S.: to R. de Vivenot. n.p., 29 Mar. 1846. 1p., GermanA. L. S.: to Robert Cocks. Vienna, 5 Nov. 1853. 3p., English. Regarding his works, ensemble settingsPort. Engr. (Box 110)Port. Engr. (Box 125)d'Albert, Eugen, 1864-1932A. Mus. ms. S.: Caprice et Fuge in C Minor for the Pianoforte, 6 June 1876. 8p., 30x24cm., ink. Complete score. Bound with manuscript belowA. Mus. ms. S.: [Fugue in A-flat Major for Organ], 16 Jan. 1879. 12p., 29x23cm. Complete score. Bound with manuscript aboveA. Mus. ms. S.: Rosmarien (aus Des Knaben Wunderhorn). 2p., 35x26cm., ink. Song with piano accompanimentA. L. S.: to a conductor. Lausanne, 29 Feb. 1884. 1p., GermanA. L. S.: Berlin, 3 Nov. 1904. 2p., GermanA. L. S.: Lago Maggiore, 12 June 1905. 1p., German6 A. L. S.: 1912-1918. 16p., GermanA. L. S.: to Universal Edition. Ventimiglia, 19 Apr. 1928. 4p., German. Detailed correction list for Die schwarze OrchideeP. card: with address for Hilde d'AlbertDoc. S.: Certificate. Membership at Wiener Tonkünstler-Verein for Marta Frank, signed by d'Albert as President. Vienna, 5 Oct. 1913. 1p., Germand'Arányi, Jelly, 1895-1966A. L. S.: n.p., n.d. 2p., English. Fragmentd'Ivry, Paul Xavier Désiré, Marquis, 1829-1903A. L. S.: Coraboeuf, 27 Dec. 1869. 8p., French. Mentions Verdi, othersd'Ollone, Max, 1875-1959A. L. S.: n.p., 18 Sept. 1910. 3p., French2 A. Mus. Quot. S.: Both on 1p., excerpts from In Memoriam, "Sombre Maison," and "Le Son du vent qui passe..."Da Ponte, Lorenzo, 1749-1838A. L. S.: to Fortunato Stella. New York, 29 Mar. 1832. 1p., Italian, with typed transcription, and with English translation by Albi Rosenthal. Reflects activities as writer, poet, and booksellerDahl, Ingolf, 1912-1970Mus. ms. Repro.: A Christmas Canon for Five Voices, Dec. 1949. 1p., EnglishDahl, Viking, 1895-1945A. Mus. ms. S.: Pluie, op. 2, No. 1, to Ricardo Viñes. 4p., 35x27cm.Dalberg, Johann Friedrich Hugo von, 1760-1812A. L. S.: to Bellermann. ?, 8 Jan. 1802. 1p., GermanA. L. S.: to ?. ?, 5 Jan. 1807. 1p., GermanDallapiccola, Luigi, 1904-1975A. Mus. ms. S.: [Ulisse], " Calypso," to Richard Hartmann, München, 27 Jan. 1961-Firenze, 3 Feb. 1961. 4p., 22x31cm., red and black ink, pencil. For voice with accompaniment. Sketch, with vocal line beginning "Son soli..."A. L. S.: to Hanna Schwarz. Florence, 14 Dec. 1934. 1p., GermanT. L. S.: to Hans Moldenhauer. Flushing, 12 June 1957. 1p., FrenchT. L. S.: to Paul A. Pisk. Florence, 19 July 1962. 1p., FrenchT. L. S.: to Aurelio de la Vega. Florence, 28 June 1964. 1p., FrenchA. L. S.: to Mario Castelnuovo-Tedesco. Florence, 30 Mar. 1965. 1p., FrenchL. S.: to Hans Moldenhauer, from Laura Dallapiccola. Flushing, 22 Apr. 1957. 2p., FrenchDancla, Charles, 1817-1907Related Collection MaterialsSee: Cherubini, LuigiDavid, Ferdinand, 1810-1873A. L. S.: [to Julius Rietz?]. Leipzig, 25 Nov. 1850. 1p., GermanA. L. S.: to Julius [Rietz]. Leipzig, 27 Feb. 1866. 3p., GermanPort. Engr.: by Weger & Singer (Box 110)David, Johann Nepomuk, 1895-1977A. Mus. ms.: Requiem chorale, 31 Jan.-7 Feb. 1956. 58p., 34x27cm., ink, pencil2 L.: to Hans Moldenhauer. 5 Oct. 1956, 22 July 1967. 2p., GermanPort. Phot. S.: 1956Debussy, Claude, 1862-1918A. L. S.: to Vincent d'Indy. 10, rue Gustave Doré, [ca. July 1893]. 1p., French. Offering friendship, refers to La Damoiselle élue. Attached to portrait belowA. L. S.: to Ernest Bloch. Paris, 3 May 1910. 1p., FrenchA. L. S.: to André Caplet. 5 May 1913. 1p., French. Mentions NocturnesA. Mus. Quot. S.: "Je vous la souhaite...," based on the song Mandoline, [Jan. 1883]. 2p., French. 12 measures complete score for voice and piano. New Year's musical greeting, for Mme. Vasnier. With dedicationPort. Phot.: with attached letter above, to d'Indy. By OttoDefauw, Désiré, 1885-1960T. L. S.: to Rudolph Ganz. Chicago, 20 Mar. 1944. 1p., EnglishA. Mus. Quot. S.: Symphony in D Minor by Franck, Brussels, 12 Dec. 1932Port. Phot. S.: to Boaz Piller, Boston, 2 Dec. 1940 (Box 110)Deiters, Hermann, 1833-19073 A. L. S.: to Selmar Bagge. Bonn, 8 Sept. 1867, Mar. 1868; Düren, 14 Dec. 1873. 10p., GermanDelibes, Léo, 1836-1891A. Mus. ms. S.: Fanfares composées pour la distribution des récompenses à l'Exposition Universelle de 1889, to Paul Blondot, Sept. 1889. 4p., 27x35cm., ink. Reduced piano score from original for brass band and orchestraA. L. S.: to the Director of the National Theater at Pest. n.p., 20 May 1881. 4p., French. Regarding Jean de NivelleA. L. S.: to Bandon. 54 Chateau d'Eau, n.d. 3p., French. With musical illustrationA. L. S.: to Pougin. n.p., Monday, 31 May. 3p., FrenchA. Card S.: n.p., 19 June. 1p., FrenchPort. Lith.: with biographical sketch. French (Box 110)Delius, Frederick, 1862-1934A. Mus. ms. Rev. S.[?]: [Five Piano Pieces], Valse, No. III, for piano solo. 2p., 35x27cm., ink, pencil. First draft, sketches on versoA. Mus. ms. S.: Zwei braune Augen, song with piano accompaniment, text by H. C. Andersen, 1885. 2p., 34x27cm., German, ink, pencilPort. Phot. (Box 110)Demantius, Christoph, 1567-1643A. Doc.: Psalmus 98, Freiburg, 19 Nov. 1615. 1p., Latin. Dedicatory page of Demantius's setting for sixteen voices (distributed over four choruses) on the occasion of the fifth birthday of the Saxon heir to the electorate, Hared, and dedicated to his parents Johann George and Magdalena SybilDenza, Luigi, 1846-1922A. L. S.: to Mrs. Custace. n.p., 27 Apr. 1887. 1p., ItalianA. Mus. Quot. S.: "Hush a-bye, dearie, hush-a-bye low," London, Oct. 1891Clip.: 1p., English. See portrait photograph belowPort. Phot. Repro.: attached to clipping above. Portrait photograph of B. Tours on versoDessau, Bernhard, 1861-1923A. L. S.: to Bruno Eisner. Charlottenburg, 16 Apr. 1909. 2p., GermanDessau, Paul, 1894-1979A. Mus. ms. S.: Beruhigung, from 2 Gesänge von O. J. Bierbaum, to Mrs. Lattermann, Schleswig, 23 Oct. 1917. 3p., 35x27cm. Arranged for voice and pianoA. Mus. ms. S.: Verkündigung von Richard Dehmel, to Dälberg, Hamburg, 1914. 2p., 35x27cm.T. L. S.: to Bruno Eisner. Zeuthen, 14 Dec. 1973. 1p., GermanA. L. S.: to K. A. Hartmann. n.p., 29 July 1961. 1p., GermanMus. ms. Repro.: Two Canons. 8p.Pri. Sco. S.: Kinderkantate, to Bruno Eisner, 6 Dec. 1932. 34p.Related Collection MaterialsSee: Hartmann, Karl AmadeusDessauer, Josef, 1798-1876A. Mus. ms. S.: "Du willst nicht mit zum Tanze gehn? ". 4p., 29x22cm., GermanA. L. S.: to ?. Ischl, Oct. 1855. 3p., GermanDestin, Tomaso LoeweA. L. S.: Bergamo, 19 Sept. 1875. 1p., ItalianDeutsch, Otto Erich, 1883-1967P. card: to Hans Moldenhauer. Vienna, 29 Sept. 1956. EnglishDoc. S.: Essay. "Mozart und die Wiener Logen," Vienna: Wiener Freimaurer-Zeitung, 1932, to Hans Moldenhauer, Vienna, Aug. 1956. 35p., GermanCall. c. Annot.Devčić, Natko, b. 19142 A. Cards S.: to Aurelio de la Vega. Season's Greetings 1970, 1983. EnglishDevrient, Eduard, 1801-1877A. L. S.: to Richard Pohl. Karlsruhe, 27 Jan. 1864. 2p., GermanA. L. S.: to an editor. Karlsruhe, 3 Oct. 1864. 1p., GermanDiémer, Louis, 1843-1919A. L. S.: to Adolphe. n.p., 14 Feb. 1878. 4p., FrenchA. Card S.: to Leguy. 21 Nov. 1894. 2p., FrenchA. Card S.: 22 Mar. 1906. 2p., FrenchDiez, Sophie, 1820-18874 A. L. S.: 1855-1870. 9p., GermanDittersdorf, Carl Ditters von, 1739-1799A. Mus. ms. S.: Menuet, pour le clavecin, Breslau, 16 Nov. 1779. 2p., 10x31cm., ink. Complete scoreDöhler, Theodor, 1814-1856A. L. S.: Hôtel de Paris, n.d. 1p., FrenchRelated Collection MaterialsSee: Thalberg, SigismondDohnányi, Ernö, 1877-1960T. L. S.: to Hans Moldenhauer. Tallahassee, 18 June 1955. 1p., EnglishA. Mus. Quot. S.: [Der Schleier der Pierrette], "Pierrot," 27 Jan. 1910A. Mus. Quot. S.: [Variations on a Nursery Song]. 6m. Full scorePri. Sco. S.: A Dedication, op. 13, No. 1, New York: Marks Music, c1938. 3p.Pri. Sco. S.: Rhapsody, op. 11, No. 4, New York: Marks Music, c1930. 10p.Pri. Sco. S.: Rhapsody (C Major), op. 11, No. 3, New York: Marks Music, c1935. 13p.Port. Phot. S. (Box 110)Doktor, Paul, 1919-1989Related Collection MaterialsSee: Brisman, HeskelDommer, Arrey von, 1828-19053 A. L. S.: [to Selmar Bagge?]. Reudnitz, 14 Dec. 1860; Lauenburg, 21 July 1864; Altona, 25 Sept. 1864. 9p., GermanDonzelli, Domenico, 1790-1873A. L. S.: n.p., 6 June 1833. 1p., FrenchDoor, CarlA. L. S.: to Alexander Zemlinsky. Vienna, 13 Aug. 1924. 1p., GermanDoreste, VíctorA. Mus. ms. S.: Suite canaria. Folía. 5p., 33x26cm.Dorn, Heinrich Ludwig Egmont, 1804-1892A. L. S.: [to Robert Seitz]. Berlin, 17 Feb. 1881. 1p., GermanDorn, Otto, 1848-1931A. Mus. ms. S.: Frühlingslied, op. 34, No. 1. 1p. (opening page), 31x27cm., English, German. FragmentA. Doc. S.: Aphorisms. 1p., GermanCall. c. Annot.: Wiesbaden, 11 Feb. 1911Port. Caric. Repro.: with autograph note mentioning Ferdinand Hiller (Box 110)Dotzauer, Friedrich, 1783-1860A. L. S.: [to the director of the Dresden Orchestra?]. Leipzig, 21 Jan. 1811. 2p., GermanDraeseke, Felix, 1835-1913A. Mus. ms. S.: [Symphony in F Major], Presto. 2p., 28x18cm. Sketch. With attached autograph letter signed, Coburg, 22 June 1876. 4p., GermanA. L. S.: n.p., n.d. 1p., GermanA. L. S.: see manuscript aboveA. Doc. S.: Biographical information. Outline of his studies and professional career with a list of his published works. 1p., GermanClip.: Biographical information with portrait. EnglishDresden, Sem, 1881-1957A. Mus. ms.: Hor ai dolor, for piano, 1950. 2p., 36x27cm.A. Mus. ms.: Psalm 84, for Chorus, Soprano, Tenor, and Orchestra, 1953-1954. 1p., 21x29cm. Sketch of work planT. L. S.: to Hans Moldenhauer. Bussum, 10 July 1956. 1p., EnglishT. L.: to Hans Moldenhauer, from A. Annegard, Librarian. The Hague, 3 Mar. 1958. 1p., English3 T. L.: to Hans Moldenhauer, from Anton Dresden (son). Bussum, 1957-1958. 4p., EnglishObit.: DutchDreyer, Johann Melchior, 1747-18242 A. Mus. mss. S.: Die Geduld; Ich danke Gott. 2p. (1 leaf), 24x31cm.Dreyschock, Alexander, 1818-18692 A. Mus. mss. S.: [Fugue in E-flat Major], to Schlösser, Darmstadt, 29 Nov. 1843. On verso, fragment of an [Allegro for string quartet], Darmstadt, 29 Mar. 1858. 3p., 28x22cm.A. L. S.: Berlin, 26 Feb. 1860. 1p., GermanDoc.: Work list, to op. 27. 1p.Dron, Marthe Nancy, 1878-1960T. Doc.: Documentation. 1p., English. Association material to César Franck's Prélude, choral, et fugueT. Doc.: Biographical information. 5p., FrenchPort. Phot. Gr.: Marthe Dron and Andrée Parent (Box 110)Related Collection MaterialsSee: Franck, CésarDrouet, Louis, 1792-1873A. L. S.: Frankfurt, 8 Jan. 1860. 1p., French. Regarding his pianist sonDubois, Théodore, 1837-1924Pri. Sco. S.: 2. Concerto pour piano et orchestra, Paris: Heugel, 1897, to E. Colonne. 58p. Transcription for two pianos. With copy of sameDubuque, Alexander Ivanovich, 1812-1898Related Collection MaterialsSee: Tchaikovsky, Pyotr IlyichDukas, Paul, 1865-19352 A. L. S.: to Servières. Paris, 8 Jan. 1901, 17 June 1923. 3p., FrenchPort. Phot. Gr.: with pupils, including Marguerite Long. By Joaillier (Box 110)Port. Phot. Repro.: with biographical sketch (Box 110)Duparc, Henri, 1848-1933A. L. S.: Tarbes, 29 Apr. 1917. 2p., French. Concerning Franck's ParisDupont, Pierre, [1821-1870]A. Mus. Quot. S.: Andante, 1866Dupré, Marcel, 1886-1971Pri. Sco. S.: Cortège et litanie, for organ, Paris: Leduc, 1924, inscribed 15 Dec. 1925. 23p.Duprez, Gilbert, 1806-1896A. Alb. l. S.: to Chorley. n.p., n.d. 1p., EnglishDurand, Marie Auguste, 1830-1909A. L. S.: to Schott. London, Paris, 30 June 1879. 1p., FrenchDvorák, Antonín, 1841-1904A. L. S.: Vysoká, Sunday at 5 o'clock in the morning, July 1885. 4p., English. Mentions LudmillaA. L. S.: Prague, 14 Dec. 1886. 4p., English. Mentions LudmillaPri. Sco. S.: Stabat Mater, op. 58, for Soloists, Chorus, and Orchestra, London: Novello, Ewer, 1876/1877, 1880. 104p. Signed at Cambridge, 15 June 1891, when Dvorák received the Doctor of Music degree. From the Edward Lloyd LibraryEbdon, Thomas, 1738-1811A. Mus. ms. S.: Glee 3 Voices the Acrostick, "to a celebrated composer," Durham, 1795. 3p., 24x30cm., English, ink. Full scoreEbert, Carl, 1887-1980A. Card S.: to Alma Mahler. Berlin, Apr. 1959. 1p., GermanRelated Collection MaterialsSee: Rosbaud, HansEbner, Wolfgang, 1612-1665A. Mus. ms. S.[?]: [Unidentified composition in condensed score, ca. 1655]. 2p., 13x23cm., ink. With facsimile signatures of Ebner, A. Poglietti, and G. Paganelli. Authentication by Aloys FuchsEckert, Karl, 1820-1879A. L. S.: Stuttgart, 8 Mar. 1865. 2p., German6 Clip.: 1879-1880. German. With biographical informationEdlund, Lars, b. 1922Mus. ms. Repro. A. Annot. S.: Elegi, 23 Aug. 1971, to Alan Stout. 30p. Blueprint scoreEeden, Jan van den, 1842-1917A. Mus. ms. S.: Rhéna, 1912. 1p., 29x22cm. Fragment from introduction to Act III, with poemPort. Phot. Repro. (Box 110)Ehlert, Louis, 1825-1884A. Card S.: [Vienna], 27 Nov. 1p., GermanEhrlich, Heinrich, 1822-1899A. L. S.: n.p., n.d. 3p., GermanEinem, Gottfried von, 1918-1996A. Mus. ms. S.: [Prinzessin] Turandot, op. 1, Finale, 1944. 2p., 34x27cm., ink, pencil. Sketch. Only portion to have survived the burning of BerlinA. L. S.: Vienna, 19 Dec. 1958. 3p., German. Christmas greetingsA. L. S.: Vienna, 8 Oct. 1969. 2p., GermanA. L. S.: to Alma Mahler. n.p., n.d. 2p., English, German. Christmas greetingsA. Doc. S.: Synopsis. For the Los Angeles premiere of Hexameron. 1p., GermanEinstein, Alfred, 1880-1952Related Collection MaterialsSee: Mozart, Wolfgang AmadeusEisikovits, Max, b. 1908Pri. Sco.: Cîntece Stinse Maramuresene, Cluj: Conservatorul de Muzica, c1969. 6p.Pri. Sco.: Patru Schite, Cluj: Conservatorul de Muzica(breve), c1970. 13p.Eisler, Hanns, 1898-1962Mus. ms. Annot. Repro.: Divertimento für Bläserquintett, op. 4. 15p. Blueprint scoreEisner, Bruno, 1884-1978Related Collection MaterialsSee: Orlik, EmilEitner, Robert, 1832-1905P. card S.: to Friedrich Chrysander. Templin, 19 Apr. 1896. German2 P. cards S.: to Gerhard Tischer. Templin, 22 Nov. 1903, 27 Jan. 1904. GermanElmendorff, Karl, 1891-1962Related Collection MaterialsSee: Rosbaud, HansElston, Arnold, 1907-1971Related Collection MaterialsSee: Webern, AntonEmborg, Jens Laurson, 1876-1957A. L. S.: to Rheinische Musik-und Theater-Zeitung. Vordingborg bei Kopenhagen, 14 June 1929. 1p., GermanEnescu, George, 1881-1955A. L. S.: to Fritz Mahler. New York, 20 Apr. 1948. 1p., GermanPri. Sco. Annot. S.: Trois rhapsodies routtaines, op. 11, Paris: Enoch, n.d., to Fritz Mahler, 1948. 89p.Port. Phot. S.: to Boaz Piller, Boston, 1938. By Toppo (Box 110)Engelmann, TheodoreA. L. S.: to A. W. Gottschalg. Leipzig, 7 May 1862. 1p., German. Penned on stationery of Wilhelm EngelmannEpstein, Julius, 1832-1926A. L. S.: to Karl Weigl. Vienna, 28 Jan. 1911. 2p., GermanCall. c. Annot.: Baden, 2 Sept. 1919. 2p., GermanErbse, Heimo, b. 1924A. Mus. ms.: Klavierkonzert, op. 21, 1964. 142p., various sizes. Sketches in reduced score. Includes sketches for Drei Lieder von Texten nach CelanA. Mus. ms.: Mörike-Lieder, op. 17, Nos. 1, 2. 22p., 34x27cm. SketchesA. Mus. ms.: Ruth, op. 16. 67p., 33x24cm. Sketches of piano scoreP. card S.: to Hans Moldenhauer. Wilder Kaiser, Tyrol, 20 Sept. 1960. German4 T. L. S.: Taxenbach, Jan.-Oct. 1960. 4p., GermanMus. ms. Repro.: Julietta, Act IV. 1p. Facsimile photograph from the full scoreDoc.: Two Articles. "Über das Schaffen von Heimo Erbse," by Karl Heinz Füssl; "Julietta...," by Rudolf Lück, in Musik Nachrichten 1, Frankfurt: Peters, n.d. 16p., GermanErdmann, Eduard, 1896-1958A. L. S.: to Bruno Eisner. Langballigau, 19 June 1932. 2p., GermanErnst, Heinrich Wilhelm, 1814-1865A. L. S.: to Chorley. n.p., n.d. 1p., FrenchA. L. S.: n.p., 11 Apr. 2p., FrenchA. Mus. Quot. S.: Hamburg, 18 June 1843, inscribed. GermanA. Mus. Quot. S.: London, 24 July 1843Eröd, Iván, b. 1936A. Mus. ms.: Die Seidenraupen. 4p., 34x27cm. Sketches in condensed scoreEscudier, Marie-Pierre-Yves, 1819-1880A. L. S.: Paris, 3 Feb. 1861. 2p., FrenchEspagne, Franz, 1828-1878A. L. S.: [to Selmar Bagge?]. Berlin, 12 Nov. 1863. 3p., GermanEsplá, Oscar, 1886-1976A. Mus. ms. S.: Evocaciones. Cantos de Vendimia, [op. 16], No. III, Madrid. 18p., 36x26. With fingerings by Ricardo ViñesEssipoff, Anna, 1851-1914A. Alb. l. S.: to Papbram. Vienna, 2 Jan. 1874. Mounted with portrait photographFahrbach, Joseph, 1804-1883Related Collection MaterialsSee: Parish Alvars, EliasFalke, Gustav, 1853-1916A. L. S.: Hamburg, 1 Feb. 1902. 2p., GermanFalla, Manuel de, 1876-1946A. Mus. ms.: [Concerto for Harpsichord or Piano, Flute, Oboe, Clarinet, Violin, and Cello, 1923-1926]. 1 leaf, 35x27cm., pencil. Preliminary draft of p.3, containing alternate versions, and 11 measures incorporated in the printed edition of the full score. Formal presentation from the Archdiocese of Granada to Hans Moldenhauer, in Latin. With accompanying document concerning the manuscript. On verso, authentication tracing the manuscript to composer's secretary and friend, Valentín Ruiz AznarA. L. S.: to Ricardo Viñes. Paris, 13 Oct. 1907. 2p., SpanishA. L. S.: to Calvocoressi. Paris, 16 Apr. 1908. 1p., FrenchA. Mus. Quot. S.: El retablo, Lento. 2m. thematic quotationMus. ms. cop. A. Rev.[?]: El corregidor y la molinera. 8p. Arranged for piano solo. Probably copyist's manuscript, possibly revised by FallaPort. Phot. S.: to Boaz Piller, Granada, 1929. By Eschig (Box 111)Fauré, Gabriel, 1845-1924A. Mus. ms. S.: Arpège, op. 76, No. 2, 6 Sept. 1897. 6p., 34x27cm., French, ink. Song with piano accompaniment, text by Albert Samain. Full scoreA. L. S.: [to Loeffler?]. Paris, 26 Apr. 1922. 1p., French. Regarding new works, healthA. L. S.: to a conductor. Rue des Vignes, 7 Mar. 1923. 1p., French. Regarding doubling the role of PenelopeFeinhals, Fritz, 1869-1940A. L. S.: Munich, 29 Mar. 1906. 2p., GermanFernandes, Armando José, 1906-1983A. Mus. ms. S.: Fandango, for piano solo, 1937. 7p., 29x21cm.A. Mus. ms. S.: Homenagem a Fauré; (Nocturno), for piano solo, 1938. 9p., 29x21cm.Ferrari, Gabrielle, 1851-1921Port. Phot.Fétis, Edouard, 1812-1909A. L. S.: Brussels, 29 Dec. 1881. 1p., FrenchFétis, François-Joseph, 1784-1871A. L. S.: to Benedict. Brussels, 30 May 1842. 1p., FrenchFeuermann, Emanuel, 1902-1942A. L. S.: to Boaz Piller. [Cleveland?], 18 Nov. 1939. 1p., GermanPort. Phot. S.: to Boaz Piller, Apr. 1940 (Box 111)Février, Henry, 1875-1957A. Mus. Quot. S.: Monna Vanna, inscribed. FrenchFicker, Ludwig von, 1880-1967Port. Phot. S.: to Josef Humplik and Hildegard Jone, 12 Aug. 1926Fiedler, Max, 1859-1939A. Mus. ms. Rev. S.: Praeludium und Fuge mit Choral "Nun danket alle Gott." 42p., 33x26cm. Full score. BoundFielitz, Alexander von, 1860-1930A. Mus. ms. S.: Vom Berge, op. 55, No. 2. 2p., 36x27cm., German, EnglishA. L. S.: Berlin, 31 Jan. 1909. 1p., GermanPort. Phot. (Box 111)Finke, Fidelio Friedrich, 1891-1968A. Mus. ms. S.: Sonate für Bratsche und Klavier, 1952. 28p., 34x27cm. + 32x24cm. Complete sketches, with sketch on last page for large orchestra and soloMus. ms. cop.: Sonatine, 1945. 12p.Pri. Sco. S.: Konzert für zwei Klaviere, Leipzig: Peters, c1959, to Hans Moldenhauer, Dresden, 21 Dec. 1959. 38p.Finkes, DominikA. Mus. ms. cop. S.: Graduale in B Dur (In Sanae), "Die Nacht der Musik," für Chor und Orchester, 1828. 27p., 29x24cm., Latin. Leopold Hauser, copyist, 25 Aug. 1892. Full scoreFischer, Adolphe, 1847-1891Pri. Sco. S.: Etude, op. 25, No. 7 by Chopin, transcribed by Fischer, to Servais, Mar. 1879, Leipzig: Breitkopf & Härtel, n.d. 6p.Fischer, Christian Wilhelm, 1786[?]-18596 A. L. S.: to Remie. Berlin, Magdeburg, Leipzig, Apr.-June, 1829. 25p., GermanFlesch, Carl, 1873-1944T. L. S.: [to Bruno Eisner]. Berlin-Wilmersdorf, 19 Dec. 1916. 2p., GermanT. L. S.: to a lady. n.p., 24 Nov. 1920. 2p., GermanT. L. S.: to Bruno [Eisner]. Baden-Baden, 20 June 1935. 1p., GermanFlothuis, Marius, b. 1914A. Mus. ms. S.: Round, for Eight Part Mixed Choir, op. 50, 3 July 1953. 9p., 34x25cm., English, ink. Based on words of Orlando GibbonsA. Mus. ms. S.: Love and Strife, Cantata, 1947. 12p., 35x27cm., English, pencil. SketchesA. L. S.: to Hans Moldenhauer. ?, 24 July 1956. 1p., GermanT. L. S.: to Hans Moldenhauer. Amsterdam, 7 Jan. 1977. 1p., EnglishPort. Phot. Gr. S.: Flothuis with Rosaleen Moldenhauer (Box 111)Related Collection MaterialsSee: Rosbaud, HansFlotow, Friedrich, 1812-1883(Shelf)A. Mus. ms. S.: Dorf-Messe, für Männerchor (Messe villageoise), Kyrie, Gloria, Laudamus te, Credo, Incarnatus, Sanctus, Agnus dei. 37p., 33x26cm., ink. Full score. Bound. According to a newspaper clipping glued to inside back cover, the mass was originally composed for men's chorus, soli, and organ. First performed by the Darmstadt men's chorus on 27 Nov. 1882 (Shelf)A. L. S.: [to a theater director in Berlin]. n.p., 4 Aug. 1859. 3p., GermanA. L. S.: n.p., n.d. 4p., FrenchA. Mus. Quot. S.: Indra, Act II, Berlin, Apr. 1853, 1p.Foerster, Josef Bohuslav, 1859-1951Port. Phot. S.: by Schiestl & WolfFormes, Karl Johann, 1816-1889A. L. S.: London, 24 Jan. 1861. 2p., GermanFormes, Theodor, 1826-187511 A. L. S.: to Bartolf Senff. Berlin, London, Magdeburg, 1853-1869. 29p., GermanFörster, Sophie, 1831-1899A. L. S.: to Müller. Dresden, 10 Oct. 1861. 2p., GermanA. L. S.: to [Julius] Schloss. Dresden, 8 May 1862. 1p., GermanForti, Anton, 1790-1859A. L. S.: to Remie at the Royal Court Opera, Dresden. Vienna, 20 Mar. 1829. 2p., GermanFortner, Wolfgang, 1907-1987A. Mus. ms. S.: Streichtrio, Andante con moto, [1952]. 2p., 31x27cm., ink. First draftT. L. S.: to Hans Moldenhauer. Heidelberg, 16 Jan. 1956. 1p., GermanFoss, Lukas, b. 1922Related Collection MaterialsSee: Brisman, HeskelFradkin, Fredric, 1892-1963Related Collection MaterialsSee: Rabaud, HenriFraenkel, Wolfgang, 1897-1983A. Mus. ms. S.: Streich-Quintett, 1975-1976. 22p., 31x24cm.A. Mus. ms.: Streich-Quintett, 1975-1976. 10p., 28x21cm.T. Doc. A. Rev.: Bermerkungen. 2p. 2 copies2 Prog.: 14 Apr. 1978, 24 Feb. 1987. 7p., English. Signed by performersFrancescatti, Zino, 1902-1991Port. Phot. S.: to Boaz Piller, 1944Franck, César, 1822-1890A. Mus. ms. S.: Paris, patriotic ode, for tenor and orchestra. 28p., 35x27cm., ink. Full score(Shelf)A. Mus. ms. S.: Prélude, choral et fugue, for piano solo, to Marie Poitevin. 21p., 35x27cm. Bound in white vellum. The original manuscript used for the first performance by Marie Poitevin. With reproduction of same (Shelf)A. L. S.: ?, 1884. 1p., FrenchA. L. S.: n.p., n.d. 1p., FrenchPort. Paint. Repro. (Box 111)Related Collection MaterialsSee: Dron, Marthe NancyRelated Collection MaterialsSee: Duparc, HenriFranco, Johan, 1908-1988Related Collection MaterialsSee: Lier, Bertus vanFranz, Robert, 1815-1892A. Mus. ms.: für Einen, op. 1, No. 8. 4p. (pp.5-8), 24x33cm.3 A. L. S.: Halle, 24 Jan. 1859, 18 May 1881, 7 Nov. 1885. 6p., GermanA. L. S.: to Schäfler. Halle, 7 Mar. 1869. 3p., German4 A. L. S.: [to Carl Reinecke?]. Halle, 26 Sept., 14, 25, 30 Nov. 1884. 15p., German. With musical notationA. L. S.: to Carl Reinecke. Halle, 16 Dec. 3p., GermanA. L. S.: to Meier. n.p., n.d. 1p., GermanA. Doc.: Musical notation. Annotations concerning Mozart's music. 4p., GermanA. Mus. Quot. S.: Halle, 14 Sept. 1885, inscribedFrege, Livia, 1818-18912 A. L. S.: to Molli[?]. Leipzig, 11 Dec. 1833, ? Apr. 6p., GermanA. Card: to Molli Zölzel[?]. Vienna, 13 May 1874. GermanFriedberg, Carl, 1872-19553 A. L. S.: to Bruno Eisner. Blue Hill, Maine, 5 Aug. 1940; New York, 17 Mar., 22 Apr. 1945. 8p., GermanFriedheim, Arthur, 1859-1932A. L. S.: Leipzig, 14 Apr. 1884. 2p., GermanFriedlaender, Max, 1852-1934A. L. S.: Misdroy[?], 25 Aug. 1898. 3p., GermanP. card S.: to Eugen Lindner. Berlin, 21 May 1904. 1p., German. About BrahmsP. card S.: to Gusti Tick. Bad Reichenhall, 28 Aug. 1910[?]. GermanT. L. S.: to Karl Weigl. Berlin, 14 Oct. 1912. 2p., GermanP. card S.: to Robert F. Arnold. Meran, ?. GermanObit.: GermanT. Doc. S.: Attestation. For Olga Eisner as singer and teacher. Berlin, 1 May 1933. 1p., GermanT. Doc.: Biography with portrait photograph reproduced. GermanPort. Phot. S.: to Olga Eisner. By Scherl (Box 111)Fritzsch, Ernst Wilhelm, 1840-1902A. L. S.: to A. W. Gottschalg. Leipzig, 29 Nov. 1885. 1p., German. Regarding a Liszt manuscriptFugère, Lucien, 1848-1935A. L. S.: n.p., 1893. 1p., FrenchPort. Phot.: Paris, [1884]. Fugère in Joli Gilles. By Chalot (Box 111)Port. Phot.: Paris, [1884]. Fugère with Mme. Molé-Truffier in Joli Gilles. By Chalot (Box 111)Führer, Robert, 1807-1861Mus. ms. cop.: Vier Trauergesänge für vier Singstimmen. 32p., 26x33cm.Fuleihan, Anis, 1900-1970Port. Phot. S.: to Hans Rosbaud, Frankfurt, 1932. By SudakFürstner, Adolph, 1833-1908A. L. S.: to A. W. Gottschalg. Berlin, 8 Feb. 1871. 2p., German. Mentions Liszt manuscripts, Schubert, WeberFurtwängler, Wilhelm, 1886-1954A. L. S.: to Bekker. Frankfurt, 17 May 1921. 1p., GermanA. L. S.: to Tischer. Leipzig, 15 Mar. 1925. 2p., GermanT. L. S.: to Tischer. St. Moritz, 14 Sept. 1926. 1p., GermanA. L. S.: to Karl Weigl. Leipzig, 3 Feb. 1927. 1p., GermanT. L. S.: to Karl Weigl. Berlin, 27 May 1931. 1p., GermanT. L. S.: to Zemlinsky. Berlin, 16 Jan. 1934, 1p., German. With sketches on versoT. L. S.: to Bruno Eisner. Vienna, 8 Jan. 1936. 1p., GermanRelated Collection MaterialsSee: Orlik, EmilFüssl, Karl Heinz, 1924-1992A. Mus. ms. S.: Celestina, Oct. 1975, to the Moldenhauer Archives. 44p. + 13p. (sketches), 21x27cm.A. Mus. ms. S.: Dybuk, Act II. 2p., 32x25cm.A. Mus. ms. S.: Dybuk, Act III, to Stravinsky for his 80th birthday. 4p., 32x25cm.A. Mus. ms. S.: [Choral composition written for Hans Erich Apostel's 70th birthday], 1971. 1p., 21x27cm.A. L. S.: to Hans Moldenhauer. Vienna, 11 May 1976. 1p., GermanT. Doc. A. Rev.: Program notes and chart of tone rows for Dybuk. 6p., GermanT. Doc. A. Rev.: Typed synopsis of the three acts of the opera, Dybuk. 2p., GermanT. Doc. A. Rev. S.: Work list. 2p.2 T. Lib. A. Rev. S.: Dybuk, Act III. 21p., GermanMus. ms. Repro. S.: Dialogue in Praise of the Owl and the Cuckoo, 1948, revised 1966, to the Moldenhauer Archives, Oct. 1975. 33p.Mus. ms. Repro. A. Rev.: Le Rhinocéros, 1966. 55p. Also three copies of the text (English, German, French), and 1p. accompanying documentPri. Sco. S.: Epitaph und Antistrophe, Vienna: Universal, c1965, to the Moldenhauer Archives, 1975. 29p.Pri. Sco. S.: Refrains für Klavier und Orchester, Vienna: Universal, c1972, to the Moldenhauer Archives, Oct. 1975. 55p.Pri. Lib. A. Rev. S.: Dybuk, Vienna: Universal, c1968, 26 Sept. 1970. 48p., GermanPri. Lib. A. Rev. S.: Dybuk. 23p., GermanPri. Lib. S.: Dybuk, Vienna: Universal, c1968. 48p., German2 Docs. S.: Brochure. Dybuk, to the Moldenhauer Archives. 6p. eachProg. S.: Celestina, to the Moldenhauer Archives. With two additional copies2 Docs. Repro. S.: Articles on Füssl. 2p.Related Collection MaterialsSee: Erbse, HeimoGabrieli, Giovanni, ca. 1553/6-1612A. Doc. S.: Entry in a guest book. 16 Nov. 1596. 1p., 16x10cm. Gives full signature, title, date, and autograph of Henricus Julius, Duke of Brunswick, 1595 (Box 19)Gade, Niels, 1817-1890A. L. S.: to Reinecke. Copenhagen, 16 Jan. 1875. 3p., DanishGál, Hans, 1890-1987A. Mus. ms. S.: Three Preludes for Pianoforte, op. 65. 14p., 24x30cm.Galimir, Felix, b. 1910Related Collection MaterialsSee: Apostel, Hans ErichGänsbacher, Johann, 1778-1844A. Mus. ms. S.: Serenade, Innsbruck, 8 Mar. 1823. 8p., 22x32cm.Ganz, Wilhelm, 1833-1914A. Card S.: to Munday. [London], 9 Mar. 1888. 2p., EnglishA. L. S.: to Routlege. [London], 18 May 1898. 4p., English. With musical illustration. Regarding Enrico TamberlikGarcía, Manuel, 1805-1906A. L. S.: Manchester Square, 25 Mar. 1871. 2p., FrenchA. L. S.: n.p., n.d. 1p., ItalianClip.: 18 Mar. 1905. 2p., EnglishGardoni, Italo, 1821-1882A. L. S.: n.p., n.d. 1p., FrenchPort. Phot. S.: 28 July 1861. By Caldesi (Box 111)Gastinel, Léon-Gustave-Cyprien, 1823-1906A. Mus. Quot. S.: Le Miroir, Andante, to Achille Vogue[?], 23 June 1884. 1p., French. Part of an autograph letter signed, mailed from Antony, SeineGebhard, Hans, 1882-1947A. Mus. ms. S.: 5 Christian-Wagner Lieder I, 1924. 12p., 34x27cm.A. Mus. ms. S.: Christian-Wagner Lieder II, 1925. 9p., 34x27cm.Geiringer, Karl, 1899-1989Related Collection MaterialsSee: Haydn, JosephGérardy, Jean, 1877-1929A. Mus. Quot. S.: Cello Concerto by Saint-Saëns, 5 Mar. 1906Gerber, Heinrich Nikolaus, 1702-1775A. Mus. ms. S.: "Freu dich sehr o meine Seele, cum 12 Variationibus di Johann Pachelbel," Apr. 1716. 14p., 32x19cm., ink. Complete score. This work is one in a series published in 1683. A copy of this publication has not been located, although a number of pieces contained therein are extant in manuscript formGerhard, Roberto, 1896-1970A. Mus. ms.: Concerto for Orchestra. 1p. (p.85), 47x32cm., ink31 L. S.: to Adolph Weiss. 1927-1956. 71p., German. Many letters signed jointly by Gerhard's wife, Poldi. Some postscripts by Kolisch, Wladimir Vogel. Details Schoenberg circle at Berlin. Includes autograph letters, typed letters, and postcardsT. Doc.: Lecture. "On Webern." 4p., English. With autograph titleL. Repro.: to Poldi Gerhard, from Dr. H. A. Fleming, Cambridge, 5 Jan. 1970. 1p., English2 Pri. Sco.: Libra; Leo, London: Oxford University Press, c1970, to Hans and Rosaleen Moldenhauer. 122p. + 115p. Inscribed by Poldi Gerhard4 Pri. Sco.: opera 20, 22, 27, 28, by Webern. With analyses by Gerhard3 Clip.: Reviews. 1966, 1973Bk.: The Complete Instrumental and Chamber Music of Arnold Schoenberg and Roberto Gerhard, London: Sinfonietta Production, 1973, to Hans and Rosaleen Moldenhauer. 180p., English. Inscribed by Poldi GerhardGericke, Wilhelm, 1845-1925A. Card S.: Vienna, 1 Feb. 1p., GermanA. Mus. Quot. S.: Allegretto, Boston, 27 Oct. 1899. On Gericke's letterhead as conductor, Boston Symphony Orchestra. Mounted with portrait photograph below (Box 111)Port. Phot.: Mounted with musical quotation above. By Chickering (Box 111)Gernsheim, Friedrich, 1839-1916P. card S.: to Chrysander. Berlin, 12 Apr. 1900. GermanA. L. S.: ?, 2 Feb. 1909. 2p., GermanCall. c. Annot.: Berlin, 24 Feb. 1898. GermanGernsheim, Willi, b. 1899A. Mus. ms. S.: Maikäferlied, Mannheim, 12 Feb. 1927. 3p., 34x27cm.Gershwin, George, 1898-1937A. Mus. ms. S.: [Jascha, Mischa, Sascha, Toscha], Boston, 31 Dec. 1929. 1p., 21x25cm., ink. Four-part song written for a party at the home of Koussevitzky. UnpublishedA. Mus. ms.: [Porgy and Bess]. 1p., 33x26cm., pencil. Sketches in condensed score, including text, marked "Robbins, Page 3"Doc.: Text. " Jascha, Mischa, Sascha, Toscha." Text by Ira Gershwin, to music by George Gershwin, written out by Nicolas Slonimsky. 1p., English, 23x15cm.A. L. S.: to Boaz Piller. New York, 3 Feb. 1930. 1p., EnglishL.: to Hans Moldenhauer, from Boaz Piller. Brookline, Massachusetts, 25 May. 1p., English. Regarding "Jascha..."2 Sig.Related Collection MaterialsSee: Ravel, MauriceGervinus, Georg Gottfried, 1805-1871A. L. S.: to Selmar Bagge. Heidelberg, 18 Oct. 1863. 3p., GermanGeselschap, Marie, b. 1874Doc. S.: Publicity brochure. Weimar, Aug. 1900, inscribed. 11p., German and EnglishGevaert, François-Auguste, 1828-1908A. L. S.: to Duvernoy. n.p., 6 Sept. 1859. 1p., FrenchA. L. S.: to Gustave. Paris, n.d. 3p., French. On musical life in ParisA. L. S.: Paris, 8 Mar. 1864. 1p., FrenchGhircoiaşiu, Romeo, b. 1919Pri. Sco.: Rondo, Cluj: Conservatorul de Muzica(breve), to Hans Moldenhauer, c1970. 5p.Giardini, Felice, 1716-1796A.[?] Mus. ms. S.: Chorus's to the Stabat Mater, "O quam tristis," "Fac ut ardeat cor meum," "Amen." Arranged for solo voices, chorus, and instruments. 36p. + 16p. (parts), 24x30cm.Gibert, Vicente María de, 1879-1939A. Mus. ms. S.: Tres cants extrets del cicle, "De la primera jornada." 18p., 31x21cm.Giehne, Heinrich2 A. L. S.: [to Selmar Bagge?]. Karlsruhe, Nov. 1860, 5 Aug. 1862. 10p., GermanGieseking, Walter, 1895-1956A. L. S.: to Marion Bauer. n.p., n.d. 1p., FrenchPort. Phot. S.: to Boaz Piller, Boston, 4 Mar. 1928. By Lucas-Kanarian (Box 111)Gigli, Beniamino, 1890-1957T. L. S.: to Ramón Palacio. New York, 1 Dec. 1928. 1p., ItalianGil, José, 1886-1947A. Mus. ms. S.: Valse, para piano, to Ricardo Viñes. 4p., 37x27cm.Gilson, Paul, 1865-1942P. card: Brussels, Coventry, 1910[?]. FrenchGimpel, Jakob, 1906-1989Related Collection MaterialsSee: Apostel, Hans ErichGiordano, Umberto, 1867-1948A. Mus. ms. S.: Esercizii, 15 July 1917. 1p., 33x27cm., pencilGiuglini, Antonio, 1827-18653 Sig.Port. Phot. (Box 111)Giuliani, Michel, 1801-1867A. L. S.: to Diabelli. Florence, 29 Jan. 1825. 3p., GermanGlazunov, Alexander Konstantinovich, 1865-1936A. L. S.: to Taneyev. 8 Sept. 1915. 1p., RussianA. Mus. ms. Quot. S.: Concerto pour Violon, Boston, Jan. 1930Glinka, Mikhail Ivanovich, 1804-1857A. L. S.: to a publisher. Varese, 30 Oct. 1p., FrenchGlobokar, Vinko, b. 19342 A. L. S.: to Aurelio de la Vega. Paris, 31 Aug., 31 Dec. 1979. 2p., EnglishGluck, Alexander Johannes, 1683-1743A. Doc. S.: Chemnitz, 31 July 1723. 1p., German. Regarding a supply of woodGluck, Christoph Willibald, 1714-1787(Shelf)A. Mus. ms.: [Le feste d'Apollo, Act II, Aristeo], Primo coro nel Aristeo che ancora si balla. The opera was performed at Parma in 1769 for the wedding of the Infante Don Ferdinando to Maria Amalia. 7p., 22x30cm., ink. Full score of the first chorus. Text by C. I. Frugoni. The leaves bear Gluck's original pagination, 27-30. After the manuscript was broken up, this section was repaginated 1-8. Inscribed with provenance and text by Felix von Bamberg to whom Aloys Fuchs transferred the manuscript on 27 May 1842 at Vienna (Shelf)Mus. ms. Repro.: Alceste. 1p. Facsimile. Previously framed with portrait engraving belowPort. Engr. (Box 111)Related Collection MaterialsSee: Berlioz, HectorRelated Collection MaterialsSee: Walter, BrunoGodard, Benjamin, 1849-1895A. L. S.: to his editor. Cannes, 12 Oct. 1894. 1p., FrenchPort. Engr.: by Kiss (Box 111)Godefroid, Félix, 1818-1897Pri. Sco. S.: La Fille de Saul, Air de Saul, to Madame Lafleur, Durdilly, Paris. 10p., FrenchGodowsky, Leopold, 1870-1938A. Mus. ms. S.: Two Cadenzas to Mozart's Concerto in E-flat for Two Pianos, K. 365, Carl Fischer, Los Angeles, Sept. 1920. 7p., 33x26cm.P. card S.: to B. Neuer. Tampa, Florida, 14 Mar. 1916. EnglishPri. Sco. S.: Fréderic Chopin: Selected Studies for Pianoforte, Arranged for Left Hand by Leopold Godowsky, op. 10, No. 1, G. Schirmer, 1899, to Florence Ziegfeld, Chicago, 2 June 1900. 7p.Goehr, Rudolph, 1906-1981Mus. ms. Repro. S.: Chatteries, 1957. 22p. Blueprint scoreMus. ms. Repro. S.: Concerto cancrizante. 12p. Blueprint scorePri. Sco. S.: Concerto cancrizante, New York: Rongwen Music, c1956. 25p. (parts)Goepfart, Karl Eduard, 1859-1942Related Collection MaterialsSee: Lindner, EugenGoldmark, Karl, 1830-1915A. Mus. ms.: [Die Königin von Saba]. 4p., 33x25cm. Fragment from the full score, containing the "Chor der Jungfrauen"3 A. L. S.: Gmunden, 17 June 1887[?], 22 Aug. 1899, 4 June 1900. 9p., GermanA. L. S.: to Schittenhelm. Gmunden, 25 May 1900. 3p., German. On page three, sixteen singers have signed their names certifying that they have read the letterA. L. S.: to Frau von Müller. Vienna, 23 May 1912[?]. 2p., GermanCall. c. S.: Gmunden, 10 Sept. 1901. GermanA. Mus. Quot. S.: see portrait photograph belowPort. Phot. S.: May 1898. On verso, accompanying autograph musical quotation. By Löwy (Box 111)Port. Phot. S.: to Francis Young (Box 111)Port. Gr. S. (Box 111)Goldschmidt, Otto, 1829-1907A. L. S.: to Lockey. London, 25 Nov. 1859. 4p., EnglishA. L. S.: to Mrs. Wright. London, 23 May 1871. 1p., English. On verso is pasted a newspaper obituary of GoldschmidtA. L. S.: to Sebastian Veit. London, 21 July 1871. 4p., GermanA. L. S.: to Benson Rathbone. London, 22 Apr. 1873. 1p., EnglishA. L. S.: [1876?]. 2p., English. FragmentA. L. S.: to [Mary] Wurm. London, 13 May 1889. 2p., EnglishA. L. S.: to the firm of Novello. London, 8, 13 Oct. 1903. 2p., English. Reply on versoPort. Caric. S.: Dec. 1879. 1p., 10x8cm. Original pencil drawing portraying a violinist (Box 111)Golinelli, Stefano, 1818-1891A. L. S.: n.p., n.d. 1p., ItalianGoretti, Antonio, ca. 1570-1649A. L. S.: to Marchesa Bentivoglio in Ferrara. Parma, 1629. 1p., ItalianGorter, Albert, 1862-1936A. Mus. ms. S.: Frühling ohne Ende. 7p., 34x27cm.A. Mus. ms. S.: Herbst, 26 Aug. 1908. 2p., 35x27cm.A. Mus. ms. Rev. S.: Ich schreite gottheitstrunken. 3p., 32x25cm.A. L. S.: to Hans Moldenhauer, from Alberta Gorter. n.p., 1 Feb. 1964, 2p., GermanA. Card S.: to Hans Moldenhauer, from Alberta Gorter. n.p., n.d. 1p., GermanDoc.: Brochure. "Den deutschen Männergesangvereinen," Essen: Rheinischer. 19p., GermanA. Doc.: Draft of an opera libretto, Friedemann Bach. 13p.Mus. ms. cop.: Der Gruss. 8p.Mus. ms. cop.: Sie müssen sich's gefallen la'n. 4p.15 Pri. sco.: Das Glück von Edenhall; Drei heitere Lieder; Drei Gesänge; Fünf Lieder; Sie müssen sich's gefallen la'n; Stimmungsbilder, Acht Clavierstücke, op. 17, No. 6Gossec, François-Joseph, 1734-1829A. L. S.: n.p., 11 June 1791. 1p., FrenchGottschalg, Alexander Wilhelm, 1827-19086 A. L. S.: to Bartolf Senff. Weimar, 1856-1867, n.d. 18p., German2 P. cards S.: to Bartolf Senff. Weimar, 1 Mar. 1898, 1 July 1905. 2p., GermanDoc.: Page from a journal. Advertising new books. 1866. 1p. GermanGötze, Emil, 1856-1901A. Alb. l. S.: Leipzig, 1 Nov. 1890Gounod, Charles, 1818-1893(Shelf)A. Mus. ms. Rev.: Sapho, [1878]. 46p., French. Duet between Sapho and Glycère, with accompaniment of the orchestra. (Shelf)A. L. S.: to Ullmann. n.p., 30 May 1882. 2p., FrenchGouvy, Louis Théodore, 1819-1898A. L. S.: to a conductor. Oberhomburg, 22 Oct. 1890. 4p., German. Regarding Variations symphoniquesGrädener, Carl, 1812-18836 A. L. S.: to Selmar Bagge. Vienna, 1862-1865. 18p., GermanA. L. S.: to Selmar Bagge, from Wilhelmine Grädener. Vienna, Aug. 1862. 3p., German. 1p. postscript by Carl GrädenerGrädener, Hermann, 1844-1929A. Mus. ms. S.: Horch auf, mein Lieb, op. 27, No. 3. 1p., 36x26cm.A. L. S.: Vienna, 14 July 1886. 2p., GermanA. L. S.: Vienna, 8 Apr. 1911. 3p., German. Regarding manuscript aboveA. Doc. S.: Autobiographical sketch. 2p., GermanPort. Phot. S.: by Scolik (Box 111)Port. Phot. Repro. (Box 111)Gradenwitz, Peter, b. 19102 T. L. S.: to Aurelio de la Vega. Israel, 16 Feb., 23 May 1954. 2p., EnglishGraener, Paul, 1872-1944P. card S.: to Scheel. Steinebach, 31 Aug. 1921. GermanGrainger, Percy, 1882-1961A. Mus. ms. S.: My Robin is to the Greenwood gone, to George Bainton, 20 May 1912. 2p., 30x23cm., ink. For piano solo. IncompleteT. L.: White Plains, 7 May 1932. 3p., English. Round robin letter sent to Marion Bauer, Martin Bernstein, Charles Haubiel, Gustave Reese, Philip James, and Jacques Pillois. Expressing his views on compositions being written and played in America. With reply, 7 June 1932, from Charles Haubiel8 A. L. S.: to Charles Haubiel. 1932-1942. 16p., English. The letter of 15 Apr. 1942 is a manifesto of his artistic beliefs; why he does not like to write for solo piano, his performance abilities, thoughts on composition and artT. L.: to Percy Grainger, from Charles Haubiel. n.p., 7 June 1932. 4p., English2 A. L. S.: to Carl Deis. Boston, 5 Mar. 1931; Segeltorp, near Stockholm, 4 July 1932. 4p., EnglishA. L. S.: to Leon Theremin. Melbourne, 12 Sept. 1938. 1p., EnglishA. L. S.: to Rudolph Ganz. "In the Train," 28 Nov. 1945. 2p., EnglishT. L.: to Lois Marshall. White Plains, 8 June 1948. 1p., EnglishGrammann, Karl, 1844-1897A. L. S.: to Eugen Lindner. Dresden, 19 Oct. 1889. 3p., GermanGranada Manuscript(Shelf)Mus. ms. cop.: In festo.... Possibly dating from the sixteenth century, before the Council of Trent, with the reformed text added later, ca. late seventeenth century. 65p., 41x28cm., black, red, ornate violet ink, crayon[?]. Bound in brown leather, ornately embossed in gold on front and back covers as well as on the spine. Bound into front of the volume are eight additional pages in a later hand. The front cover shows the Cross, surmounting the legend "IHS," surrounded by an oval design of flowers and leaves. Antiphoner and gradual are combined. Much of the text conforms to the Dominican rite (Shelf)Granados, Enrique, 1867-1916(Shelf)A. Mus. ms.: [Music notebook], [1887-1889]. 81 leaves, some blank, 2 leaves laid in. Used jointly by Granados and Viñes and others during student years in Paris (1887-1889). Student exercises fill the bulk of the volume, as well as sketches, incipits to various compositions, two movements to a symphony in D Minor, and pencil drawings which adorn inside covers (Shelf)A. L. S.: to Ricardo Viñes. Barcelona, 12 Mar. 1910, 2p., SpanishT. Doc.: Biographical information. French, SpanishRelated Collection MaterialsSee: Segovia, AndrésGrau, Agustí, 1893-1964Mus. ms. cop. S.: "Tamarit," barcarola, to Ricardo Viñes, Barcelona, June 1928. 15p., 32x22cm.Mus. ms. cop.: "Sardana de Concert," per a piano. 18p., 34x26cm.Grechaninov, Alexandr Tikhonovich, 1864-1956A. Mus. ms. S.: Etudes progressives pour piano à 4 mains, op. 144, to the Spokane Conservatory, New York, 12 June 1955. 17p., 35x27cm., ink. Full score. With accompanying autograph letter signed to Hans MoldenhauerT. L. S.: New York, 7 Sept. 1955. 1p., EnglishA. Doc. S.: Biographical information. New York, 1929. 4p., French2 Pri. Sco. S.: Holidays; MommyProg.: 28 Apr. 19552 Port. Draw. Repro. S.: 1944, 1955, to the Spokane Conservatory (Box 111)Greef, Arthur de, 1862-1940Prog. S.: Southport, 28 Mar. 1915. 19p., EnglishGregorian ChantMus. ms.: Containing portions of the Liturgy. 1 vellum leaf, 2p., 32x23cm.Pri. Mus. ms.: 1 leaf, 19x8cm. Mounted on cardPri. Mus. ms.: 3 leaves, 6p., 44x28cm.Greissle, Felix, 1894-1982Related Collection MaterialsSee: Rosbaud, HansRelated Collection MaterialsSee: Webern, AntonGrell, Eduard, 1800-1886A. L. S.: to W. Brose. Berlin, 16 Dec. 1862. 2p., GermanGrétry, André-Ernest-Modeste, 1741-1813(Shelf)Mus. ms.: Le Rival confident, 1788, complete piano-vocal score (reduction marked for clavecin) by Starck (Vicaire de la Metropole de Mayence), 1790. 78p. (pages numbered to 28), 31x22cm., French, red, black ink. Inscribed by Starck. Bound in decorative vellum (Shelf)A. L. S.: to Bossenge, père. Paris, 19 Sept. 1810. 2p., FrenchT. p. S.: Les deux Avares, Paris. FrenchPort. Engr. (Box 111)Grieg, Edvard, 1843-1907A. L. S.: Copenhagen, 16 Mar. 1891. 4p., German, with English translation. Regarding a Milan appearanceA. Card S.: to Levysohn. Copenhagen, 23 Apr. 1896. 1p., NorwegianP. card S.: to Martin R. Henriques. Troldhaugen, 22 Dec. 1901A. L. S.: to Lola Artôt de Padillha. Cristiania, 14 Feb. 1906. 3p., GermanA. Card S.: n.p., n.d. NorwegianA. Doc. S.: Petition. For August Winding. Copenhagen, 5 Dec. 1899. 2p., Norwegian. Cosigned by Angul Hammerich, Jens Wilhelm Hansen, Christian Frederik Emil Horneman, Gottfred Matthison-HansenA. Mus. Quot. S.: Allegro ModeratoA. Mus. Quot. S.: Andante. With sketch on verso3 Clip.: 1907, 1923. EnglishPort. Gr. S.: Edvard and his wife, Nina (Box 111)Port. Phot.: by Christiansen (Box 111)Griepenkerl, Wolfgang Robert, 1810-1868A. L. S.: 22 Jan. 1859. 2p., GermanGrimm, Julius Otto, 1827-19032 A. L. S.: to Selmar Bagge. Münster, Easter Sunday, 1867, 1 Dec. 1867. 7p., GermanGrimminger, Adolf, 1827-1909A. L. S.: to Eugen Lindner. Stuttgart, 10 June 1891. 2p., GermanGrisi, Giulia, 1811-1869A. L. S.: to Willert Beale. n.p., 20 June 1860. 3p., ItalianA. L. S.: to Madame Graham. n.p., 11 [May 1866]. 4p., ItalianA. L. S.: to Creyke. Morrison's Hotel, 19 Sept. 3p., ItalianA. Alb. l.: London, 8 July 1847. 1p., Italian. Cosigned by Marietta Alboni, Giovanni Mario, and Antonio TamburiniA. Doc.: Biographical notes. 4p., English2 Port. Engr. (Box 111)2 Port. Phot. (Box 111)Port. Phot. Repro. (Box 111)Port. Paint. Repro. (Box 111)Gropius, Walter, 1883-1969T. L. S.: to Hans Dollinger. The Architects Collaborative, Cambridge, Massachusetts, 1 Nov. 1960. 1p., English. Regarding French manifestoGrün, Friederike, 1836-19174 A. L. S.: to Senff. Berlin, Prague, ?, 1869-1873. 10p., GermanGrünbaum, Johann Christoff, 1785-1870A. L. S.: to ?. Darmstadt, 20 June 1831. 2p., GermanA. L. S.: n.p., n.d. 2p., German. FragmentRelated Collection MaterialsSee: Meyerbeer, GiacomoGrützmacher, Friedrich, 1832-1903A. L. S.: ?, n.d. 1p., GermanGudehus, Heinrich, 1845-19094 A. L. S.: ?, 1886-1889. 7p., GermanGugler, Bernhard3 A. L. S.: [to Selmar Bagge?]. Stuttgart, 1865-1868. 9p., German. With musical illustrationsGuilbert, Yvette, 1865-1944A. L. S.: to Lacour. Nîmes, n.d. 4p., French. Outlining a concert programPort. Phot. S.: Inscribed to Clarkson le coiffeur. By Ellis & Walery (Box 111)Guinjoán, Juan, b. 19312 A. L. S.: to Aurelio de la Vega. Barcelona, 9 Jan., 11 Dec. 1980. 3p., SpanishA. L. S.: n.p., n.d. 2p.Guiraud, Ernest, 1837-1892A. L. S.: n.p., n.d. 3p., FrenchGumprecht, Otto, 1823-19003 A. L. S.: to Selmar Bagge. Berlin, 9 Oct. 1861, 22 Dec. 1865; n.p., n.d. 8p., GermanGunz, Gustav, 1831-18946 A. L. S.: to Schloss. Hamburg, Hannover, 1865-1873. 8p., German. With brief typewritten explanation. On various musical performancesGura, Eugen, 1842-1906A. Alb. l. S.: to Johann S. Schmidt. Zwickau, 25 Mar. 1879. 1p., German2 A. L. S.: Leipzig, 20 Nov. 1872, 11 Nov. 1874. 2p., GermanA. L. S.: Hamburg, 12 Oct. 1877. 3p., GermanA. L. S.: to Franz von Holstein. Hamburg, 16 Oct. 1877. 4p., German2 A. L. S.: to Eugen Lindner. Munich, 3 Mar. 1895, 19 Oct. 1901. 4p., GermanGutheil, Gustav, 1868-1914A. L. S.: to Eugen Lindner. Strassburg, 28 Oct. 1896. 8p., GermanRelated Collection MaterialsSee: Lindner, EugenGutheil-Schoder, Maria, 1874-1935A. L. S.: to Eugen Lindner. n.p., 19 May. 4p., GermanRelated Collection MaterialsSee: Schoenberg, ArnoldGyrowetz, Adalbert, 1763-1850A. Mus. ms. S.: Romanze. 2p., 31x23cm.Haas, Joseph, 1879-19603 P. cards S.: to Hanna Schwarz. Munich, 1932-1934. German. See portrait photograph belowCall. c. Annot. S.: to Hanna Schwarz. GermanPort. Phot. Repro.: with accompanying card signed, to Hanna Schwarz, 7 Dec. 1932 (Box 112)Haas, Robert, 1886-1960Related Collection MaterialsSee: Mozart, Wolfgang AmadeusHába, Alois, 1893-1973P. card S.: to Hanna Schwarz. Prague, 27 Sept. 1937. German2 A. L. S.: [to Hans Moldenhauer]. Prague, 21 Dec. 1959, 5 Nov. 1960. 8p., German. Regarding his work; Gershwin, Joachim, othersP. card S.: to Hans Moldenhauer. Baden-Baden, 1 Aug. 1960. GermanT. Doc. A. Annot.: Biography and work list. 6p.A. Mus. Quot. S.: XII. Streichquartett im Vierteltonsystem, op. 90, Allegro energico, 30 Sept. 1959. Full scoreA. Mus. Quot. S.: XIII. Streichquartette, op. 92, Andante, 1961. Full scoreMus. ms. Repro. S.: Duo, op. 49, 27 Feb. 1937. 15p.Mus. ms. Repro.: Ukázky ze skladeb Aloise HábyPort. Phot. S.: Prague, 12 Sept. 1960. Showing Hába at the quartertone piano (Box 112)Port. Phot. S.: to Hans Moldenhauer, Prague, 1960 (Box 112)Hahn, Reynaldo, 1875-1947A. Mus. ms. Rev. S.: Lydé. 4p., 35x27cm., French, ink, pencil revisions. Complete score2 A. L. S.: n.p., n.d. 4p., French. See musical quotation belowA. Mus. Quot. S.: L'Heure exquise. With accompanying autograph letter signed, and portrait photograph (Box 112)Port. Phot. Repro.: with newspaper clipping. French (Box 112)Port. Phot.: see musical quotation above (Box 112)Haizinger, Anton, 1796-1869A. L. S.: to Chelard. Karlsruhe, 13 Mar. 1833. 2p., German. Arrangements for a concert tourA. L. S.: to a theater director. Karlsruhe, 28 Feb. 1828. 1p., GermanHalévy, Fromental, 1799-1862A. L. S.: to Heinrich Panofka. n.p., 7 Jan. 1847. 1p., FrenchA. L. S.: to Guyoz[?]. Paris, n.d. 1p., FrenchA. L. S.: to a conductor. n.p., n.d. 1p., FrenchA. L. S.: [to a poet, Goethe?]. n.p., n.d. 1p., FrenchA. L. S.: n.p., n.d. 1p., FrenchObit.: 1p., GermanPort. Lith.: with biographical sketch (Box 112)Port. Lith. S.: by Grégoire et Deneux (Box 112)Related Collection MaterialsSee: Scribe, EugèneHalffter, Cristobal, b. 1930A. Mus. ms. S.: Fibonaciana, 1960. 1p., 49x32cm. Sketches in full scoreA. Mus. ms. S.: Secuencias, 1964. 2p., 49x34cm. Sketches in full scoreA. Mus. ms. S.: Sinfonía para tres grupos instrumentales, 1962. 4p. (pp.19, 20, 23, 24), 52x31cm.A. Mus. ms. S.: Symposion, 1965. 2p., 49x34cm.T. L. S.: to Aurelio de la Vega. Madrid, 8 July 1976. 1p., SpanishA. Card S.: to Aurelio de la Vega. Madrid, 11 Apr. 1977. 2p., SpanishHalír, Karel, 1859-1909P. card S.: to Eugen Lindner. Berlin, 25 Aug. 1894. German. With drawings3 A. L. S.: to Eugen Lindner. Berlin, 23 Mar. 1897, 3 July; Charlottenburg, 16 Sept. 1901. 10p., German. On many musical mattersA. L. S.: to Eugen Lindner, from Anna Helene Halir. Weimar, 16 Feb. 1905. 3p., German. Mentions LisztHammerich, Angul, 1848-1931Related Collection MaterialsSee: Grieg, EdvardHandel, George Frideric, 1685-1759A. L. S.: [to Charles Jennens]. London, 30 Sept. 1749. 3p., English. Giving specifications for an organ to be newly built by Mr. BridgeMus. ms. Repro.: The Choice of Hercules. 3p. Facsimile. Was mistakenly listed in Albrecht's A Census... as an original manuscriptMus. ms. Repro.: Messiah. 1p. Facsimile of the last page, with accompanying typed document describing the facsimile, and lithograph from the Musical Gem, London, edited by N. Mori and W. Ball, 1831Port. Engr. (Box 112)Hanfstängel, Marie, 1846-1917A. L. S.: to Claar. Frankfurt, 30 Sept. 1882. 3p., GermanA. L. S.: Frankfurt, 24 Nov. 1886. 4p., GermanHänsel, Peter, 1770-18312 A. L. S.: to Johann André. Vienna, 31 Dec. 1798, 21 Aug. 1799. 2p., GermanHansen, Jens Wilhelm, 1821-1904Related Collection MaterialsSee: Grieg, EdvardHanslick, Eduard, 1825-1904A. L. S.: to Dessauer. Vienna, 2 Jan. 1865. 2p., German. Regarding Glinka3 A. L. S.: to Bruckmann, a publisher. Marienbad, 13 Aug. 1871; Vienna, 7 Jan. 1878; Marienbad, 16 Mar. 1880. 7p., GermanA. L. S.: to Gabriele Joel. Vienna, 1 Sept. 1p., GermanHanssens, Charles-Louis, 1802-1871A. L. S.: to Jules Dugniole. Gand, 6 Oct. 1843. 1p., FrenchHarriers, Luise, 1830-1878A. L. S.: Berlin, 4 Jan. 1858. 1p., GermanA. L. S.: to Schloss. Dresden, 2 June 1862. 1p., GermanA. L. S.: to Baron Reven. Mannheim, 6 Sept. 1873. 2p., GermanHärtel, Gottfried Christoph, 1763-1827A. L. S.: to Wilhelm Speyer. Cotta, 16 July 1822. 2p., GermanRelated Collection MaterialsSee: Koch, Heinrich ChristophHärtel, Hermann, 1803-18755 L. S.: to A. W. Gottschalg. Leipzig, 1857-1862. 12p., German. Copious references to Liszt2 L. S.: to Selmar Bagge, for Breitkopf & Härtel. Leipzig, 18, 30 June 1863. 4p., GermanA. L. S.: to Selmar Bagge, for Breitkopf & Härtel. n.p., n.d. 1p., GermanHartmann, Karl Amadeus, 1905-1963(Shelf)A. Mus. ms. Annot. S.: Miserae, Symphonische Dichtung für Orchester, 1933-1934, also dated at end Aug. 1934. 59p., 41x32cm., ink, colored pencils. Annotations by Scherchen. Full score. Bound (Shelf)16 T. L. S.: to Hans Moldenhauer. Munich, 1958-1963. 19p., German12 A. L. S.: to Hans Moldenhauer. Munich, 1959-1963. 15p. GermanT. L.: to Paul Dessau. 14 July 19613 A. Cards S.: to Hans Moldenhauer. 1961-1963. 7p., GermanTlgm.: to Hans Moldenhauer. 24 Dec. 1962. GermanT. L.: to Friedrich Wildgans. 9 Jan. 1963. 2p., GermanT. L.: to Amalie Waller. Dessau, 2 Feb. 19632 P. cards S.: to Hans Moldenhauer. German2 L. S.: to Hans Moldenhauer, from Elisabeth Hartmann. Munich, 1962. 4p., GermanL. S.: to Hartmann, from Amalie Waller Webern. 8 Mar. 1963Call. c. S.: to Hans Moldenhauer2 Doc.: Biographical outline. 2p. each, GermanPri. Sco. S.: Miserae, Mainz: Schott's, c1977. 85p.(Shelf)Pri. Sco. S.: Simplicius Simplicissimus, Mainz: Schott's, c1957, to Hans Moldenhauer, 10 Oct. 1962. 378p. (Shelf)(Shelf)Bk.: Epitaph, Richard P. Hartmann Bibliothek, Band 1, 5 Dec. 1963. No. 232 (Shelf)Obit.: Death announcement. 5 Dec. 1963. German(Shelf)S. rec.: Jüdische Chronik. Also composed by Boris Blacher, Paul Dessau, and Hans Werner Henze (Shelf)Related Collection MaterialsSee: Stuckenschmidt, Hans HeinzHaslinger, Tobias, 1787-1842A. L. S.: to a composer. Vienna, 12 Dec. 1830. 1p., FrenchHatze, Josip, 1879-1959A. Mus. ms. S.: "Cvati, cvati ruzice...". 3p., 32x24cm., CroatianA. Mus. ms. S.: Noc na Uni, 1902. 7p., 35x25cm.A. Mus. ms. S.: "Vecernje zvono (Impresija)." 6p., 32x23cm.T. Doc. A. Annot.: Biographical data. 1p., ItalianDoc.: Brochure on Hatze. "Josip Hatze, O Pedesetgodivsnjici umjetnickog I Nacijonalnog rada...." 1948. 45p., CroatianPri. Sco.: Uvelo lisce, Sjecanje, Handzaru, Ala j'lep, JutromPri. Sco.: Skladbe, Ljuven sanak. 7p.Haubiel, Charles Trowbridge, 1892-1978Related Collection MaterialsSee: Grainger, PercyHauer, Josef Matthias, 1883-1959A. Mus. ms. S.: [Trope, in four colors], Vienna, 3 May 1949. 1p., 35x27cm. With the following inscription, as translated: "Josef Matthias Hauer, the intellectual originator and, despite many poor imitators, regrettably still the sole expert and craftsman of twelve-tone music."A. Mus. ms. S.: Melischer Entwurf in der Zwölftonschrift, to Hans Rosbaud, 4 Jan. 1954. 1p., 34x27cm., ink, pencil, in 4 colorsA. Mus. ms. S.: [same], 29 Jan. 1955. 1p., 34x27cm., ink, pencil, in 4 colorsA. Mus. ms. S.: Zwölftonspiel für Orchester, Mar. 1955. 36p., 34x27cm. Full scoreA. Mus. ms. S.: Zwölftonspiel für Streichquartett, to Hans Rosbaud, Vienna, 12 Jan. 1954. 11p., 34x27cm. Full scoreA. L. S.: to Rudolph Réti. Vienna, 5 Feb. 1924. 4p., German. Discussion of Hauer's system of "tropes," illustrated with four musical examplesA. L. S.: [to Paul A. Pisk]. Vienna, 11 Jan. 1935. 1p., German. Comments about BergA. L. S.: to Hans Rosbaud. Vienna, 31 Dec. 1953. 1p., GermanT. Doc.: Critical comparison of twelve-tone system. Josef Matthias Hauer und Arnold Schoenberg, to Hans Moldenhauer, from Victor Sokolowski, Mar. 1981. 1p., GermanL. Repro.: to Hauer, from Rosbaud. 5 Apr. 1954. 1p., GermanDoc.: Brochure. Josef Matthias Hauer. 18p., GermanDoc.: Text. Tropentafel von Josef Matthias Hauer, 1948. 2p. On verso, a facsimile quotation from Hauer's credo (1947), with autograph dedication to Hans Moldenhauer, from Victor SokolowskiDoc.: Commentary. Das Zwölftonspiel, by Hauer. 2p., GermanObit.: Vienna, 22 Sept. 1959. 1p., GermanHaupt, Karl August, 1810-1891A. L. S.: Berlin, 26 Aug. 1856. 1p., GermanHauptmann, Moritz, 1792-1868A. Mus. ms. S.: Album-Canons, 3 Apr. 1865, to S. Jadassohn, from Suzette Hauptmann, signed and dated at Leipzig, Apr. 1868. 12p., 26x33cm. BoundA. Mus. ms. S.: Sonata, to Julius Rietz, 6 Aug. 1835. 25p., 24x33cm. BoundA. L. S.: to A. Bott. Leipzig, 29 Oct. 1843. 2p., GermanA. L. S.: to a concertmaster. Leipzig, 20 Dec. 1863. 4p., GermanHausmann, Robert, 1852-1909P. card S.: to Louis Lüstner. Berlin, 6 Jan. 1890. GermanHaydn, Joseph, 1732-1809Mus. ms.: Sinfonia in D No. 96, arranged for piano solo. 8p., 24x30cm., ink. Autograph title page [?]. With 25p. master sheets, signature of ownership, F. Ries, and 9p. typed essay annotated, "Sinfonia in D für das Klavier arrangirt...," by Kathleen Munro. Also, five letters concerning authenticity: 24 Nov. 1939, to Richard Speyer; 11 Dec. 1939, from the Preussische Staatsbibliothek; 4 Apr. 1961, to Hans Moldenhauer, from Karl-Heinz Köhler; 8 Dec. 1961, to Hans Moldenhauer, from Karl Geiringer; 17 Oct. 1979, to Hans Moldenhauer, from Ernst Hilmar(Shelf)Mus. ms. cop. S.: Stabat Mater, for Two Oboes, Two Violins, Viola, Organ or Harpsichord, and Soprano, Alto, Tenor, and Bass. 276p., ink. Johann Elssler, copyist. With Haydn's signature, later attached (Shelf)Port. Engr.: Haydn without wig (Box 112)Haydn, Michael, 1737-1806A. Mus. ms. S.: Canone à 8, Vienna, 16 Oct. 1798. 1p., 19x12cm., LatinMus. ms. cop.: Graduale, for Soprano, Alto, Violin, and Organ, Allegretto. 3p., 30x23cm. Full score(Shelf)Mus. ms. cop.: Missa in G Dur. 156p., 30x23cm. Full score (Shelf)Heifetz, Jascha, 1901-1987Related Collection MaterialsSee: Castelnuovo-Tedesco, MarioHeinefetter, Sabine, 1809-18723 A. L. S.: Leipzig, Munich, 1830-1845. 6p., GermanHeiss, Hermann, 1897-1966A. Mus. ms. S.: Calamites, Schachtelgesänge, for soprano, tenor, and small orchestra, Aug. 1962. 2p., 34x27cm. Multicolored sketchesA. Mus. ms.: Zuordnung Vier. 3p., includes two diagrams + 1p. analysis3 T. L. S.: to Hans Moldenhauer. Darmstadt, 27 Jan. 1960, 17 May, 11 Mar. 1963. 4p., GermanT. Doc. S.: Conceptual idea for Zuordnung Vier. Darmstadt, Nov. 1961. GermanT. Doc. S.: Graph of time conception. Composition for Three Pianos. With description. 2p., GermanT. Doc. S.: Idea for a composition. 1p., German. With autograph note2 Docs.: Work list. Wiesbaden: Breitkopf & Härtel, 29 Dec. 1897. 6p., GermanMus. ms. Repro.: Conception for Three Pianos. Photographic reproduction(Shelf)Mus. ms. Repro.: Configurationen I, Mainz: Schotts, n.d. 78p. (Shelf)Mus. ms. Repro.: Zuordnung Drei, for light, dance, and electronic music. Photographic reproductionRelated Collection MaterialsSee: Xenakis, IannisHeller, Stephen, 1813-1888A. Mus. ms. S.: Trois Eglogues, op. 92, to E. L. Corning, Paris, 23 Apr. 1881. 23p., 26x34cm. Also inscribed to Felix le CouppeyA. L. S.: to Georges Kastner. 18 Nov. 1842. 1p., FrenchA. L. S.: Paris, 27 June 1857. 3p., FrenchPort. Lith. Repro. (Box 112)Hempel, Frieda, 1885-1955A. L. S.: to an editor. Berlin, 23 Oct. 1912. 2p., GermanHenkemans, Hans, 1913-1995A. Mus. ms. S.: Cello Sonate, 30 Mar. 1936. 15p., 34x27cm. Complete draftA. Mus. ms. S.: Vioolconcert, 1948, 1950. 49p., 35x27cm. Complete draftHenselt, Adolf, 1814-1889A. Mus. ms. S.: Normanns Gesäng. 2p., 26x33cm.A. Mus. ms. S.: [Piano composition in G Major], to Hauser. 4p., 24x32cm.A. Mus. ms. S.: [Piano composition in B Major]. 2p., 17x24cm.A. L. S.: n.p., 1882. 4p., German. Mentions Chopin, HummelHenze, Hans Werner, b. 1926A. Mus. ms. S.: Sinfonische Etüden, for orchestra, 1955, to Hans Moldenhauer, Naples, 16 Mar. 1958. 36p., 34x23cm., pencil, colored pencils. SketchesT. L. S.: to Hans Moldenhauer. Naples, 16 Mar. 1958. 1p., GermanRelated Collection MaterialsSee: Hartmann, Karl AmadeusHerbeck, Johann Ritter von, 1831-1877A. L. S.: [to Selmar Bagge]. Vienna, 15 Apr. 1862. 2p., GermanA. L. S.: to a conductor. Vienna, 18 June 1870. 2p., GermanHerfurth, RudolfA. L. S.: Rudolstadt, 10 June 1894. 4p., GermanHerlinger, Ružena, 1890-197822 A. L. S.: to Hans and Rosaleen Moldenhauer. 1962-1965. 47p., German, English. Mentions Berg, WebernP. card S.: to Hans and Rosaleen Moldenhauer. Indian Rocks Beach, Florida, 28 Aug. 1964. English2 Tlgms.: to Hans and Rosaleen Moldenhauer. 12, 13 Sept. 1964. 3p., EnglishT. L. S.: to Hans and Rosaleen Moldenhauer. Montreal, 15 Mar. 1965. 1p., EnglishL. S. Repro.: to a conductor. n.p., 23 Mar. 1964. 1p., French2 Docs. A. Rev.: BrochureDoc.: Flyer with program. 1928-1929. 2p., GermanDoc.: Invitation. 23 Apr. 1961. 2p., French.Port. Phot. S.: to Hans Moldenhauer, June 1964. By Hulley (Box 112)Herman, Vasile, b. 1929Pri. Sco.: Sonata II-a, Cluj: Conservatorul de Muzica(breve), c1971. 25p.Hermann, Hans, 1870-1931A. L. S.: Berlin, n.d. 4p., German. With biographical informationPort. Phot. S.: 1910 (Box 112)Hérold, Ferdinand, 1791-1833A. L. S.: [to Ferdinando Paër]. n.p., n.d. 1p., FrenchHertel, Johann Wilhelm, 1727-1789A. Mus. ms. S.: Der 100. Psalm, in Zwey Choeren auf den Hohen Geburts-Tag des Durchlauchtigsten Herzogs Friedrich zu Meklenburg Schwerin, Schwerin, 9 Nov. 1780. 33p. 34x40cm., German, inkHervé, 1825-1892T. p. S.: Aladdin the Second, to his daughter Louise, London, 7 Mar. 1871. 1p., FrenchHerz, Henri, 1803-1888A. L. S.: to Gait. n.p., n.d. 1p., French, with translation. On p.4, note in another hand, with reference to Pacini and PonchardHerzog, Johann Georg, 1822-1909A. L. S.: to Selmar Bagge. Erlangen, 12 Oct. 1865. 2p., GermanHesse, Adolf Friedrich, 1809-18637 A. L. S.: to Aloys Fuchs, Friedrich Kühmstadt, C. F. Peters, and others. Breslau, 1832-1861. 19p., GermanDoc.: [Receipt?]. To A. Hesse. Breslau. 1p., GermanA. Mus. Quot. S.: Sixth Symphony, Dresden, 14 Jan. 1845Hessenberg, Kurt, 1908-1994A. Mus. ms. S.: Vom Wesen und Vergehen, op. 45. 20p., 23x34cm. Sketches3 T. L. S.: to Hans Moldenhauer. Frankfurt, Sept.-Nov. 1958. 3p., GermanHey, Julius, 1832-1909A. L. S.: to Bartolf Senff. Munich, 23 Sept. 1887. 1p., GermanA. L. S.: to Eugen Lindner. Berlin, 5 May 1898, 3p., GermanHibbard, William, 1939-1989Related Collection MaterialsSee: Webern, AntonHill, Karl, 1831-189311 A. L. S.: to Bartolf Senff. 1866-1881. 25p., German. Letters detail singer's successes; WagnerHiller, Ferdinand, 1811-18852 A. L. S.: n.p., n.d. 4p., English, GermanA. Doc. S.: Poem. Bald verlässt du die Ufer, 29 Nov. 1869. 1p., GermanPort. Phot. Repro. (Box 112)Hiller, Johann Adam, 1728-1804A. Mus. ms. S.: Cantata. 45p., 23x31cm., German. Full scoreHimmel, Friedrich Heinrich, 1765-1814A. L. S.: to Kühnel. Berlin, 18 Oct. 1809. 1p., GermanPri. Sco.: Die Sendung, No. 4, arranged by Westenbolz, Berlin: Stechbahn. 2p.Hindemith, Paul, 1895-1963A. Mus. ms. S.: Bratschensonate mit Klavier, Tucson, Hutchinson, 1/2 April 1939, to Boaz Piller, Boston, Apr. 1939. 12p., 17x13cm., pencil. Excerpt (14m. + 65m.) from second and third movementsA. L. S.: to a Geheimrat. Berlin, 1 Mar. 1934. 1p., GermanA. Card S.: Season's Greetings, 1946-1947. German. Created by HindemithA. Card S.: Season's Greetings, 1950-1951. German. Created by Hindemith, signed by Hindemith and wife Gertrud2 Cards: Season's Greetings, 1954-1955; n.d. German. Created by HindemithA. L. S.: to Boaz Piller. n.p., n.d. 1p., EnglishT. L. S.: [to Boaz Piller]. Yale Music School, New Haven, Connecticut, 9 Nov. 1p., EnglishT. Doc. A. Rev. S.: Typescript. Vorschläge für den Aufbau des türkischen Musiklebens, 1937. 32p., German. Bound in cardboardA. Mus. Quot. S.: Der Schwanendreher, Boston, Apr. 1937. Three thematic quotationsDoc.: Brochure. Printed by Schott at Hindemith's death. German. With portrait reproducedDoc.: Memoranda. "Commemoratio brevis," 1948. From Hindemith's classes at Yale. 11p., English. 3 copiesDoc.: Reprint, "Alla Battaglia." For the Paul Hindemith Commemoration, Yale University, 1964, reproduced from the Collegium Concert, Yale University, 21 May 1951. Includes cover with Hindemith's drawing; music. 4p.Doc. Repro. Rev.: Typescript. "My Teacher, Paul Hindemith," by Silvia Kind, 26 Sept. 1965. 5p. each, English. Two copies. With letter to Hans Moldenhauer, from Kind, 1965Pri. Sco. S.: Let's Build a Town, Mainz: Schott, c1931. 15p., EnglishPri. Sco. S.: Lied, Mainz: Schott, c1927. 5p.Pri. Sco. A. Rev.: Der Schwanendreher, Mainz: Schott, c1937Pri. Sco. S.: Sonate, Flöte und Klavier, Mainz: Schott, c1937. 27p. (piano score)Pri. Sco. S.: String Quartet in E-flat, 1943, to Eugene Weigel, Nov. 1944. 59p. Pocket score. Also signed by Weigel. With pencil notes3 Clip.: 5, 10, 12, Jan. 1964. 3p., EnglishPort. Phot. S.: to Boaz Piller, Boston, 25 Feb. 1938 (Box 112)(Shelf)Bk. S.: A Composer's World, Cambridge, Massachusetts: Harvard University Press, 1952. 221p. (Shelf)(Shelf)Bk. S.: Traditional Harmony, New York: Associated Music Publishers, c1944. 125p. (Shelf)Hinkel, KarlA. Mus. ms. S.: Rundgesang. 2p. 20x32cm.Hirsch, Karl Jacob, 1892-1952A. Mus. ms. S.: Wenn der erste Frühlingsatem über die Erde geht. 2p., 34x27cm. IncompleteA. L. S.: Heilbronn, 8 Apr. 1908. 1p., German. Attached to abovePort. Phot. S. (Box 112)Hirsch, Paul, 1881-1951T. L. S.: to Aurelio de la Vega. Cambridge, 16 Nov. 1950. 1p., EnglishA. L. S.: Cambridge, 2 Mar. 1951. 1p., GermanHofmann, Heinrich, 1842-1902A. Doc. S.: Note. Certification that manuscripts are authentic. Berlin, n.d. 1p., German, with English translationHofmeister, Friedrich, 1782-1864A. L. S.: to Hippolyte Chelard. Leipzig, 2 Nov. 1840. 2p., GermanHolde, Artur, 1885-1962T. L.: to Alma Mahler. Connecticut, 13 Nov. 1958. 1p., German. Fragment, with annotations on versoP. card S.: to Alma Mahler. Connecticut, n.d. GermanHollaender, Alexis, 1840-19242 A. L. S.: Berlin, 9, 31 Jan. 1889. 2p., GermanHollaender, Gustav, 1855-1915A. Mus. Quot. S.: Violinkonzert, op. 52Port. Phot. S.: 1905. By Meyer (Box 112)Hollaender, Victor, 1866-1940A. Mus. ms. S.: Schaukel-Walzer. 1p., 19x26cm.A. L. S.: to George Bainton. Bad Ischl, 18 July 1909. 2p., German, EnglishPort. Phot. S. Repro. (Box 112)Holle, LudwigA. L. S.: to A. W. Gottschalg. Wolfenbüttel, 11 July 1858. 1p., GermanHolmès, Augusta, 1847-1903A. L. S.: to a journalist. Paris, 15 Oct. 1901. 1p., FrenchHoogstraten, Willem van, 1884-1965T. L. S.: to Solomon Pimsleur. New York City, 29 July 1938. 1p., EnglishHorenstein, Jascha, 1899-1973T. L. S.: New York, 26 Apr. 1943. 1p., EnglishP. card S.: to Alma M. Werfel, also signed by Trudy and Jascha. Athens, 30 Aug. 1957. German2 A. L. S.: to Alma Mahler Werfel. Nice, 21 June 1959; London, n.d. 6p., GermanA. L. S.: to Vally Weigl. Lausanne-Pully, 9 June 1971. 1p., EnglishHorn, Camillo, 1860-1941Port. Phot. S.: to Hans Rosbaud, Vienna, 21 Jan. 1936Horneman, Christian Frederik Emil, 1840-1906Related Collection MaterialsSee: Grieg, EdvardHorwitz, Karl, 1884-1925Related Collection MaterialsSee: Webern, AntonHřímalý, Jan, 1844-1915Related Collection MaterialsSee: Tchaikovsky, Pyotr IlyichHrisanide, Alexandru, b. 1936A. Mus. ms. S.: Duett für Flöte und Oboe, Chanson sous les étoiles. 4p., 28x21cm. SketchesA. Mus. ms. S.: First Piano Sonata, 1955-1956. 57p., 34x25cm. Complete scoreA. Mus. ms. S.: Sonnets, 1972-1973. 12 leaves + 43p., 30x22cm. Preliminary drafts in two spiral notebooks2 T. L. S.: to Aurelio de la Vega. Los Angeles, 5 Jan. 1973; Oregon, 23 Feb. 1973. 2p., EnglishT. L. S.: to Hans Moldenhauer. Eugene, 1 June 1973. 2p., GermanT. L. S.: to Hans Moldenhauer. New York, 30 July 1973. 3p., GermanA. L. S.: to Hans Moldenhauer. Harleem, 28 Dec. 1973. 1p., German4 T. L. S.: to Hans Moldenhauer. Haarlem, 1974-1978. 4p., EnglishP. card S.: to Aurelio de la Vega. Greece, 18 July 1976. EnglishCard S.: to Aurelio de la Vega. Oregon, Season's Greetings 1976. 1p., EnglishMus. ms. Repro.: Directions, Cologne: Gerig, c1971. 32p. (Box 109)Mus. ms. Repro.: I-Ro-La-Hai für Orchester, Cologne: Gerig, c1972. 26p. (Box 109)Mus. ms. Repro.: Mers-tefs per violino solo, Cologne: Gerig, c1971. 6p. Blueprint score (Box 109)Mus. ms. Repro.: Musik für mehrere Violinen, Cologne: Gerig, c1973. 21p. Blueprint score (Box 109)Mus. ms. Repro.: "À la recherche de la verticale," Cologne: Gerig, c1970. 12p. With accompanying biographical informationMus. ms. Repro.: Soliloquium x II, Streichquartett. Cologne: Gerig, c1971. 16p. Blueprint score (Box 109)Mus. ms. Repro.: Sonata for Clarinet and Piano, Bucharest: Editura Muzicala, c1969. 24p.Mus. ms. Repro.: Sonata for Viola and Piano, c1965 by Hrisanide. 12p.Mus. ms. Repro.: Sonata for Violin and Piano, Bucharest: c1968 by Hrisanide. 36p.Mus. ms. Repro.: Sonata Nr. 1, Bucharest: Editura Muzicala, c1966. 49p.2 Mus. mss. Repro.: Sonnets, Concerto per Clavicembalo e orchestra, Cologne: Gerig, c1973. 10p., 31p. Blueprint score (Box 109)Mus. ms. Repro.: Third Piano Sonata, Bucharest: c1968 by Hrisanide. 16p.Mus. ms. Repro.: Trio for Violin, Viola, and Bassoon, c1968 by Hrisanide, to Hans Moldenhauer, Eugene, Oregon, 1 June 1973. 14p.Mus. ms. Repro.: UNDA, Paris: Salabert, c1969. 10p.Mus. ms. Repro.: Volumes, Inventions, Bucharest: Editura Muzicala, 1963. 14p. With biographical informationDoc. Repro. Annot.: Biographical information. Includes curriculum vitae, articles, letters of recommendation, work listHubay, Jenő, 1858-1937A. L. S.: to Hugo Neuburger. Zurich, 15 Oct. 1919. 3p., GermanPort. Phot. S.: to Heinrich Grünfeld, Berlin, 29 Jan. 1903 (Box 112)Huberman, Bronislaw, 1882-1947T. L. S.: to Karl Weigl. Ascona, 20 Oct. 1927. 1p., GermanA. L. S.: Jerusalem, n.d. 1p., GermanPort. Gr. S. Repro.: Tel-Aviv, 20[?] Dec. 1938[?]. Photograph and facsimile signatures of Hubermann and Toscanini and the Palestine Orchestra on the occasion of the orchestra's first concert (Box 112)Huhn, Charlotte, 1865-19252 A. L. S.: to Bartolf Senff. Westerland auf Sylt, 6 Aug. 1893; Lüneburg, 22 Aug. 1893. 7p., GermanRcpt.: Cologne, 8 Dec. 1898. 1p., GermanClip. Annot.: Neue Musik-Zeitung, XIV, 1893. 2p. (p.185-186) German. With photograph reproducedHumperdinck, Engelbert, 1854-1921A. Mus. ms. S.: Rosmarin, for voice and piano, Grünenwald, 1 Mar. 1908[?]. 2p., 27x34cm., German, ink. Complete score2 P. cards S.: to Edward Speyer. Frankfurt, 2 May 1892; Strassburg, 10 Nov. 1894. GermanA. L. S.: 2 July 1897. 2p., GermanA. L. S.: 24 May 1907. 1p., GermanP. card S.: to Kirchhoff. Berlin, 25 June 1907. GermanP. card S.: to Mary Wurm. Berlin-Wannsee, 25 Oct. 1915. GermanA. Mus. Quot. S.: Gaudeamus, "Hoch der Jugend! Tod den Philistern!", Berlin-Wannesee, 24 Jan. 1919Port. Phot. (Box 112)Huré, Jean, 1877-1930A. Mus. ms. S.: Le petit Cordonnier. 7p., 32x25cm., French2 A. L. S.: Paris, 17 Oct., 15 Nov. 1910. 2p., FrenchHûrka, Friedrich Franz, 1762-1805A. L. S.: Berlin, 7 Apr. 1801. 1p., GermanHüttenbrenner, Josef, 1797-1882A. L. S.: Vienna, 7 Oct. 1869. 1p., GermanIbert, Jacques, 1890-1962Port. Phot. S.: to Hans Moldenhauer, Rome, 11 Mar. 1954Port. Phot.Indy, Vincent d', 1851-1931A. L. S.: n.p., 22 Mar. 1914. 2p., French. Regarding ParsifalA. L. S.: to a singer. n.p., n.d. 3p., FrenchA. L. S.: n.p., n.d. 2p., French. Discusses the rehearsal of a work of Brahms and one of his ownInghelbrecht, D. E., 1880-1965A. Mus. ms. S.: "La Nursery." 1p., 31x23cm. For piano, four hands. ExcerptPort. Phot. S.: by Liard (Box 112)Inglés, Joan A.Mus. ms. arr. cop.: Paris-Lleyda, for band, arr. by Ribera, 10 May 1908. 11p. Full scoreIradier, Sebastián, 1809-1865A. L. S.: Madrid, 16 Sept. 1858. 2p., SpanishIves, Charles E., 1874-1954(Shelf)Pri. Sco. A. Annot.: 114 Songs, 1884-1921. 258p. (the first page missing) (Shelf)A. L. S.: to NS Pa [Nicolas Slonimsky]. New York, [1934]. 2p., EnglishA. L. S.: to Weiss. W. Redding, Connecticut, n.d. 2p., EnglishL. S.: to Mrs. Weiss, from Harmony Ives. Taormina, 21 Jan. 4p., EnglishJaëll, Alfred, 1832-1882A. L. S.: Grand Hotel, 26 Apr. 3p., FrenchPort. Phot. Repro. (Box 112)Jahn, Otto, 1813-1869A. L. S.: to Carl Georg Grädener. Leipzig, 23 Feb. 1853. 1p., GermanA. L. S.: Leipzig, 22 Feb. 1855. 1p., GermanA. L. S.: to Becker. Bonn, 11 Feb. 1856. 1p., GermanA. L. S.: to ?. Bonn, 14 Mar. 1856. 1p., GermanA. L. S.: Bonn, 30 Oct. 1858. 1p., German4 A. L. S.: to Selmar Bagge. Bonn, 1861-1868. 4p., GermanA. L. S.: to André. Bonn, 7 Apr. 1867. 1p., German. With musical quotationJalowetz, Heinrich, 1882-1946A. L. S.: [to Alexander Zemlinsky]. n.p., 28 Feb. 2p., GermanJanácek, Leos, 1854-1928P. card S.: to Frau Kretschmerová. Hukvaldy, 14 June 1927. Czech., with typed translation in GermanJarecki, Tadeusz, 1889-1955A. Mus. ms. S.: Aria, op. 28. 7p., 31x24cm. (full score), 18x23cm. (violin)Mus. ms. Repro.: Concerto-Suite, op. 27. 34p. FacsimileJarnach, Philipp, 1892-1982A. Mus. ms. S.: Kleine Rhapsodie für Klavier. 5p., 34x24cm., inkA. Mus. ms. S.: Zwei Humoresken für Klavier, I. Kleine Rhapsodie, II. Giga. 11p., 34x27cm. Complete score. With sketch on verso and 1p. crossed outPri. Sco.: Zwei Humoresken für Klavier, Starnberg: Tischer & Jagenberg, n.d. 11p.Jehin-Prume, Frantz, 1839-1899A. L. S.: to Léon de Chier de Lirgé. Spa, 7 Dec. 1871. 2p., FrenchJelinek, Hanns, 1901-1969A. Mus. ms. Rev. S.: Three Blue Sketches, op. 25, Vienna, 1 May 1956, to Hans Moldenhauer, Vienna, Sept. 1963. 22p., 34x27cm.A. Mus. ms. S.: Zwölftonwerk, Vier Tokkaten, op. 15, No. 4, Vienna, Jan.-Feb. 1948. 12p., 34x27cm.T. L. S.: to Aurelio de la Vega. Vienna, 25 Nov. 1964. 1p., GermanL. S.: to Hans Moldenhauer, from Grete Steingruber. Vienna, 17 Apr. 1969. 2p., GermanObit.2 Clip.: 30 Jan., 2 Feb. 1969. GermanJemnitz, Sándor, 1890-1963T. L. S.: [to Paul Sanders]. Budapest, 15 Oct. 1931. 1p., GermanJeppesen, Knud, 1892-1974A. L. S.: [to Alfred Mann]. Denmark, 8 Nov. 1938. 2p., GermanJirák, K. B., 1891-1972A. Mus. ms. S.: Quartet, op. 82, No. 7, 5 Feb. 1960. 2p., 34x27cm.A. L. S.: to Hans Moldenhauer. Chicago, 12 Nov. 1960. 1p., EnglishT. Doc.: Biographical information. 1p., EnglishMus. ms. Repro. S.: Symphony No. 5, op. 60. 1p. Photographic reproductionJoachim, Amalie, 1839-1899A. Alb. l. S.: New York, May 1892. 1p., GermanA. L. S.: [to Dr. Hildebrand?]. Westerland auf Sylt, 5 Sept. 1895. 8p., GermanA. Card S.: Dessau, 1 Jan. 1896. 1p., GermanA. Doc.: Address panel. To Frau Prof. Michaelis. HamburgJoachim, Joseph, 1831-1907A. L. S.: to Volkland. Berlin, 10 Sept. 1888. 3p., GermanA. L. S.: n.p., 20 Mar. 1895. 1p., EnglishA. L. S.: to Chorley. Bayswater, n.d. 1p., EnglishA. L. S.: to Hermann Levi. Moos, 16 Aug. 2p., German. Regarding a letter to Brahms; Munich trip; suggests they meetA. L. S.: n.p., n.d. 2p., German2 L. S.: to Miss Graham, from Edith Joachim. Glasgow, N. B., 19 Feb. 1910, 16 Oct. 1912. 4p., EnglishA. Mus. Quot. S.: [3. Sonata, Fuga, BWV 1005 by J. S. Bach]Obit.: 15 Aug. 1907. 2p., EnglishPort. Phot. Repro.: attached to an envelope addressed to Michaelis (Box 112)Jokl, Otto, 1891-1963Related Collection MaterialsSee: Mohaupt, RichardJolivet, André, 1905-1974Related Collection MaterialsSee: Rosbaud, HansJonás, Alberto, 1868-1943A. Mus. ms. S.: Vision. 3p., 32x24cm.Jonas, Oswald, 1897-1978A. Doc.: Lecture. "The Genius and His Contemporaries," Berkeley, Spring 1940. 30p.Doc.: Announcement. Jonas lecture series. 1p., EnglishJone, Hildegard, 1891-1963A. Doc. S.: Program. "Zum ersten internationalen Webern-Fest, in Zuneigung." GermanRelated Collection MaterialsSee: Webern, AntonJongen, Joseph, 1873-1953A. L. S.: Brussels, n.d. 2p., French, EnglishA. Mus. Quot. S.: Concerto for Piano, op. 127Journet, Marcel, 1867-1933A. L. S.: London, 9 June 1906. 2p., FrenchJullien, Louis, 1812-1860A. L. S.: n.p., 18 Mar. 1p., EnglishObit.: 1860Clip.: 5 July 1845. EnglishPort. Caric. Repro.: 21 Nov. 1846 (Box 112)Kàan, Jindrich z Albestu, 1852-1926A. Mus. Quot. S.: Germinal, Overture, Prague, 15 Feb. 1909Kabalevsky, Dmitri, 1904-1987A. Mus. ms. S.: Concerto for Violoncello and Orchestra, op. 49, 1948-1949, to the Spokane Conservatory, Moscow, 10 Dec. 1955. 1p., 37x25cm. Full score. First eighteen measures of the Allegro movementT. L. S.: to Hans Moldenhauer. Moscow, 12 Dec 1955. 1p., RussianPort. Phot. S.: to Hans Moldenhauer, Moscow, 12 Dec. 1955 (Box 112)Kadosa, Pál, 1903-19832 A. L. S.: to Paul F. Sanders. Budapest, 18 Apr., 15 June 1933. 2p., GermanKahn, Erich Itor, 1905-1956A. L. S.: to Evarts. New York, 23 Dec. 1945. 1p., EnglishKahn, Otto, 1867-1934T. L. S.: to James Pond. New York, 24 Oct. 1919. 1p., EnglishKahn, Robert, 1865-1951A. Mus. ms. S.: Morgenfrühe. 2p., 23x33cm., German. On verso, complete draft of another songA. Card S.: Berlin, 5 Mar. 1p., GermanPort. Phot. S. Repro. (Box 112)Kahnt, Christian Friedrich, 1823-18973 A. L. S.: to A. W. Gottschalg. Leipzig, 27 Oct. 1860, 12 Aug. 1861, 4 July 1873. 4p., German. References to Liszt3 A. L. S.: to A. W. Gottschalg, from Paulina Kahnt. Leipzig, 1898; n.p., n.d. 18p., GermanKalbeck, Max, 1850-1921A. L. S.: Vienna, 26 May 1883. 2p., GermanKálmán, Imre, 1882-1953T. L. S.: to Paul F. Sanders. New York, 28 Feb. 1947. 1p., GermanA. Mus. Quot. S.: [Waltz melody], 1941Kämpf, Karl, 1874-1950A. Mus. ms. S.: Idyllen für Pianoforte, op. 35, No. 2. 3p., 34x27cm.A. L. S.: Berlin, 9 June 1912. 4p., German. With work listPort. Phot. S. Repro.: to George Bainton, Berlin, 9 June 1912 (Box 112)Karauschek, Wendelino, d. 1789A. Mus. ms. S.: Sonata à violoncello solo con basso. 6p., 31x27cm.Karkoschka, Erhard, b. 1923A. Mus. ms. S.: "Szene im Schlagzeug," to Michael Ranta. 6p., 30x42cm., German. Complete draft, sketches3 T. L. S.: to Hans Moldenhauer. Stuttgart, 26 Apr. 1971, 1 Apr. 1972, n.d. 3p., GermanL. S.: to Karkoschka, from Duczek. Stuttgart, 20 Apr. 1971. 1p., GermanT. Doc.: List. Works given to the Moldenhauer Archives. 1p., GermanMus. ms. Repro.: Antinomie, 1968. 16p. Blueprint scoreMus. ms. Repro.: Bewegungs-Strukturen, 1961. 27p. FacsimileMus. ms. Repro. Rev. S.: Omnia ad Maiorem Dei Gloria, 1963. 88p. Facsimile. With typed document regarding manuscriptMus. ms. Repro.: [Psylex], 1968. 7p. IncompleteMus. ms. Repro. Rev. S.: Quattrologe, 1966. 46p. Blueprint scoreMus. ms. Repro. S.: Sechs Konstellationen, 1962. 27p. FacsimileMus. ms. Repro.: Undarum continuum für Orchester, 1960. 69p. Facsimile. With typed document regarding manuscriptKashkin, Nicolai Dmitrievich, 1839-1920Related Collection MaterialsSee: Tchaikovsky, Pyotr IlyichKashperov, Vladmir Nikitich, 1826-1894Related Collection MaterialsSee: Tchaikovsky, Pyotr IlyichKaun, Hugo, 1863-1932A. L. S.: [to Römmisch?]. Berlin, 2 Feb. 1903. 1p., GermanA. L. S.: to Eugen Lindner. Berlin, 3 Oct. 1907. 4p., German3 A. L. S.: to Gerhard Tischer. Zehlendorf, 26 Jan. 1925, 1 Sept. 1928; ?, 22 Sept. 1928. 3p., GermanA. L. S.: to Huch. Zehlendorf, 4 Feb. 1927. 1p., GermanKelemen, Milko, b. 1924A. Mus. ms. S.: Mageia, for Orchestra and Laser Beams, 1977. 3p., 21x30cm., ink, pencil, colored pencils. GraphDoc. Repro. S.: Opera Bestial, inscribed to the Moldenhauer Archives, Stuttgart, 8 June 1977. Blueprint of the complete plan of opera. ScrollDoc. S.: Typescript. Giving description for Opera Bestial. 4p.2 Docs. S.: Brochures2 Pri. Sco. S.: Surprise, 1966, Frankfurt: Peters, c1967; SubRosa, 1964, Frankfurt: Peters, c1972(Shelf)S. rec.: Changeant; Composé; Floréal; Hommage à Heinrich Schütz; Surprise (Shelf)Keussler, Gerhard von, 1874-19497 A. L. S.: to Alexander Zemlinsky. Vienna, Prague, 1913-1917. 19p., GermanA. L.: to Keussler, from the Deutscher Männergesang-Verein. Prague, 5 Jan. 1916. 2p., German. Draft of a replyT. L.: to the Deutscher Männergesang-Verein. Vienna, 9 Jan. 1916. 2p., German. Carbon copyKhuner, Felix, b. 19064 T. L. S.: to Adolph Weiss. Vienna, Berkeley, May-Aug. 1937. 5p., GermanP. card S.: to Adolph Weiss. Maine, 21 Aug. 1956. EnglishPhot. Gr.: Khuner's children (Box 112)Related Collection MaterialsSee: Schoenberg, ArnoldKiel, Friedrich, 1821-1885A. Mus. ms.: [9 Ländler]. 9p., 33x27cm.A. L. S.: to ?. Berlin, 17 Apr. 1848. 3p., GermanKienzl, Wilhelm, 1857-1941A. L. S.: Graz, 1 Feb. 1889. 3p., GermanKiesewetter, Raphael Georg, 1773-1850A. L. S.: to Baron von Hammer-Purgstall. Neuwaldegg, 29 Sept. 1840. 4p., German. Discusses Die Musik der AraberL.: to Hans Moldenhauer, from Demar Irvine. Denmark, 27 Oct. 1960. 1p., EnglishKilpatrick, Jack Frederick, 1915-1967A. Mus. ms. S.: Forked Deep River, op. 1. 10p., 32x25cm., inkA. Mus. ms. S.: Four Ozark Dances, op. 10, Oklahoma, 1940. 20p., 43x28cm., inkA. Mus. ms. S.: Invocation and Ritual, op. 30, Washington, D.C., Apr. 1944. 33p., 34x28cm., inkA. Mus. ms. S.: The Land, 1 Sept. 1955. 8p., 36x27cm., inkA. Mus. ms. S.: Three Cherokee Cosmogonic Legends, Oklahoma, 1940. 28p., 43x28cm., inkKindermann, August, 1817-18912 A. L. S.: to Julius Schloss. Munich, 23 Feb., 3 Mar. 1869. 3p., GermanKirnberger, Johann Philipp, 1721-17832 A. Mus. mss.: Aria vivace; [Studies in figured bass]. 4p. + 10p., 19x24cm., inkA. L. S.: [to Johann Nikolaus Forkel]. Berlin, 4 Sept. 1779. 2p., German. Refusing to enter into a literary controversy; mentions Reichardt, Royal Princess, othersKlatte, Wilhelm, 1870-1930A. L. S.: to Eugen Lindner. Berlin, 8 June 1899. 2p., GermanA. L. S.: to Bruno Eisner. Berlin, 13 Aug. 1917. 4p., GermanA. L. S.: to Bruno Eisner, from Clara Klatte. Berlin, 10 Oct. 1931. 1p., GermanKlemperer, Otto, 1885-1973A. Mus. ms. S.: Der König in Thule (aus Goethes Faust), for voice and piano, ca. 1915, signed 1973. 1p., 34x27cm., pencil, crayonA. Mus. ms. S.: [Sketches], June 1968, signed again by Klemperer in 1970[?]. 19p., 12x20cm.L. S.: to Hans Moldenhauer, from Lotte Klemperer. Zurich, 20 Mar. 1973. 1p., GermanDoc. S.: Article. On Klemperer's music, by Ernst Hoff. 1p., GermanMus. ms. Repro.: Der König in Thule, Mainz: Schott, n.d. 1p. + 3p. (catalog list)Mus. ms. Repro. A. Annot.: Merry Valse; One Step, 1963. 19p. + 14p.Pri. Sco.: Symphony in Two Movements, Peters, c1962. 58p.Pri. Sco.: Symphony No. 2, Hinrichsen, c1970. 67p.Port. Phot. (Box 112)Port. Phot. S.: 1973 (Box 112)(Shelf)Bk.: Conversations with Klemperer, edited by Peter Heyworth, London: Victor Gollancz, c1973. 128p., English (Shelf)S. rec.: Merry Waltz. Conducted by Klemperer with the Philharmonia OrchestraKlenau, Paul von, 1883-1946A. L. S.: to Latzcko. Berlin, 15 Jan. 1920. 1p., German. Regarding SulamithP. card S.: to Alexander Zemlinsky. Munich, 22 Apr. 1924. GermanA. L. S.: [to Marta Pisk]. Vienna, 28 Apr. 19[29?]. 2p., German. Mentions Alma MahlerKlengel, Paul, 1854-1935A. L. S.: to Mary Wurm. Leipzig, 21 Dec. 1914. 3p., GermanCall. c.Klindworth, Karl, 1830-1916Related Collection MaterialsSee: Tchaikovsky, Pyotr IlyichKlingler, Karl, 1879-1971A. L. S.: Charlottenburg, 30 Mar. 1919. 2p., GermanKlughardt, August, 1847-1902P. card S.: Carlos Droste. Dessau, 14 Apr. 1899. 1p., GermanKnab, Armin, 1881-1951A. L. S.: to Tischer. Würzburg, 2 Apr. 1928. 1p., GermanKnorr, Ernst-Lothar von, 1896-19732 T. L. S.: to Adolph Weiss. Berlin, 24 Sept. 1931, 18 Jan. 1932. 2p., GermanKnorr, Iwan, 1853-1916A. L. S.: Frankfurt, 17 Nov. 1908. 2p., German. Giving biographical informationA. Mus. Quot. S.: Dunja, OverturePort. Phot. Repro. (Box 112)Koch, Heinrich Christoph, 1749-18165 A. L. S.: [to Johann Friedrich Rochlitz]. Rudolstadt, 1807-1810. 14p., German. Submitting reviews. Also with signed note by Gottfried Christoph Härtel, 8 Jan. 1809Koczalski, Raoul, 1884-1948A. Mus. ms. S.: Ne li occhi porta la mia donna amore, op. 110, No. 1, to Frau G. Tischer, Christmas 1932. 3p., 34x27cm.Port. Phot. S.: to ?, Lausanne, 30 Dec. 1900. With musical quotation (Box 112)Kodály, Zoltán, 1882-1967A. L. S.: [to Ricordi]. Budapest, 5 July [1924?]. 3p., French. Inquiring about folklore in Italy; improvised funeral songsA. L. S.: to the Director [of Universal Edition]. Budapest, 1 Dec. 1935. 2p., German. Includes musical example. Regarding corrections to his op. 8; Casals, Piatigorsky, CassadoKoechlin, Charles, 1867-1950A. Mus. ms.: Chanson de Nuit dans la Jungle, for Chorus and Orchestra. 18p., 35x27cm., ink. Based on words by Kipling. Includes: score for "Contralto ou Mezzo soprano; Baryton ou Tenor" with orchestra (7p., condensed); score for choral conductor (4p., voice parts only); score for piano accompaniment (7p., with voice part)Koenig, Gottfried Michael, b. 19264 T. L. S.: to Aurelio de la Vega. Utrecht, 8 Dec. 1965, 8 Apr., 12 Aug. 1970, 17 Mar. 1971. 4p., EnglishA. Card S.: to Aurelio de la Vega. Utrecht, 1979. EnglishKoering, René, b. 1940(Shelf)A. Mus. ms. S.: Cantate pour ensemble du chambre, Barcelona 1959-Strasbourg 1960, inscribed to the Moldenhauer Archives. 8p., 42x32cm. + various sizes. Section B. Sketches in full score (Shelf)A. Mus. ms. S.: Ein Garten für Orpheus, 1963, inscribed to Hans Moldenhauer, 1964. 38p., 32x43cm. Full score. With accompanying 4p. typed instructions and instrumentationA. Mus. ms.: Triple et trajectoires, 1963. 21p., 42x30cm. + 50x33cm. Full scoreA. L. S.: to Hans Moldenhauer. 6 Nov. 1961. 1p., GermanT. L. S.: to Hans Moldenhauer. Strasbourg, 13 Dec. 1962. 1p., FrenchA. Doc. S.: Outline. Ci-gît. Titles for the movements. 1p.Doc.: Biography. "René Koering Combat T 3 N," in Bulletin for the S.I.M.C., Madrid, 28 May 1965. 1p.Pri. Sco.: Ci-gît. 11p.Pri. Sco.: Combat T 3 N, Berlin: Ahn & Simrock. 22p.(Shelf)2 Pri. Sco.: Musique pour une Passion, Berlin: Ahn & Simrock. 24p. each (Shelf)Pri. Sco.: Trauma, Berlin: Ahn & Simrock. 14p.2 Pri. Sco. A. Annot.: Triple et trajectoires, Ahn & Simrock, Berlin. 43p. each. One copy with autograph corrections3 Prog.: Triple et trajectoires, 24 June 1965, International Strasbourger Festspiele. 4p. each, GermanKöhler, Ernst, 1799-1847A. Mus. Quot. S.: Lebe wohl, 15 Dec. 1838. GermanKolisch, Rudolf, 1896-1978P. card S.: to Adolph Weiss. Southhampton, 17 May 1935. GermanA. L. S.: to Paul A. Pisk. Los Angeles, 24 July 1962. 1p., English, GermanP. card S.: to Adolph Weiss, from Henriette Kolisch. Venice, ?. GermanPort. Gr.: to Frau Adolph Weiss, 1978 (Box 112)Related Collection MaterialsSee: Gerhard, RobertoRelated Collection MaterialsSee: Schoenberg, ArnoldRelated Collection MaterialsSee: Webern, AntonKomzák, Karel, 1850-1905A. Mus. Quot. S.: Märchen, St. Louis, 3 Nov. 1904. Mounted with portrait photograph signed, to G. Steward, St. Louis, 1 Dec. 1904Kopsch, Julius, 1887-1970A. Mus. ms. S.: Erinnern, to Maria, Berlin-Grunewald, 2 Mar. 1958. 3p., 29x21cm. Complete score for piano soloKorbay, Francis Alexander, 1846-1913A. Mus. ms. S.: "O lieb' so lang du lieben kannst." 1p., 25x24cm. FragmentKornauth, Egon, 1891-195912 A. L. S.: Henndorf, 1956-1959. 27p.2 T. L. S.: to Hans Moldenhauer. 10 Nov. 1957, 10 Feb. 1958. 3p., German3 P. cards S.: July 1959. 6p.2 A. L. S.: to Hans Moldenhauer, from Hertha Kornauth. Henndorf, 6 Nov. 1959; Augsburg, 23 Jan. 1962. 4p., German5 T. L. S.: to Hans Moldenhauer, from Hertha Kornauth. Vienna, Henndorf, 1959-1961. 6p., GermanP. card S.: to Hans Moldenhauer, from Hertha Kornauth. [Vienna?], 23 July 1962. GermanDoc. S.: Article. "Theorie und Praxis," in Wissenschaft und Praxis, Festschrift für Bernhard Paumgartner, Atlantis, 1958, to Hans Moldenhauer, 7 Apr. 1958. pp.127-134, GermanPri. Sco. S.: Drei Canons, Vienna: Österreichischer Bundesverlag, c1951, to Hans Moldenhauer, 1958. 2p.Pri. Sco. S.: Sechs Lieder, op. 1, Vienna: Doblinger, c1913, to Hans Moldenhauer, 3 Mar. 1958. 4p., GermanPri. Sco. S.: Trio, op. 27, Leipzig: Peters, n.d., to Hans Moldenhauer, 10 July 1957. 39p. + 16p. (parts)Obit.: 30 Oct. 1959Obit.: for Kornauth's mother, 1957Port. Phot. S.: to Hans Moldenhauer, 1956 (Box 112)Related Collection MaterialsSee: Schoenberg, ArnoldKoschat, Thomas, 1845-1914A. L. S.: Vienna, 26 May 1903. 2p., German2 P. cards: of Koschat and the Koschat-Museum in KlagenfurtA. Mus. Quot. S.: Verlassen, op. 4, Linz, 16 Nov. 1901Doc.: Brochure. "Das Koschatmuseum in Klagenfurt." 12p., GermanDoc.: Exhibition checklist. "Führer durch das Koschatmuseum in Klagenfurt." 52p., GermanKounadis, Arghyris, b. 1924(Shelf)A. Mus. ms. S.: Heterophonika Idiomela, Freiburg, 1967. 8p. + 1p. (explanation), various sizes. Sketches (Shelf)A. Mus. ms. S.: Teresias, "Die Stadt," 1971. 39p., various sizes. Sketches. With additional blueprint score (18p.), and outline (1p.)T. L. S.: to Hans Moldenhauer. Freiburg, 15 Oct. 1975. 1p., GermanKozinski, Stefan, b. 1953A. Mus. ms. S.: Bloomsday Odyssey, Commissioned by the Spokane Symphony Orchestra for the Washington State Centennial Celebration Dedicated to Bruce Ferden...." 106p., 43x28cm., pencil, ink. With additional sketches and alternate pagesKrantz, Eugen, 1844-1898Doc. S.: Report. On Edyth Walker's study at the Royal Conservatory of Music in Dresden. Dresden, 19 Apr. 1893. 2p., GermanKrastel, Fritz, 1839-1908A. L. S.: [to Ferdinand Löwe]. Vienna, 19 Oct. 1899. 2p., GermanPort. Engr. S. (Box 112)Kraus, Felix von, 1870-19372 A. L. S.: to Eugen Lindner. Vienna, 5, 11 May 1898. 16p., GermanKrebs, Carl, 1857-1937A. L. S.: to Chrysander. Berlin, 14 Jan. 1893. 2p., GermanKrebs, Karl August, 1804-1880A. L. S.: to Brünner. Freiburg, 31 Dec. 1842. 1p., GermanKrebs, Marie, 1851-1900A. Mus. Quot. S.: Alla Polacca, op. 89, Vivace by Beethoven, [to a friend, Minnie?], London, 22 May 1875Port. Phot. (Box 112)Kretschmer, Edmund, 1830-1908A. L. S.: Dresden, 26 June 1878. 1p., GermanA. L. S.: Dresden, 11 Apr. 1885. 1p., GermanA. L. S.: to a theater director. Dresden, 2a2 Aug. 1898. 1p., GermanA. Mus Quot. S.: Heinrich der Löwe, "Heinrichs Erzählung," Dresden, 23 Mar. 1876. GermanPort. Phot. Repro. (Box 112)Kretzschmar, Hermann, 1848-1924P. card S.: to Otto Sonne. Leipzig, 15 Feb. 1897. 1p., German (Box 28)Kreutzer, Leonid, 1884-1953A. L. S.: to Ferdinand Löwe. 5 Sept. 1908. 1p., German. Concerning the Piano Concerto, op. 30 by Rimsky-KorsakovPort. Phot. Repro.: with accompanying biographical information (Box 112)Kreutzer, Rodolphe, 1766-1831A. L. S.: to Plantade. Paris, 6 Dec. 1806. 2p. French. Recommending a colleague; mentioning CherubiniKrolop, Franz, 1839-18973 A. L. S.: to Schloss. Dresden, 10 May, 19 Dec. 1872; n.d. 5p., GermanKrommer, Franz, 1759-1831A. Mus. ms.: Quartetto I, [22 Nov.?] 1808. 38p., 14x32cm.Kubelik, Jan, 1880-1940A. Mus. Quot. S.: for Baron Fritz Schey, 12 Nov. 1906. 3m.Port. Phot. S.: to Miss Reyburn. With clipping attached on verso, 26 Sept. 1921. English (Box 112)Kücken, Friedrich Wilhelm, 1810-1882A. Mus. ms. S.: Die jungen Musikanten, op. 36, Heft II, Berlin. 2p., 24x30cm., German3 A. L. S.: to Robert Cocks. 1850-1853. 11p., German. With musical illustrationA. L. S.: to ?. Schwerin, 16 Feb. 1879. 3p., GermanClip.: Köln: Neue Musik-Zeitung, No. 9, 1 May 1882. 2p. Biographical account, with portrait reproducedKuhe, Wilhelm, 1823-1912A. Mus. Quot. S.: 18 Aug. 1872A. Mus. Quot. S.: 31 Mar. 1896Kurzmann-Leuchter, Rita, 1900-1942A. L. S.: to Otto Jokl. Heyst, Belgium, 1 Oct. 1931. 2p., GermanL'Espée, Roland de2 A. L. S.: Saint Germain en Laye, 6 Friday, 1919; 30 July 1936. 3p., FrenchT. L. S.: Paris, 23 May 1935. 1p., FrenchT. Doc. Rev.: Draft. Suggested concerts for the "Week of French Music." 1p., FrenchDoc.: Flyer announcing concert series. "Semaine Debussy 1935," Saint Germaine en Laye. 1p., FrenchT. Doc.: List of names. 1p.T. Doc. Annot.: List of sponsor names. 1p., with additional copyL'vov, Alexei Feodorovich, 1798-1870A. L. S.: to Schlesinger. St. Petersburg, 21 Feb., 5 Mar. 1845. 4p., French. Refers to his new opera; Viardot, Meyerbeer, othersLa Fage, Adrien de, 1805-18622 A. L. S.: n.p., 1 July [?], 13 Oct. 1858. 2p., FrenchLa Grange, Henry-Louis de, b. 1924A. L. S.: to Alma Mahler. Vienna, 18 June 1959. 2p., EnglishP. card S.: to Alma Mahler. n.p., n.d. FrenchLabarre, Théodore, 1805-1870A. L. S.: to Olivier, of the publishing firm Mori and Lavenu. Brighton, 4 Oct. [ca. 1837]. 1p., FrenchLabey, Marcel, 1875-1968Port. Phot. S.: By Mathieu-DerocheLachner, Vincenz, 1811-1893A. L. S.: Karlsruhe, 18 Nov. 1875. 3p., GermanLack, Théodore, 1846-1921A. Mus. ms. S.: Cavatine. 3p., 35x27cm. For pianoA. L. S.: Paris, 13 June 1910. 1p., FrenchA. Doc. S.: Work list and artistic credo. Paris, 1910. 2p., FrenchPort. Phot. S. (Box 113)Lacombe, Paul, 1837-1927Port. Phot. S.: By BernonLafite, Karl, 1872-1945Mus. ms. Repro. S.: Vier Marienlieder, June 1934, to Hanna Schwarz. 10p., 34x7cm., German. Blueprint scoreLaires, Fernando, b. 1925A. Card S.: to Aurelio de la Vega. [1983]. EnglishLalo, Edouard, 1823-1892A. Mus. ms. S.: O Salutaris, pour 3 voix de femmes, harmonium, et quintette à cordes, arranged by Lalo, written "especially for my friend Lemoine," 4 Jan. 1885. 8p., 34x27cm., inkA. L. S.: to a friend. n.p., Monday, 23 Mar. 1p., FrenchLang, Hans, 1897-1968A. Mus. ms. S.: Drei Männerchöre, op. 11, Nachtzauber, Abendständchen, Nachtmusikanten. 16p.A. Mus. ms. S.: Gebet. 2p., 34x25cm., German. Complete scoreA. Mus. ms. S.: Nachtzauber. 5p., 35x28cm.Lange, Samuel de, 1840-1911A. L. S.: Köln, 27 Nov. 1883. 1p., GermanP. card S.: to Isidor Seiss. The Hague, 30 Sept. 1886. GermanA. L. S.: The Hague, 19 Mar. 1887. 1p., German2 A. L. S.: Stuttgart, 10 Dec. 1894, 25 Sept. 1907. 2p., GermanLaparra, Raoul, 1876-1943A. Mus. ms. S.: Sépulture d'un poète maudit, for voice and piano, 8 Sept. 1924. 3p., 28x22cm.Laroche, Hermann, 1845-1904Related Collection MaterialsSee: Tchaikovsky, Pyotr IlyichLassen, Eduard, 1830-1904A. Mus. ms. S.: Den Frauen und Mädchen des Künstlervereins zur Erinnerung, Weimar, 20 Apr./12 June 1900. 2p., 34x25cm.2 A. L. S.: to Eugen Lindner. Wilhelmshöhe, 13 Dec. 1885; Weimar, 2 Nov. 1903. 7p., GermanA. Card S.: Weimar, 16 Apr. 1903. 2p., GermanPort. Phot. Repro. S.: on postcard, to Matthias, 15 Apr. 1898. German (Box 113)Related Collection MaterialsSee: Lindner, EugenLaub, Ferdinand, 1832-1875Related Collection MaterialsSee: Tchaikovsky, Pyotr IlyichLauska, Franz, 1764-1825A. L. S.: to a benefactor. Schleswig, [early 1790s]. 3p., GermanA. L. S.: to a publisher [Peters?]. Berlin, 1 Mar. [1814]. 2p., GermanA. L. S.: to C. F. Peters. Berlin, 21 Jan. [1825]. 2p., GermanA. L. S.: to Klosz. Berlin, n.d. 4p., GermanA. L. S.: n.p., n.d. 1p., GermanLe Sueur, Jean-François, 1760-1837A. L. S.: to Baron ?. n.p., 15 Sept.[?] 1821. 1p., FrenchLeborne, Fernand, 1862-1929A. L. S.: Ain, France, n.d. 4p., FrenchA. L. S.: n.p., 2 Jan. 1917. 1p., FrenchLecocq, Charles, 1832-1918A. Mus. ms. Rev.: ["Jupiter tonans"]. 19p., 27x35cm., black ink, blue crayon, pencil, French. Undated. Full score. Operatic aria for bass and orchestraA. Mus. ms. S. arr.: String Quartets by Beethoven, opera 59, 74, 95, 127, 130, 131, 132, ca. 1906-8. 223p., 27x35cm., brown ink, pencil. Score for piano, two handsA. L. S.: 28 Dec. 1871. 1p., FrenchA. L. S.: Paris, 14 Mar. 1882. 1p., FrenchA. Mus. Quot. S.: La Fille de Madame Angot. 11m. For voice and pianoPort. Engr. (Box 113)Legrenzi, Giovanni, 1626-1690A. L. S.: to Count Albergati. Venice, 13 Oct. 1683. 1p., Italian. Discusses TorelliLehár, Franz, 1870-1948A. Mus. ms.: Strohwitwe sein. 2p., 34x26cm., pencil. Full score. Last 9m. of draftP. card S.: to Leo Heller. Budapest, 21 Feb. 1912. GermanA. L. S.: Vienna, 21 Apr. 1920. 1p., GermanP. card S.: to Hilb[?]. Berlin, 27 Mar. 1926. GermanA. L. S.: Vienna, 21 June 1928. 1p., GermanA. Mus. Quot. S.: Der Rastelbinder, Vienna, 3 Feb. 1905A. Mus. Quot. S.: with portrait photograph belowPort. Phot. S.: with autograph musical quotation, Das fürstenkind (Box 113)Port. Phot. S.: to Alexander Zemlinsky, 1918 (Box 113)Lehmann, Lilli, 1848-1929A. L. S.: to Lola Artôt de Padilla. Berlin, 19 June 1909. 2p., GermanA. L. S.: to Ellis. n.p., n.d. 2p., EnglishT. p.: Meine Gesangskunst. Berlin, 1909Port. Phot. Gr.: (Box 113)Port. S. Repro.: 1909 (Box 113)Leibowitz, René, 1913-1972A. Mus. ms. S.: Concertino for Piano Four Hands, op. 47, Paris and Darmstadt, Sept.-Oct. 1958. 12p., 35x27cm., ink, pencil. Complete score, first draftA. L. S.: to Erich Itor Kahn. Paris, 20 Oct. 1949. 1p., French2 T. L. S.: to Aurelio de la Vega. Paris, 15 May 1957, 20 May 1959. 2p., English3 A. L. S.: to Aurelio de la Vega. Paris, 28 May 1957, 4 Mar. 1958; Madrid, 17 Aug. 1959. 3p., English6 A. L. S.: to Hans Moldenhauer. Paris, Ljubljana, 1960-1962. 7p., EnglishA. L. S.: to Paul A. Pisk. Paris, 2 Apr. 1962. 1p., English2 Mus. mss. Repro. S.: Concertino for Piano Four Hands. 20p. eachDoc.: Article. "Hommage à René Leibowitz," by Pierre Chan, Max Deutsch, Claude Helffer, Michel Leiris, Maurice Le Roux, Jean-Marie Move, Michel Philippot, in Musique de tous les temps, Feb.-Mar. 1973. 30p., French. Inscribed by Mary Jo LeibowitzProg. S.: "Hommage à Arnold Schoenberg," program booklet for the Festival International de Musique de Chambre Contemporaine, to the Moldenhauers, 29 Jan. 1947. 22p., French. Inscribed by René and Mary Jo LeibowitzProg.: "Mödlinger Schoenberg-Tage," Oct. 1982. 10p., GermanPort. Phot.: to Hans Moldenhauer, 28 Oct. 1982. Inscribed by Mary Jo Leibowitz (Box 113)Bk. S.: Erich Itor Kahn: un grand répresentant de la musique contemporaine, by René Leibowitz and Konrad Wolff, Paris: Buchet, 1958. 182p., French. Inscribed by René and Mary Jo Leibowitz, 29 Oct. 1982Léner, Jenó, 1894-1948Related Collection MaterialsSee: Schoenberg, ArnoldLéonard, AdolphA. Mus. Quot. S.: [Melodic line, 4m.]. Château de Bomal, 26 Feb. 1866Leoncavallo, Ruggero, 1857-1919A. Mus. Quot. S.: La Bohème, Vienna, 27 May 1897Leschetizky, Theodor, 1830-1915A. L. S.: to Frau Mankiewicz. Vienna, 20 July 1903. 3p., GermanLevi, Hermann, 1839-1900A. L. S.: Bayreuth, 7 July 1896. 1p., GermanLevitzki, Mischa, 1898-1941Port. Phot. S.: to Boaz Piller, Boston, 1 Mar. 1921Lienau, Emil Robert, 1838-1920A. L. S.: to A. W. Gottschalg. Berlin, 9 June 1870. 1p., GermanLier, Bertus van, 1906-1972A. Mus. ms. Rev.: "In Memoriam," by Johan Franco, 1933, piano reduction of "Elegy" by van Lier. 3p., 34x26cm. Music in the autograph of van Lier, annotations at the top of the first page by FrancoDoc. Repro.: Article on van Lier. "The Song of Songs," by Johan Franco, in Rosicurcian Digest, Mar. 1955. 2p.Pri. Sco. S.: In Memoriam, for String Orchestra, Composers Press: New York, 1939. 5p.Pri. Sco. S.: Kleine Suite, to Wolfgang Fraenkel, Amsterdam: Broekmans & Van Poppel, 1935Ligeti, György, b. 1923A. Mus. ms. S.: Apparitions, [1958-1959]. 9p., 42x30cm., pencil. Full scoreA. Mus. ms.: [Atmosphères, 1961]. 5p., 34x27cm., blue, red ink, pencil. Sketches in full score (Box 109)2 T. L. S.: to Aurelio de la Vega. Vienna, 8 June 1963, 17 July 1966. 2p., EnglishP. card S.: to Gloria Coates. Berlin, 4 Nov. 1972. 2p., EnglishLimbert, Frank L., 1866-1938A. L. S.: Frankfurt, 22 May 1912. 2p., German. Giving autobiographical detailsA. Mus. Quot. S.: Johannes, op. 18. GermanPort. Phot. S.: by Luck (Box 113)Lincke, Paul, 1866-1946A. Mus. Quot. S.: London, 21 Feb. 1911Lind, Jenny, 1820-1887A. L. S.: to Balfe. n.p., [1846?]. 3p., French, with translationA. L. S.: to Madame Gonne. n.p., n.d. 3p., German, with English translation. FragmentClip.: 6 Oct. 1920. 1p., English2 Obit.: EnglishPort. Engr.: with attached clipping (Box 113)Lindblad, Rune2 T. L. S.: to Aurelio de la Vega. Gothenburg, 28 Feb. 1970; Västra Frölunda, 14 June 1972. 2p., EnglishLindner, Eugen, 1858-1915A. L. S.: to colleagues. Weimar, 20 May 1899. 4p., German. Also signed by Gustav Gutheil, Karl Goepfart, Eduard Lassen, Rosel, and othersLipsius, Marie, 1837-19272 A. L. S.: Ischl, 9, 19 Aug. 1895. 7p., GermanLiszt, Franz, 1811-1886A. Mus. ms.: [Psalm XVIII], Die Himmel erzählen die Ehre Gottes, for Tenor, Bass, and Accompaniment, [1860]. 8p., 27x35cm., ink, pencil. Draft in condensed scoreA. Mus. ms. S.: Le Triomphe funèbre du Tasso, for piano duet, St. Elizabeth, 19 Nov. 1866. 11p., 31x24cm., brown, red ink. UnpublishedA. L. S.: 22 July 1844. 3p., FrenchA. L. S.: to an editor, [von Bülow?]. Weimar, 6 Aug. 1850. 3p., FrenchA. L. S.: to Eduard von Liszt. Vienna, 30 Apr. 1869. 3p., GermanA. L. S.: n.p., 9 May 1874. 1p., GermanA. L. S.: [to a Berlin conductor]. Budapest, 24 Jan. 1881. 1p., GermanA. L. S.: 11 May [1881?]. 1p., GermanA. L. S.: Weimar, 7 May 1884. 2p., GermanA. L. S.: to Louis de Serres. Budapest, 29 Jan. 1885. 1p., FrenchA. L. S.: n.p., Friday morning, n.d. 2p., FrenchA. L. S.: n.p., Friday, n.d. 4p., French. Referring to a visit with the Schumanns2 L. Repro.: to Franz Liszt, by "Ossiana" and "Sorella." 4p., FrenchPri. Sco. S.: Ungarischer Marsch, Leipzig: Schuberth, 1867, to Anton Faulwetter, Budapest, Mar. 1885. 31p. Faulwetter did the instrumentation of the march. First autograph purchase by Hans MoldenhauerPort. Lith. (Box 113)Port. Phot. (Box 113)Port. Repro.: of Liszt, inscribed to Webern, from Schoenberg, Jan. 1911 (Box 113)Port. Repro. (Box 113)Related Collection MaterialsSee: Webern, AntonLitolff, Henry, 1818-1891A. Mus. S.: "Mein Lieb! Flieht ein Tag," to Heinrich Schlesinger, Dresden, 1844. 4p., 17x25cm.3 A. L. S.: Wiesbaden, 20 June, 6 July, 23 July 1860. 8p., French, German2 A. L. S.: Ilsenberg, 5, 8 Sept. 1860. 4p., French, GermanLoeffler, Charles Martin, 1861-1935A. Mus. ms. S.: [Bolero triste, Chansons d'amant], to Povla Frijsh, Medfield, Massachusetts, Summer 1900. 4p., 33x26cm., ink. Text by Gustave Kahn. With accompanying letter, to Hans Moldenhauer, from Ellen Knight, 27 Feb. 1985A. L. S.: to Piller. Medfield, Massachusetts. 1p., FrenchPort. Phot. (Box 113)Loevensohn, Marix, 1880-1943A. L. S.: to Paul F. Sanders. Amsterdam, 27 July 1932. 6p., FrenchLoewe, Carl, 1796-1869A. Mus. ms.: Die Elfenkönigin. 3p., 33x20cm., German. Complete scoreLoewe, Sophie, 1812-1866A. L. S.: to ?. n.p., n.d. 3p., ItalianA. L. S.: to ?. n.p., n.d. 4p., ItalianLogothetis, Anestis, 1921-1994A Mus. ms. S.: Anastasis, 1969. 15p., various sizes. With additional 4p. typescript, and 11p. facsimileA. Mus. ms. S.: Mensuren, 19 May 1969. 1p., 33x46cm.A. Mus. ms. S.: Odyssee, 27 Mar. 1963. 1p., 49x37cm. Complete score. With additional printed scoreA. Mus. ms. S.: Styx, 17-18 Dec. 1968. 2p., 43x33cm. Draft, sketches. With additional blueprint score signed, copy of same, and sound recordingMus. ms. Repro.: Erwosis; Diffusion; Kentra; Orbitals, Oscillations. 6p., photoreproduction of scoresDoc.: Booklet. "Zeichen als Aggregatzustand der Musik," Vienna: Jugend und Volk, c1974S. rec.: Kentra, 1965Long, Marguerite, 1874-1966Related Collection MaterialsSee: Dukas, PaulLópez-Chávarri, Eduardo, 1875-1970A. Mus. ms. S.: Danza Valenciana, to Ricardo Viñes. 4p., 36x26cm.Lortzing, Albert, 1801-1851A. L. S.: ?, 2 June 1838. 1p., GermanA. Quot. S.: Hans Sachs, to Ernst StrebenPort. Engr. (Box 113)Louis Ferdinand, Prince of Prussia, 1772-1806A. L. S.: to Captain von Schweder. n.p., n.d. 1p., GermanLübeck, Ernst, 1829-1876A. Mus. ms. S.: Scherzo pour piano, to Adelma Bournos[?] de Godoy, Mexico, Mar. 1854. 9p., 35x27cm.A. L. S.: to Miss Stephenson. Paris, 13 May 1875. 3p., EnglishA. L. S.: Westbourne Park Crescent, Friday, n.d. 2p., FrenchObit.: The Times, 1876Lucca, Pauline, 1841-1908A. L. S.: Hotel zum Kronprinzen, 4 Feb. 1864. 3p., GermanA. L. S.: to an opera director in Leipzig. Vienna, 28 Aug. 1871. 1p., GermanA. L. S.: to Sendersky[?]. n.p., 4 Mar. 1875. 3p., GermanA. L. S.: Berlin, n.d. 2p., GermanLully, Jean-Louis, 1667-1688Doc. S.: [Receipt?]. Paris, 2 Apr. 1687Luna, Adolfo Victorio, 1889-1942A. Mus. ms. S.: Procesión de los Allis (Tradición Riojana), para piano. 4p., 34x27cm.Lutosławski, Witold, 1913-1994A. Mus. ms.: [Jeux vénitiens], 7 Mar. 1961. 7 leaves, various sizes + 7p. (pp.9-17, 46x35cm.), pencil, colored pencils. See letter belowT. L. S.: to Hans Moldenhauer. Warsaw, 20 June 1963. 1p., EnglishL.: to Hans Moldenhauer, from Herbert Höntsch at Moeck Verlag. 11 June 1963. 1p., German. Regarding manuscript aboveProg.: Jeux vénitiens, 11 Jan. 1963. German. Musica Viva program listingLux, Friedrich, 1820-1895P. card S.: to Enzian. Mainz, 11 May 1885. 1p., GermanMaffon, Pietro, 1513[?]-1575A. Doc. S.: Tax declaration. Brescia, Apr. 1548. 1p., ItalianMahler, Fritz, 1901-1973Related Collection MaterialsSee: Schoenberg, ArnoldMahler, Gustav, 1860-1911Related Collection MaterialsSee: Weigl, KarlMalherbe, Charles, 1853-1911A. L. S.: Paris, 17 Dec. 1907. 3p., French. Giving biographical data, including Edmond MalherbeMalibran, Maria, 1808-1836A. L. S.: to Mrs. Crouch. n.p., n.d. 1p., EnglishMalipiero, Gian Francesco, 1882-1973A. Mus. ms. S.: L'Asino d'oro, Preludio, Asolo, 1959. 2p., 32x24cm., black ink, pencil. For baritone and orchestra. SketchesA. Mus. ms. S. : Il marescalco, Preludio II. atto, Asolo, 1960. 1 leaf, 33x24cm. On verso, sketches to IntermezzoA. L. S.: to a conductor. Bodensdorf, 21 Sept. 1909. 3p., German3 A. L. S.: to Paul F. Sanders. Asolo, 21 Nov. 1932, 22 May 1933, 4 Oct. 1934. 6p., FrenchP. card S.: to Hanna Schwarz. Asolo, 20 May 1934. 1p., GermanA. L. S.: to Hanna Schwarz. Asolo, 27 July 1934. 2p., German. Regarding the ISCM and Berg2 A. L. S.: Asolo, 18 Oct. 1957, 28 Feb. 1959. 3p., GermanA. L. S.: to Hans Moldenhauer. Asolo, 9 Mar. 1960. 2p., German2 A. L. S.: to Hans Moldenhauer. Asolo, 25 Oct. 1960, 13 Feb. 1961. 3p., GermanA. L. S.: to Castelnuovo-Tedesco. n.p., n.d. 1p., ItalianA. Alb. l.: 26 Sept. 1928. 1p., ItalianA. Mus. Quot. S.: L'esilio dell éroe, Asolo, 14 Dec. 1927. 1p.Clip.: 1p., ItalianPort. Phot. S.: Asolo, Christmas 1927 (Box 113)Malko, Nikolai, 1883-1961T. L. S.: to Edward Clark. Copenhagen, 25 Sept. 1933. 2p., EnglishPort. Phot. S.: to Edward Clark, London, 8 Mar. 1929 (Box 113)Mallinger, Mathilde, 1847-1920A. Mus. Quot. S.: The Marriage of FigaroMalmberg, HelgaA. L. S.: [to Paul A. Pisk]. Stockholm, 27 Apr. 1925. 3p., GermanMalten, Therese, 1855-19306 A. L. S.: Dresden, Berlin, 1873[?]-1878. 7p., German4 Call. c. Annot.: to Julius Rietz. 7p., GermanMandyczewski, Eusebius, 1857-1929Mus. ms. cop. S.: Zwölf Lieder, for voice and piano, to the Kirchl sisters. 39p., 34x27cm., GermanMantius, Eduard, 1806-1874A. L. S.: to Bolten. Berlin, 12 Mar. 1842. 3p., GermanA. L. S.: [to Kierneff?]. Berlin, 13 Apr. 1843. 1p., GermanMarchesi, Mathilde, 1821-1913A. Mus. ms. S.: [L'Art du Chant], 12 Etudes de style, op. 7. 34p., 32x24cm. + 24x32cm.A. Mus. ms. S.: L'Art du Chant, Huit Vocalises à trois voix, op. 22, to her three daughters, Teresa, Stella, Bianca, Vienna, 14 Mar. 1877. 15p., 33x25cm.A. Card S.: 31 Mar. 1901. 2p., FrenchClip.: 5p., English. About her wedding and careerPort. Gr. Repro.: London, 3 May 1902, with her husband (Box 113)Port. Phot. Repro. (Box 113)Marco, Tomás, b. 1942A. Mus. ms. S.: Ultramarina, 1975. 17p., 31x21cm. Accompanying typed document on the notation used in the workT. L. S.: to Aurelio de la Vega. Madrid, 19 Mar. 1977. 1p., SpanishT. L. S.: to Hans Moldenhauer. Madrid, 24 Oct. 1977. 1p., EnglishMario, Giovanni Matteo, 1810-1883A. L. S.: to Gye. n.p., n.d. 1p., FrenchCall. c. S.: with addressDoc.: Biographical notes. 1910. 4p., EnglishPort. Draw. Repro. (Box 113)Port. Paint. Repro. (Box 113)Related Collection MaterialsSee: Grisi, GiuliaMarpurg, Friedrich, 1825-1884A. L. S.: to Peters. Mainz, 24 Nov. 1862. 1p., GermanMarschner, Heinrich August, 1795-1861A. Mus. ms. S.: Unsre Zeit, for quartet of men's voices, 2 June 1850. 2p., 31x24cm., German, ink. Full scoreA. L. S.: Hanover, 20 Nov. 1845. 2p., GermanA. L. S.: Hanover, 17 Feb. 1854. 1p., GermanPort. Engr. S. Repro. (Box 113)Marteau, Henri, 1874-1934A. L. S.: [to Zemlinsky?]. n.p., n.d. 2p., GermanA. Card S.: n.d. 2p., FrenchA. Mus. Quot. S.: to Baron Friedrich Schey. Vienna, 18 Jan. 1906. With proverbPort. Phot. (Box 113)Martí Llorca, José, 1853-1903A. Mus. ms. S.: Espontaneidad, to Ricardo Viñes. 2p., 34x22cm.A. Mus. ms. S.: Del llano a la sierra, to Ricardo Viñes. 2p., 32x22cm.A. Mus. ms. S.: Petite Berceuse, to Ricardo Viñes. 3p., 34x22cm.Martí, F. RibaA. Mus. ms. S.: Pastorale, 1918. 3p., 30x23cm.Martín y Soler, Vicente, 1754-1806(Shelf)Mus. ms. cop.: Una cosa rara, overtura per il clavicembalo. 199p., 21x30cm. Vocal score of the opera (Shelf)Martínez Torner, Eduardo, 1888-1955Pri. Sco. S.: Cancionero musical Español, compiled by Torner, London: George Harrap, c1948, to Olga Coelho, London, Nov. 1951. 64p.Martinu, Bohuslav, 1890-1959A. Mus. ms.: [Various sketches for instrumental combinations, including a score for two saxophones, and a jazz tune for piano]. 3p., 35x27cm., inkA. Mus. ms.: [Sketches for piano and instrumental ensemble]. 4p., 35x27cm., inkObit.: Pratteln. Basel, Switzerland. FrenchMartucci, Giuseppe, 1856-1909A. Mus. Quot. S.: Trio, op. 62, Naples, 20 Mar. 1885Marx, Adolf Bernhard, 1795[?]-1866A. Mus. ms. S.: Hinaus mein Lied. 4p., 26x33cm. Bound. GermanA. Mus. ms.: [Vocal composition in A Major]. 2p. (143m.), 27x33cm., German, ink. SketchesA. L. S.: 3 Feb. 1855. 1p., GermanA. L. S.: to Zopf. n.p., n.d. 2p., GermanMarx, Joseph, 1882-1964A. Card S.: to Karl Weigl. ?. 1p., GermanCall. c.Doc.: Work list and life sketch. 1p., GermanPri. Sco. S.: Quartetto in modo antico, Vienna: Doblinger, n.d., to Hans Moldenhauer, Vienna, 1956. 40p.Prog. S.: to Hans Moldenhauer, Vienna, June 1956. 2p., GermanPort. Phot. S.: to Hans Moldenhauer, 1956. On verso, typed letter (Box 113)Mascagni, Pietro, 1863-1945A. L. S.: Rome, 5 June 1890. 1p., ItalianCall. c.: to Jacchia. Rome, 13 Nov. 1901. 1p., ItalianA. Doc. S.: Fragment. ItalianPort. S.: on postcard, signed by Mascagni and others (Box 113)Massé, Victor, 1822-1884A. L. S.: n.p., 1 Mar. 1879. 3p., FrenchA. Mus. Quot. S.: Paul et Virginie, Andante cantabile, June 1870Massenet, Jules, 1842-1912A. L. S.: 14 Apr. 1876. 1p., French. Mentions Gaston ScheferA. L. S.: to Renaud. En voyage, 2 Sept. 1898. 3p., FrenchA. L. S.: to ?. 16 May 1910. 1p., FrenchCall. c.(Shelf)Doc.: Dissertation. Massenet, by Demar Irvine, 1974 (Shelf)Related Collection MaterialsSee: Bizet, GeorgesMatecscu, PatriciaCard S.: to Aurelio de la Vega. Season's Greetings, 1983Phot.Materna, Amalie, 1844-1918A. L. S.: to ?. n.p., [26 May 1870]. 1p., GermanA. Doc. S.: Poem. Frankfurt, 7 Aug. 1870. 1p., GermanMatsudaira, Yoritsuné, b. 1907A. L. S.: to Aurelio de la Vega. Tokyo, 23 Aug. 1965. 3p., FrenchMattei, Stanislao, 1750-1825A. L. S.: to ?. Bologna, 1823. 1p., ItalianPort. Engr. (Box 113)Mattei, Tito, 1841-1914A. L. S.: to Mary Dallas. London, 21 Sept. 1882. 2p., English. With two clippingsA. L. S.: to Fernandez. London, 12 Mar. 1897. 1p., EnglishA. L. S.: to Fernandez. 1p., English. FragmentMatthison-Hansen, Gottfred, 1832-1909Related Collection MaterialsSee: Grieg, EdvardMayr, Simon, 1763-1845A. L. S.: [to Tischer?]. Rome, 30 Jan. 1808. 2p., ItalianMedtner, Nicolai, 1880-1951A. Mus. ms. S.: [Seven Songs, Elegy], op. 52, No. 3. 4p., 35x27cm. With miscellaneous sketchesMéhul, Etienne-Nicolas, 1763-1817A. L. S.: to a conductor. n.p., n.d. 1p., FrenchMeisl, Karl, 1775-1853A. L. S.: to [Anton] Diabelli. n.p., 22 Nov. 1827. 1p., GermanMelichar, Alois, 1896-1976A. L. S.: to Hans Moldenhauer. Dorfgastein, 31 Jan. 1960. 2p., German4 T. L. S.: to Hans Moldenhauer. Munich, Dorfgastein, 1960-1962. 4p., GermanP. card S.: to Hans Moldenhauer. Munich, 24 Nov. 1962. GermanMenasce, Jacques de, 1905-1960A. L. S.: [to Paul A. Pisk]. New York, 11 Mar. 1950. 1p., EnglishMus. ms. cop.: Abend, autograph inscription to Hanna Schwarz, Vienna, May 1936. 3p., GermanMus. ms. cop.: Frühlingslied. 7p., GermanMus. ms. cop.: Juli. 2p., GermanMus. ms. cop.: Sommermorgen. 2p., GermanMus. ms. cop.: Vorm Himmelstor. 3p.Mendelssohn, Alexander, 1797-1871A. L. S.: to Frau Berend. ?, 17 June 1871. 2p., GermanMendelssohn, Arnold, 1855-1933P. card S.: to Edith Weiss-Mann. Darmstadt, 3 Feb. 1920. GermanMendelssohn, Cécile Charlotte Sophia Jeanrenaud, 1817-1853A. L. S.: to a music teacher. 3 Dec. 2p., GermanA. L. S.: to Ries. 2p., GermanMendelssohn, Felix, 1809-1847A. Mus. ms. S.: Canone, Leipzig, 19 Feb. 1846. 1p. (8m.), 12x32cm., inkA. Mus. ms.: [Elijah, 1847], "Introduction" and "Overture," arranged for piano duet. 6p., 24x32cm., inkA. Mus. ms. S.: [Abschied der Zugvögel], Herbstlied der Zugvögel, op. 63, No. 2, to Livia Frege, London, 20 May 1844. 2p., 30x23cm., German, ink. For vocal duet with piano accompaniment. Full score. Poem by August Heinrich Hoffmann von Fallersleben(Shelf)A. Mus. ms. A. Rev.: [Three English Church Pieces, for Solo Voices and Chorus, op. 69], Jubilate Deo, Magnificat, Nunc dimittis, [London, 1847]. 24p. + 2p. oblong, 30x22cm., ink. With many corrections and a passage omitted from the published version. English language texts as suggested by Vincent Novello (1781-1861). Bound, red morocco gilt (Shelf)A. Mus. ms.: [Vier Männerchöre], Jagdlied, op. 120, No. 1, [1847]. 2p., 30x24cm., ink. Marked "Tenore 2nd Solo." 42 bars of music and three strophes of the text, by Sir Walter Scott, in German translation. On verso, "Im Süden," op. 120, No. 3, 2nd tenor part of chorus "Auf dem Meere," 13m. with 3 strophes of text underlying the musicA. L. S.: to Pierre Baillot. n.p., 29 Dec. 1831. 1p., FrenchA. L. S.: to Madam. London, 2 May [1832?]. 1p., EnglishA. L. S.: to Seeburg. Berlin, 14 Oct. 1842. 1p., German. Regarding Bach monumentA. L. S.: [to Karl Klingemann]. Leipzig, 23 Nov. 1842. 8p., German. Details his audience with King Friedrich Wilhelm IV, and negotiations with the King of Saxony; mentions Antigone, A Midsummer Night's DreamA. L. S.: [to a Count]. Leipzig, 20 Nov. 1843. 3p., GermanA. L. S.: to E. Clare. Hobart Place, Eaton Square, 17 May 1844. 2p., EnglishA. L. S.: to Goodwin. Hobart Place, Eaton Square, 5 June 1844. 2p., EnglishA. L. S.: to [Niels] Gade. Leipzig, 19 Mar. 1846. 1p., GermanA. L. S.: to Jenny Lind. Leipzig, 23 July 1846. 4p., German. Regarding ElijahA. L. S.: to R. Friese. Leipzig, 26 Oct. 1846. 1p., GermanProg.: Paulus, Schwerin, 18 June 1840A. Draw. S.: by Mendelssohn. Landscape of the cliffs at Amalfi. Signature on mounting paper. 15x21cm., ink. With photograph of samePort. Engr.: after the painting by L. Vogel (Box 113)Mendelssohn, Paul, 1813-1874A. L. S.: to [Henry] Chorley. Berlin, 11 July 1864. 6p., French. With many corrections for the new volume of correspondenceMengelberg, Willem, 1871-1951A. Mus. Quot. S.: A Hero's Life by Richard Strauss, London, 19 Feb. 19[??]. On verso, musical quotation signed by Albert Sammons, Cadenza for a concerto by Brahms, 8 Mar. 1919Mercadante, Saverio, 1795-1870A. Mus. ms. S.: [Trio, for men's voices], Naples, 12 July 1843. 3p., 19x15cm., ItalianA. Mus.: [Melody in C Minor]. 1p. (9 measures), 24x31cm., ItalianA. L. S.: to Carlo Lombardi. Novarra, 22 Feb. 1835. 1p., ItalianA. L. S.: to Isabella Tadini. 6 Feb. 1843. 3p., ItalianMercé, Antonia, 1888-1936Related Collection MaterialsSee: ArgentinaMéry, Joseph, 1797-1865A. L. S.: to Rossini. Paris, 6 Nov. 1852. 4p., FrenchMessager, André, 1853-1929A. L. S.: to Lucy Vauthrin. Paris, 11 Sept. 1922. 1p., FrenchMessemaeckers, Louis, 1809-1862[?]A. Mus. Quot. S.: Cantabile Moderato, to Stern, Paris, 15 Mar. 1846Mestres-Quadreny, Josep, b. 1929A. Mus. ms. S.: Digodal, to Cristòfor Taltabull, July 1964. 30p., 22x31cm. Accompanying 1p. typed document describing the three movements3 A. Mus. ms. S.: Digodal. 29p. total, 31x22cm. Sketches; complete draft; score for strings (completed July 1964)A. Mus. ms. S.: Divertiment " La Ricarda." 9p., 31x22cm. SketchesA. Mus. ms. S.: Duo per a Manolo. 6p., 31x22cm. Complete draftA. Mus. ms. S.: Homenatge a Joan Prats, Barcelona, 1972. 73p., 39x27cm. + 35x25cm. Complete score (Box 98)A. Mus. ms. S.: Música per a Anna. 13p., 38x28cm. SketchesA. Mus. ms. S.: Roba i ossos. 37p., 38x28cm. Full scoreA. Mus. ms. S.: Roba i ossos. 15p., various sizes. SketchesA. Mus. ms. S.: Soliloqui per flauta, Mar. 1963. 2p., 31x22cm.A. Mus. ms. S.: Sonata No. 1, Sept. 1957. 4p., 36x26cm.A. Mus. ms. S.: Sonata orgue, Dec. 1959. 9p., 31x21cm. Complete draft. Accompanying 2p. autograph document listing organ registrationsA. Mus. ms. S.: Tramesa a Tàpies, Aug. 1961. 14p., 31x21cm. Complete draftA. Mus. ms. S.: Tres piezas para violoncelo y piano, Jan. 1962. 7p., 31x22cm. Complete draft2 T. L. S.: to Hans Moldenhauer. Barcelona, 27 June 1972, 7 Feb. 1973. 2p., FrenchT. Doc. A. Rev.: Work list. 4p.Doc.: Brochure. On composers, with two copies of biographical information. FrenchDoc.: Work list. Includes other composersMetastasio, Pietro, 1698-1782A. L. S.: [to Adami]. Vienna, 29 April 1757. 3p., ItalianA. L. S.: to Pietro Buontempi. Vienna, 13 Aug. 1768. 1p., ItalianA. L. S.: to Marie Rose Coccia. Vienna, 15 [Jan.] 1779. 1p., ItalianMetdepenninghen, GabrielPri. Sco. S.: Sonatine, op. 61, Gent: Cnuddle, c1939, to René Vaunes, 25 Mar. 1940. 7p.Methfessel, Albert Gottlieb, 1785-1869A. L. S.: to Schwarz. n.p., 3 Oct. 1816. 1p., GermanA. L. S.: [to Carl Reinecke?]. Braunschweig, 20 Jan. 1850. 4p., German. Mentions L. HahnMeyer, Jenny, 1834-1894A. L. S.: to ?. Leipzig, 31 Dec. 1857. 1p., GermanA. L. S.: [to Lederer?]. Berlin, 7 Nov. 1871. 1p., German2 A. L. S.: Berlin, 29 Dec. 1888, 31 Mar. 1889. 2p., German. Stationery lists Jenny Meyer as Director of ConservatoriumMeyer, Leopold von, 1816-1883Doc. S.: Selling the right of publication. New York, Sept. 1867, Jan. 1868. 1p., GermanMeyer-Baer, Kathi, b. 1892A. L. S.: to Ernest Eiseman. New Rochelle, New York, 6 Jan. 1959. 2p., GermanMeyer-Helmund, Erik, 1861-1932A. L. S.: to a doctor. Berlin, 26 June 1886. 3p., GermanMeyerbeer, Giacomo, 1791-1864A. L. S.: [to F. W. Jähns]. n.p., 25 Mar. 1845. 2p., GermanA. L. S.: to ?. Nice, 13 Dec. 1857. 2p., FrenchA. L. S.: to Kastner. ?, n.d. 3p., GermanA. Doc.: Roberto el diablo, Acto 4. 22p., SpanishLib. S.: 1p., German. Half page in Meyerbeer's autograph and half page in J. C. Grünbaum's autographA. Mus. Quot.: Mounted with 1p. autograph letter signed, n.d., FrenchPort. Engr.: by Pound (Box 113)Miaskovsky, Nikolai, 1881-1950A. Mus. ms. Quot. S.: Symphony No. 17, op. 41, to Boaz Piller, 23 May 1937Port. Phot. S.: Moscow, 23 May 1937 (Box 113)Mihalovici, Marcel, 1898-1985(Shelf)5 Pri. Sco. S.: Sinfonia variata; Ritournelles; Scènes de Thésée; III. Quatour; Ouverture tragique, to Karl Amadeus Hartmann (Shelf)Milanollo, Teresa, 1827-19042 Sigs.: Cosigned by her sister, Maria (1832-1848)Milde, Hans von, 1821-18992 A. L. S.: to a conductor. Weimar, 31 Jan. 1834, 8 Mar. 1860. 2p., GermanMilhaud, Darius, 1892-1974A. Mus. ms. S.: Ne me console pas, for Voice and Piano, 5 May 1911. 2p., 35x27cm., French, ink. Complete scoreA. Mus. ms. S.: Traversée, (Paul Verlaine), choeur mixte à capella, Paris, 10-12 Nov. 1961. 6p., 38x27cm., black marker. Master sheets. Written for the Seventh International Choral Festival at Cork, IrelandA. L. S.: to the Director of Universal Edition. Paris, 26 May 1928. 1p., FrenchA. L. S.: to Hans Moldenhauer. Paris, 6 Nov. 1957. 1p., EnglishA. L. S.: to Hans Moldenhauer. Oakland, California, 6 Feb. 1963. 1p., EnglishA. L. S.: [to K. A. Hartmann]. Oakland, California, 16 Mar. [1963?]. 1p., FrenchP. card S.: to Hans Moldenhauer. Oakland, California, 14 May 1963. English2 A. L. S.: to Hans Moldenhauer. Oakland, California, 31 May, 10 June 1963A. Card S.: to Aurelio de la Vega. France, 1964. 1p., FrenchT. L. S.: [to Rudolph Ganz]. California, 3 Oct. 1p., FrenchP. card S.: Hans Moldenhauer. Oakland, California, 8 May. EnglishA. L. S.: to Hans Moldenhauer. Oakland, n.d. 1p., EnglishA. L. S.: [to Boaz Piller]. Paris, 27 Nov. 1p., French3 A. L. S.: [to Paul Sanders]. Paris, n.d. 3p., FrenchA. L. S.: Paris. 1p., FrenchL. S.: to Hans Moldenhauer, from Madeline Milhaud. Oakland, California, 31 May 1963. 2p., EnglishL. S.: to K. A. Hartmann and wife, from Madeline Milhaud. Oakland, California, n.d. 1p., English3 A. L. S.: to Hans Moldenhauer, from Daniel Milhaud. Florence, [Mar. 1963], 30 May, 25 June 1963. 7p., English. With 2 art gallery brochuresT. Doc. A. Rev.: Biographical information. 1p., EnglishA. Mus. Quot. S.: Second SymphonyPri. Sco. A. Rev.: Pastorale, for Oboe, Clarinet, and Bassoon. 6p. (parts)Pri. Sco. S.: Aspen-Serenade, Paris: Heugel, to Karl Amadeus Hartmann, 1957. 56p.L. Repro.: Paris, 16 Sept. 1955. 1p., English. Letter of recommendation for Walter KaufmannPort. Phot. S.: to Kirschstein, 29 Oct. 1965. With melodic quotation from Agamemnon (Box 113)Port. Phot. S.: to Hans and Rosaleen Moldenhauer, 1947 (Box 113)Port. Phot. S.: to Boaz Piller, 1947 (Box 113)Port. Phot. (Box 113)Millöcker, Carl, 1842-1899A. L. S.: Vienna, 28 Feb. 1884. 1p., GermanA. L. S.: to a librettist. ?, n.d. 3p.A. Mus. Quot. S.: Gasparone, to Häflinger, Vienna, 18 Sept. 1885A. Mus. Quot. S.: Gasparone, Vienna, 2 May 1886A. Mus. Quot. S.: "Ich knüpfte manche zarte Bande, studierte die Pariserin," Vienna, 14 Feb. 1891Miró, FranciscoA. Mus. ms. S.: Murcia, to Ricardo Viñes. 10p., 34x27cm.Missale Romanum, 1574(Shelf)Bk.: Published by Iacobus Kerver, 21 Aug. 1574. The volume is printed in several sections, some paginated with roman numerals, others unnumbered. Bound in black leather. 29x21cm. (Shelf)Mohaupt, Richard, 1904-1957Mus. ms. Repro.: Concerto for Violin and Orchestra, reduced for violin and piano, New York: Associated Music Publishers, n.d. 54p.Mus. ms. Repro.: Lysistrata, New York: Associated Music Publishers, 1946. 60p.Pri. Sco. S.: Double Trouble, New York: Associated Music Publishers, c1954, to Otto Jokl, Oct. 1954. 213p. With annotations and signed by JoklMohler, Philipp, b. 1908A. Mus. ms. S.: Konzertante Sonate für Viola und Klavier, II, op. 31. 2p., 34x27cm. With accompanying letter to Hans Moldenhauer, from A. Klostermann (Frankfurt, 13 Oct. 1959), regarding manuscriptA. Mus. ms.: Sinfonisches Capriccio, op. 40. 20p., various sizes. Complete sketchesT. L. S.: to Hans Moldenhauer. Frankfurt, 9 Apr. 1959. 1p., GermanCard S.: 1960. 1p., GermanDoc.: Article. "Philipp Mohler," by Willy Fröhlich, in Festblätter, Aug. 1956. 2p., GermanPri. Sco.: Konzertante Sonate, op. 31, Mainz: Schott. 44p.Pri. Sco.: Sinfonisches Capriccio für Orchester, op. 40, Hamburg: Sikorski. 85p.Prog.: 11 July 1959. 2p.Moiseiwitsch, Benno, 1890-1963Port. Phot. S.: Mar. 1921Moldovan, Mihai, 1937-1981A. Mus. ms. S.: Muzica pentru un pianist, to Alexandru Hrisanide. 3p., 35x25cm.Molique, Bernhard, 1802-1869A. Mus. ms. S.: Flying Leaves, Six Pieces for Flute and Pianoforte, for W. S. Broadwood, London, 26 Dec. 1851. 4p., 27x33cm., ink. Fair copy. Exhibited in London, 1897, contributed by W. H. CummingsA. L. S.: to [Henry] Chorley. Stuttgart, 1 Mar. 1835. 3p., English. Mentions Abert; Anna's (daughter) concertA. L. S.: to [Henry] Chorley. London, 17 May 1864. 1p., EnglishL. S.: to [W. H.] Cummings, from Anna Molique. Trickenham, 18 Aug. 4p., EnglishMompou, Federico, 1893-1987A. Mus. ms. S.: Aquesta nit un mateix vent, No. 2, cant i piano, 1946. 4p., 32x22cm. With separate copy of text by poet J. Janés (in Catalan), and its translations, in Mompou's autograph, into Spanish and FrenchA. Mus. ms. Rev. S.: [same], Dec. 1946. 5p., 32x22cm., ink, pencilA. Mus. ms. Rev. S.: [same], Dec. 1946. 2p. of beginning + 2p. title pageA. Mus. ms. S.: Cançó i dansa (populars) [No. 1]. 4p., 36x26cm.A. Mus. ms. S.: Canción y Danza, No. 1, para piano, revised 1948. 5p., 32x22cm.A. Mus. ms. S.: Cançó i dansa, II, 1924. 4p., 35x27cm. SketchesA. Mus. ms. S.: Cançó i dansa, III, 1926. 5p., 35x27cm.A. Mus. ms. S.: CCançó i dansa, III, 1926. 6p., 35x27cm.A. Mus. ms. S.: 4. Cançó i dansa, Paris, 1928. 4p., 35x27cm.A. Mus. ms. S.: Canción y danza, No. VI, to Arthur Rubinstein. 3p., 32x26cm.A. Mus. ms. S.: Canción y danza, No. VII, 1945. 4p., 32x22cm.A. Mus. ms. S.: Canción y danza, No. 8, para piano. 5p., 32x22cm.A. Mus. ms. S.: Canción y danza, No. 9. 4p., 35x27cm.A. Mus. ms. S.: Canción y danza, No. IX, to Gonzalo Soriano. 7p., 32x26cm.A. Mus. ms. S.: Canción y danza, No. X. 2p., 32x26cm.A. Mus. ms. S.: Cançó i dansa, No. 12, Nov. 1953. 6p., 35x27cm.A. Mus. ms. S.: Cantar del Alma. 11p., 32x22cm.A. Mus. ms. S.: Damunt de tu, només les flors. 6p., 35x27cm. First versionA. Mus. ms. S.: Fêtes Lointaines, 1920, to Paul Huvelin. 9p., 35x27cm.A. Mus. ms. S.: Impropères. 10p., various sizes (Box 98)A. Mus. ms. S.: Jo et pressentia com la mar, cant i piano, Aug. 1948. 5p.A. Mus. ms. S.: Música callada, Nos. 22-28. 12p., 32x26cm. DraftsA. Mus. ms. S.: La música callada, la soledad sonora, 1943, 20 Aug. 1951. 19p., 18x14cm., ink, pencil. Missing No. 8. With accompanying 4p. autograph document describing the title, the work, and the composer's intentions. French and SpanishA. Mus. ms. S.: Sant Martí, cant i piano. 6p., 35x27cm.A. Mus. ms. S.: Scenes d'Enfants. 15p., 36x26cm.A. Mus. ms. S.: Sonet, jo et pressentia com la mar. 4p. + 1p. sketch, 32x22cm. First version2 A. Mus. ms. S.: Sonet. 5p. eachA. Mus. ms. Annot. S.: Variations sur un Thème de Chopin, cant i piano. 80p., 35x25cm. Sketches2 A. L. S.: to Hans Moldenhauer. Barcelona, 11 Dec. 1957, 9 May 1958. 2p., Spanish, FrenchA. L. S.: to Hans Moldenhauer. Barcelona, 19 Feb. 1973. 1p., FrenchT. L. S.: to Hans Moldenhauer. Barcelona, 12 May 1973. 1p., FrenchL.: [to Mompou, from Hans Moldenhauer]. n.p., 27 July 1984. 1p., FrenchDoc.: Brochure. With picture and work list. 12p., French2 Pri. Sco.: 8p. Printer's proofsPort. Phot. Gr.: with Arthur Rubinstein, 1970 (Box 113)2 Port. Phot. S.: to the Moldenhauer Archives (Box 113)Port. Gr.: with Rosa Sabater (Box 113)Port. Draw. Repro. (Box 113)Monsigny, Pierre-Alexandre, 1729-1817A. L. S.: Paris, 22 Aug. 1763. 3p., French. Regarding the story of Troy as an operatic subjectMontemezzi, Italo, 1875-1952Port. Phot. S.: to Boaz Piller, Boston, 3 Apr. 1941Moór, Emanuel, 1863-1931A. Mus. ms. S.: Thestilis. 1p., 27x21cm. Song with piano accompaniment. ExcerptA. L. S.: Lausanne, 11 Oct. 1910. 1p., EnglishA. Mus. Quot. S.: Symphony in Memoriam L. Kossuth. With signed note from Anita Moór (Florence, 19 Feb. 1863)Port. Phot. Repro. S. (Box 113)Moore, Thomas, 1779-1852A. L. S.: ?, 25 Dec. 1841. 1p., EnglishMoran-Olden, Fanny, 1855-1905A. L. S.: Frankfurt, 13 Oct. [1880?]. 2p., GermanDoc. S.: Contract for a guest appearance. 24 Mar. 1892. 2p., GermanMorel, Auguste-François, 1809-1881A. Mus. ms. S.: La Fille de l'Hôtesse, to Julius Stern. 2p., 23x28cm., FrenchMorin, Gösta, b. 19002 T. L. S.: to Hans Moldenhauer. Stockholm, 2 Dec. 1959; 12 Apr. 1960. 2p., GermanDoc. A. Rev. S.: Essay. "Music Libraries and Collections." 1p.Doc. S.: Essay. "Wolfgang Amadeus Mozart," Stockholm: Swedish Royal Library, 1956, Vienna, 1956. 10p.Morlacchi, Francesco, 1784-1841A. L. S.: Genoa, 14 May 1828. 1p., ItalianMosel, Ignaz Franz von, 1772-1844A. L.: n.p., n.d. 2p., German. Draft of a letter. Discusses Lulli, Rameau, vocal styleMoser, Gustav von, 1825-1903A. L. S.: Gürlitz, 25 Oct. 1894. 1p., German. With portrait photograph reproducedA. L. S.: n.p., n.d. 3p., German. On aesthetic and philosophical viewsMoser, Hans Joachim, 1889-1967A. L. S.: Charlottenburg, 18 Mar. 1937. 1p., GermanP. card S.: to Hans Moldenhauer. Berlin, 1 Mar. 1958. 1p., GermanA. Doc.: Name and addressMöser, Karl, 1774-18513 A. L. S.: to Hubert Ries. n.p., Nov. 1829; Berlin, 13 Nov. 1831, 18 Oct. 1843. 3p., GermanMoszkowski, Moritz, 1854-1925A. L. S.: to Hugo Courat. Paris, 16 June 1902. 2p., GermanA. L. S.: to Rosenberg. n.p., n.d. 2p., GermanA. L. S.: n.p., n.d. 1p., German, with translationPort. Phot. S.: Berlin, 13 Sept. 1890. By Brasch (Box 113)Mottl, Felix, 1856-1911Related Collection MaterialsSee: Wagner, SiegfriedMozart, Franz Xaver Wolfgang, 1791-1844Pri. Sco. S.: Fest-Chor, "zur Enthüllung des Mozart Denkmals in Salzburg, aus Compositionen des Gefeierten, zusammengestellt, instrumentiert, und mit einem passenden Texte versehen von dessen Sohne W. A. Mozart," Vienna: Artaria, n.d., to Madame Ungher-Sabatier. 31p., 25x33cm.Mozart, Leopold, 1719-1787A. Mus. ms.: Cadenze per il Clavicembalo, Concerto in D, K. 624A-B [Cadenzas for J. C. Bach, Klavier Conzerte, K. 107]. 1 leaf (2p.), 17x23cm., ink. Consists of two cadenzas. With authentication, Salzburg, 24 July 1835Mozart, Wolfgang Amadeus, 1756-1791A. Mus. ms. S.: 6 Menuette, K. 164, Nos. 1, 2, Salzburg, 1772. 2p., 23x30cm., ink. Full scoreA. Mus. ms.: Anfang einer Fuge [Fragment of Fugue in C Minor, K. 626b/27]. 1p. (27m.), 12x27cm., ink. Inscribed by Georg Nissen(Shelf)Pri. Sco.: Don Giovanni, arranged by Carlo Zulehner, Mainz: Schott, n.d. 207p. Signed by Zulehner. First edition, piano-violin arrangement. Containing the incipits of rearrangement into various movements of a mass (Shelf)Mus. ms. cop. Rev.: [Allegro and Andante ("Fantasy") in F Minor for Mechanical Organ, K. 608], 1791. 6p., 22x29cm. Two-staff version. With accompanying document from Robert Haas, and letter to Nettl, from Alfred Einstein (19 Oct. 1951) regarding the manuscriptA. Doc.: Diary entries. [24 May 1780]. 1 leaf (3 lines + 3 lines on verso), German. Fragment, from the diary of Nannerl and Wolfgang Mozart. Verified by Mozart's widow, Salzburg, 1829. With letter on provenance to Hans Moldenhauer, from Fibiger, 6 Oct. 1961Mus. ms. Repro.: Fantasia in F Minor, K. 608, for piano solo, as revised and edited by John Cowell from the original. 14p. Blueprint score(Shelf)Mus. ms. Repro.: Das Veilchen, to the Spokane Conservatory, from Ferdinand C. O. Speyer, London, Apr. 1958. 2p. Facsimile, with 4p. document by Alfred Einstein, Wien: Reichner, 1936 (Shelf)Mus. ms. Repro.: "Fragmens d'une Sonate à quatre mains en Re majeur." FacsimileProg.: Die Zauberflöte, Bayreuth, 18 Apr. 1817Port. Lith.: by Johann Neidl, after Posch, ca. 1800 (Box 113)Port.: Enamelled miniature portrait on white cross. Insignia of the Masonic Lodge at Leipzig, "Mozart zur Bruderkette" (Box 124)Medal: Mozart medal. Bronze, 7". By A. Hartig, coined by Mozarteum, Salzburg (Box 124)Related Collection MaterialsSee: Beethoven, Ludwig vanMuck, Carl, 1859-1940A. L. S.: Berlin, 7 Nov. 1895. 2p., German2 A. L. S.: to Rogers. Munich, 11 Aug. 1921; Hamburg, 31 May 1924. 6p., English. Private and musical mattersA. L. S.: to Sigmund Herzog. New York, n.d. 1p., GermanA. L. S.: to Sauerquell. n.p., n.d. 2p., GermanSig.: Berlin, 9 Mar. 19122 Port. Phot. (Box 113)Related Collection MaterialsSee: Wagner, SiegfriedMüller, August Eberhard, 1767-1817A. L. S.: to Schrader. Weimar, 21 Dec. 1810. 1p., German, with translationMüller, Karl Ludwig, b. 18755 A. Mus. mss. S.: [Five Songs to Poems by Herta Kanner], Ein Requiem, Ritornelle, Die Bajadere, Vergessene Liebe, Abschied. 18p., 34x27cm.Müller, Wilhelm, 1794-1827A. L. S.: to L. Spohr. Dessau, 8 Jan. 1827. 2p., GermanMüller-Hermann, Johanna, 1878-1941A. L. S.: to Zemlinsky. Vienna, 31 Mar. 1914. 3p., GermanMüller-Reuter, Theodor, 1858-1919A. L. S.: to M. A. Middleton, a bookseller. Krefeld, 28 Nov. 1908. 3p., EnglishMunck, Ernest, Chevalier de, 1840-1915A. L. S.: to Ries. Vienna, 25 Dec. 1878. 3p., FrenchMurcía de Toledano, HildadeA. Mus. ms. S.: Rapsodia Ruffeña, to Ricardo Viñes. 5p., 31x24cm.Musorgsky, Modest Petrovich, 1839-1881Related Collection MaterialsSee: Rimsky-Korsakov, NikolaiMüthel, Johann Gottfried, 1728-1788A. Doc. S.: Title page and thematic incipit. In two staves (2m.) for a Concerto à cembalo obligato, violino primo, violino secondo, viola con violon e violoncello del. Sigr. Graun. 1p., 31x20cm., inkMysz-Gmeiner, Lula, 1876-1948A. L. S.: Berlin, 10 Dec. 1902. 3p., GermanA. Card S.: Berlin, n.d. 2p., GermanNachbaur, Franz, 1835-19022 A. L. S.: to Giessen. Friedrichshafen, 6 May 1859 (includes repertoire list); Darmstadt, 14 May 1867. 4p., GermanNachèz, Tivadar, 1859-1930A. L. S.: to Mrs. Elliot. London, 3 Jan. 1893. 4p., English2 A. L. S.: to Mrs. Tweedale[?]. London, 15, 25 July 1903. 8p., EnglishPri. Sco. S.: Concerto pour violon et piano by Vivaldi, Mainz: Schott, c1921, to Ernest Newmann, 1923. 20p.Nadalovitch, Jean, 1875-1966Related Collection MaterialsSee: Rezniček, Emil Nikolaus vonNápravník, Eduard, 1839-1916A. L. S.: Petersburg, 16 Apr. 1879. 2p., GermanNardini, Pietro, 1722-1793A. L. S.: to Joseph Otter. Florence, 13 July 1790. 2p., ItalianNaudin, Emilio, 1823-1890A. L. S.: London, 2 June 1871. 1p., ItalianRelated Collection MaterialsSee: Paganini, NicolòNaumann, Emil, 1827-1888A. L. S.: to Selmar Bagge. Dresden, 27 June 1879. 4p., GermanNaumann, Johann Gottlieb, 1741-1801A. Mus. ms. S.: [Allegro movement, second horn part]. 2p., 22x29cm.Naumann, Otto, 1871-1932A. Mus. ms. S.: [Three songs], op. 12, Nos. 1, 2, 3, Mutterglück, Gondelliedchen, Der erste Schritt, Dresden, 30 July 1912, 4 Aug. 1911, 26 July 1912. 10p. total, 35x27cm., GermanA. Doc.: Text. [Three songs]. 5p., GermanNeitzel, Otto, 1852-1920T. L. S.: to Bruno Eisner. Cologne, 21 Dec. 1916. 1p., GermanDoc. S.: Article. "Der Rubinstein-Preis 1905," by Neitzel. Cologne. 2p., GermanNessler, Viktor E., 1841-1890A. L. S.: [to Eugen Lindner]. [Strassburg], 30 July 1889. 3p., GermanA. Rcpt. S.: Strassburg, 16 Feb. 1889. 1p., GermanPri. Rcpt. S.: Leipzig, 6 June 1882. 1p., GermanSig.: from letter fragmentNesvera, Josef, 1842-1914A. L. S.: Olmütz, 27 May 1898. 2p., GermanPort. Phot. S.: by Atelier (Box 113)Nettl, Paul, 1889-1972A. Doc. S.: Essay. "Über ein Manuskript volkstümlicher österreichischer Barockmusik." 21p. German. With musical examples(Shelf)Bk. S.: includes various signed copies of his books (Shelf)Related Collection MaterialsSee: Mozart, Wolfgang AmadeusNeukomm, Sigismund Ritter von, 1778-1858L.: n.p., 2 Apr. 1831. 1p., French. Written in third person. Neukomm accepts an invitation of Sir Gore OuseleyNey, Jenny, 1824-18866 A. L. S.: n.p., 1853-1861. 16p., German. With accompanying typed explanation of lettersNicodé, Jean Louis, 1853-1919P. card S.: to ?. Marienbad, 5 July 1886. GermanP. card S.: to Kramer. Langebrück, 7 Sept. 1900. GermanP. card S.: to George Bainton. Langebrück, Dresen, 13 Feb. 1911. GermanA. Card S.: Langebrück, 6 Sept. 1912. 1p., GermanPort. Phot. S. Repro. (Box 113)Port. Phot. Repro. (Box 113)Nicolai, Otto, 1810-1849A. L. S.: to Raymond Härtel, Breitkopf & Härtel. Munich, 18 Dec. 1833. 3p., German. With eight musical examples, metronome markings, directions for engraving his WeihnachtsouvertüreA. L. S.: to Schmidt. n.p., 13 Jan. 1846. 1p., GermanA. L. S.: to R. de Vivenot. n.p., 7 May 1847. 1p., GermanMus. ms. Repro.: Duettino. 4p., GermanNicolini, Ernest, 1834-1898A. L. S.: to Cusins. n.p., 25 June 1883. 4p., French. Regarding a performance with PattiA. L. S.: to Benedict. n.p., 22 Sept. 1880. 2p., FrenchNielsen, Carl, 1865-1931Pri. Sco. S.: Thema med Variationer, op. 40, Copenhagen: Hansen, c1920, to Bruno Eisner, Copenhagen, 20 Dec. 1922. 27p.Niemann, Albert, 1831-1917A. L. S.: to Franz Abt. Hanover, 15 Mar. 1814. 1p., GermanNiemann, Walter, 1876-1953A. L. S.: [to Dr. Felix Huch]. Leipzig, 16 Oct. 1941. 3p., GermanA. Card S.: n.p., n.d. 2p., German. FragmentPort. Phot. Repro. S.: to ?. Leipzig, 16 Oct. 1941 (Box 113)Nikisch, Arthur, 1855-1922P. card S.: Eugen Lindner. Weimar, 11 Nov. 1896. GermanA. L. S.: [to Eugen Lindner]. Ostende, 18 July 1904. 2p., GermanA. L. S.: [to Eugen Lindner]. Leipzig, 3 Nov. 1905. 1p., GermanNilsson, Christine, 1843-1921A. L. S.: to Cusins. London, 1 June. 2p., FrenchA. L. S.: to a Royal Highness. London, 15 Mar. 1886. 4p., FrenchObit.Port. Phot. (Box 113)Port. Phot. Repro. (Box 113)Nin, Joaquín, 1879-1949A. Mus. ms. S.: Paño Murciano, canto e piano. 4p. + title page + 1p. giving text, 33x24cm., black, blue inkPri. Sco. A. Rev. S.: Vingt Chants populaires espangnols, Paris: Eschig, c1923, to Ruzena Herlinger, Paris, 1924. 39p. (vol. 1)Nissen, Georg Nikolaus, 1761-1826Related Collection MaterialsSee: Mozart, Wolfgang AmadeusNissen, Henriette, 1819-18792 A. L. S.: to Bartolf Senff. Frankfurt, 11 June 1850; n.p., n.d. 4p., GermanNohl, Karl Friedrich Ludwig, 1831-1885A. L. S.: Oldenburg, 7 Mar. 1868. 1p., GermanNono, Luigi, 1924-1990A. Mus. ms. S.: [Intolleranza 1960], to Richard Hartmann, Venice, 21 May 1963. 4p., 47x32cm., pencil, colored pencils, black marker. Draft of Act I, the Revolutionary Chorus. Also signed by HartmannNotari, Angelo, 1566-1663A. Rcpt. S.: n.p., 19 Oct. 1618. 1p., EnglishNottebohm, Gustav, 1817-18822 A. L. S.: [to Selmar Bagge]. Vienna, 11 July 1872, 16 Sept. 1873. 7p., GermanNystroem, Gösta, 1890-1966A. Mus. ms. S.: Bön, Särö, 1927. 4p., 35x27cm., ink. Song with piano accompanimentA. Mus. ms. A. Rev. S.: Concerto für Altviolin och Orkester, Hommage à la France. 111p., 35x27cm., pencil. Full scoreA. Mus. ms. S.: "Regrets," 6 pièces pour piano, Paris, Särö, St. Leonard, 1923-1924. 13p. 35x27cm., ink. Complete scoreA. Mus. ms. S.: Som ett blommande Mandeltrëd. 3p., 36x27cm., inkA. Mus. ms. S.: Teatersvit Nr. 4, Köpmannen i Venedig, Burlesque, 1936. 28p., 35x27cm., pencil. Full score, second section3 A. L. S.: to Hans Moldenhauer. Särö, 6 June, 18 July, 26 Dec 1961. 5p., EnglishL.: to Hans Moldenhauer, from Theodore Seder, Fleisher Music Collection. Philadelphia, 24 July 1961. 1p., EnglishMus. ms. Repro. A. Rev. S.: Concerto, für Viola och Orkester, 1944. With autograph dedication and program, June 1960. 99p. Blueprint scoreMus. ms. Repro.: Concerto Nr. 2, Stockholm: Nordiska, c1960. 55p.Mus. ms. Repro. A. Rev.: Concerto per violino ed orchestra. 115p. Blueprint scoreDoc.: Dissertation abstract. "The Orchestral Works of Gösta Nystroem...," by P. Louis Christensen, Ann Arbor: University Microfilms, 1961. 3p., EnglishPri. Sco.: Sinfonia breve, Stockholm: Nordiska, c1949. 97p.Pri. Sco. S.: Sinfonia concertante, Stockholm: Nordiska, c1949, to Louis Christensen, 1959. 43p.Pri. Sco.: Sinfonia del mare, Stockholm: Nordiska, c1950. 149p. each. Two copiesPri. Sco. S.: Sinfonia espressiva, Stockholm: Nordiska, c1956. 133p. each. Two copies, one is inscribed to Hans MoldenhauerDraw. S.: 1921, 28x21cm.Oberthür, Charles, 1819-1895A. L. S.: to Rudolf Herfurth. London, 21 Oct. 1894. 3p., GermanObradovíc, Aleksandar, b. 19272 A. Card S.: to Aurelio de la Vega. [Belgrade], [Christmas 1979], n.d.Obrist, Alois, 1867-1910A. L. S.: to Eugen Lindner. Stuttgart, 21 Oct. 1895. 3p., GermanOcadlík, Mirko, 1904-1964A. L. S.: [to Paul A. Pisk]. Prague, 16 Dec. 1929. 2p., GermanOchs, Siegfried, 1858-1929A. L. S.: to Schmidt. Berlin, 5 Oct. 1909. 1p., GermanA. L. S.: to Karl Weigl. Vienna, 3 Apr. 1914. 4p., GermanT. L. S.: to Karl Weigl. Berlin, 20 May 1914. 2p., GermanOffenbach, Jacques, 1819-1880A. Mus. ms.: Begleitung Barcarole C Dur. 2p., 23x29cm., ink. Sketch. Accompaniment for a Barcarolle in C major. On verso, sketches of a refrain2 A. Mus. mss.: Chanson of Valeria, with orchestral accompaniment. Full score; on p4., Fanfare for brass instruments. Sketch in full score. 4p., 23x31cm., inkA. Mus. ms.: Ermite, "Je suis l'Ermite le vieux devin...." 4p., 27x35cm., ink. Draft of the voice line with text and sketches for the accompaniment(Shelf)A. Mus. ms.: Les Trois Baisers du diable, [1857]. 62p., 27x35cm., ink. Initialed. Overture in full score, and orchestral drafts of various scenes, with figurative drawings. Bound with slip case and gold embossing (Shelf)A. L. S.: to the organ builder Alexandre. June. 2p., FrenchA. L. S.: n.p., n.d. 1p., FrenchA. Doc.: Invitation. To the Offenbach family, 26 Aug. 1864. 1p., French. Invitation with a musical quotation to the words "Je suis Alsacienne," mounted with portrait engraving (Box 114)Port. Engr.: see document above (Box 114)Olitzka, Rosa, 1873-1949A. L. S.: London, 8 July 1901. 1p., FrenchOlmeda, Federico, 1865-1909A. Mus. ms. S.: Escenas Nocturnes, rima 19, No. 1. 4p., 21x31cm.A. Mus. ms. S.: Rima 4a. 4p., 22x13cm.A. Mus. ms. S.: Sonata en la menor. 12p., 22x31cm.Olsen, Poul Rovsing, 1922-1982A. Mus. ms. S.: [Images, op. 51], 1964-1965. 11p., 35x26cm. SketchesA. Mus. ms.: Improvisation, [1965], for Svara Mandala. 2p., 35x26cm.A. Mus. ms.: A l'inconnu, 11 July 1962. 25p., 35x28cm.A. Mus. ms.: A l'inconnu. 11p., 35x28cm. Sketches in condensed scoreMus. ms. Repro. S.: Images, op. 51, 1964-1965. 11p. Blueprint scoreMus. ms. Repro. S.: A l'inconnu, op. 48, June-Aug. 1962. 26p.Ondr;ícek, Frantisek, 1857-1922A. Mus. Quot. S.: Concerto by Brahms, for Baron Fritz Schey, Vienna, 17-18 Feb. 1905Onslow, Georges, 1784-1853A. Mus. ms. S.: Minuetto moderato, for String Quartet, 1834. 3p., 35x26cm. Full score, fragment (without Trio section). Title page in copyist's handA. L. S.: Paris, 23 Nov. 1842. 2p., FrenchOppo, Franco, b. 1935T. L. S.: to Aurelio de la Vega. Cagliari, 15 Apr. 1981. 1p., ItalianOrgeni, Aglaja, 1841-1926A. Doc. S.: Certificate. Recommendation for Edith Walker. Dresden, 15 Apr. 1893. 2p., EnglishOrlik, Emil, 1870-1932A. L. S.: to Hanna Schwarz. n.p., n.d. 2p., German. With drawingA. L. S.: to Eisner. See portrait drawing belowPort. Draw.: to Bruno Eisner, 4 Apr. 1932. Pencil drawing of Wilhelm Furtwängler, Bruno Eisner, Bertram, and Franz Joachim Osborn. Drawn on the occasion of a performance under FurtwänglerPort. Draw. S.: Bruno Eisner seated at the piano. Ink (Box 114)Port. Draw.: Bruno Eisner (head), with autograph letter signed, to Eisner. Ink (Box 114)Ormandy, Eugene, 1899-19853 T. L. S.: to Alfred Mann. Philadelphia, 9 Dec. 1975, 28 Nov. 1979, 16 Nov. 1982. 3p., EnglishA. L. S.: to Alfred Mann. Philadelphia, 11 Dec. 1976. 1p., EnglishRelated Collection MaterialsSee: Schoenberg, ArnoldRelated Collection MaterialsSee: Webern, AntonOsborn, Franz, 1903-1933Related Collection MaterialsSee: Orlik, EmilOtte, Hans, b. 1926T. L. S.: to Gloria Coates. Bremen, 4 Apr. 1974. 1p., English. Also signed by Gloria CoatesPablo, Luís de, b. 1930(Shelf)A. Mus. ms. S.: Imaginario II, para orquesta, Apr.-Aug. 1967, 2nd revision 11 Nov. 1967. 23p., 82x64cm. With accompanying 1p. decorative design in multicolors, (29 Apr. 1967, 21x115cm.), and 7p. typed document with autograph annotations (Spanish, French) (Shelf)A. Mus. ms. S.: Portrait imaginé, 1974-1975. 156p., 28x21cm. Complete sketchesA. Mus. ms. S.: Vielleicht, para 6 percusionistas, 1973. 24p., 39x27cm.20 A. L. S.: to Aurelio de la Vega. 1966-1983. 25p., Spanish, FrenchT. L.: to Lawrence Schoenberg. Buenos Aires, 7 July 1971. 1p., English. Letter requesting permission to publish parts of Schoenberg's music. See letter reproduced belowT. L. S.: to Aurelio de la Vega. Madrid, 13 Feb. 1973. 1p., Spanish, French. Cosigned by Horacio Vaggione (composer, Argentina)A. L. S.: to Hans Moldenhauer. Madrid, 19 May 1973. 1p., French. Regarding Imaginario IIA. Card S.: to Aurelio de la Vega. Loyola, n.d. 1p., SpanishL.: to Hans Moldenhauer, from Aurelio de la Vega. Northridge, California, 3 Aug. 1977. 1p., English. Regarding a letter received by de la Vega from Luis de PabloL. Repro.: to Lawrence Schoenberg. Madrid, 2 Apr. 1972. 1p., French2 Docs.: Autograph; Work list, [1977], 15p., with portrait reproducedS. rec.: Imaginario II, 1967Pabst, Paul, 1854-1897Related Collection MaterialsSee: Ries, HubertPachelbel, Johann, 1653-1706Related Collection MaterialsSee: Gerber, Heinrich NikolausPachman, Vladimir de, 1848-1933Prog. S.: St. Gallen, 15 Mar. 1928. Flyer for a Chopin recitalPaderewski, Ignacy Jan, 1860-1941A. L. S.: to Kneisel. Paris, n.d. 1p., GermanPort. Phot. S. (Box 114)Paër, Ferdinando, 1771-1839A. L. S.: to Rosa Movandi. Paris, 15 Sept. 1813. 3p., ItalianA. L. S.: to Bériot. Paris, 14 Jan. 1832. 1p., FrenchA. L. S.: to Schlesinger. Paris, 23 July 1834. 1p., FrenchPort. Engr.: by Bettoni (Box 114)Paganelli, Giuseppe Antonio, 1710-ca. 1763Related Collection MaterialsSee: Ebner, WolfgangPaganini, Nicolò, 1782-1840A. Mus. ms.: Dolci d'amor parole, for voice and violin obligato with accompaniment. 12p., 22x29cm., ink. Particell. Unpublished. Exhibited at Genova, 1940A. L. S.: to Francesco Morlacchi, at the court of Dresden. Frankfurt, 19 Feb. 1830. 1p., Italian. Regarding a Signor Scutezzi, for travel companionship and handling musical mattersPort. Draw.: to Armand Parent. By Naudin. 35x22cm., black, brown watercolors (Box 114)Paisiello, Giovanni, 1740-1816A. L. S.: to Gregoire. Naples, 23 Mar. 1812. 2p., Italian. Refers to pension endowed by Napoléon upon his departure from Paris; his Stabat Mater, Le SueurPaladilhe, Emile, 1844-1926A. Mus. Quot. S.: Patrie, Act IV, "Pauvre martyr obscur"Palmer, Christian David Friedrich von, 1811-18753 A. L. S.: [to Selmar Bagge]. Tübingen, 18 Jan. 1866, 9 June, 19 Nov. 1867. 8p., GermanPalmgren, Selim, 1878-1951P. card S.: to the Szántó family. Weimar, 11 July 1901. Also signed by Busoni, Petri, and othersA. Mus. Quot. S.: May NightPanofka, Heinrich, 1807-18878 A. L. S.: to Fétis. London, Paris, 1850-1865. 15p., FrenchA. L. S.: to a doctor. Paris, 5 Feb. 1864. 1p., FrenchPanseron, Auguste, 1796-1859A. Mus. Quot. S.: Canon enigmatique à 2 parties, with text "Bonjour bon au Henry Berton Montan"Papier Paumgartner, Rosa, 1858-1932A. Alb. l. S.: Leipzig, 7 Nov. 1885. 1p.Papini, Guido, 1847-1912A. L. S.: to Baering. Lausanne, 18 [Dec.?] 1876. 3p., FrenchPri. Sco. S.: "Le Mécanisme du Jeune Violiniste," A Complete and Progressive Course of Instruction for the Violin in Four Parts, London: Chanot, to Constance and Rob Bell, Dublin, 7 Jan. 1888. 100p.Parent, Armand, 1863-1934A. Mus. ms.: "Asseyons-nous tous deux près du chemin sur le vieux banc...," song with piano accompaniment. 4p., 33x25cm. Complete scoreT. Doc. Rev.: Article. "Armand Parent," by Laurent Ceillier, in Le Monde Musical. 6p., FrenchT. Doc.: Typescript. "La Sonate de Franck," from Parent's Souvenirs et Anecdotes. 3p., FrenchPort. Paint.: 1906. By Rouault. Paint, colored chalks (Box 114)Related Collection MaterialsSee: Redon, OdilonRelated Collection MaterialsSee: Utrillo, MauriceParish Alvars, Elias, 1808-1849A. Mus. ms. S.: Fantasie sur le dernier pensé musicale de Bellini, pour flûte et harpe. 19p., 33x25cm. By Parish Alvars and Joseph FahrbachPascual-Ayllón, Fernando, b. 1893Mus. ms. cop. Rev. S.: Lugareñas, Buenos Aires, July 1926, to Ricardo Viñes. 11p., 37x27cm.Pasdeloup, Jules Etienne, 1819-1887A. L. S.: 8 Dec. 1p., FrenchA. L. S.: [to Massenet?]. n.p., n.d. 1p., French. Mentions LaloPort. Phot. S.: to ?. By Marion (Box 114)Pasta, Giuditta, 1798-1865A. L. S.: to ?. [Italy], 28 Sept. 1826. 1p., ItalianPort. Engr.: by Armytage (Box 114)Patti, Adelina, 1843-1919A. L. S.: to Emily. Breconshire, South Wales, 12 Oct. 1899. 4p., EnglishL. S.: from Patti's husband. 20 May 1868L. S.: to Spencer Consanby, from Patti's husband (the Marquis de Caux). London. FrenchA. Alb. l. S.: London, 26 July 18762 Clip.2 Port. Phot. Repro. (Box 114)Pauer, Ernst, 1826-1905A. L. S.: to ?. London, 20 May 1876. 2p., English. On verso, obituaryPaz, Juan Carlos, 1901-1972A. Mus. ms. S.: Dos baladas, op. 7, Nos. 3, 5, Buenos Aires, Dec. 1927. 9p., 36x26cm.Pembaur, Joseph, Jr., 1875-1950A. L. S.: [to Eugen Lindner]. Leipzig, 9 Nov. 1908. 4p., GermanPembaur, Joseph, Sr., 1848-1923A. Mus. ms. S.: Hildegundens Lied, Leipzig. 1p., 34x26cm.A. L. S.: [to the director of the Musician's Association in Vienna]. Innsbruck, 6 Sept. 1899. 3p., GermanA. L. S.: Innsbruck, 22 Mar. 1911. 1p., GermanCall. c. Annot.: GermanPort. Phot. S. (Box 114)2 Port. Phot. Repro. (Box 114)Pénavaire, Jean Grégoire, 1840-1906Pri. Sco. S.: Ninette et Ninon, Paris: Chatot, Feb. 1881. 88p.Penderecki, Kryzstof, b. 1933A. Mus. ms. S.: Fluorescences, for Orchestra, Vienna, Stockholm, 1961-1962. 80p., 45x34cm., some 19x35cm., multicolored ink, felt-tip markers, pencil. Performance instructions in German and Polish. Sketches, complete draft in full score, and incomplete sketches. Includes outline for Penetrazioni (full page, multicolored)A. Mus. ms.: Polymorphia, for 48 String Instruments, 1961. 33p., 45x34cm., multicolored ink, felt-tip markers, pencil. Performance instructions in Polish. Complete draft in full score, and incomplete sketchesDoc.: Review. 1p., English2 Port. Phot.: Donaueschingen Festival, 1962. One with Hans Rosbaud (Box 114)Pepping, Ernst, 1901-1981A. Mus. ms. S.: Zwei Orchesterstücke über eine Chanson des Binchois, 1958. 119p., 33x27cm. Full scoreT. L. S.: to Hans Moldenhauer. Berlin, 7 Nov. 1960. 1p., GermanPergolesi, Giovanni Battista, 1710-1736Related Collection MaterialsSee: Giardini, FelicePeri, Achille, 1812-1880A. L. S.: ?, 19 May 1844. 3p., Italian. Includes responseA. L. S.: ?, 22 Aug. 1844. 2p., ItalianPerron, Karl, 1858-1928A. L. S.: to a concert director. Leipzig, 2 Sept. 1885. 3p., GermanA. Card S.: Leipzig, 26 Jan. 1885. 1p., GermanPeschka-Leutner, Minna, 1839-189025 A. L. S.: to ?. 1868-1889. 50p., German2 A. Card S.: Köln, 1885; Leipzig, 2 Nov. 1876. 3p., GermanCall. c. Annot. S.: German, 2p.2 Clip.: GermanPetrassi, Goffredo, b. 1904A. Mus. ms. S.: Suoni notturni, per chitarra, Rome, 1959. 8p., 32x23cm., ink. Complete scoreA. L. S.: to Aurelio de la Vega. Rome, [6 Feb. 1984?]. 1p., ItalianCall. c. Annot.: to the Webern SocietyPetrella, Errico, 1813-1877A. L. S.: Milan, 18 Dec. 1862. 1p., ItalianPetri, Egon, 1881-1962Port. Phot. S.: to Hans and Rosaleen Moldenhauer, Oakland, California, Dec. 1947Related Collection MaterialsSee: Palmgren, SelimPetrobelli, Pierluigi, b. 1832Related Collection MaterialsSee: Verdi, GiuseppePetyrek, Felix, 1892-1951A. L. S.: to Paul A. Pisk. 22 Nov. 1924. 2p., GermanPfitzner, Hans, 1869-1949Related Collection MaterialsSee: Brod, MaxPhilipp, Isidor, 1863-1958P. card S.: to Bruno Eisner. Paris, 1932. FrenchA. L. S.: to Solomon Pimsleur. New York, 18 Aug. 1934. 1p., EnglishA. L. S.: [to Rudolph Ganz]. New York, 16 May 1952. 1p., French7 A. L. S.: to Boaz Piller. New York, 1952. 7p., French4 A. L. S.: to Charles Haubiel. New York, 3, 11, 24 Oct., 15 Nov. 4p., EnglishA. Mus. Quot. S.: Fuggevole, to Boaz Piller, Paris. Mounted with portrait photograph signed (Box 114)Port. Phot. S.: mounted with musical quotation above (Box 114)Piatti, Alfredo, 1822-1901A. L. S.: to Clara. Notting Hill, n.d. 1p., Italian. Mounted with portrait photographPicasso, Pablo, 1881-1973Related Collection MaterialsSee: Stravinsky, IgorPiccinni, Louis Alexandre, 1779-1850A. L. S.: Paris, 8 Germinal An 11. 1p., FrenchPiccinni, Niccolò, 1728-1800Rcpt. S.: Paris, 31 Mar. 1779. For royalties covering 1778-1780Piccolomini, Marietta, 1834-1899Sig.Port. Phot. (Box 114)Pierné, Gabriel, 1863-1937A. L. S.: to Charles Lefebvre. Naples, 5 Jan. 1924. 1p., FrenchA. L. S.: [to Ravel?]. n.p., n.d. 1p., French. Mounted with portrait photograph (Box 114)Prog. S.: to Boaz Piller. Boston, 27 Jan. 1922. 2p. With thematic quotation from RamuntchoPort. Phot.: mounted with letter above. By Lipnitzki (Box 114)Pijper, Willem, 1894-1947Mus. ms.: [Merlijn]. 1 leaf (pp.101-102), 35x27cm. Full score of his unfinished opera. With accompanying letter to Hans Moldenhauer, from L. Bolleman (Amersfoort, 23 Mar. 1959)Sig. Repro.Port. Phot. S. (Box 114)2 Port. Repro. S. (Box 114)Port. Draw. Repro. Annot. S. (Box 114)Pincherle, Marc, 1888-1974Related Collection MaterialsSee: Rosbaud, HansPinsuti, Ciro, 1829-1888A. L. S.: to Miss Stepheson. n.p., n.d. 1p. English. On verso, obituaryDoc.: Biographical essay. 2p., EnglishPisk, Paul A., 1893-1990Related Collection MaterialsSee: Webern, AntonPittrich, George Washington, 1870-1934A. L. S.: Dresden, 27 June 1909. 1p., GermanA. Mus. Quot. S.: Gomera. GermanPort. Phot. S.: Dresden, 1907. By Herzfeld (Box 114)Pixis, Johann Peter, 1788-1874A. L. S.: to Vivenot. Paris, 4 Nov. 1826. 1p., GermanPizzetti, Ildebrando, 1880-1968A. L. S.: to Mario Castelnuovo-Tedesco. Rome, 13 Sept. 1950. 3p., ItalianPlanquette, Robert, 1848-1903A. Card S.: n.p., n.d. 1p., FrenchPlanté, Francis, 1839-1934A. L. S.: to a conductor. n.p., 12 Feb. 3p., FrenchA. L. S.: to Dulan. n.p., 29 Apr. 1909. 2p., FrenchCall. c. S.: Brussels, 5 Apr. 1891Pleyel, Ignace Joseph, 1757-1831A. L. S.: to Artaria. Paris, 21 May 1796. 4p., French. Discussing a series of compositionsPlotnikov, Eugene, 1877-1951T. L. S.: to Solomon Pimsleur. New York, 3 Sept. 1934. 1p., EnglishPlüddemann, Martin, 1854-1897P. card S.: to Gattel. Betellt, 30 Mar. 1896. 1p., GermanA. Mus. Quot. S.: Der Taucher by Schiller, to Fritz Wittek, Vienna, 17 Feb. 1894. GermanPoglietti, Alessandro, d. 1683Related Collection MaterialsSee: Ebner, WolfgangPohl, Richard, 1826-1896A. Mus. ms. S.: Warum?. 2p., 33x24cm., GermanPolko, Elise, 1822-1899A. Card S.: n.p., n.d. 1p., GermanRelated Collection MaterialsSee: Taubert, WilhelmPonce, Manuel, 1882-1948Related Collection MaterialsSee: Segovia, AndrésPoniatowski, Józef Michal Ksawery Franciszek Jan, 1816-1873A. L. S.: n.p., n.d. 1p., French. With musical quotation (Italian text)Popper, David, 1843-1913A. L. S.: London, 22 June 1866. 2p., EnglishA. L. S.: Budapest, 12 Nov. 1877. 11p., GermanA. L. S.: Budapest, 19 Jan. 1888. 4p., GermanPorter, Cole, 1891-1964Mus. ms. cop. S.: Night and Day. 5p., 32x24cm. Albert Sirmay, copyistPotocka, Delphine, 1807-1877A. L. S.: to Mikuli. n.p., n.d. 1p., PolishPoulenc, Francis, 1899-1963A. L. S.: to René Koering. ?, 15 Dec. 1961. 2p., French. Mentions Berg, Boulez, Milhaud, Schoenberg, WebernTlgm.: to René Koering. Paris, 8 Jan. 1962. FrenchA. Mus. Quot. S.: Les Mamelles de Tirésias, "Envolez-vous oiseaux de ma faiblesse," Noizay, 1947. 2p. (8m.). Voice and pianoPri. Sco. S.: Stabat Mater, Paris: Rouart-Lerolle, 1951, to Karl Amadeus Hartmann, Paris, 1952. 68p.Pousseur, Henri, b. 1929A. Mus. ms. Annot.: Mobiles. 16p., 28x34cm. Complete sketchesA. Mus. ms.: Trois Chants sacrés, pour voix de soprano et trio à cordes. 9p., 37x27cm.A. L. S.: to Hans Moldenhauer. Brussels, 14 Jan. 1960. 3p., GermanT. L. S.: to Hans Moldenhauer. n.p., [8 Oct. 1962]. 1p., GermanT. L. S.: to Hans Moldenhauer. Buffalo, 1 Feb. 1966. 1p., EnglishCard: to Hans Moldenhauer. 2 Feb. 1966. 1p., FrenchPradher, Louis Barthelemy, 1781-1843A. L. S.: n.p., Monday, 13 Mar. 1p., FrenchPredieri, Giacomo Cesare, 1671-1753Rcpt. S.: 6 Apr. 1743. 1p., Italian. Regarding an oratorioPredieri, Luca Antonio, 1688-17673 A. L. S.: to Lodovico Preti. 1761-1766. 6p., Italian. With biographical accountProhaska, Karl, 1869-1927A. L. S.: to Hans Moldenhauer, from Margarete Prohaska (wife). Vienna, 29 Dec. 1959. 2p., GermanProkofieff, Sergei, 1891-1953A. Mus. Quot. S.: [The Giant, 1897], inscribed 1938. 1p. In piano score. With authentication by Nicolas SlonimskyA. Card S.: to Boaz Piller. Moscow, 23 May 1937. 2p., FrenchA. Mus. Quot. S.: Second Concerto, op. 16, Boston, 1930Port. Phot. (Box 114)Prudent, Emile, 1817-1863A. Mus. ms. S.: Fantaisie sur Un ballo in maschera, opéra de Verdi, op. 63, Sept. 1861. 14 leaves + 2 leaves sewn together + one unattached leaf, with many paste-overs, ink, pencilPrunières, Henry, 1886-19423 T. L. S.: to Paul F. Sanders. Paris, 29 Mar., 24, 28 Apr. 1933. 4p., French2 P. cards S.: to Paul F. Sanders. Paris, 18, 26 Apr. 1933. 2p., French2 A. L. S.: [to Ruzena Herlinger]. Paris, 25 Mar. 1938; n.d. 3p., FrenchT. L. Repro. S.: to Paul F. Sanders. Paris, 3 Apr. 1933. 1p., FrenchPrüwer, Julius, 1874-1943A. L. S.: [to Bruno Eisner]. n.p., 12 Jan. 1941. 1p., GermanPuccini, Giacomo, 1858-1924A. Mus. ms. A. Rev.: [La Bohème, Act II, Sextet], 1 leaf (2p. with four paste-overs), 46x32cm., ink. Full scoreP. card S.: to Gatteschi. Milan, 31 Mar. 1894. Italian. Receiving illustrations for La BohèmeP. card S.: to ?. 29 June 1913. Italian. With portrait photograph, inscribedA. L. S.: to Antonio Bettolacci. Torre del Lago, 12 Sept. 1916. 1p., Italian. About financial mattersA. L. S.: to Carlo Chiusuri of Ricordi. Viareggio, 4 Mar. 1918. 1p., Italian. Requesting correctionsA. L. S.: to Raoul Gunsbourg. Torre del Lago, 26 Apr. 1919. 1p., Italian, with English translationPort. Phot.: see postcard abovePucitta, Vincenzo, 1778-1861Rcpt. S.: 16 Aug. 1811. 1p., EnglishPugno, Raoul, 1852-1914A. L. S.: Paris, 2 July 1907. 2p., FrenchT. L. S.: to Louis Schneider. Paris, 28 Oct. 1907. 1p., French2 A. L. S.: to Louis Schneider. Paris, 12 Oct. 1911; n.p., n.d. 4p., FrenchA. L. S.: to Baron Larrey. n.p., n.d. 1p., FrenchA. L. S.: to Leuven[?]. n.p., n.d. 1p., FrenchA. L. S.: n.p., n.d. 1p. + 1p. (notes), FrenchA. L. S.: n.p., n.d. 1p., FrenchCall. c. S.: Madame Pugno's calling card, with autograph note by Pugno. FrenchA. Mus. Quot. S.: Piano Concerto, Allegro vivo by Schumann, to Stenzel, Breslau, 5 Jan. 1910Port. Phot.: by Reutlinger (Box 114)Rabaud, Henri, 1873-1949A. L. S.: to Jacques de la Presle. 9 June 1922. 1p., French10 A. L. S.: to Boaz Piller. 1922-1947. 17p., French4 P. cards S.: to Boaz Piller. 1922-1947. 4p., FrenchA. Card S.: to Boaz Piller. n.p., n.d. 1p., FrenchDoc. S.: Menu. Copley Plaza, 29 Apr. 1919. 2p. For a testimonial dinner in honor of Rabaud. Also signed by Fredric Fradkin, Georges Laurent, Boaz Piller, and othersA. Mus. Quot. S.: Roland et le mauvais garçon, to Boaz Piller. 1p., mounted with portrait photograph signed, to Boaz Piller (Box 114)Port. Phot.: see musical quotation above. By Harcourt (Box 114)Rachmaninoff, Sergei, 1873-1943T. L. S.: to Rudolph Ganz. New York, 23 Feb. 1922. 1p., EnglishPort. Phot.: Rachmaninoff's hands (Box 114)Port. Draw. Repro.: by Juley (1935) (Box 114)Radecke, Robert, 1830-1911A. Mus. Quot.: Berlin, 10 Jan. 1911. Mounted with clipping, and portrait photograph reproduced (Box 114)Pri. Sco. S.: Zwei Fantasiestücke, op. 5, Leipzig: Breitkopf & Härtel, Berlin, to ?, 15 Jan. 1860. 19p.Related Collection MaterialsSee: Bruch, MaxRadica, Ruben, b. 1931A. Mus. ms. S.: Trois Mélodies pour voix de soprano et piano, op. 7, Paris, Feb. 1961. 8p., 35x27cm.2 A. Card S.: to Hans Moldenhauer. Split, 1963. Italian, French7 T. L. S.: to Hans Moldenhauer. Split, 1961-1965. 7p., German, Italian2 T. Docs.: Biographical information. 2p., Italian, FrenchMus. ms. Repro.: Dva Komada za Klavir, op. 6, 1961. 7p.Mus. ms. Repro.: Variations lyriques, op. 8, 1961. 22p.Pri. Sco.: 4 Dramatska Epigram, Kompozitora Jugoslavije. 32p.Port. Phot. S.: at Split (Box 114)Ramin, Günther, 1898-1956T. L. S.: to Karl Weigl. Leipzig, 8 May 1934. 1p., GermanRamrath, Konrad, b. 1880A. Mus. ms. S.: In der Kirschenblüt, op. 19, No. 3, 2 July 1910. 4p., 34x26cm., GermanRangström, Ture, 1884-1947A. Mus. Quot. S.: Stockholm, 1933Raphael, Günter, 1903-1960A. Mus. ms. S.: Christ the Son of Righteousness, 1956. 4p., 29x21cm.2 A. L. S.: to Hans Moldenhauer. Cologne, 16 Jan., 18 Apr. 1959. 6p., GermanDoc.: Death announcement. 19 Oct. 1960. 1p.Rasmadse, Alex. S., 1845-1896Related Collection MaterialsSee: Tchaikovsky, Pyotr IlyichRasnovanu, Alexandru, b. 1937A. Mus. ms. S.: [Klaviermusik I], Bridges Above Emptiness, 4 Pieces for Piano, 1967. 4p., 35x25cm. With biographical informationRatiu, Adrian, b. 1928A. Mus. ms. S.: Constellations, to Alexandru Hrisanide. 4p., 35x25cm., multicolored inksRatz, Erwin, 1898-1973T. L. S.: to Alma Mahler Werfel. Vienna, 27 May 1958. 1p., German. Reports on a Mahler performanceRavel, Maurice, 1875-1937A. L. S.: to Léon Vallas. Paris, 31 Dec. 1905. 4p., FrenchA. L. S.: Paris, 6 Feb. 1909. 2p., FrenchA. L. S.: to Boaz Piller. n.p., 2 May 1918. 1p., French. Mounted with group portrait below2 A. L. S.: [to Alma Mahler?]. Montfort, 14 Jan., 23 July 1922. 8p., French. Mentions his Sonata for Violin and Cello, La Valse, Salzburg FestivalA. L. S.: to Guido Gatti. Brussels, 16 May 1926. 3p., FrenchA. L. S.: to Boaz Piller. n.p., 17 May 1930. 1p., FrenchA. Card S.: [to Paul Sanders]. Monfort, 7 June 1933. 1p., FrenchA. Mus. Quot. S.: Ma Mère l'Oye, Boston, 11 Jan. 1928. 1p. (16m.)Port. Gr.: with autograph note by Gershwin. Photo shows Ravel with Gershwin in the company of friends (Box 114)Port. Phot. S.: to Boaz Piller, 11 Jan. 1928. By Manuel (Box 114)Port. Phot. (Box 114)Rech, Géza, 1910-1992Related Collection MaterialsSee: Rosbaud, HansRedon, Odilon, 1840-1916Port. Draw. S.: of Armand Parent, inscribed to Armand Parent, 1913. 42x36cm. Showing the violinist's head in profileReger, Max, 1873-1916Related Collection MaterialsSee: Bronsart von Schellendorf, HansReich, Willi, 1898-1980A. Mus. ms. S.: Notenbeispiele zum "Wozzeckführer" von Willi Reich. 1p., 34x26cm. Musical examples to Reich's essay, "Alban Bergs Oper Wozzeck." See document below13 T. L. S.: to Adolph Weiss. Vienna, New York, 1930-1933. 15p., GermanP. card S.: to Julius Schloss. Vienna, 11 Feb. 1931. German3 P. cards S.: to [Adolph and Mary] Weiss. Vienna, 19 June 1931, 5 June 1934, 24 Dec. 1935. GermanT. L. S.: [to Alma Mahler]. Zürich, 18 Dec. 1958. 1p., German2 T. L. S.: to Hans Moldenhauer. Zurich, 31 July 1963, 28 Sept. 1965. 2p., German2 P. cards S.: to Hans Moldenhauer. Zurich, 15 Jan., 17 Oct. 1965. GermanT. Doc. S.: Essay. "Alban Berg." 2p., GermanT. Doc.: Disposition. "Disposition für ein Lehrbuch des Kontrapunkts auf neuer Grundlage." 1p., GermanT. Doc. S.: Typescript. "Alban Bergs Oper Wozzeck." 16p., German. Carbon copyRelated Collection MaterialsSee: Schoenberg, ArnoldReichardt, Gustav, 1797-1884A. Mus. ms. S.: An den König, op. 20. 1p., 20x28cm. On verso, text in ItalianA. Doc. S.: Poem. "Vor Kaulbach's Carton am Jahrestag der Schlacht des 25. IX. 480 v. Ch.," Munich, 23 Sept. 1860. 1p., GermanReichardt, Johann Friedrich, 1752-1814A. L. S.: [ to a friend in Altona]. n.p., 1 Oct. 1782. 4p., German. Regarding personal and financial mattersReicher-Kindermann, Hedwig, 1853-1883A. L. S.: Vienna, 7 Apr. 1878. 1p., GermanReichmann, Theodor, 1849-1903A. L. S.: Cologne, 14 Mar. 1872. 2p., GermanReinecke, Carl, 1824-1910A. L. S.: to Schloss. Barmen, 24 May 1858. 2p., GermanA. L. S.: to a conductor. Leipzig, 4 Oct. 1863. 1p., German10 A. L. S.: to Brassin, Fischer, and others. Leipzig, 1863-1893. 21p., French, GermanA. L. S.: n.p., 27 Nov. 1883. 2p., GermanA. L. S.: Leipzig, 10 Oct. 1894. 1p., GermanA. L. S.: Leipzig, 2 Apr. 1904. 1p., GermanA. Mus. Quot. S.: Fughetta, Leipzig, 4 Aug. 1848. 11m. in piano score. With inscriptionPort. Phot. (Box 114)Port. Lith. Repro. (Box 114)Reinhardt, Gottfried, 1873-1943 (son of Max Reinhardt [Goldmann])A. L. S.: to Bruno Eisner. New York, 20 Nov. 1943. 1p., GermanReinthaler, Karl, 1822-1896A. L. S.: Bremen, 8 Sept. 1875. 1p., GermanReiss, Karl, 1829-19082 A. L. S.: ?, 27 Dec. 1876, 10 Jan. 1877. 3p., GermanReissiger, Karl Gottlieb, 1798-1859A. L. S.: to a concertmaster. n.p., n.d. 1p., GermanA. L. S.: to H. Dorn. n.p., n.d. 2p., German. Discusses the theater at LeipzigA. Doc. S.: Text. "Musica Sacra, Fragment aus den Psalmen Davids," describing orchestration and giving the text of the three sections. 1p., GermanT. Doc.: Biographical information and work listRellstab, Ludwig, 1799-1860Related Collection MaterialsSee: Taubert, WilhelmReményi, Ede, 1828-1898A. Mus. Quot. S.: New York, 6 Jan. 1879Respighi, Ottorino, 1879-1936A. Mus. ms.: [Closing page of an instrumental composition]. 1p., 31x21cm., ink. On verso, pencil sketches for a vocal composition. With accompanying note from Boaz PillerA. L. S.: to Boaz Piller. Rome, 3 June 1923. 3p., French. Regarding Boston performancesA. Mus. Quot. S.: Fontane di Roma, Rome, 27 Feb. 1922. Mounted with portrait photograph belowPort. Phot. S.: to Boaz Piller. New York, 10 Feb. 1926. Mounted with musical quotation (Box 114)Related Collection MaterialsSee: Stravinsky, IgorRéti, Rudolph, 1885-1957A. Mus. ms. S.: The Dead Mourn the Living..., 6 Oct. 1961. 4p. (pp.10-13), 34x28cm., English. With autograph commentary by Jean Réti (6 Oct. 1961)A. Mus. ms. S.: "Der grosse Elefant." 4p., 34x27cm.A. Mus. ms. Rev. S.: Irmchen, Schirmchen und ein Stückchen Sonnenschein. 6p., 34x27cm.T. Doc.: Typescript. "The Origin of the I.S.C.M.," [Jan. 1957]. 9p., English. With autograph commentary by Jean Réti (6 Oct. 1961)Mus. ms. Repro.: Die Geige. 5p. + 12p. (parts). FacsimileMus. ms. Repro. S.: Vier Lieder nach Kindertexten von Christian Morgenstern, to Hanna Schwarz, Vienna, 10 Apr. 1937. 12p. Blueprint scorePort. Phot.: by Hoeller (Box 114)Réti-Forbes, Jean, 1911-19723 A. L. S.: to Hans Moldenhauer. Munich, 24 Feb. 1961; Regina, 30 Aug. 1962; Paris, 28 May 1963. 14p., EnglishT. L. S.: to Hans Moldenhauer. Regina, 13 June 1961. 1p., EnglishDoc.: Lecture announcement. Royal Academy of Music, London, 7, 9 May 1963.Doc.: Program announcementProg.: Munich, 20 Feb. 1961. 2p., GermanRelated Collection MaterialsSee: Réti, RudolphReutter, Hermann, 1900-1985A. Mus. ms. S.: Chanson variée (Ein Füllen ward geboren). 7p., 34x27cm., GermanA. Mus. ms. S.: Drei altägyptische Gedichte, 1962. 17p., 34x27cm., German. DraftA. Mus. ms.: Epitaph für einen Dichter, 1962. 8p., 34x27cm., German. DraftA. Mus. ms. S.: Der Lübecker Totentanz, op. 35. 15p., 33x26cm., German. Complete piano-vocal scoreA. Mus. ms. S.: Saul, op. 33. 39p., 34x27cm., German. Complete piano-vocal scoreA. L. S.: to Hans Moldenhauer. Stuttgart, 26 Dec. 1959. 1p., German6 T. L. S.: to Hans Moldenhauer. Stuttgart, 1959-1963. 6p., German. With work listT. Lib.: Der Lübecker Totentanz. 3p., GermanDoc.: Brochure with work list. GermanDoc.: Announcement of classes. EnglishMus. ms. Repro.: Brücke von San Luis Rey. 136p. With autograph title pageRey, Cemal Resit, 1904-1985A. Mus. ms. S.: Paysages de Soleil, Istanbul, 1928. 33p., 34x25cm. Piano scoreA. Mus. ms. S.: [same]. Istanbul, Mar.-May 1931. 42p., 34x27cm. Full score, reduced orchestraRey, Jean-Baptiste, 1734-1810A. Rcpt. S.: 1778. 1p., French. Fees for two operatic productionsRezniček, Emil Nikolaus von, 1860-19452 A. L. S.: to his wife. Berlin, 1, 26 June 1933. 4p., German. Mentioning personal and political matters; Donna DianaT. L. S.: to Hans Moldenhauer, from Felicitas von Reznicek (daughter). Engelberg, 27 Apr. 1970. 1p., German2 Docs.: Eulogy. Offprint in Deutsche Kultur, Berlin: Eckstein, n.d. 3p. each, German. Bound, embossed in goldClip.: "Brahms, Grillparzer, Strauss, Mahler," by Reznicek, in Stuttgarter Tageblatt, 17 Oct. 1931. 2p., GermanPort. Phot. S.: 1906. By Wertheim (Box 125)Port. Gr.: Reznicek and his wife. 1920 (Box 125)Port. Gr.: Reznicek and his daughter. 1935 (Box 125)Port. Phot.: [1935]. By Schneider (Box 125)Port. Paint. Phot.: Orlik's oil portrait of Reznicek (Box 125)Port. Phot. Repro. S.: of Hans [Jean] Nadalovitch, inscribed to Reznicek, Berlin, 1905-1910 (Box 125)Ricci, Federico, 1809-1877A. L. S.: to Dessauer. n.p., n.d. 1p., ItalianRichter, Hans, 1843-1916A. L. S.: n.p., 26 May 1879. 3p., GermanA. L. S.: London, 28 May 1885. 3p., German2 A. L. S.: to Astruc. Baracs, 27 Sept. 1908; Bowdon, Cheshire, received 1 Nov. 1908. 3p., FrenchPort. Phot. S.: Vienna, 14 Mar. 1882. By London Stereoscopic (Box 114)Riedel, Carl, 1827-18882 A. L. S.: Leipzig, 5 May 1877, 14 May [1877?]. 7p., GermanA. Mus. Quot. S.: [Canon, 6m.]. Leipzig, 9 Oct. 1874Riedel, Hermann, 1847-1913A. L. S.: to a lawyer. Braunschweig, 13 Mar. 1882. 1p., GermanCall. c. Annot.: n.p., n.d. GermanRiegger, Wallingford, 1885-1961A. Mus. ms. Rev. S.: [Consummation, Piece for Orchestra, 1939]. 64p. 35x27cm., ink, pencil. Full scoreA. L. S.: to David Burge. New York, 21 Apr. 1956. 2p., English. Contains corrections for New and Old2 T. L. S.: to Hans Moldenhauer. New York, 18 Nov., 26 Dec. 1957. 4p., EnglishRies, Franz, 1755-1846A. L. S.: to an author. Berlin, 15 Nov. ?. 1p., German. With musical illustrationA. L. S.: to Artaria of Vienna. Bonn, 28 Nov. 1809. 1p., GermanRies, Hubert, 1802-1886A. Mus. Quot. S.: Chant pour Violin, op. 19, 24 Dec. 1884. 2p. On verso, autograph musical quotation by Paul Pabst, Moscow, 1 Dec. 1886Rietz, Julius, 1812-1877A. L. S.: to ?. Dresden, 28 Oct. 1860. 3p., GermanA. L. S.: [to Reinecke?]. Dresden, 8 Mar. 1868. 1p., GermanA. Card S.: to Carl Reinecke. Dresden, 24 Oct. 1876. 2p., GermanRihm, Wolfgang, b. 1952A. Mus. ms.: Sinfonia da requiem, Darmstadt, 1972. 2p., 34x27cm. Sketches, and "fun notes," written in conversation with Gloria CoatesProg. S.: Basel, 24 Apr. 1986. 1p. With addressRimsky-Korsakov, Nikolai, 1844-1908A. Mus. ms.: [Boris Godunov, "Coronation scene," Prologue, scene 2, by Musorgsky, ca. 1907]. 6p. (34m.), 36x27cm. Orchestrated by Rimsky-Korsakov for mixed chorus and orchestra. Fragment, full score. With letter of authentication and letter of provenanceA. L. S.: to Carré. St. Petersburg, 29 Oct. 1907. 2p., French. Regarding Snow Maiden; Russian and French music publishersRisler, Edouard, 1873-1929A. L. S.: Reichenberg, n.d. 1p., FrenchRitter, Alexander, 1833-1896A. L. S.: to Steyl. Munich, 10 Mar. 1892. 4p., German. With postscript dated 15 Mar. 1892Port. Phot. Repro. (Box 114)Ritter, August Gottfried, 1811-1885A. L. S.: to A. W. Bach. Erfurt, 25 Mar. 1838. 1p., GermanA. L. S.: to Müller. Erfurt, 6 Aug. 1842. 1p., GermanA. L. S.: to Brendel. Magdeburg, 11 July 1850. 2p., GermanA. L. S.: to Lippert. Magdeburg, 23 July 1857. 1p., GermanA. L. S.: to Moritz fürstenau. Magdeburg, 24 Nov. 1857. 1p., GermanA. L. S.: Magdeburg. 9 Nov. 187[9?]. 2p., GermanRitter, Théodore, 1841-1886A. L. S.: n.p., Thursday, n.d. 2p., FrenchRivier, Jean, 1896-1987Call. c. Annot. S.: [to Hans Rosbaud]. Paris, 8 Dec. FrenchRochlitz, Friedrich, 1769-1842A. L. S.: to Johann Heinrich Voss. Leipzig, 1794. 1p., GermanRöder, Georg Vincenz, 1780-1848A. L. S.: to Chelard. Altötting in Oberbayern, 28 Sept. 1843. 1p., GermanRodrigo, Joaquín, b. 1901Mus. ms. cop. S.: Berceuse, for piano, 13 Dec. 1923. 3p., 31x22cm. InitialedMus. ms. cop.: Cantiga, song with piano accompaniment, 8 Sept. 1925. 9p., 31x22cm.Mus. ms. cop.: Plegaria de la Infanta de Castilla, for piano solo. 4p., 35x27cm.2 L. S.: to Aurelio de la Vega. Madrid, 12 May 1956, 15 [May?] 1976. 2p., Spanish. Written by his wife, VictoriaL.: to Aurelio de la Vega. n.p., 1972. Spanish. Written by his wife, VictoriaP. card: to Aurelio de la Vega. Madrid, 8 Apr. 1973. Spanish. Written by his wife, VictoriaT. L.: to Aurelio de la Vega. Madrid, 12 June 1977. 1p., Spanish. Signed "J. Rodrigo" by his wife, Victoria2 T.L.: to Andrés Segovia. 4p., SpanishRelated Collection MaterialsSee: Coelho, Olga PraguerRelated Collection MaterialsSee: Segovia, AndrésRodriguez, Ricardo, 1879-1951A. Mus. ms. S.: Paisage. 5p., 36x26cm.Roger-Ducasse, Jean, 1873-1954A. L. S.: Le Caillan, n.d. 2p., FrenchRolland, Romain, 1866-1944A. L. S.: [to Paul Sanders]. n.p., 22 Feb. 1916. 3p., FrenchA. Doc. S.: Address. "An Beethoven. Dankgesang," to Dr. Guido Adler, 28 Mar. 1927. 17p., French. Original manuscript of the address given in 1927 for the Musical Congress in Vienna. Unpublished in original FrenchRomaniello, Luigi, 1860-1916T. Doc.: Biographical information. 2p.Call. c. Annot.Romberg, Bernhard, 1767-1841A. L. S.: to Madame Franck in Wilna. Vienna, 24 Jan. 1812. 2p., GermanA. L. S.: Rathbone Place, London, n.d. 1p., GermanPort. Lith. (Box 114)Ronger, Florimond, 1825-1892Related Collection MaterialsSee: HervéRopartz, Joseph Guy, 1864-1955A. Mus. ms. S.: Symphonie en la, sur un choral Breton, to Alfred Cortot, 1894-1895. 45p. 35x27cm., ink, pencil. Condensed score2 A. L. S.: 28 Jan. 1908, 21 Apr. 1920. 2p., FrenchPort. Phot. S. Repro. (Box 114)Rosbaud, Hans, 1895-1962A. L. S.: to André Jolivet. n.p., n.d. 2p., French. DraftA. Alb. l. S.: Aix-en-Provence, 24 July 1953. 2p. On same leaf, inscriptions by Ebert, Elmendorff, Flothuis, Greissle, Pincherle, Rech, and SauguetDoc. Repro.: Testimony. To Hans Moldenhauer, Munich, 7 Nov. 1946. 1p., German. Copy of Rosbaud's "Zeugnis"Clip.: Chicago Sun Times, 5 Jan. 1959. 1p., English3 Obit.: 6 Jan. 1963. German3 Port. Phot. (Box 114)Related Collection MaterialsSee: Bartók, BélaRelated Collection MaterialsSee: Hauer, Josef MatthiasRelated Collection MaterialsSee: Penderecki, KryzstofRelated Collection MaterialsSee: Roussel, AlbertRelated Collection MaterialsSee: Walter, BrunoRosenberg, Hilding, 1892-1985A. Mus. ms.: [Sonata for Solo Clarinet], Clarinet Solo, Andante. 3p., 37x25cm. SketchesMus. ms. Repro.: Sonata for Solo Clarinet, 1960. 6p.Rosenthal, Albi, b. 1914Doc. S.: Essay. "Franz Anton und Carl Maria von Weber in der Frühgeschichte der Lithographie," Tutzing: Hans Schneider, 1985, to Hans and Mary Moldenhauer, Sils-Maria, 26 Sept. 1985. 9p., GermanRelated Collection MaterialsSee: Da Ponte, LorenzoRosenthal, Manuel, b. 1904A. Mus. ms. S.: Missa Deo Gratia. 19p., 35x27cm. Full scoreA. L. S.: [to Paul Sanders]. Le Haye, Holland, 12 Apr. 1946. 1p., FrenchRosenthal, Moriz, 1862-1946A. L. S.: to Madame Neuer. New York, 27 Jan. 1925. 1p., EnglishDoc.: "Mahleriana." 9p., German. In the hand of Mrs. Rosenthal. Describes various encounters with MahlerA. Mus. Quot. S.: Sostenuto, to Francesco Berger, June 1899Port. Phot. S.: to Bruno Eisner, Cap d'Ail, 31 Dec. 1932. On verso, message by Hedwig Rosenthal-Kammer. By Foyer (Box 114)Port. Phot. (Box 114)Rossini, Gioachino, 1792-1868A. Mus. ms.: Moïse. 3p. + 1p. sketches to Finale, 26x34cm., ink. French version. Section of the ensemble beginning with the words of Moses, "Je réclame la foi promise Pharaon," marked "Dopo il Ballo." Full scoreA. L. S.: to Angelo Mignani. Florence, 21 Apr. 1849. 1p., ItalianA. L. S.: to Pacini. Paris, 29 Nov. 1861. 1p., ItalianA. L. S.: from Olympie Desguilliers Rossini. ?, 17 Oct. 4p., FrenchA. L. S.: [to Balzac?], from Olympie Desguilliers Rossini. n.p., n.d. 4p., FrenchMus. ms. Repro.: Liceo Musicale Rossini in Pesaro. 3p. Facsimile of an unpublished autograph manuscript. BoundPort. Engr.: by Woolnoth (Box 114)Rota, Nino, 1911-1979A. Mus. ms.: Messa per coro e organo, 16 Mar. 1960. 30p., 33x24cm., pencil. Complete draft of the full scoreRoters, Ernst, 1892-1961(Shelf)Mus. ms. cop. S.: Musik zu Ein Sommernachtstraum (Shakespeare), op. 14I. 86p., 33x26cm. Piano reduction. Bound (Shelf)Rouault, Georges, 1871-1958Related Collection MaterialsSee: Parent, ArmandRoussel, Albert, 1869-1937A. L. S.: n.p., 12 Aug. 1910. 2p., FrenchA. L. S.: to a conductor. Paris, 5 Dec. 1936. 1p., FrenchL.: Draft of a letter to Mrs. Roussel, from Hans Rosbaud. Also, a draft to André Améller. 2p.A. Mus. Quot. S.: Symphonie in Sol, Boston, 22 Oct. 1930. Themes from each movementPort. Phot. S.: to Boaz Piller, Boston, 21 Oct. 1930. By Lipnitzki (Box 114)Port. Phot. Repro. Annot. S.: to Hans Rosbaud, n.p., 12 Nov. [1949?]. 2p., French. Composer at the piano (Box 114)Rubin, Marcel, 1905-1995A. Mus. ms. S.: Konzert für Kontrabass und Orchester, 19 Jan. 1970. 17p., 34x27cm. SketchesA. Mus. ms. S.: Quatre Poëmes de Rimbaud, 28 Feb. 1937, to Hanna Schwarz, Oct. 1937. 17p., 35x27cm.Pri. Sco. S.: Quatre Poëmes de Rimbaud, 1937, to Hanna Schwarz, 4 Apr. 1937. 15p.Pri. Sco. S.: Troisième Sonate, Paris, 1928, to Stefan Auber, Vienna, May 1934. 24p.Rubinstein, Anton, 1829-1894A. Mus. ms. S.: Zwölf Lieder, op. 78, for Voice and Piano, Hebräische Melodie, Lied, Der Engel, Der Sturm, Klage, Der Gefangene, Neugriechisches Lied, Elegie, Lied, Sinngedicht, Lied, Scene aus "Der Zigeuner." 17p., 38x26cm., ink, pencil. Based on poems by Pushkin and others, translated into German. The manuscript was used for publication by B. Senff, LeipzigA. Doc.: Texts. 15p., German. For thirteen poems, with correction for Der MorgenA. Doc.: Printing instructions. 1p.2 Docs.: Music covers. [Musical Evenings, copy books 9, 10]. RussianPort. Paint. Repro. (Box 114)Rubinstein, Nikolai, 1835-1881A. L. S.: to Reinecke. n.p., n.d. 1p., GermanRelated Collection MaterialsSee: Tchaikovsky, Pyotr IlyichRudersdorff, Hermine, 1822-1882A. L. S.: [to Lockey]. London, 1 Apr. 1856. 1p., EnglishA. L. S.: to Creythe. ?, 25 Oct. 1860. 1p., EnglishA. L. S.: [London]. 1p., FrenchRudolph, Archduke of Austria, 1788-1831L. S.: to Cardinal Pallotta. Vienna, 24 Dec. 1827. 1p., ItalianRufer, Josef, 1893-19855 A. L. S.: to Adolph Weiss. Berlin, 1927-1933. 12p., German4 T. L. S.: to Adolph Weiss. Berlin, 1931-1934. 7p., German2 L. S.: to Adolph Weiss, from Rufer's father, Joseph. Vienna, 31 July, 24 Oct. 1931. 4p., GermanT. Doc. A. Rev. S.: Essay. "Das Problem der modernen Oper." 5p., GermanRuiz Aznar, Valentín, 1902-1972A. Mus. ms. S.: Nana, Granada, to Hans Moldenhauer, 15 Sept. 1971. 3p., 30x21cm.Pri. Sco. S.: Cinco canciones para soprano y acompañamiento de piano, Granada, 1962, to Hans Moldenhauer, Granada, 14 Sept. 1971. 17p.Prog.: Granada, 6 July 1970. 16p., Spanish. Booklet of testimonial ceremony. Also contains a reproduction of Solea by Ruiz AznarRuiz García-Jalón, SabinoMus. ms. cop. A. Rev. S.: Danza de diablillos, to Ernesto Halffter, Bilbao, Mar. 1925. 8p. Title was originally Danza grotescaMus. ms. cop. A. Rev.: Humoresca, Bilbao, 1925. 9p.Saar, Louis Victor, 1868-1937A. L. S.: to Franko. Cincinnati, 21 [June?] 1917. 1p., GermanSachse-Hofmeister, Anna, 1853-1904A. L. S.: to a conductor. Frankfurt, 30 Oct. 1874. 2p., GermanA. L. S.: to Eichberger. Dresden, 1 Apr. 1878. 1p., GermanA. L. S.: to Director von Platten. Dresden, 3 Apr. 1878. 1p., German. With note in the hand of Count PlattenSaint-Foix, Georges, 1874-1954A. L. S.: [to Felix Huch?]. Aix-en-Provence, 16 June 1947. 2p., FrenchSaint-Luban, Léon de, 1805-18503 A. L. S.: to Rudolph de Vivenot. Berlin, 1830-1843. 8p., GermanA. Doc. S.: Address. Vienna, 14 [June? 1839?]Saint-Saëns, Camille, 1835-1921A. Mus. Alb. l. S.: Danse macabre, 1 Nov. 1877, for piano. 13m., ink, with engraved bordersA. L. S.: to a pianist. [Rue de Longchamp 17?], 24 Sept. 1907. 3p., French. Regarding concert activities; Beethoven, Mozart, Chopin arrangementSalazar, Adolfo, 1890-1958A. Mus. ms. S.: Trois Prèludes, pour le piano, Madrid, Apr. 1916. 9p., 35x27cm., ink. Complete score. Bound in leather and cloth, embossedSalomon, Johann Peter, 1745-1815Port. Engr.Salvador, Matilde, b. 1918A. Mus. ms. S.: Desvelo, de la madre, 1947. 3p., 31x22cm.A. Mus. ms. S.: En donde tejemos la ronda, Apr. 1952. 4p., 31x21cm.A. Mus. ms. S.: Una enredadera, 15 Jan. 1956. 4p., 31x21cm.A. Mus. ms. S.: Mayo, Valencia, 1951. 3p., 31x21cm.A. Mus. ms. S.: Nana, de la Virgen, 1947. 3p., 31x22cm.A. Mus. ms. S.: Si algún dia vols cantar, to the Moldenhauer Archives, Valencia, 1963. 2p., 31x21cm.3 Mus. mss. Repro.: Rapto; Presentimento; Cancioncilla. 11p. Blueprint scoreMus. ms. Repro. S.: El rio feliz. 2p. Blueprint scoreMus. ms. Repro. S.: Tres nanas. 6p. Blueprint scorePri. Sco.: Canción de Vela, 1946. 2p.Pri. Sco.: Canciónes de nana y desvelo, Madrid: Unión Musical Española, c1960. 17p.Samaras, Spyridon, 1863[?]-1917A. Mus. Quot. S.: "La Martire," Milan, 12 Jan. 1895. 1p., ItalianSamazeuilh, Gustave, 1877-1967A. Mus. ms. S.: Trois Poèmes, pour piano, I, II, 1917, 8p., 35x27cm.Sammons, Albert, 1886-1957Related Collection MaterialsSee: Mengelberg, WillemSandberger, Adolf, 1864-1943Call. c. Annot.: to Hans Rosbaud. 9 July 1937Sander, Constantin, 1826-19057A. L. S.: [to A. W. Gottschalg]. Leipzig, 1890-1902. 23p. German. Writing as Director of the publishing firm of LeuckartSantini, Fortunato, 1778-1861A. L. S.: to Cherland. Munich, 11 Apr. 1836. 1p., FrenchSarasate, Pablo de, 1844-1908Mus. Quot.: to Florence Rathbone. Liverpool, 6 Dec. 1879Port. Phot. S.: New York, 1875. By Gurney (Box 115)Sass, Marie Constance, 1834-1907A. L. S.: n.p., 28 July 18[63?]. 1p., FrenchSatie, Erik, 1866-1925A. L. S.: to Jean Cocteau. Paris, 11 Jan. 1920. 2p., FrenchPort. Phot. (Box 115)Sato, Keijiro, b. 1927A. Mus. ms. S.: Calligraphie, pour piano, 1957-1960. 7p., 29x33cm. On verso of title page, detailed instructions for its performance (1960, German), to Selma Epstein and Midori Tanbe (1962)5 A. L. S.: to Selma Epstein. Tokyo, 1961-1963. 22p., English. Regarding composing; Calligraphie. With letter from Tatsuo Sato (brother)3 A. L. S.: to Hans Moldenhauer. Tokyo, 18 Oct. 1963, 15 Feb., 25 Apr. 1964. 6p., EnglishA. Doc. S.: Porogram notes. On "Calligraphy, for piano." 6p., EnglishA. Doc.: Work list. 1p., EnglishL. Repro.: to Selma Epstein, from Thomas Merton. Kentucky, 18 Dec. 1962. 1p., EnglishPri. Sco.: Calligraphy, for piano, Tokyo: Ongaku no Tomo, c1964. 12p.Sauer, Emil von, 1862-1942A. L. S.: Budapest, 16 Feb. 1891. 1p., GermanA. Mus. Quot.: Allegro non troppo, to Francesco Berger, London, 26 Mar. 1903. 1p.Port. Phot. S.: to Henrich Grünfeld, 1 Mar. 1885. By Risse (Box 115)Sauguet, Henri, 1901-1989Related Collection MaterialsSee: Rosbaud, HansSauret, Emile, 1852-1920A. Mus. Quot. S.: Lento, Prague, May 1886Sax, Adolphe, 1814-1894A. L. S.: n.p., 30 Aug. 1862. 1p., FrenchScaria, Emil, 1838-188614 A. L. S.: to B[artolf] Senff. Vienna, Leipzig, Dresden, Weimar, 1867-1873. 21p., GermanSchäffer, Bogusław, b. 19292 A. L. S.: to Gloria Coates. Poland, 19 Mar., 23 June 1976. 5p., EnglishSchalk, Franz, 1863-1931A. Card S.: to Baroness Henriette von Schey. Vienna, 22 Feb. 1904. 2p., GermanA. L. S.: [to Zemlinsky]. Brinoi, 28 Apr. 1922. 3p., GermanScharwenka, Xaver, 1850-1924A. L. S.: Berlin, 1885. 1p., GermanA. L. S.: Schlachtensee, 21 July 1891. 1p., GermanA. L. S.: Berlin, 25 May 1906. 2p., GermanPort. Phot.: 1889 (Box 115)Port. Repro. (Box 115)Schebest, Agnes, 1813-1870A. L. S.: to a physician. n.p., 31 Aug. 2p., GermanA. L. S.: to von Heidetoff. ?, Nov. 1841. 1p., GermanScheffler, Siegfried, 1892-1969A. Mus. ms. S.: [Ten Songs]. 24p. + 8p. (vocal score), 34x26cm., GermanScheidmantel, Karl, 1859-19235 A. L. S.: [to Heyer]. Dresden, 1896-1900. 6p., GermanScheinpflug, Paul, 1875-1937A. L. S.: [to Tischer]. Duisburg, 28 Nov. 1925. 2p., German. Mentions HindemithSchelper, Otto, 1840-19064 A. L. S.: to Fritzsch, Lindner, and others. Leipzig, 1877-1900. 6p., German. With musical illustrationScherchen, Hermann, 1891-1966T. L. S.: to Adolph Weiss. Gravesano, 23 Dec. 1954. 1p., GermanRelated Collection MaterialsSee: Hartmann, Karl AmadeusSchicht, Johann Gottfried, 1753-1823A. L. S.: to Christian Friedrich Uber. Leipzig, 24 Apr. 1818. 1p., GermanSchiff de Labarque, Otto, 1869-1948A.[?] Mus. ms. S.: Les Histoires de Jésus, Paris, 16 Mar. 1937. 6p.A. Mus. ms. S.: En Mémoire d'un Chef Hindou; Amaryllis; Vielle Ronde Francaise; Christiane, 1916, 1917. 8p., 30x23cm. + 35x27cm.A. Mus. ms. S.: Prelude 11, 13 Sept. 1904. 2p., 35x27cm.A. Mus. ms. S.: Prelude 19, 3 Oct. ?. 3p., 35x27cm. (Box 45)[A?]. Mus. ms. S.: Prelude 22, 16 Oct. 1904. 2p., 35x27cm.Schlinder, Anton Felix, 1795-1864A. L. S.: to Karl August André. Frankfurt, 14 Oct. [ca. 1850]. 1p., GermanSchloss, Julius, 1902-1972A. Mus. ms. S.: "Happy Birthday to You...," 10 Sept. 1949. 1p., English. Birthday canon for Schoenberg's 75th birthday. See autograph document belowA. Mus. ms. S.: "Heil! Alban Berg!". 1p., German. Birthday canon for Berg's 46th birthdayA. Mus. ms.: Requiem, 1932. Full score. 6p., 34x27cm.P. card S.: to Otto Jokl. Vienna, 31 Mar. 1930. German. Details about the reception given after the performance of Wozzeck8 T. L. S.: to Hans Moldenhauer. Belleville, New Jersey, 1963-1971. 8p., German, English. Many details regarding his work; Berg, Webern, SchoenbergA. Card S.: to Hans Moldenhauer. Newark, 21 Dec. 1965. EnglishP. Card S.: to Hans Moldenhauer. Montreal, 26 Oct. 1966. EnglishT. L. S.: to Hans Moldenhauer. Belleville, 6 Oct. 1969, 1p., EnglishA. Doc. S.: Sketch. Birthday card for Schoenberg's 75th birthday, with sketch of canon on verso. 10 Sept. 1949. 2p. See manuscript aboveMus. ms. Repro.: Impressions, 1964, c1967 by Julius Schloss. 15p.2 Mus. mss. Repro.: Sonata for Piano, c1963 by Julius Schloss. 37p eachMus. ms. Repro.: Sonate für Klavier, 1928-1929. 31p. Blueprint scoreMus. ms. Repro.: Symphony, c1969 by Julius Schloss. 35p.Mus. ms. Repro.: Twelve-Tone Suite for the Young Pianist, c1967 by Julius Schloss. 14p.Mus. ms. Repro.: 23rd Psalm, for Chorus and Organ, c1971 by Julius Schloss. 24p. Blueprint scoreL. Repro.: to Schloss, from Alban Berg. Vienna, 23 June 1930. 1p., GermanL. Repro.: from Arnold Schoenberg. Los Angeles, 28 Sept. 1947. 1p., GermanL. Repro.: from Arnold Schoenberg. Los Angeles, 18 Dec. 1948. 1p., English. Recommending SchlossPri. Sco. Repro.: Brass Octet, c1950 by Julius Schloss. 11p.Pri. Sco. Repro.: 4 Songs for Soprano and Piano after poems by Alfred Mombert, c1966 by Julius Schloss. 12p.Pri. Sco. S.: Requiem, c1962 by Julius Schloss. 13p.2 Pri. Sco.: Twenty-three Pieces, For Children in Twelve-Tone Style, New York: Peer, c1958, 1965. Two volumes, each set2 Prog.: 1966, 19733 Clip.: Nov. 1966, German; Toronto Gazette, 16 June 1962Related Collection MaterialsSee: Schoenberg, ArnoldSchmidt, Franz, 1874-1939A. Mus. ms.: [Fredigundis]. 3p., 33x26cm., ink. Excerpt, full scoreA. Card S.: to Karl Weigl. Perchtoldsdorf, 27 Dec. 1934. 1p., GermanCall. c.Schmidt, Gustav, 1816-1882A. L. S.: [to Franz von Holstein]. Leipzig, 18 Aug. 1875. 4p., GermanSchmitt, Alóys, 1788-1866A. L. S.: to Diabelli. Frankfurt, 5 Jan. 1834. 1p., GermanSchmitt, Florent, 1870-1958A. L. S.: St. Cloud, 3 Dec. 1927. 4p., FrenchA. L. S.: n.d. 1p., FrenchSchnabel, Artur, 1882-19512 P. cards S.: to Bruno Eisner. Berlin, 2 May 1907; Forte dei Marmi, 26 Aug. 1929. 3p., German. Also signed by othersA. L. S.: to Bruno Eisner. New York, 5 Nov. 1940. 1p., GermanMus. ms. Repro. S.: [Sonata for Violin and Piano], to Bruno Eisner, 1944. 42p. + 16p. (parts). Blueprint scorePort. Phot. S.: to Boaz Piller. Boston, 13 Mar. 1939 (Box 115)Schneider, Friderich, 1786-1853A. L. S.: to Ole Bull. Dessau, 20 Dec. 1840. 3p., GermanA. L. S.: Dessau, 3 Feb. 1843. 3p., GermanA. L. S.: to Eberius. Dessau, 19 Feb. 1845. 2p., GermanSchoberlechner, Sophie Dell'Occa, 1807-1864A. L. S.: to Baron de Vivenot. n.p., 14 Sept. 1842. 1p., FrenchSchoenberg, Arnold, 1874-1951A. Mus. ms.: Adagio, for string orchestra and harp, [before 1897]. 3p., 35x27cm., pencil. Full score. Unpublished. Originally titled, "Andante" (46/1)A. Mus. ms.: [Concerto for String Quartet and Orchestra, adapted from Handel's Concerto Grosso, op. 6, No. 7, to Alma Mahler, 1933]. 2 leaves, 35x27, 27x35cm. ink, red pencil. Sketches. With a description of his method and purpose for the transcription, in German (46/1)A. Mus. ms. S.: Gavotte und Musette (im alten Style), für Streich-Orchester, [1897]. 7p., 35x27cm., ink. Full score (46/2)A. Mus. ms.: Im Korn, song for soprano and piano, by Zemlinsky, 2p., 25x30cm., German. Text by Evers. Signed by Zemlinsky. With Zemlinsky's dedication to Mela (46/2)A. Mus. ms.: Der Tag wird kühl, song for soprano and piano, by Zemlinsky, to Melanie Guttmann Rice. 3p., 34x26cm., German. Fair copy in Schoenberg's autograph. Also inscribed by Melanie Guttmann (46/2)Mus. ms. cop.: Quintett für Flöte, Oboe, Klarinette, Horn and Bassoon [sic], op. 26, 1924. 39p. (parts incomplete). With "Klarinette in A" (46/3)Mus. ms. cop.: String Trio, op. 45, 1946. Incomplete. 17p. (46/3)P. card S.: to William C. Rice Jr. from Ed. F[riedmann?]. Vienna 2 Dec. 1898. English. Joint greetings by "companions" Schoenberg, Oskar Friedmann, Wassermann, and other musicians, authors (Box 119)P. card S.: to [Anton] Webern. Berlin-Zehlendorf, 8 Nov. 1912. 1p., German. Penned on verso of his own portrait photograph (Box 115)P. card S.: to Roberto Gerhard. Mödling, 19 Feb. 1924. German. Text adresses Wieser (Box 119)P. card S.: to Melanie Rice. Prague, 9 June 1924. 2p., German. Cosigners include Berg, Helene Berg, Trudi Greissle, Gutheil-Schoder, Steuermann, Martha Ullmann, Webern, Zemlinsky, and others (Box 119)T. L. S.: to Julius Schloss. Mödling, 6 Nov. 1924. 1p., German (Box 119)T. L. S.: to Schloss. Beaulieu sur Mer, 10 Feb. 1925. 1p., German (Box 119)24 L.: to Adolph Weiss. 1925-1937. 24 leaves, German. Translating Harmonielehre (Box 119)A. L. S.: to Alban Berg. Pörtschach, 9 Aug. 1927. 1p., German. Mentions Lyric Suite; Hertzka (Box 119)A. L. S.: to Berg and Webern. Roquebrune, 25 Aug. 1928. 2p., German (Box 119)A. L. S.: to Dr. Norbert Schwarzmann. Roquebrune-Cap Martin, 31 Oct. 1928. 2p., German. About Webern's illness (Box 119)A. L.: to Berg and Webern. Monte Carlo, 12 Feb. 1929. 2p., German (Box 119)T. L. S.: to Paul Pisk. Charlottenburg, 22 Oct. 1929. 1p., German (Box 119)A. card S.: to Melanie Guttmann Rice. [Boston], 23 Dec. 1933. German. Includes note from Gertrud Schoenberg (Box 119)A. L. S.: to Paul Pisk. Brookline, Massachusetts, 4 Mar. 1934. 1p., German (Box 119)P. card S.: to Melanie [Guttmann] Rice. Chautauqua, 21 July 1934. German. Includes note from Gertrud Schoenberg (Box 119)P. card S.: to Universal Edition. Chautauqua, 15 Sept. 1934. German (Box 119)L. S. A. Annot.: to Kurt Manschinger. Los Angeles, 3 Oct. 1944. 1p., English (Box 119)5 T. L. S.: to Fritz Mahler. 1947-1949. 7 leaves, English. Included are an additional five carbon copy letters to Schoenberg, from Fritz Mahler, 1949; a letter to Fritz Mahler, from Richard Hoffmann; and an invoice for Moses und Aron, "Dance around the Golden Calf," with autograph annotations, 1949 (Box 119)6 L. S.: to Friderike Zweig. Los Angeles, Feb. 1950-May 1951. 7p., German, English (Box 119)A. L. S.: [to Melanie Guttmann Rice]. Vienna, n.d. 1p., German (Box 119)A. L. S.: to Carl Hagemann. Kopenhagen, n.d. 1p., German (Box 119)Doc.: "Fehlerliste." Corrections for Variationen, op. 31, 29 Jan. 1933. Marked "Neue Liste." Corrections for 90 measures, including musical examples and annotations. 3 leaves, ink, colored pencils. Stamped with address (46/4)T. Doc.: Dedication. To [Alexander] Zemlinsky, for Pierrot Lunaire score. 1p., German (Box 119)T. Doc. A. Rev.: Lectrure. On Brahms, delivered over the radio, 12 Feb. 1933, for the centenary of the birth of Brahms. Carbon copy of original typescript with musical examples. Revised in 1947 for Style and Idea (1975) under the title "Brahms the Progressive." 28p., German (46/4)A. Doc. S.: Poem. "Wer mit der Welt Laufen will...," to Dr. David Joseph Bach, 24 Mar. 1926. 1p. (9 lines) (46/5)Doc.: Text. "Choral-Bearbeitung," ca. 1930. 1p., German (46/5)Doc.: Announcement for Schoenberg lecture, "Stil und Gedanke...," Vienna, 15 Feb. 1933. 1p., German. With newspaper report (46/5)Doc.: Birth announcement. Los Angeles, 26 May 1937. 1p., English. For Rudolf Ronald Schoenberg (46/5)T. Doc.: Essay. "Arnold Schönbergs neue Männerchöre," [by Willi Reich?]. 4p., German (46/5)T. Lib. A. Rev. S.: Moses und Aron. 46p., German (46/6)3 A. Mus. Quot. S.: Pelleas und Melisande, op. 5, Boston, 9 Jan. 1934. 1p. (10mj.). Three thematic quotations: Melisande (Andante), Golaud (Moderato), Pelleas (Vivace). Mounted with portrait photograph, to Piller, 30 Dec. 1921 (46/6)Mus. ms. Repro.: Gurre-lieder. 179p., German. First edition, facsimile. Autograph annotations by Polnauer. Bound (Box 101)Mus. ms. Repro.: Von Heute auf Morgen, 1929. 149p. First edition, facsimile, of piano reduction, with annotations concerning staging in the hand of Willi Reich. Bound (Box 101)Mus. ms. Repro.: Die Jacobsleiter. 39p., German. Facsimile of original manuscript. Stamped by Schoenberg, Los Angeles (46/7)Mus. ms. Repro. S.: [Moses und Aron], "Der Tanz um das goldene Kalb," Vienna: Scherchen, c1951 to Adolph Weiss, 1952. Facsimile of piano-vocal score. 198p. (Box 120)Mus. ms. Repro.: [Moses und Aron], to Fritz Mahler. pp. 103-178 (mm. 166-976). Photostat of autograph in full score (46/8)Mus. ms. Repro. S.: Ode to Napoleon Buonaparte, to Adolph Weiss, Christmas, 1944. 36p., English. Blueprint score (Box 101)Mus. ms. Repro.: Ode to Napoleon Buonaparte, [Los Angeles]. 8p., German. Facsimile of melodic line. Stamped by Schoenberg (46/9)Mus. ms. Repro.: String Trio, op. 45, New York: Boelke-Bomart, c1950. 23p. First edition (46/9)Mus. ms. Repro. S.: [2.] Streich-Quartett, op. 10, Vienna: Schoenberg, n.d., to Alexander Zemlinsky, 18 Feb. 1909. 47p., German. Facsimile (46/10)77 L. Repro.: to Alexander Zemlinsky. 1911-1927. 82 leaves, German. Drafts of letters, typed transcripts of letters and postcards (Box 119)12 L. S. Repro.: to Rudolph and Nina Goehr. 1933-1949. 16 leaves, German (Box 119)2 L. Repro.: to [Julius] Schloss. Los Angeles, 28 Sept. 1947, 18 Dec. 1948. 2p., German (Box 119)L. Repro.: Los Angeles, 18 Dec. 1948. 1p., German. Letter of recommendation for [Julius} Schloss by Schoenberg (Box 119)Doc. Repro.: Excerpt. [Moses und Aron], "Moses zieht Aron zur Verantwortung." 1p., German. From autograph libretto (47/1)Doc. Repro.: Specifications. Moses und Aron. 5p. Photostat of Schoenberg's handwritten specifications for orchestration, annotations on many aspects of the opera, and drawing (47/1)Pri. Sco. S.: Concerto for Piano and Orchestra, op. 42, New York: G. Schirmer, c1944, to Adolph Weiss with inscription, 12-13 Sept. 1944. 99p. First edition, reduction for 2nd piano by Steuermann (47/2)Pri. Sco.: Dreimal tausend Jahre, op. 50a, Mainz: Schott's, c1955 by Mrs. Arnold Schoenberg. 3p. each, German, English. With signature by the poet of the text, Dagobert D. Runes. Two copies, with embossed stamp of Mrs. Schoenberg (47/3)Pri. Sco. S.: Funf Orchesterstücke, op. 16, Leipzig: Peters, c1912. First printing, with an inserted errata list, 1922. Signed on title page, and with several notations in the score. The cover contains the rubber stamp of Rudolph Ganz, who received the score from the composer. The score was used by Schoenberg when he conducted the work with the Chicago Symphony Orchestra (8 Feb. 1934) (48/6)Pri. Sco. S.: Erwartung, op. 17, Vienna: Universal Edition, c1922, to Josef Polnauer, Prague, June 1924. 47p., German. First edition, piano-vocal score. Also signed by Marie Pappenheim, Alexander Zemlinsky, and Marie Gutheil-Schoder (47/3)Pri. Sco. S.: Gurre-Lieder, No. 49, of the special edition, Büttenpapier, c1912. 238p. Piano-vocal score by Alban Berg (Box 101)Pri. Sco.: Von Huete auf Morgen, Berlin: Schoenberg, c1930. 140p. Second Edition, piano reduction (47/4)Pri. Sco.: Klavierstueck, 1932, in New Music, San Francisco, Apr. 1932. 7p. (47/5)Pri. Sco.: [Moses und Aron], "Der Tanz um das goldene Kalb," Vienna: Ars Viva Hermann Scherchen, c1951. Signed by Gertrud Schoenberg, to Adolph Weiss, 12 Sept. 1952 (Box 101)Pri. Sco. S.: Pelleas und Melisande, op. 5, Vienna: Universal Edition, c1911, to Josef Polnauer, 29 Feb. 1912 (mentions leap year). 131p. Three lines of text by Schoenberg. Signed by Alexander Zemlinsky, 2 June 1920 (47/6)Pri. Sco. Annot.: Pierrot Lunaire, op. 21, Vienna: Universal Edition c1914, to Hans Moldenhauer, from E. Stiedry, 22 Mar. 1972. 78p., German. Schoenberg coached Stiedry for the first recording of the work (47/7)Pri. Sco.: Quartett, Berlin: Dreililien, n.d. 80p. (48/1)Pri. Sco.: Quintett für Flöte, Oboe, Klarinette, Horn und Fagott, op. 26, [Vienna]: Universal Edition, c1925. 111p. (parts). All bear Schoenberg stamp except flute part (Douglas Craig) (48/2)10 Pri. Sco. S.: [Songs], Leipzig: Dreililien. 35p., German. Ten individual printings of songs from Schoenberg's opera 2 and 3 (48/3)Pri. Sco.: Der Tanz um das Goldene Kalb, Vienna: Ars Viva Hermann Scherchen, c1951. Signed by Gertrud Schoenberg, to Adolph Weiss, 12 Sept. 1952 (Box 120)Pri. Sco. S: Variationen für Orchester, op. 31, Vienna: Universal Edition, c1929, to Adolph Weiss, 13 Sept. 1936. 80p. (48/4)Prog. A. Annot.: Vienna, 2 May, 1924. 2p., German (48/5)Prog.: Vienna, 19 Sept. 1927. 3p. The program covers two concerts for the world premiere, sponsored by Mrs. Elizabeth Sprague Coolidge (48/5)Prog.: Vienna, 26 Feb. 1928. 2 leaves. Song recital given by Margot Hinnenberg-Lefèbre (48/5)Prog. S.: to Adolph Weiss, University of California, Los Angeles, 4-8 Jan. 1937. 4p. Autograph messages by Arnold Schoenberg, Gertrud Schoenberg and the four quartet members: Rudolf Kolisch, Felix Kuhner, Jenö Léner, Benar Heifetz (48/5)Prog.: University of California, Los Angeles, 27 Mar. 4p., English. Signed by Irene Hanna (48/5)A. Paint.: [Die glückliche Hand]. 20x24cm., in dark hues. Schoenberg's own stage design. Given to Webern (48/5)(Shelf)Port. Paint.: Arnold Schoenberg, by Hildegard Jone. Oil, 59x47cm. Framed by artist (Shelf)4 Draw.: Arnold Schoenberg, by Hildegard Jone. Original charcoal drawings, three with poetic inscription. Initialed (Box 115)Port. Caric.: of Schoenberg and Zemlinsky, by E. Weiss. Prague, [6 June 1924] (Box 115)Port. Phot. S.: to Boaz Piller, 30 Dec. 1921. Mounted with musical quotation above (Box 115)Port. Phot. S.: to [Edward] Clark, Mödling, 19 Aug. 1925 (Box 115)Port. Phot. S.: to [Adolph] and Mrs. Weiss, New York, 29 Mar. 1934 (Box 115)Port. Phot. S.: to Fritz and Erika Stiedry, [Christmas] 1950. German (Box 115)Phot.: [Photo of the plaque on the house in Barcelona], installed in 1955 (Box 115)Port. Gr.: with Schoenberg (Box 115)Port. Phot. (Box 115)Port. Phot.: on postcard to Webern (Box 115)Port. Draw. Repro.: 1917. From a drawing by Egon Schiele (Box 115)Bk.: Arnold Schoenberg, Munich: R. Piper, 1912. 90p., German. First edition (Box 120)Bk.: [Arnold Schoenberg, Gedenkausstellung 1974], Vienna: Universal Edition, c1974, edited by Ernst Hilmar, inscribed to Hans Moldenhauer, from Hilmar, Vienna, 7 Oct. 1974. 386p. (Box 120)Bk.: Arnold Schoenberg zum 60. Geburtstag 13. September 1934, Vienna: Universal Edition, 1934. 75p., German (Box 120)Bk.: Harmonielehre, Leipzig-Vienna: Universal Edition, 1911. Signed in 1911 by T. E. Clark. 476p., German. Bound in linen. Page proofs were used for Clark's private instruction by Schoenberg. Detailed annotations and analysis, in red, blue and black pencil, including musical examples (Box 120)Bk.: [same], 1922. 516p., German. Third edition (Box 120)Bk.: Schoenberg-Gespräch, Vienna: Hochschule für angewente Kunst in Wien, [1984]. 77p., 32p. ill., German. Illustrated book dealing with Schoenberg's paintings (Box 120)(Shelf)S. rec.: Quintet for Flute, Oboe, Clarinet, Horn and Bassoon, op. 26, LWO 23682 A5-6: B6-9: B11-12, tape 40 (Shelf)(Shelf)S. rec.: [Heinrich Strobel-Arnold Schoenberg], LWO 23682 A2-3, tape 40, 3 Mar. 1931 (Shelf)(Shelf)S. rec. S.: [Discussion with Heinrich Strobel and Eberhard Preussner], Berlin, 30 Mar. 1931. On verso, "Tanzscene" from Serenade for 7 Instruments, to Adolph Weiss, Christmas, 1937 (Shelf)(Shelf)S. rec.: Schoenberg lecture, K. B. Klaus, [Louisiana State University, 1942?] (Shelf)(Shelf)S. rec.: Theme and Variations, op. 43b, LWO 23682 B5: B1-4, tape (Shelf)(Shelf)S. rec.: [Unidentified student work], LWO 23682 A6, tape 41, 1933[?] (Shelf)Medal: Arnold Schönberg 1874-1951. [Original model of the Schoenberg medal], designed by Josef Humplik. Awarded by the Arnold Schoenberg Kuratorium. Bronze, 17cm. (Box 124)Medal: [The Schoenberg medal]. Awarded to Edward Clark in 1951. 7cm. Engraved on verso (Box 124)(Shelf)Baton: with calling card and note to Hans Rosbaud, from Gertrud Schoenberg (Shelf)Related Collection MaterialsSee: Liszt, FranzRelated Collection MaterialsSee: Schloss, JuliusRelated Collection MaterialsSee: Schoenberg, GertrudRelated Collection MaterialsSee: Webern, AntonRelated Collection MaterialsSee: Weigl, KarlSchoenberg, Gertrud, 1924-19677 L. S.: to Mrs. Adolph Weiss (Mary). Feb. 1934-July 1935. 7p., German. Three of the letters contained autograph postscripts signed by Arnold SchoenbergA. L. S.: to Friderike Zweig. Los Angeles, 18 July 1950. 1p., German7 L. S.: to Alma Mahler. Los Angeles, Apr. 1957-Feb. 1959. 11p., German. Musical and personal topicsRelated Collection MaterialsSee: Schoenberg, ArnoldSchoenberg, Nuria, b. 1932Card S.: to Alma Mahler. [Vienna?, Christmas, 1958]. 1p., EnglishSchott, Anton, 1846-1913A. L. S.: Schwerin, 10 Oct. 1891. 1p., GermanSchreck, Gustav, 1849-1918A. L. S.: Leipzig, 19 Mar. 1911. 2p., GermanPort. Phot. Repro. (Box 115)Schrecker, Franz, 1878-1934A. L. S.: to Universal Edition. n.p., received 4 Oct. 1922. 1p., GermanA. L. S.: to Tischer. Cologne, 18 Mar. 1924. 1p., GermanA. Mus. Quot. S.: Salzburg, 5 Mar. 1920Port. Phot. S.: to Paul Pisk. Christmas 1912. By Bänder (Box 115)Port. Phot.: Vienna, 1919. By Löwy (Box 115)Schröder-Devrient, Wilhelmine, 1804-1860A. L. S.: to [Charlotte] Pfeiffer. n.p., 1824. 2p., GermanSchubert, Franz, 1797-1828A. Mus. ms. S.: An den Mond in einer Herbstnacht, Apr. 1818. 11p., 22x30cm., ink. Song with piano accompaniment. Based on a poem by Aloys Wilhelm Schreiber (1761-1841). Complete scoreA. Mus. ms.: [Four Songs], Nachtgesang, An Rosa I, An Rosa II, Idens Schwanenleid, 1815. 4p., 24x32cm., inkA. Mus. ms. S.: Das Mädchen aus der Fremde, 16 Oct. 1814. 4p., 25x33cm., ink. Song with piano accompaniment, first version. Schubert wrote this song on the day of the first performance of his first mass. He again set the poem (Schiller) on 12 Aug. 1815Doc.: Death Announcement. "Schullehrer in der Rossau." Vienna, 20 Nov. 1828. 1p., German(Shelf)Mus. ms. Repro.: Drei Symphonie-Fragmente, Kassel: Bärenreiter, 1978, to Hans and Rosaleen Moldenhauer, from Ernst Hilmar, 1 May 1979. 31p. Facsimile (Shelf)(Shelf)Mus. ms. Repro.: Symphony in B Minor ("Unfinished"), London: Cockerell, Willis & Belliere, 1943, to Hans Rosbaud, from ?. 77p. Facsimile (Shelf)Schubert, Heinz, 1908-1945A. Mus. ms. S.: Hymnus nach dem Persischen des Zarathustra. 38p., 34x27cm. Piano scoreSchubert, Joseph, 1757-1837A. L. S.: Dresden, 8 Apr. 1803. 4p., GermanSchuberth, Julius, 1804-18758 A. L. S.: to A. W. Gottschalg. Leipzig, 1870-1884. 9p., German. Writing on behalf of Schuberth & Co., numerous references to LisztSchulhoff, Ervín, 1894-19424 P. cards S.: to Paul Sanders. Prague, 23 Sept., 28 Oct., 5, 11 Nov. 1931. 4p., German6 T. L. S.: to Paul Sanders. Prague, Sept.-Dec. 1931. 11p., GermanA. L. S.: to Paul Sanders. Prague, 9 July 1932. 2p., German. Politics, the opera, FlammenT. Doc.: Typescript. Text with specifications of setting, H.M.S. Royal Oak, Ein Jazz Oratorium von Otto Rombach und Erwin Schulhoff. 7p., German. Carbon copySchulhoff, Julius, 1825-1898A. Card: to Louis Lüstner. n.p., n.d. 2p., GermanSchulz-Beuthen, Heinrich, 1838-1915A. Mus. ms. S.: Des Enkelkindes Schlummerlied. 2p., 35x27cm.A. Mus. ms. S.: Koenig Lear. 1p., 35x27cm. Excerpt, full scoreA. Mus. ms. S.: [Suite for Piano Solo]. 12p., 34x27cm.Port. Phot. S.: Dresden, 19 Apr. 1908 (Box 115)Schumann, Clara, 1819-1896A. L. S.: to Black. n.p., 4 June 1859. 2p., English. Regarding a concert rehearsalA. L. S.: to a conductor in Edinburgh. London, 13 Feb. 1867. 4p., German. Regarding CarnavalP. card S.: to Julie Deichmann. Frankfurt, 15 Feb. 1881. GermanA. card S.: Frankfurt, 16 Oct. 188[3?]. 2p., GermanA. L. S.: to Speyer. London, 9 Apr. 1886. 2p., GermanA. Mus. Quot.: Ad Libitum, inscribed Frankfurt, Mar. 1890Doc.: Address panel. To Marie Michaelis, 3 June 1876Call. c. Annot.: GermanPort. Engr.: with biological sketch from The Graphic (Box 115)Port. Engr. (Box 115)Schumann, Robert, 1810-1856A. Mus. ms.: Burla for piano solo in G Minor, [ca. 1831]. 1p. (61 measures), 28x31cm., ink. UnpublishedA. L. S.: [to Spohr]. Leipzig, 9 Feb. 1838. 2p., German. Regarding Spohr, MendelssohnA. L. S.: to Whistling. Dresden, 23 June 1846. 2p., German. Details publishing Bach fugues; ill healthA. L. S.: to Pauline. Dresden, 22 Apr. 1849. 2p., GermanA. L. S.: to French horn virtuoso Levy. [Dresden?], 5 May 1849. 1p., GermanA. L. S.: to a singer [Düsseldorf], n.d. 1p., GermanPort. Engr. (Box 115)Schunke, HugoA. Mus. ms.: Bavaria, Hymne für grosses Orchester, 4 May 1906. 15p. + 18p., 32x25cm. Arranged for two pianos. Piano I in Schuncke's autograph, Piano II in the hand of a copyistSchweitzer, Albert, 1875-1965Related Collection MaterialsSee: Casals, PabloSciortino, Edouard, 1893-19792 Mus. mss. cop.: Ibère; Berbère, to Henry de Montherlant. 22p., 35x27cm.Scontrino, Antonio, 1850-1922A. Mus. Quot. S.: Quartetto per archi in do maggiore, to Glars, Florence, 31 Dec. 1906Scribe, Eugène, 1791-1861A. L. S.: London, 30 May. 1p., French. Cosigned by F. HalèvyScuch-Proska, Clementine, 1850-1932A. L. S.: to Eugen Lindner. Kötzschenbroda bei Dresden, 11 Nov. 1890. 3p., German3 A. L. S.: [to Garr?]. Dresden, 13 May 1875, 10 Dec. 1877, 28 Dec. 1879. 7p., GermanA. L. S.: to a theater official in Coburg. Dresden, n.d. 3p., GermanSearle, Humphrey, 1915-1982A. Mus. ms. S.: Symphony No. 5, op. 43, "In Memory of Anton Webern," London, June-Sept. 1964. 25p., 37x27cm., ink, pencil. Complete condensed scoreSechter, Simon, 1788-1867A. Mus. ms. S.: Thema von Mozart, weiter bearbeitet von Simon Sechter, 9 Nov. 1858. 4p., 26x33cm. Contains three fragmentary themes (C Minor, F Major, G Major) by Mozart, worked out by SechterA. Doc. S.: Autobiographical and aesthetical manifesto. Setting forth his credo as a composer, theoretician, and pedagogue, to August Schmidt. 2p., GermanSeeger, Ruth, 1901-1953Related Collection MaterialsSee: Crawford, Ruth PorterSegovia, Andrés, 1893-1987A. Mus. ms. S.: La Maja de Goya, Tonadilla by Granados, to Olga Coelho, 1949. 6p., 30x23cm., inkA. Mus. ms.: Canciones arcaícas by Manuel Ponce. 4p., 32x21cm.A. Mus. ms.: Casinha pequenina. 2p. + 4p. sketches, 27x18cm.A. Mus. ms. S.: Easy Lesson No. 5, to Olga Coelho, New York, 2 Apr. 1948. 3p., 32x24cm.A. Mus. ms. S.: Estudio (invocación a Schumann), New York, 11 Apr. 1949. 4p., 34x27cm.A. Mus. ms. S.: Estudio en b menor, Naples, 20 Dec. 1949. 4p., 33x24cm.A. Mus. ms. S.: Improvisación para guitarra, Montevideo, 25 Oct. 4p., 33x23cm.A. Mus. ms.: Lección 17, New York, 6 Apr. 1950. 2p., 34x27cm.A. Mus. ms. S.: Lección 21, New York, 30 Apr. 1950. 3p. + 1p. sketches, 30x23cm.A. Mus. ms.: Lección fácil, 28 Mar. 1950. 1p., 32x24cm.A. Mus. ms.: Ojos morenicos by Escobar. 1p. + 1p. sketches, 32x24cm.A. Mus. ms. S.: Platero y yo, Angelus by Castelnuovo-Tedesco. 4p., 34x25cm. Guitar score with fingerings by SegoviaA. Mus. ms. S.: Platero y yo, Melancolía by Castelnuovo-Tedesco. 5p., 34x25cm. Guitar score with fingerings by Segovia, text in the hand of Castelnuovo-TedescoA. Mus. ms. S.: Preludio, Montevideo, 1944. 3p., 33x23cm.A. Mus. ms.: Preludio by Manuel Ponce. 6p., 27x17cm.A. Mus. ms. S.: Preludio en mi menor, Washington, 9 Dec. 1946. 4p., 32x24cm. Manuscript in pencil, crossed out in inkA. Mus. ms. S.: Siciliana (lección no. 16 para el método), New York, 16 Aug. 1949. 3p. + 1p. sketches, 34x27cm.A. Mus. ms.: [Sketch of four chords, some text]. 1p., 34x27cm.A. Mus. ms. S.: Tempo I, to Olga Coelho. 2p., 27x16cm.A. Mus. ms. S.: [Untitled composition for guitar]. 4p., 32x21cm.A. Mus. ms.: [Chaconne for guitar solo]. 3p., 35x27cm., inkA. L. S.: to Boaz Piller. Detroit, 26 Feb. 1929. 1p., FrenchA. L. S.: to Frank La Forge. Rochester, 18 Mar. 1947. 3p., FrenchTlgm. Annot.: 8 Mar. 19562 T. L.: from Joaquin Rodrigo. 12 July, 13 Aug. 1956. 2p., Spanish (Box 129)2 T. L. Annot.: one to Segovia, the other written on his behalf. 14, 21 Aug. 1956. 2p., French. Regarding concerts in ParisT. Doc. Annot.: "La guitarra y yo". First chapter of autobiography. 10p. (Box 128)T. Doc.: List of classical guitarsDoc.: Booklet. Outlining Segovia's Italian tour Dec. 1955. 10p.Doc.: Signatures and photographs. Segovia's 50th birthday party. 2p.Doc.: File, ca. 1950s. Financial documents; visa applications; passportMus. ms. Repro.: Estudio (invocación a Schumann), New York, 11 Apr. 1949. 3p.Mus. ms. Repro.: Oración, New York, May 1949. 2p.Mus. ms. Repro.: Palomita, arranged by Manuel Ponce. 2p., 32x24cm.Pri. Sco.: Canciones mexicanas, by Manuel Ponce, Leipzig: Breitkopf, 1917, to Segovia, from Ponce. 4p.2 Prog.: 7 Mar. 1948 (Box 128)Prog. Annot.: 17 Oct. 19553 Prog.: Sept 1956 (Box 128)Prog.: Sunday, 20 Nov. Brighton Philharmonic Society2 Port. Phot. S.: to Olga Coelho, New York, Dec. 1943 (Box 115)Port. Phot.: Segovia's hands (Box 115)3 Port. Gr. (Box 115)9 Port. Phot. (Box 115)12 Phot.: (Box 129)17 Phot.: (Box 130)Port. Phot. Repro.: presentation to Segovia (Box 115)Twelve-carat gold guitar stringsRelated Collection MaterialsSee: Castelnuovo-Tedesco, MarioRelated Collection MaterialsSee: Coelho, Olga PraguerRelated Collection MaterialsSee: Rodrigo, JoaquínSeiffert, HenriA. Mus. ms. S.: Prière, (on G. B. S.), to G.B.S. [Gerrge Bernard Shaw], Sweden, Jan. 1911. 3p., 33x25cm. Full scoreSenff, Bartolf Wilhelm, 1815-1900A. Alb. l. S.: Leipzig, 15 Oct. 1851. 1p., German. PoemSerkin, Rudolf, 1903-19914 A. L. S.: to Alfred Mann. Vermont, 1986-1989. 4p., GermanT. L. S.: to Alfred Mann. Vermont, 5 Apr. 1988. 1p., GermanSerocki, Kazimierz, 1922-1981Mus. ms. Repro. S.: A piacere, propositions for piano, 4p. Facsimile. With autograph page of instructionsServais, Adrien Francois, 1807-1866A. L. S.: to Matis. Gotha, 23 Feb. 1854. 1p., FrenchDoc.: Biographical sketchPort. Phot. S. Repro. (Box 115)Séverac, Déodat de, 1872-19216 A. L. S.: to Lucy Vauthrin. Béziers, Pyrenees, Toulouse, 1912-1914. 7p., FrenchTlgm.: to Lucy Vauthrin. Paris, 15 May 1913. FrenchP. card S.: to Lucy Vauthrin. Pyrenees, 25 Aug. 1913. FrenchClip: with portrait photograph reproduced. French (Box 115)Port. Phot. S.: by Delon (Box 115)Severn, Edmund, 1862-1942A. Mus. ms. S.: [String Quartet in A-flat, Andante]. 12p (parts), 34x27cm.Seyfried, Ignaz von, Ritter, 1776-1841A. L. S.: to publisher Peters. Vienna, 9 May 1821. 1p., German, with typed translation and biographical information, in EnglishSgambati, Giovanni, 1841-1914A. L. S.: Rome, 10 Nov. 1884. 4p., Italian. Mentions LisztShaporin, Yuri, 1887-1966Port. Phot. S.: to Boaz Piller, 1937. With musical quotationShostakovich, Dimitrĭi, 1906-1975Mus. Quot. S.: to Boaz Piller, Boston, 14 Nov. 1959. RussianPri. Sco. S.: Sonate pour piano, op. 12, Moscow: State Music Publishers, 1927, to Fritz Stiedry, Leningrad, 23 Nov. 1927. 21p. First editionPri. Sco. S.: Trio for Piano, Violin, and Violoncello, op. 67, printed in Russia, 1945, to Fritz Stiedry, Moscow, 18 Feb. 1946. Piano (62p.) + violin (19p.) + cello (19p.). Also signed by Stiedry, New York CityPri. Sco. S.: [Twenty-four Preludes], op. 34, Moscow: State Publishing House of the Soviet Union, 1935, to Fritz Stiedry, Leningrad, 4 June 1936. 43p., RussianPort. Phot.: Youthful photo, mounted with note, signed (Box 115)S. rec.: Aus jüdischer Volkspoesie, op. 79Sibelius, Jean, 1865-1957A. Mus. ms. S.: Affettuoso, for piano, op. 76, [No. 7], 3p., 36x27cm., inkA. L. S.: to an author. Jarvenpaa, 26 Dec. 1915. 1p., GermanPort. Draw. Repro.: by Lupas (Box 115)Port. Phot. S. Repro. (Box 115)Siebold, Agathe Schütte von, 1835-1909A. Card S.: to Joachim (son of Joseph Joachim). Göttingen, 6 Aug. 1907. 2p., GermanSilcher, Friedrich, 1789-18602 A. Mus. mss.: Heimlicher Liebe Pein, 2p., 17x21cm., German. On verso, Schnaderhüpfeln, with verification of manuscript by Carl Lachenmann, Silcher-Museum, Schnait, 22 Nov. 1971, 19 Jan. 1972A. L. S.: Tübingen, 29 Apr. 1852. 3p., GermanT. L.: to Hans Moldenhauer, from Walter Gephardt. Tübingen, 24 Nov. 1971. 1p., GermanClip.: Biographical sketch. 1p., EnglishSiloti, Alexander, 1863-1945A. Mus. ms. S.: Adagio from the Sonata for Piano and Violin in F Minor by Bach, transcribed by Siloti for piano solo. 4p., 34x27cm.A. Mus. ms. S.: Partita, in E Minor by Bach. 14p. (full score) + 4p. (violin), 33x26cm.A. Mus. ms. S.: Sonia's Song. 4p., 32x24cm. Transcribed for voice or piano solo from an old Russian folk song from the UkraineA. L. S.: New York, 23 Mar. 1922. 1p., French, with English translationObit.: 10 Dec. 1945. 1p., EnglishPort. Phot. S.: Boston, 7 Apr. 1922 (Box 115)Related Collection MaterialsSee: Tchaikovsky, Pyotr IlyichSilva, Alfonso de, 1903-1937A. Mus. ms. S.: Preludio, para piano, to Ricardo Viñes, Sept. 1928. 3p., 35x27cm.Simmons, Rainer, 1869-1934A. L. S.: to Zemlinsky. Tegernsee, 9 July 190[8?]. 3p., GermanSimrock, Peter Joseph, 1792-1868A. L. S.: to Heinrich Cramer. Bonn, 16 June 1846. 2p., GermanSinigaglia, Leone, 1868-1944P. card S.: to Achille Simonetti. Ceresole Reale, 3 Sept. 1903. Italian2 A. L. S.: to Karl Weigl. Rome, 21 Apr. 1934; [Torino?], 12 Nov. 1934. 2p., German. Suggestions regarding compositions; ToscaniniSittard, Alfred, 1878-1942A. L. S.: to Tischer. Hamburg, 27 Feb. 1930. 1p., GermanSivori, Camillo, 1815-1894A. Mus. Quot. S.: Andante, Leeds, 30 Sept. 1855. With text (English) on versoPort. Phot. (Box 115)Sjögren, Emil, 1853-1918A. Mus. Quot. S.Skalkottas, Nikolaos, 1904-1949Mus. ms. Repro.: [Kretikos]. 3p.Mus. ms. Repro. A. Rev.: Second Little Suite, for Solo Violin and Piano, c1953. 11p. Blueprint scoreMus. ms. Repro.: [Sonatine]. 4p.Slevogt, Max, 1868-1932P. card S.: to Bruno Eisner. Neukastel, 14 Oct. 1927. German. With ink drawingA. Card S.: [to Bruno Eisner]. Neukastel, 1928. German. With drawing on versoA. L. S.: to Bruno Eisner. Neukastel, 22 Oct. 1931. 2p., German. With typescript of letterA. L. S.: to Bruno Eisner. n.p., n.d. 1p., German. With ink drawingRelated Collection MaterialsSee: Mozart, Wolfgang AmadeusSlonimsky, Nicolas, 1894-1995Related Collection MaterialsSee: Gershwin, GeorgeSmetana, Bedrich, 1824-1884Mus. ms. S. Repro.: IV Symfonická básun, [symphonic poems, No. 4, From Bohemia's Woods and Fields]. 5p. Photographic reproduction of excerptA. L. S.: [to the Association of Singers of the Typographers in Prague]. Gabjenice, 14 Feb. 1878. 1p., CzechoslovakianSontag, Henriette, 1806-1854A. L. S.: Frankfurt, 20 Mar. 1838. 4p., FrenchSontheim, Heinrich, 1820-1912A. Alb. l. S.: Stuttgart, 23 Oct. 1866. 1p., GermanSouberbielle [Léon Souberbiele, éditeur?]Mus. ms. cop. S.: Jeux d'Enfants, to Ricardo Viñes. 19p.Spagnoletti, Paolo, 1768-1834A. L. S.: to Lord Burghersh. Bompton Square, 4 Aug. 1825. 1p., EnglishSpazier, Johann Gottlieb Karl, 1761-18053 A. L. S.: 20 Feb. 1791, 4 Aug. 1802, 14 Aug. 1804. 4p., GermanT. Doc.: Biographical data. 2p., GermanSpazierer, MichaelisMus. ms. cop.: Missa da Requiem, à 4 vocibus. 17p., 34x22cm. Full Score. Marked "227, Director of Choir, St. Michael in Vienna"Spena, Lita, 1904-1989Mus. ms. cop.: Suite para piano. 18p.Speyer, Wilhelm, 1790-1878Related Collection MaterialsSee: Spohr, LouisSpies, Adolf, b. 1890A. Mus. ms. S.: Rosen, Cologne, 28 Feb. 1920. 3p., 34x27cm. GermanSpies, Hermine, 1857-18933 A. L. S.: to ?. Wiesbaden, 1 Jan. 1871, 18 Dec. 1883; n.p. n.d. 9p., GermanSpindler, Fritz, 1817-1905A. L. S.: to ?. [Niederlössnitz bei Dresden?], 8 June 1885. 2p., GermanSpinner, Leopold, 1906-1980Mus. ms. Repro.: Concerto for Piano and Orchestra, op. 4, 1947. 41p. Full score. Blueprint scoreRelated Collection MaterialsSee: Apostel, Hans ErichSpitta, Julius August Philipp, 1841-1894P. card S.: to Friedrich Chrysander. Berlin, 2 Aug. 1893. GermanSpohr, Louis, 1784-1859A. L. S.: to Fr. Schmidt. Cassel, 27 Apr. 1826. 1p., GermanA. L. S.: to Johann Simon Hermstedt. Cassel, 17 June 1836. 1p., GermanMus. ms. Repro.: Vater unser von Klopstock. 46p., German. Signature of ownership by W. SpeyerStadler, Albert, 1794-1888A. Doc. S.: Lieb Minna, 27 [June?] 1815. 2p., German. Set to music by SchubertStahl, Hermenn Wilhelm, 1872-1954A. Mus. ms. S.: A Piece for String Quartet, [1943?]. 5p. (parts), 32x24cm.Stalden, Peter, 1910-1996T. L. S.: [to Paul Sanders]. London, 5 July 1958. 1p., German2 Docs. S.StarckRelated Collection MaterialsSee: Grétry, André-Ernest-ModesteStavenhagen, Bernhard, 1862-1914A. L. S.: to Lindner. [Philadelphia?], 16 Feb. 1895. 4p., GermanA. Mus. Quot. S.: Heilige Elisabeth by Liszt. Weimar, 31 May 1902Clip: with portrait engraving and biographical information (Box 115)Steinbach, Fritz, 1855-1916P. card S.: to Carlos Droste. Meningen, 9 Feb. 1901. GermanSteinberg, Maximilian Oseyecich, 1883-1946A. L. S.: to Boaz Piller. Leningrad, 23 June 1929. 1p., GermanStekel, Eric-Paul, b. 1898A. L. S.: [to Alma Mahler]. Grenoble, 14 Jan. 1958. 2p., GermanStenz, ArthurA. L. S.: to Miss A. Cumberland. Dresden, 18 Nov. 1884. 1p., German. On verso, listings of music in another handStephan, Rudi, 1887-1915P. card S.: to Wilhelm Scheele. Munich, Theresicentr. 1318I. GermanPri. Sco. A. Rev.: Lieder [Ten songs]. 20p. First proofs3 Clip.: Reports on the debut concert in Munich which featured Stephan's opera 2, 3, and 4. GermanSteuermann, Edward, 1892-1964A. Mus. ms. S.: [Drei Brecht Lieder, No. III, "Gedanken über die Dauer des Exils," for Voice and Piano, 1945], dated at end, 19 June ?. 4p., 34x17cm. Complete scoreA. L. S.: to Julius Schloss. New York, 17 Nov. 1949. 1p., GermanP. card S.: to Hans Moldenhauer. New York, 30 Sept. 1964. 1p., GermanT. Card: to the Moldenhauers. New York, 11 Nov. 1964. 1p. Death announcementProg.: Flyer. Announcing two Steuermann concerts, with portrait photograph reproduced, 19642 Clip.: 4p.Port. Phot.: 1964 (Box 115)Related Collection MaterialsSee: Apostel, Hans ErichRelated Collection MaterialsSee: Schoenberg, ArnoldStiedry, Fritz, 1883-1968A. L. S.: to Bruno Eisner. New York, 30 Mar. 1945. 2p., GermanA. L. S.: to Alma Mahler. Zurich, Easter Monday 1959, 6p., German. Comments on his three-act opera; WozzeckA. L. S.: to Alma Mahler. Zurich, 25 June 1959. 2p., German. Lists three corrections in musical notation; Klemperer; WozzeckRelated Collection MaterialsSee: Berg, AlbanRelated Collection MaterialsSee: Shostakovich, DimitrĭiStockhausen, Julius, 1826-1906A. L. S.: to Sir George Grove. Frankfurt, 27 June 1884. 4p., EnglishStockhausen, Karlheinz, b. 1928A. Mus. ms.: Klavierstücke VIII, 1954. 3p., 33x25cm. + 26x26cm., pencil. Complete draft and sketchesT. L. S.: to Hans Moldenhauer. Locust Valley, New York, 5 Feb. 1963. 2p., EnglishT. Doc.: Lecture notes. For Stockhausen lecture at Washington State University, 3 Dec. 1958. With Typed biographical notes and introduction by Hans Moldenhauer. 3p., English3 Doc. S.: Brochures. 1958Doc. S.: from Die Reihe. 1958. 9p., EnglishMus. ms. Repro.: Sonatine für Klavier und Violine, 1950. 11p.3 Clip.: 23 Nov., 6 Dec. 1958, n.d. EnglishStoltz, Rosine, 1815-1903A. L. S.: to ?. n.p., 22 Sept. 1860[?]. 2p., FrenchStraube, Karl, 1873-19503 A. L. S.: to Karl Weigl. Bad Gastein, 4 Mar., 27 June 1926; Leipzig, 20 Sept. 1928. 5p., GermanP. card: to Karl Weigl, from Straube's wife. Leipzig, 17 Mar. 1934. GermanStrauss, Richard, 1864-1949Related Collection MaterialsSee: Bronsart von Schellendorf, HansStravinsky, Igor, 1882-1971Pri. Sco. Rev.: Threni, id est lamentationes Jeremiae prophetae, for Six Solo Voices, Chorus, and Orchestra. 70p. folio, 35x26cm. Undated printer's proofs (Boosey & Hawkes) incorporating corrections in the hand of Leopold Spinner from first proofs through final corrections for the second editionA. L. S.: to Edward Clark. Paris, 17 May 1927. 2p., FrenchA. L. S.: to Boaz Piller. Los Angeles, 21 Dec. 1939. 1p., EnglishA. L. S.: to Edward Clark. n.p., n.d. 2p., FrenchL.: to Hans Moldenhauer, from Lillian Libman. New York, 25 Jan. 1962Call. c. Annot.: to Hans Moldenhauer. Hollywood, 10 May 1961. English. With typed document by Stravinsky regarding The Death of Anton WebernA. Mus. Quot. S.: [The Firebird], to Boaz Piller, Paris, 10 June 1922. 1p. On verso, musical quotation from Fontane di Roma by Respighi, to Piller, 20 June 1922A. Mus. Quot. S.: "Nul, nul...," Boston, 15 Mar. 1935A. Mus. Quot. S.: [Pétrouchka], LondonPri. Sco. S.: Scherzo à la Russe, New York: Associated Music Publishers, c1945. 34p.Pri. Sco. S: Sonata for Two Pianos, New York: Associated Music Publishers, c1945. 48p.Prog.: 15-16 Mar. 1935. U.S. premieres of Fireworks and Perséphone, with the Cecilia Society Chorus and Arthur FiedlerDoc.: Brochure from Broadcast Music, Inc.Port. Draw. Gr. Repro. S.: Caricature of Stravinsky and Picasso, by Jean Cocteau, to Boaz Piller, Providence, 28 Nov. 1939. With musical quotations from The Rite of Spring and The Barber of Seville (Box 115)Port. Phot. S.: to Boaz Piller, 15 Mar. 1935. Conducting the Los Angeles Philharmonic (Box 115)Port. Phot. S.: to the Spokane Conservatory, 1955 (Box 115)Port. Draw. Repro. S.: to Boaz Piller, Boston, Nov. 1939. Drawing by Picasso, 31 Dec. 1920 (Box 115)(Shelf)Bk. S.: Chroniques de ma vie, Paris: Denoël et Steele, 1935, to Piller, Boston, 1939 (Shelf)(Shelf)Bk. S.: Poetics of Music, Cambridge, Massachusetts: Harvard University Press, 1947 (Shelf)Streicher, Nanette, 1769-1833A. L. S.: to ?. Vienna, 1 June 1823. 3p., GermanStroe, Aurel, b. 1932A. Card S.: to Aurelio de la Vega. 1969. 1p., EnglishStuckenschmidt, Hans Heinz, 1901-1988T. L. S.: to Adolph Weiss. Berlin, 3 Sept. 1930. 1p., GermanT. L. S.: to Hans Moldenhauer. Berlin, 13 Apr. 1960. 1p., German. Regarding Karl Amadeus HartmannSucher, Rosa, 1849-19272 A. L. S.: to Fustigrath. Hamburg. 2, 17 May 1887. 6p., GermanSuk, Josef, 1874-1935P. card S.: to Mrs. Dvorak. Nice, 15 Mar. 1898. 1p., German. With accompanying letter to Hans Moldenhauer, from Josef Suk (grandson), 20 Mar. 1975A. Alb. l. S.: also signed by members of the Bohemian String Quartet. St. Gallen, 29 Oct. 1920Suppé, Franz, 1819-1895A. L. S.: to André. n.p., 11 Mar. 1882. 2p., German. Regarding unauthorized arrangements of his worksSwarowsky, Hans, 1899-1975A. L. S.: [to Klara Kwartin]. Vienna, 15 Nov. 1924. 2p., German. Relates news of musical life in Vienna; WebernSwert, Jules de, 1843-1891A. L. S.: to E. Spegl. Vienna, 5 Oct. 1878. 2p., German. With attached clipping regarding Die AlbigenserPort. Phot. S. Repro. (Box 110)Szigeti, Joseph, 1892-1973A. L. S.: to Rudolph Ganz. Palos Verdes, 29 Jan. 1958. 1p., EnglishSzymanowski, Karol, 1882-1937A. L. S.: to Stein. Warsaw, n.d. 3p., German. Regarding score changes3 Clip.: 3p., German. With biographical information (Box 115)2 Port. Phot. Repro. (Box 115)Täglichsbeck, Thomas, 1799-1867A. L. S.: [to Hubert Lind?]. Löwenburg, 20 Jan. 1857. 2p., GermanTailleferre, Germaine, 1892-1983A. Mus. ms. Rev. S.: Concerto pour piano et 12 instruments, to Princess Édmond de Polignac, for Alfred Cortot, 26 Jan. 1924. 77p., 24x32cm., inks, pencil, crayon. Full scoreA. Mus. ms. Rev. S.: Hommage à Debussy, 2 Oct. 1920. 3p., 31x24cm., ink, pencilA. L. S.: [to Alfred Cortot]. n.p., n.d. Lundi, n.d. 2p., FrenchTamburini, Antonio, 1800-1876Related Collection MaterialsSee: Grisi, GiuliaTamkin, David, 1906-1975Related Collection MaterialsSee: Achron, JosephTaneyev, Sergei, 1856-1915A. L. S.: to Schaeffer. Moscow, 13 Oct. 1901. 1p., GermanTansman, Alexandre, 1897-1986A. Mus. ms. S.: Musica a Cinque, Paris, Sept.-Nov. 1956. 12p., 35x27cm., ink. Complete sketchesA. Mus. Quot. S.: Musica a Cinque, 1955. 1p.Port. Phot. S.: to Boaz Piller, Jan. 1928. By Eschig (Box 115)Port. Phot. S.: to the Spokane Conservatory, Paris, Jan. 1956 (Box 115)Taranu, Cornel, b. 1934Mus. ms. A. Rev.: Dialogues II, 1966-1967. 20p.Pri. Sco.: Piano Concerto, Cluj: Conservatorul de Muzica, c1972. 37p.Taubert, Wilhelm, 1811-1891A. Mus. ms. S.: Gruss, Berlin, 4 Apr. 1847. 1p., 29x33cm. Mounted on verso, three letters to Ludwig Rellstab, signed by Elise Polko, Robert Prütz, and Johanna SchopenhauerA. L. S.: to Vivenot. Berlin, 2 [June?] 1846. 3p., GermanA. L. S.: Berlin, 9 June 1856. 2p., GermanA. L. S.: ?, 4 Feb. 1858. 1p., GermanA. L. S.: 17 Nov. 1875. 1p., German2 Pri. Sco.: 12 Lieder, op. 17, Berlin: Schlesinger, n.d., to Sophie Jacobson, Berlin, Feb. 1843. 10p. eachTausig, Carl, 1841-1871A. L. S.: to Spiegl. Vienna, 13 Apr. 1864. 3p., GermanL.: to Spiegl, from Tausig's wife. n.p., n.d. 3p., GermanTchaikovsky, Pyotr Ilyich, 1840-1893A. L. S.: [to publisher Pavel Jurgenson]. Kamenka, Ukraine, 13 May (O.S.) 1880. 1p., Russian Mounted with portrait photograph belowA. L. S.: [to Felix Mackar]. Klin, 13/25 Feb. 1889. 4p., FrenchA. L. S.: to Mania [Hermann Laroche]. 21 July [1890]. 4p., Russian. With letter of authentication by William Lichtenwagner, Library of Congress (18 May 1971)Doc. S.: [The Cossmann Testimonial]. Moscow, [between 1868-1864]. 3p., German. Also signed by Nikolai Rubinstein, Ferdinand Laub, Nikolai Kashkin, Hermann Laroche, Eduard Langer, Alexander Ivanovich Dubuque, Vladimir Kashperov, Alex. S. Rasmadse, Johann Hrimlay, Karl Klindworth. Presented to Bernhard Cossmann on his retirement from the Moscow Conservatory, recalls his teaching skillsA. Mus. Quot. S.: Tscharodeika, to L. A. Vizentini, St. Petersburg, 23 Oct. 1887. 7m. in piano score, beginning of the OverturePort. Gr.: with Siloti. Signed by Siloti (mounted with letter above, and note, Boston, 17 Feb. 1898) (Box 115)Tcherepnin, Alexander, 1899-1977A. Mus. ms.: [Elegie], for violin and piano. 5p. (full score) + 2p. (parts), 33x27cm., ink. Fair copyA. Mus. ms. S.: La Quatrième, for piano solo, 5-6 Feb. 1949, to Hans Moldenhauer, 28 Sept. 1955. 4p., 34x28cm., pencil. Fair copy2 A. L. S.: to Hans Moldenhauer. San Francisco, 29 Aug. 1955; Chicago, 28 Sept. 1955. 5p., English. Details life, compositional processT. L. S.: to Hans Moldenhauer. Chicago, 2 Nov. 1955. 1p., EnglishPri. Sco. S.: Sonate en Fa Majeur pour violon et piano, Paris: Durand, n.d., to Emanuel Zeltin, 14 Sept. 1926. 25p. (piano-violin score)Pri. Sco. S.: Symphonia en Mi pour Orchestre, op. 42, Paris: Durand, c1929, to Rudolph Ganz, Chicago, 17 Sept. 1948. 80p.3 Docs.: BrochuresPort. Phot. S.: to Hans Moldenhauer, Chicago, 28 Sept. 1955. By Harcourt (Box 115)Telemann, Georg Philipp, 1681-1767A. Mus. ms. S.: Drama per musica composta di Melante, 1711. 1 leaf (30m.), 29x20cm., ink. Draft of the beginning of the Overture, in four parts. Includes authentication of the manuscript by Aloys Fuchs and explanation of Telemann's use of the pseudonym "Melante"Terényi, Ede, b. 1935Pri. Sco.: Compozitie Pentru Orga, Cluj: Conservatorul de Musica, 1971. 26p.Ternina, Milka, 1863-1941A. L. S.: to Mary E. L. Joline. New York, 17 Nov. 1901. 2p., EnglishTerrasse, Claude, 1867-1923A. Mus. ms. S.: Pantagruel, "Bacchanale." 1p. (13m.). FragmentA. L. S.: Paris, 14 [Dec?] 1910. 1p., FrenchA. L. S.: Paris, 12 Oct. 1913. 1p., FrenchDoc.: Biographical sketchTerziari Canzonetta, ca. 1768A. Mus. ms. S.: Gratias, et Domine, a due soprani. 5p. (score, 23x30cm.) + 5p. (parts, 24-25x19cm.)Tetrazzini, Luisa, 1871-1940A. L. S.: to Ethel Blackburn and Constance Golle. London, 17 June 1908. 1p., FrenchThalberg, Sigismond, 1812-1871A. Mus. ms. S.: Souvenir de Pesth, Airs hongrois variés, for piano solo, to Vincent Almasy, Paris, 1846. 6p., 35x27cm., ink2 A. L. S.: to Rudolph de Vivenot. n.p., n.d.; Berlin, 29 Jan. 1839. 3p., GermanA. L. S.: Paris, 6 Apr. 1843. 1p., GermanA. L. S.: to Dessauer. Ischia, 27 Sept. 1843. 3p., French. With postscript by Mme. ThalbergA. L. S.: to Willert. Naples, 17 Dec. 1866. 2p., EnglishA. L. S.: to Dessauer. n.p., n.d. 3p., German. Includes a self-caricatureA. L. S.: n.p., 29 May. 1p., GermanA. Mus. Quot. S.: Allegretto, Karlsruhe, 16 Aug. 1839A. Mus. Quot. S.: Andante in G Minor, London, 15 July 1847A. Mus. Quot. S.: Lento, Milan, 24 Nov. 1841A. Mus. Quot. S.: Presto, Edinburgh, 22 Jan. 1838. On verso, album leaf musical quotation signed, by Theodor Döhler, 8 May 1840Port. Caric.: see letter aboveThibaud, Jacques, 1880-1953A. Mus. ms. S.: Minute Caprice by Rodé, arranged by Thibaud, to Mischa Elman, New York, 26 Apr. 1920. 4p., 35x27cm.A. L. S.: to Carl Flesch. Paris, 28 Dec. 1907. 4p., FrenchA. Doc. S.: Address list. 2p.Port. Phot. S.: to Boaz Piller. Boston, Feb. 1921. By Stein (Box 115)Thomas, Ambroise, 1811-1896A. Mus. ms. S.: Ricercare, No. 3. 2p., 35x27cm. Excerpt in piano scoreA. L. S.: Paris, 20 July 1857. 2p., FrenchA. L. S.: to ?. 8 July 1866. 1p., FrenchL. S.: Paris, 14 June 1890. 1p., FrenchPort. Caric. (Box 115)Port. Engr. S. Repro. (Box 115)Port. Lith.: with biographical sketch. Mounted with autograph letter signed, Paris, 1877. 1p., French (Box 115)2 Port. Phot. Repro: with clipping (Box 115)Thomé, Francis, 1850-1909A. L. S.: Paris, 16 Jan. 1890. 1p., EnglishA. L. S.: n.p., n.d. 2p., FrenchThompson, Dorothy, 1894-19612 T. L. S.: to Alma Mahler. Vermont, 25 Aug. 1958, 9 Feb. 1959. 5p., EnglishA. L. S.: to Alma Mahler. Vermont, 16 Sept. 1958. 2p., EnglishTichatschek, Josef, 1807-1886A. L. S.: to Pellet. Vienna, 24 Oct. 1837. 3p., GermanA. L. S.: to a theater director. n.p., 22 Dec. 1838. 1p., GermanA. L. S.: to the Chairman of the North German Music Festival. Dresden, 11 Apr. 1843. 1p., GermanA. L. S.: to a court councillor. Hamburg, 23 Mar. 1846. 1p., GermanA. Mus. Quot. S.: "Heil euch," from Wagner's Rienzi, Dresden, Aug. 1846Tietjens, Therese, 1831-1887A. L. S.: to Luigi. London, 20 May 1873. 1p., ItalianA. L. S.: to a physician. [London], n.d. 1p., GermanTinel, Edgar, 1854-1912A. L. S.: Brussels, 22 Oct. 1909. 1p., FrenchToch, Ernst, 1887-1964A. Mus. ms.: [Fourth Symphony]. 4p., 34x27cm., pencil. SketchesA. Mus. ms. S.: Tanz-Suite, op. 30, 1923, 1924. 42p., 34x27cm., ink. The cover lists the date of composition as 1923, while the title page lists it as 19242 A. L. S.: to Otto Jokl. Mannheim, 27 June 1923; 12 July 1923. 2p., GermanT. L. S.: to Otto Jokl. Mannheim, 20 July 1923. 1p., GermanP. card S.: to Otto Jokl. Mannheim, 30 Oct. 1923. GermanT. L. S.: to Otto Jokl. Berlin, 18 July 1930. 1p., GermanP. card S.: to Paul Pisk. Pacific Palisades, 4 Nov. 1937. German3 T. L. S.: to Aurelio de la Vega. Santa Monica, 24 Apr. 1947; 28 Nov. 1948; 15 Jan. 1963. 3p., EnglishA. L. S.: to Aurelio de la Vega. Santa Monica, 20 Oct. 1948. 1p., EnglishP. card S.: to Adolph Weiss. Cathedral City, California, 29 Mar. 1949. English6 T. L. S.: to Hans Moldenhauer. Santa Monica, 1955-1960. 6p., English, GermanP. card S.: to Aurelio de la Vega. Santa Monica, 31 Mar. 1962. English2 A. Mus. Quot. S.: First Piano Concerto, op. 38. Quotations differ in time signature. See portrait photograph belowMus. ms. Repro. A. Rev.: Zweite Symphonie, op. 73. 152p.2 Docs.: Brochures. With portrait photograph, work list, and biographical information. EnglishProg.: Vienna, 11 Jan. 1952Clip.: "Toch to Record Chamber Works for CR." 1p., EnglishPri. Sco. S.: Burlesken für Klavier, op. 31, Mainz: Schott, 1924, to Hans Moldenhauer, Los Angeles, 24 Oct. 1955. 16p. Also signed by Hans MoldenhauerPri. Sco. S.: Der Jongleur, Mainz: Schott, 19552 Pri. Sco. S.: 10 Concert Studies I, II, Mainz: Schott 1931Pri. Sco. S.: 10 Easy Studies, Mainz: Schott, 19312 Pri. Sco. S.: 10 Recital Studies I, II, Mainz: Schott, 1931Pri. Sco. S.: 10 Studies for Beginners, Mainz: Schott, 19312 Pri. Sco. S.: 10 Studies of Medium Difficulty I, II, Mainz: Schott, 1931Port. Phot. S.: to Hans Moldenhauer, Nov. 1955. By Fayer (Box 115)Port. Phot. S.: Boston, 25 Mar. 1932. With autograph musical quotation above (Box 115)Tomaschek, Wenzel Johann, 1774-1850A. L. S.: [to a publisher]. Prague, 31 Mar. 1842. 2p., German. Announcing a new song; views on artistic and human affairsA. L. S.: to C. C. Kraukling. Dresden, 22 July 1846. 1p., GermanA. L. S.: [to a composer in Frankfurt]. Prague, 12 Jan. 1848. 2p., German. Comments on his own artistic independence; musical conditions in PragueRcpt. S.: 29 Dec. 1849. GermanTomasi, Henri, 1901-1971Port. Phot. S.: to Hans MoldenhauerToscanini, Arturo, 1867-1957Sig.Related Collection MaterialsSee: Huberman, BronislawTosti, Sir Paolo, 1846-1916A. card S.: n.p., 28 Dec. 1885. 1p., ItalianA. L. S.: London, 11 May. 1p., ItalianA. L. S.: London, 19 June. 3p., FrenchA. L. S.: French. FragmentA. Alb. l. S.: Villa d'Este, Sept. 18802 Pri. Sco. S.: A Greyswood; La serenata, to Mrs. Goodall, Sept. 1899. 5p., 15p.Clip.: showing portrait. English (Box 115)Tours, Berthold, 1838-1897A. Mus. ms. S.: A Passing Cloud, 6p., 30x24cm., EnglishRelated Collection MaterialsSee: Denza, LuigiTravnicek, Josef, d. 1975T. L. S.: [to Paul A. Pisk]. [Vienna], 29 Apr. 1973. 2p., German. Details the Arnold Schoenberg SocietyTrebelli, Zélia, 1838-18922 A. L. S.: Liverpool, 12 Nov.; London, n.d. 4p., FrenchSig.Treirschke, Friedrich, 1776-1842A. L. S.: to Gottlieb Benedikt Bierey. Vienna, 3 Nov. 1821. 2p., GermanTuczek-Ehrenburg, Leopoldine, 1821-18832 A. L. S.: Berlin, 23 Feb. 1843, 7 Dec. 1854. 3p., GermanA. L. S.: to L. Hahn. n.p., 27 Jan. 1855. 1p., GermanTurina, Joaquín, 1882-1949A. Mus. ms. S.: Rima, para canto y piano, to Henri Collet, Sevilla, Oct. 1908. 7p., 35x27cm., Spanish, ink, with additional text (French) in pencil. Text by Becquer. Complete score. Signed twiceTyson, Alan, b. 1926Related Collection MaterialsSee: Beethoven, Ludwig vanUhl, Alfred, 1909-1992A. Mus. ms. S.: Kleine Suite für Viola. 4p., 34x24cm. Complete draftT. L. S.: to Hans Moldenhauer. Vienna, 30 Dec. 1975. 1p., GermanDoc. Repro.: Work list. 2p., GermanPort. Phot. S.: by Fayer (Box 116)Unger, Karoline, 1803-1877A. L. S.: to Robert. Turin, 22 July 1829. 1p., French2 A. L. S.: 9 Feb. 1829, 1877[?]. 6p., GermanA. L. S.: to Schober. Paris, 8 Jan.[?] 1844. 3p., GermanUrspruch, Anton, 1850-1907P. card S.: to Carlos Droste. Frankfurt, 7 Mar. 1901. GermanUtrillo, Maurice, 1883-1955Paint. S.: [Paris street scene]. Vignette, painted by the artist, for a Christmas dinner given by him in 1921, to Armand Parent, 1921. Menu is in Utrillo's hand. 21x13cm. Signed on the paintingVanhal, Johann Baptist, 1739-1815A. L. S.: Vienna, 11 Feb. 1789. 2p., German. Stipulates fees for specified compositionsVega, Aurelio de la, b. 1925A. Mus. ms. S.: The Magic Labyrinth, for any number of any instruments and/or any number of any voices, Northridge, 12 June 1975. 1p., 28x36cm., multicolored (Box 57)Verdi, Giuseppe, 1813-1901A. Mus. ms.: [Attila]. "Romanza," aria for tenor and orchestra, to Nicola Ivanoff, Milan, 15 Nov. 1845 [sic]. 16p., 24x32cm., ink. Commissioned by Rossini for Ivanoff, a new romanza for Foresto, Act III. Complete score. With letter to Albi Rosenthal, from Pierluigi Petrobelli, Instituto di Studi Verdiani, 12 July 1969L.: to Verdi, from the Duke of Parma's parochial opera company. Busseto, 9 July 1839. 2p., ItalianA. L. S.: to Léon Escudier. Napoli, 22 Dec. 1872. 1p., ItalianA. L. S.: to a baron. Busseto, 31 Oct. 1882. 2p., Italian. Mentions Simone Boccanegra and Don CarlosA. L. S.: to Marchesi. Sa. Agata, 21 Aug. 1887. 1p., ItalianA. L. S.: to Zaffignara. Sa. Agata, 21 Aug. 1887. 1p., ItalianTlgm.: to Muck. Berlin, 30 Nov. 1894. Italian. On verso of telegram, draft of response letter by Verdi. Regarding Berlin performance of FalstaffDoc.: Letter[?]. To Verdi, from Maggie[?]. Milan, 20 Feb. 1870. 4p., EnglishPort. Engr. S. (Box 116)3 Port. Phot. Repro. (Box 116)Viardot, Pauline, 1821-19102 A. Mus. mss. S.: Andantino, 28 Aug. 1839. 4p. (pp. 95-7), 22x29cm., ink. For piano solo. On same double leaf, arrangement of same by Charles Zeuner, for 2 violins, viola, and cello, 23 Oct. 1839, to Pauline Viardot-Garcia. On last page, à la Libertad, a canon, by Escudero, 2 Aug. 1839A. Mus. ms. S.: [Polka], 17 May 1847. 1p., 34x26cm., ink. Complete sketch9 A. L. S.: to [Karl] Eckert and [Bartolf Senff]. Paris, Baden-Baden, 1858-1869. 20p., FrenchA. L. S.: to ?. London, 9 Sept. 1870. 1p., EnglishA. L. S.: to Miss Holden. London, 7 Jan. 1871. 1p., English. On verso, clipping reviewing concerts by Viardot-Garcia, and HalleA. L. S.: to Chorley, Baden, 11 June. 2p., EnglishA. L. S.: n.p., n.d. 3p., FrenchRelated Collection MaterialsSee: Berlioz, HectorVidal, Paul Antonin, 1863-1931A. L. S.: Rome, n.d. 1p., FrenchPort. Phot. Repro.: by Manuel (Box 116)Vidal, PedroA. Mus. ms. S.: Capricho Español, para piano, to Ricardo Viñes, Rosario, 16 Sept. 1930. 9p., 34x26cm.Vierne, Louis, 1870-1937Pri. Sco. S.: Deux pièces pour alto, No. 1, Le Soir, [to Th. LaBarge?], Paris: Leduc, c1895. 7p.Vieux, Maurice, 1884-1951Port. Phot. Repro. S.: to Boaz Piller, Sept. 1927Vieuxtemps, Henry, 1820-1881A. L. S.: to Alarg. [Paris?], 13 Feb. 1863. 1p., FrenchPort. Lith. (Box 116)Vignand, Henri deA. L. S.: to Raoul Pugno. Roubaix, 26 Jan. 1909. 3p., FrenchViñes, Ricardo, 1875-1943A. Mus. ms. S.: Menuet Spectral, "a la mèmoire de Maurice Ravel," Paris, Dec. 1937-Jan. 1938. 4p., 35x27cm. Incomplete12 Mus. mss.: [Music manuscripts, some are incomplete, most are unsigned. Includes manuscripts of Antonio Piedrahita, Rafael Romero Rinola, Ramón Seca, and Enrique Prins]Related Collection MaterialsSee: Esplá, OscarRelated Collection MaterialsSee: Granados, EnriqueViotti, Giovanni Battista, 1755-1824A. L. S.: Bath, 7 Apr. 1815. 1p., French. Commenting on a concert by CherubiniRelated Collection MaterialsSee: Clementi, MuzioVirchi, Paolo, ca. 1550-1610A. Doc. S.: Tax document [Brescia?], [1588?]. 1p., ItalianVlad, Roman, b. 19192 Cards S.: [to Alma Mahler]. n.p., 1957-1958, n.d. 2p., German. With photograph of childVogel, Wladimir, 1896-1984Related Collection MaterialsSee: Gerhard, RobertoVogler, Georg Joseph, 1749-1814A. L. S.: Darmstadt, 7 Feb. 1810. 1p., GermanVoiculescu, Dan, b. 1940A. Mus. ms. S.: Croqui. 2p., 35x25cm.Mus. ms. Repro. S.: Sonate, piesa pentru pian, Cluj: Conservatorul de Muzica, 1971. 6p.Volbach, Fritz, 1861-1940A. L. S.: Mainz, Oct. 1904. 4p., GermanWachtel, Theodor, 1823-1893A. L. S.: Vienna, 1 May 1862. 3p., GermanA. L. S.: to a professor. [London], dated twice, 3 July 1864, 1 July 1865. 3p., GermanA. L. S.: Pittsburgh, 28 Jan. 1872. 1p., ItalianPort. Phot. S.: Vienna, 19 Dec. 1860. By Harmsen (Box 116)Wagenseil, Georg, Christoph, 1715-1777A. Mus. ms.: Responsoria. Terza Quinta in Cena Domini ad Matutinum, n.d. 34p., 22x31cm., Latin. Set for alto and tenor solo with four-part choir, with violin and basso continuo accompaniment. Authenticity confirmed on front cover by Aloys Fuchs, 9 Sept. 1831; on verso, Fuchs relates story about seven-year-old Mozart at the imperial court at ViennaWagner, Cosima, 1837-1930A. L. S.: n.p., 26 Jan. 1866. 1p., GermanA. L. S.: [to Eugen Lindner]. Bayreuth, 10 Mar. 1897. 2p., GermanP. card S.: [to Bodenstein]. Bayreuth, Dec. 1926. GermanA. Doc.: Manifesto. Draft, concerning the resolution to leave the early works of Wagner unperformed and unpublished. 4p., GermanWagner, Eva, 1867-1942A. L. S.: [to Klaar]. Florence, 10 May 1900. 3p., GermanWagner, Friedelind, 1918-1991T. L. S.: to Rudolph Ganz. Chicago, 12 Mar. 1948. 1p., EnglishA. L. S.: to Alma Mahler. New York, 1956. 3p., GermanWagner, Peter, 1865-1931A. L. S.: to Wilhelm Widmann. Freiberg, 18 July 1906. 1p., German2 P. card S.: to Wilhelm Widmann. Freiberg, 28 Jan. 1916, 4 July 1919. GermanWagner, Richard, 1813-1883Mus. ms. A. Annot. S.: [Der fliegende Holländer], Overture. 1p., 32x24cm., ink with red ink. Opening page in full score. With fourteen-line instruction to engraver regarding arrangement of the instrumentation, initialed "R.W."Mus. ms.: Der Tannenbaum, Ballade für Piano, Berlin. 2p., 27x35cm. Complete text of poem, incomplete piano score. Inscribed to E. Corning, Geneva, 4 Feb. 1883, by previous owner, Edouard Krause. With two letters, to Hans Moldenhauer, from the Pierpont Morgan Library (19 Nov. 1963), and from the Richard-Wagner-Archiv (13 Jan. 1964)A. L. S.: to Theodor Uhlig. Zurich, 5 Aug. 1852. 1p., GermanA. L. S.: to Bourdillat. Paris, 19 Nov. 1860. 1p., FrenchA. L. S.: Vienna, 15 Dec. 1862. 1p., German. On behalf of Peter CorneliusA. L. S.: to K. Maier. St. Petersburg, [1862]. 1p., GermanA. L. S.: [to E. W. Fritsch]. Lucerne, 21 Dec. 1870. 3p., GermanA. L. S.: to A. Stuher, a book dealer. Bayreuth, 16 June 1872. 1p., German3 A. L. S.: to Alois Schmitt. Bayreuth, 7 Jan., 20 Mar. 1875; Venice, 21 Sept. 1876. 11p., GermanA. L. S.: to Signora Giovanni Lucca. Sorrento, 22 Oct. 1876. 4p., French. Regarding suggested cuts for RienziA. L. S.: to the Archduke of Schwerin. Bayreuth, 16 Mar. 1877. 3p., GermanMus. ms. Repro.: Siegfried-Idyll. Facsimile of autograph score in Wahnfried Archive, Bayreuth, Munich, 1923. Inscription to Hans Rosbaud, from Muck (23 Oct. 1937)Mus. ms. Repro.: Der Tannenbaum, 1838. 3p. PhotostatDoc.: Catalog. "The Richard-Wagner-Museum," Tribschen-Luzern, 1956. 50p., GermanDoc.: Catalog. "The Wagner Collection," Roundelay Vook & Music Shop. 73p.Clip.: "Morgan to Show Rare Documents," in the New York Times, 7 Oct. 1963. 1p., English24 Phot.: Bayreuther Festspiele, 1956 (Box 116)Port. Phot. (Box 116)Bk: Richard Wagner: Life, Work, Festspielhaus, Bayreuth: Festspielleitung, n.d. Signed by Wolfgang Wagner, Bayreuth, 9 Aug. 1956Wagner, Siegfried, 1869-1930P. card S.: to Dr. Adams. Bayreuth, 29 May 1905. EnglishP. card S.: to the editor of Simplicissimus. Halle, 25 Feb. 1910. GermanP. card S.: Bayreuth, 8 Oct. 1911. 1p., German. FragmentP. card S.: to Bodenstein. Bayreuth, 27 Dec. 1913. GermanSig.: on calling card of Dr. Felix HuchPort. Gr.: Siegfried Wagner with Muck and Felix Mottl before the Bayreuth Festival House (Box 116)Wagner, Wolfgang, b. 1919Related Collection MaterialsSee: Wagner, RichardWagner-Régeny, Rudolf, 1903-1969Related Collection MaterialsSee: Blacher, BorisWaldteufel, Emile, 1837-1915A. Mus. Quot. S.: Les Violettes Valse, Paris, 2 May 1898. 1p. Mounted with portrait lithograph, to GermanWalker, Edyth, 1867[?]-1950Related Collection MaterialsSee: Krantz, EugenRelated Collection MaterialsSee: Orgeni, AglajaWaller, Amalie, 1911-1973Port. Gr.: Weilnachten, 1970Related Collection MaterialsSee: Webern, AntonWalter, Bruno, 1876-1962P. card S.: to Karl Weigl. Vienna, 21 Jan. 1909. German2 A. L. S.: to Karl Weigl. London, 14 May 1930; Beverly Hills, 27 Dec. 1939. 3p., German2 T. L. S.: to Kurt Manschinger. Vienna, 8 Nov. 1937; New York, 10 Mar. 1941. 2p., GermanA. L. S.: to Kurt Manschinger. Paris, 30 Apr. 1939. 2p., GermanT. L. S.: to Charles Haubiel. New York, 26 Apr. 1941. 1p., EnglishPri. Card: New York, March 1944T. L. S.: to Alma Mahler. Beverly Hills, 23 Sept. 1956. 1p., GermanT. L. S.: to Hans Moldenhauer. Beverly Hills, 16 Sept. 1958. 1p., GermanTlgm.: to Alma Mahler. Beverly Hills, 14 Feb. 1959. 1p., GermanA. L. S.: to Alma Mahler. 1p., German. Letter fragment from Delia (wife), with postscript signed by Bruno WalterA. L. S.: to Alma Mahler, from Delia (wife). Santa Monica, 7 Feb. 1959. 3p., GermanA. Doc. S.: Recommendation. For Karl Weigl as composer and teacher. New York, 26 Mar. 1939. 1p., EnglishPri. Sco. Annot. S.: Orpheus by Gluck. Piano-vocal score. 142p. Used by Walter, containing numerous autograph annotations, and 14p. of manuscript reproduced. Also includes notes by Hans RosbaudProg.: London, 24-25 Oct. 1946. 8p., EnglishPort. Phot. (Box 116)Port. Phot. S.: to Hans Moldenhauer, Sept. 1958 (Box 116)Walter, Georg A., 1875-1952A. L. S.: to Tischer. Stuttgart, 16 Oct. 1930. 2p., GermanWanning, Johannes, 1537-1603A. Mus. ms. S.: "Jauchzet dem Herrn alle Welt," Discantus, Tenor, Bassus, 9p., 16x22cm., German. Complete partsWarlock, Peter, 1894-1930A. Mus. ms. Annot. S.: Pretty Ring Time, Eynsford, Kent, May 1926. 4p., 30x23cm., English, ink, pencil. Song with piano accompaniment, to poem by Shakespeare. Complete scoreWeber, Bernhard Anselm, 1764-1821A. L. S.: to Christian von Mechel. Berlin, 31 Dec. 1813. 1p., GermanWeber, Carl Maria von, 1786-1826A. L. S.: to Peter Ritter. Dresden, 30 July 1818. 1p., GermanA. L. S.: to Simrock. Dresden, 12 Sept. 1819. 1p., German. With two letters signed from Anton Meysel, writing on behalf of Simrock, 21 Sept., 19 Nov. 1819A. L. S.: to Baron von Budberg. Dresden, 20 Nov. 182[?]. 2p., German, with translation. Bound with two portrait engravingsA. L. S.: to Frau von Chezy. Dresden, 17 June 1823. 1p., German2 Port. Engr.: see letter above. By Carl Mayer; Payne after a painting by Jügel (Box 116)Weber, Max Maria von, 1822-18812 A. L. S.: Dresden, 8 Dec. 1864, 22 May 1870. 5p., GermanA. L. S.: to ?. Berlin, 2 April 1879. 2p., GermanWebern, Anton, 1883-1945A. Mus. ms. S.: [First Cantata, op. 29, No. 2], Kleiner Flügel Ahornsamen..., to Hildegard Jone, 1938. 14p., 34x27cm., German, ink. Full score. Presentation copy inscribed on title page to "Hildegard Jone von Ihrem Anton Webern" (58/1)A. Mus. ms. Annot.: [Five Canons on Latin Texts, op. 16, No. 4], Lateinische Lieder, " Asperges me.... " 2 leaves, 16x26cm., Latin, ink, pencil. Complete draft (58/2)A. Mus. ms. S.: [Five Sacred Songs for Voice and Instruments, op. 15], Mein Weg geht jetzt vorüber. 2p., 32x25cm., German, ink, pencil. Unsigned; Fahr' hin, o Seel..., to Hildegard Jone, Mödling, 25 June 1929. 2p., 28x38cm., German, ink, Full score. Presentation copy bearing the inscription, "Frau Hildegard Jone in Herxlichkeit von Ihrem A. Webern," with a small photograph of Webern pasted on the margin (58/3)A. Mus. ms.: [Five Songs after Poems by Richard Dehmel], Himmelfahrt, 1908[?]. 4p., 34x26cm., German, ink. Dated in pencil. Number III of the cycle (58/4)A. Mus. ms. Annot.: [Passacaglia for Orchestra, op. 1, 1908]. 4p., 34x26cm., ink, pencil. Full score, mm.1-56 (58/5)A. Mus. ms.: Quartett, Preglhof, 25 Aug. 1905. 21p., 34x26cm., ink. pencil. Full score. On verso of title page, quotation from the writinbs of Jacob Böhme (58/6)A. Mus. ms. Rev.: [Rondo, for string quartet], [Vienna, 1906]. 6p., 34x26cm., ink, pencil, blue pencil. First draft, mm.1-39 (m.13 is missing). Includes various sketches, some close to mm.140-141 (58/7)A. Mus. ms. S.: Sechs Lieder nach Gedichten von Georg Trakl, für eine Singstemme, Klarinette, Bass-Klarinette, Geige und Violoncello, op. 14, Klavierauszug, Mödling, 1919, 1921, to Hugo Winter, Nov. 1938. 14p., 21x34cm., German, ink, pencil annotations (58/8)A. Mus. ms.: Stefan George VII. Ring, op. 3, Dies ist ein Lied. 2p., 34x26cm., German, ink; An Bachesranft. 2p., 34x26cm., German, ink, pencil, colored pencils; Im Morgentau, 3p., 35x27cm., German, ink, title and text in red ink. Signed. Varying indications for opus number and placement of the song within the cycle; Kahl reckt der Baum. 2p., 35x26cm., German, ink (58/9)3 A. Mus. mss.: [Three Poems for Voice and Piano], Vorfrühling, text by Ferdinand Avenarius, Klagenfurt, 12 Jan. 1900. 1p., 35x27cm., German, ink. Following the closing double bar, a setting of the phrase "Leise tritt auf" for voice, oboe, two horns in E-flat, and harp, 4m.; Nachtgebet der Braut, text by Richard Dehmel, Karfreitag, 1903. 4p., 34x26cm., German, ink; Fromm, text by Gustav Falke, Preglhof, 11 Sept. 1902. 1p., German, ink. Vorfrühling and Fromm appear on the recto and verso of one leaf, and are signed; Nachtgebet der Braut is written on a double leaf. All manuscripts are in full score, 6p. total (58/10)A. Mus. ms. S.: [Three Songs, for Voice, Clarinet and Guitar, op. 18], Volkslied, Schatzerl klein, Mödling, Sept. 1925. 2p., 28x38cm., German, ink. Full score. This presentation copy inscribed [to Emil Hertzka] on the occasion of th 25th anniversary of Universal Edition (58/11)A. Mus. ms. Rev. S.: Zwei Lieder, "Chinesisch-Deutsche Jahres-und Tageszeiten" von Goethe für gemischten Chor, Celesta, Gitarre, Geige, Klarinette und Bass-Klarinette, op. 19, Weiss wie Lilien; Ziehn die Schafe von der Wiese. 10p., 34x27cm., German, ink with corrections in black, red and blue pencil. Signed on the title page, and on each song. Full score (58/12)Mus. ms. arr.: Streichquartett, op. 28. 6p., ink. Transcription for piano by Otto Jokl, Oct. 1959 (58/13)A. L.: to Ernst Diez. Vienna, 28 Dec. 1902. 7p., German (58/14)2 A. L. S.: to Alban Berg. Danzig, 25 Dec. 1910, 18 Jan. 1911. 11p., German. With a letter to Amalie Webern Waller, from Helene Berg, Vienna, 8 Apr. 1965, about editing the Berg-Webern correspondence. On page 2 of this letter, the editing is assigned to Moldenhauer as of 15 July 1970 (58/14)7 A. L. S.: to Ludwig and Teresa Zenk. Mödling, 1922-1927. 7p., German (58/14)P. card S.: to Melanie Guttmann Rice. Alt-Aussee, 24 Aug. 1922. Also signed by Felix and Trudi Greissle, Rudolf Kolisch, Schoenberg, Georg Schönberg, Zemlinsky, and others (58/14)A. L. S.: to Alexander Zemlinsky. Mödling, 24 Apr. 1923. 1p., German (58/16)3 A. L. S.: to Ludwig Zenk. Mödling, Maria Enzersdorf, 14 Apr. 1923, 20 Oct. 1925, 27 Mar. 1943. 3p., German (58/16)2 A. L. S.: [to Paul Sanders]. Mödling, Maria Enzersdorf, 17 Sept. 1930, 7 Nov. 1935. 3p., German (58/15)2 A. L. S.: [to David Joseph Bach]. Mödling, 14 Nov. 1930, 10 May 1939. 5p., German (58/15)T. L. S.: [to Paul Sanders]. Mödling, 14 Jan. 1934. German (58/15)A. L. S.: [to Alban Berg]. [Maria Enzersdorf], 25 Dec. 1934. 1p., German (58/15)5 P. card S.: to Ludwig Zenk. Maria Enzersdorf, 1934-1936. 1943. German (58/16)3 P. card S.: to Otto Jokl. Maria Enzersdorf, 10 Nov. 1937, 22 Dec. 1939, 3 Feb. 1940. 6p., German (58/15)A. L. S.: to Jella Jokl. Maria Enzersdorf, 30 Dec. 1937. 1p., German (58/15)3 P. card S.: to Erwin Stein. Maria Enzersdorf, 31 Jan., 1 Mar., 29 May 1939. 6p., German (58/16)P. card S.: from Ludwig Zenk. Gürgl, 12 Aug. 1942. Picture postcard by Zenk. Greetings from Mia Zenk (58/16)L.: to ?, from R. Tyrolt (actor). Gutenstein, 3 Oct. 1928. 3p., German. Describing Tyrolt's first meeting with Peter Rosegger (1843-1918), a favorite writer of Webern's (58/16)L.: to Hildegard Jone, from Maria vcon Webern Halbich. [Mittersill], 15 Jan. 1951. 3p., German (58/17)Card S.: to Hildegard Jone, from Otto Tomek. 1955. German. Season's Greetings from Universal Edition, which quotes a letter by Webern to Berg regarding the significance of Christmas (58/17)L.: to Hans Moldenhauer, from Arnold Elston. Berkeley, 18 Sept. 1961. 1p., English. Relates his period of study under Webern (58/17)L.: to Amalie Webern Waller, from Hildegard Jone. 16 Apr. 1963. Easter wishes in a two-line poem (58/17)8 L.: to Hans Moldenhauer, from Rosa Warto (Webern's sister). 1963-1964. Includes postcards and letters, one written by Amalie Webern Waller (58/17)P. card: to Mitzi (Maria) von Webern, signed by her Aunt Leopoldine ("Poldi"), Aunt Maria ("Mitzi"), grandmother [Mörtl], and two cousins. n.p., n.d. (58/17)L.: to Hans Moldenhauer, from William Hibbard. Iowa City, 7 June 1984. 1p., English. Regarding Six Bagatelles for String Quartet, op. 9 (58/17)Doc.: Decree of nobility. "Adels-Diplom der Familie Weber van Webern," Vienna, 15 Aug. 1731. 16p., German. Bestowed upon the brothers Johann Jacob and Joseph Antonius Weber. Bound in silk with gold embossing. With ornate coat-of-arms (58/18)Doc.: File of documents and letters pertaining to Guido von Webern (1888-1962), the composer's first cousin (59/19)A. Doc.: Poems. Fair copies, Webern's autograph of all poems by Hildegard Jone set to music by him, 29 Nov. 1944, and with Jone's autograph of the text for "Schöpfen aus Brunnen." 12p., German. Includes Drei Lieder, op. 25; Drei Gesänge, op. 23; Das Augenlicht, op. 26; I. Kantate, op. 29; II. Kantate, op. 31. Written out in recitation during an evening, 29 Nov. 1944, honoring the poetess. 20x15cm., in brocade cover (59/2)T. Doc. S.: "A Webern Scandal (Salzburg, 1922)," Seattle, First International Webern Festival, 16 Jan. 1962. 3p., English. Originally titled "Two Scandals" (1922), personal recollections of Webern given by Ganz at the Festival (59/3)Call. c.: of Dr. Anton Webern. Maria Enzersdorf (59/3)Call. c.: of Ann Quartin. She gave the first performance of Webern's Trakl-Lieder, op. 14, in 1924 (59/3)Mus. ms. Repro.: Drei Lieder, op. 18, c1954 (59/3)Mus. ms. Repro.: Im Sommerwind, Idylle für grosses Orchester, c1961 by Hans Moldenhauer, Seattle, score dated 25 May 1962. 34p. Full score. Blueprint score. The original score from which Ormandy conducted the Philadelphia Orchestra in the work's premiere in Seattle. With autograph annotations by Ormandy (Box 102)Mus. ms. Repro.: Der Zigeunerbaron, Schatzwaltzer by Johann Strauss, arranged by Webern, 1921. For piano, harmonium, and string quartet. Microfilm, from the autograph manuscript (at Wiener Stadtbibliothek) (Box 121)Pri. Sco. S.: Fünf Sätze für Streichquartett, op. 5. Vienna: Universal Edition, c1922, to Amar-Hindemith Quartett, Salzburg, 8 Aug. 1922. 11p. On the Occasion of the work's first performance, which resulted in a riot (59/4)Pri. Sco.: Fünf Sätze für Streichquartett, op. 5. Vienna: Universal Edition, c1922, to Hans Moldenhauer, May 1962. 11p. Inscribed by Ganz, who used this score at the Salzburg Festival premiere in 1922 (59/4)Pri. Sco. Annot.: Konzert, op. 24, Vienna: Universal Edition, c1948. 14p. Annotations by Rosbaud (59/5)Pri. Sco. S.: Passacaglia für Orkester, op. 1, Vienna: Universal Edition, c1922, to Josef Polnauer, 17 Dec. 1922. 37p. (59/6)Pri. Sco. A. Annot.: Sechs Lieder nach Gedichten von Georg Trakl, op. 14, Vienna: Universal Edition, c1924, "Juli 1924." 16p., German. Composer gives timings of each song. Annotated throughout, presumably by the composer during rehearsals and after the first performance on 20 July 1924 (59/7)Pri. Sco. S.: Sechs Stücke für grosses Orchester, op. 4, Im Selbstverlag [pub. by Webern in 1931], to Heinrich Jalowetz, Semmering, 1913. 24p. (59/8)Pri. Sco. S.: Streichtrio, op. 20, Philharmonia Edition, Vienna: Universal Edition, c1927, to Hildegard Jone and Josef Humplik, Christmas 1933. 20p. (59/9)Pri. Sco. S.: Trio, op. 20, Vienna: Universal Edition, c1927, to Hildegard jone and Josef Humplik, Christmas 1927. 20p. (59/9)Pri. Sco. S.: Variationen für Klavier, op. 27, Vienna: Universal Edition, c1937, to Ludwig Zenk, May 1937. 11p. (59/10)Pri. Sco. A. Annot.: Vier Lieder, op. 12, Vienna: Universal Edition, c1925. 9p., German. Dated 1925, with composer's own timings at the end of each song (59/10)Pri. Sco. S.: Zwei Leider, op. 19, Vienna: Universal Edition, c1928, [to Hildegard Jone and Josef Humplik], Christmas 1928. 20p., German (59/11)Pri. Sco.: Aus dem "Glühenden" von Alfred Mombert", op. 2, No. 4, by Alban Berg. 2p. From Webern's library (59/11)2 Pri. Sco.: Lieder, op. 7; op. 9 by Karl Horwitz, Zürich: Hüni, c1925. 16p. + 11p. Signed by Paul Pisk (59/12)Prog. A. Annot.: Alban Berg Memorial Concert, London, 1 May 1936. 1p., German. Conducted by Webern. Red underscorings by Webern, pencil notes on verso (59/13)Prog.: The First International Webern Festival, University of Washington School of Music, 25-28 May 1962. 24p., English (59/13)Prog.: The Philadelphia Orchestra, with Eugene Ormandy, to Rosaleen [Moldenhauer], Seattle, 25 May 1962. 15p., English. Inscribed by Ormandy for the performance of Im Sommerwind (59/13)Prog.: Monday Evening Concerts, Los Angeles, 22 Feb. 1971. 5p., English (59/13)Obit. Card: for Peter von Webern, sent to Mr. and Mrs. Ludwig Zenk, 3 Mar. 1945. 1p., German. Webern's only son, who was killed 14 Feb. 1945. The announcement was typeset by the monks of St. Gabriel Abbey under the supervision of Webern and his daughter-in-law Hermine, both of whom drew by hand the black cross and border lines (59/14)Obit. Card: for Wilhelmine von Webern, Mittersill, Vienna, 31 Dec. 1949. 1p., German. The composer's widow died 29 Dec. 1949 (59/32)Port.: Anton von Webern, 1928. Portrait bust. Plaster cast made from the original head sculptured from life, by Jopsef Humplik. Painted black and mounted on wooden pedestal (59/14)Port. Draw.: Anton von Webern vor der Todestüre, by Hildegard Jone. 36x26cm. Preparatory drawing of Webern's head for the oil painting Webern in der Haustüre stehend... (Box 116)Port. Lith.: Anton Webern, by Hildegard Jone. 31x22cm. Signed by Jone. Engraved below the portrait is a musical quotation of Freundselig ist das Wort from the II. Kantate, op. 31. The quotation being a facsimile of Webern's autograph and signature (59/14)2 Port. Lith.: Mödling, 13 Feb. 1927, by Emil Stumpp (1886-1941). 50x35cm. (front view), 43x33cm. (side view). Signed by Stumpp. Drawn from life (Box 125)12 Port. Phot.: Formal and informal portraits, individual and group. Some inscribed (Box 116)(Shelf)Port. Paint.: Copy. Anton von Webern, by Egon Batai. 70x60cm., oil, framed. original painted by Tom von Dreger in 1934 (Shelf)(Shelf)Port. Paint.: Copy. Webern in der Haustüre stehend, wenige Augenblicke vor seinem gewaltsamen Ende, by Egon Batai. 69x51cm., oil, framed. Original created by Hildegard Jone (1945) (Shelf)Bk: Die Ethic, by Benedict de Spinoza, Leipzig; Alfred Kröner, [ca. 1932]. 273p., German (Box 121)Bk: Gedichte, by Friedrich Matthosson, Zurich: Johann Heinrich Füssli, 4th ed., 1797. 189p., German. Bound together with supplement, "Nachtrag." From Webern's library (Box 121)Related Collection MaterialsSee: Gerhard, RobertoRelated Collection MaterialsSee: Jone, HildegardRelated Collection MaterialsSee: Liszt, FranzRelated Collection MaterialsSee: Schoenberg, ArnoldRelated Collection MaterialsSee: Webern, Josef Eduard vonWebern, Josef Eduard von, 1778-1831Port. Paint.: Miniature portrait of Webern's great-grandfather. Painted in oil on ivory, in an original frame. The name is given in Gothic script on the verso of the matting. Webern kept this picture above his work tablePort. Phot.: see Webern, AntonWeckerlin, Jean-Baptiste, 1821-1910A. L. S.: to Marchesi. Paris, Dec. 4p., FrenchWedekind, Frank, 1864-1918(Shelf)Doc.: Stock poster. [Erdgeist, Prologue, Vienna, June 1898]. 98 lines, 94x43cm., lithograph. Penned on the verso of a poster advertising the Ibsen Theater, of which Wedekind was a member. First draft. With a typed statement, signed by Hilde Auerbach (Shelf)Wedig, Hans Josef, b. 1898A. Mus. ms. S.: Das Wessobrunner Gebet, op. 11. 9p., 34x27cm., GermanA. Mus. ms. S.: Deutscher Psalm, op. 4, 1927-1928. 10p., 35x28cm., German. Piano-vocal scoreWeigl, Joseph, 1766-1846A. L. S.: to von Lehr. Vienna, 1 Nov. 1820. 1p., GermanWeigl, Karl, 1881-1949A. Mus. ms.: [Albums of student assignments]. Jan. 1899-Sept. 1900. 286p. (61/1)A. Mus. ms.: Aufterstehung. 8p., 26x34cm. Piano sketch. With accompanying piano sketch, "Sehr langsam." 4p., 35x26cm. (61/2)A. Mus. ms. S.: [Cello Concerto, in G Minor], 1934. 27p., 27x34cm. (61/3)A. Mus. ms. S.: Clavierstücke zu vier Händen, 14 May 1898. 8p., 35x26cm. (61/4)A. Mus. ms. S.: Konzert für Klavier, linke Hand, und Orchester, 1925. 38p., 27x34cm. (61/5)A. Mus. ms. S.: Dances from Old Vienna, 1940. 31p., 32x24cm., 35x27cm. Arranged for two pianos from orchestral score (61/6)A. Mus. ms.: [3] Streichquartett in A-Dur. 72p., 26x34cm. Complete sketches. Beethoven prize 1910 (61/7)A. Mus. ms.: Esterházy Phantasy by Schubert. 4p., 35x27cm. For two pianos (61/8)A. Mus. ms. S.: In the MacDowell Woods, to Mrs. Edward MacDowell, Bass River, 15 Aug. 1942. 4p., 34x28cm. (61/9)A. Mus. ms.: The Invisible Light. 4p., 35x26cm. (61/10)A. Mus. ms.: The Klavier Concerto. 155p., 27x34cm. Sketches (62/1)A. Mus. ms. S.: Komödienvorspiel, 31 Oct. 1933. 14p., 27x34cm. Sketches (62/2)A. Mus. ms. S.: Landsturm, 8 Nov. 1914. 5p., 35x28cm. With additional 6p. copyist's manuscript (62/3)A. Mus. ms. S.: Lustspiel-Overture, Vienna, 26 May 1901. 55p., 35x27cm. Full score (62/4)A. Mus. ms.: [Part songs]. 77p. (62/5)A. Mus. ms.: [The Pied Piper of Hamelin]. 26p., 35x27cm. Sketches (62/6)A. Mus. ms. S.: Quartett [in G Major], Vienna, May 1900. 37p. (full score) + 42p. (parts) (62/7)A. Mus. ms. S.: Requiem für Eva (Adagio für Streichquartett), 1927-1928. 42p. + 101p. (sketches), 27x34cm. (62/8)A. Mus. ms. S.: Rhapsodie für Klavier und Orchester. 23p. + 79p. (sketches) + 102p. (piano score), 34x27cm. (63/1)A. Mus. ms. S.: Der 71. Psalm, Vienna, 28 Dec. 1901. 32p., 34x26cm. (63/2)A. Mus. ms.: [Sketch books]: 1893-1899, 149p.; 1898-1900, 119p.; 1938, 48p.; 1940, 100p.; 1941, 29p. (63/3-5)A. Mus. ms.: [Sketches, identified fragments]. 318p. (64/1-9)A. Mus. ms.: [Sketches, unidentified]. 3,426p. (Box 65-70)A. Mus. ms.: [Solo songs]. 733p. (Box 71-72)Mus. ms. cop.: Sonate für Klavier & Violine, 1910[?]. 10p. (parts), 35x27cm. (73/1)A. Mus. ms. S.: Streich-Quartett [in C Minor], Vienna, 1903-1904. 59p., 27x34cm. (73/2)A. Mus. ms.: [String Quartet No. 6]. 72p. + inserts, 34x27cm. (73/3)A. Mus. ms.: String Quartet in F Minor, No. 7. 71p., 34x26cm. Sketches (73/4)A. Mus. ms.: [String Quartet No. 8]. 36p., 33x26cm. Sketches (73/5)A. Mus. ms. S.: Suite in A Dur, für Streichorchester, 16 June 1898. 5p., 26x34cm. (73/6)A. Mus. ms. S.: Symphonisches Vorspiel für eine Tragödie, Vienna, Mar. 1933. 102p., 27x33cm. Sketches (73/7)A. Mus. ms. S.: Symphonie in E, 1900-1901. 162p., 35x27cm. Full score (74/1)A. Mus. ms.: [same]. 129p., various sizes. Sketches for all movements, in piano score (74/2)A. Mus. ms. S.: [same]. 60p., 35x27cm. Piano sketches (74/3)A. Mus. ms.: [Symphony No. 4]. 2p., (pp. 1-2 of the full score), 34x26cm. (74/4)A. Mus. ms. S.: [same]. 1935. 35p., 27x34cm. Reduced score (74/5)A. Mus. ms.: [same]. 12p. (mvts. I, II) + 186p. (sketches for mvt. III), 27x34cm. (74/6)A. Mus. ms.: Symphony No. 5 in C Minor. 1 leaf (p.67), 38x27cm. (Box 108)A. Mus. ms. S.: [same], 1943-1944. 67p., 34x27cm. Sketches in reduced score (75/1)A. Mus. ms. S.: [Symphony No. 6]. 41p. Reduced score (75/2)A. Mus. ms. S.: Tänzl, für Clavier, 1898. 12p., 35x27cm. (75/3)A. Mus. ms. S.: Toteninsel, Phantasie für grosses Orchester, Vienna, 4 July 1904. 50p., 35x26cm. Full score (75/4)A. Mus. ms.: [Two Pieces for Cello and Piano], 1940. 16p., 35x27cm. Sketches (75/5)A. Mus. ms. S.: [Two Religious Choruses, Who Knows?], New York, Dec. 1941. 1p., 36x31cm. Draft (75/6)A. Mus. ms. S.: Valse lente, op.3, 1893. 5p., 33x26cm. (75/7)A. Mus. ms. S.: Variationen, Dec. 1899. 11p., 35x26cm. (75/8)A. Mus. ms. S.: 4 Clavierfugen, Vienna, Sept. 1899. 7p., 35x27cm. (75/9)A. Mus. ms. S.: The Watchman's Report, to the Germantown Friends School, 19 Jan. 1945. 6p., 38x28cm. (75/10)A. Mus. ms. S.: Weltfeier, von Heinrich Hart, für Chor und grosses Orchester, op. 17, 1910. 92p. + 2p. (text insert), 35x27cm. Sketches (75/11)Mus. ms. cop.: String Quartet in G Major. 20p. First movement only (75/12)A. L. S.: to Vally Weigl. Boston, 18 Dec. 1946. 1p., German. Giving his wife instructions regarding his last wishes (76/1)A. Doc.: Text. Conversations with the deaf-mute sculptor Gustinus Ambrosi (1893-1975). 15p. (76/2)Doc.: Articles, brochures, catalog, publicity materials, programs, photographs (76/6)Doc.: Diploma (Box 108)Doc.: Personal materials, letters (76/3-5)5 Pri. Sco.: 8 Frauenchöre, op. 25; Viola Sonata; Two Religious Choruses; Five songs (two copies); [3] Songs for Contralto or Mezzo Soprano (76/7-11)Port. Draw.: [by Paunzen?], to Vally Weigl, Sept. 1925. 52x37cm. With letter to Hans Moldenhauer, from John Weigl, 1963 (Box 108)12 Phot.: of Weigl, and Vally (wife). Some with autograph annotations (Box 116)Weill, Kurt, 1900-1950A. L. S.: to Universal Edition. n.p., 18 Nov. 1926. 2p., German. Confidential matters; Der Protagonist, Der neue OrpheusA. Mus. Quot. S.: Street Scene, to Lois Spitzbart, Oct. 1948. 1p., 9x16cm.Weingartner, Felix, 1863-1942A. Mus. ms. Annot. S.: [Five Songs]: Guter Rath, Weberlied, Schuhmacherlied, Spielmannslied, Der Liebe Erwachen, 7-9 July 1899, to Julius Wahle, Munich, 17 Apr. 1900. 6p., 27x34cm., German, ink, pencil. For voice and piano. Complete drafts on all songsA. L. S.: to Eugen Lindner. Krieglach, 30 July 1890. 1p., GermanA. L. S.: n.p., 20 Oct. 1895. 3p., GermanA. L. S.: to the Generalintendant. Paris, 24 Feb. 1898. 2p., GermanT. L. Annot. S.: [to Zemlinsky]. Darmstadt, 15 Oct. 1915. 3p., German. Regarding Kain und AbelP. card S.: to Karl Weigl. Vienna, 7 Oct. 1918. GermanP. card S.: to Gerhard Tischer. Basel, 29 Dec. 1928. GermanA. L. S.: Basel, 25 Apr. 1930. 1p., GermanA. L. S.: [to Paul A. Pisk]. Vienna, n.d. 1p., GermanPort. Phot. S.: to Carl Stasny, 1912 (Box 116)Weis, Karel, 1862-1944A. Mus. Quot. S.: Die Dorfmusikanten, Polka, ?, 6 Oct. 1904. GermanWeismann, Julius, 1879-1950A. Mus. ms. S.: Ein nachdenkliches Tänzlein, to Frau D. [Füglistaller-Schmid?], 16 July, 1937. 2p., 27x34cm. Complete scoreA. Mus. ms. S.: [Sonatine A Moll], for two pianos, to Hans Rosbaud. 4p. (pp.23-26), 27x34cm. Ritornell movement only. Full scoreDoc. S.: "Mozart." 2p., German. With autograph note on versoMus. ms. Repro. A. Rev.: Andantino, 4 Jan. 1936. 2p. On verso, Andante con motoMus. ms. Repro. Rev.: Der Fugenbaum, op. 150. 48p. Incomplete. Blueprint scoreWeissmann, Frieder, b. 1893L.: to Aurelio de la Vega. New York, 9 May 1952. 1p., EnglishWellesz, Egon, 1885-1974A. Mus. ms. S.: Sonata for Violin Solo, op. 72, Oxford, 16-17 Apr. 1953, revised 24-26 Nov. 1959. 7p., 31x23cm., ink, pencilA. Mus. ms.: [same], Adagio. 2p., 31x23cm., pencil. SketchesA. L. S.: to Mrs. Pisk. n.p., 1 May, 1925. 1p., German2 P. cards S.: to Otto Jokl. Vienna, 29 Oct. 1935; ?. 2p., German3 A. L. S.: to Paul Pisk. Vienna, 18 Sept. 1937; 5 Jan. 1938; 17 July 1962. 5p., German, English3 A. L. S.: to Hans Moldenhauer. Oxford, 12 Feb. 1962; 10 July 1965; Bozen, 21 Aug. 1969. 4p., German, EnglishA. L. S.: to Aurelio de la Vega. Kritzendorf, 6 Aug. 1965. 1p., EnglishDoc. Repro.: Recital handout. 5p., German, English. Poems with translationPri. Sco.: Sonata for Violin Solo, op. 72, New York: Rongwen, c1961. 8p.2 Prog.: "In Memoriam Egon Wellesz." 6p. each, EnglishWenzel, Eberhard, 1896-1982A. Mus. ms. S.: Bauernlied. 2p., 34x27cm., German. Full scoreA. Mus. ms. S.: Ährenlied. 2p., 34x27cm., German. Full scoreWetz, Richard, 1875-1935A. L. S.: to Tischer. Erfurt, 17, 26 Dec. 1929. 12p., German. Discusses WeinachtsoratorioA. card S.: [to Tischer]. Erfurt, 14 Jan. 1930. 2p., GermanWidor, Charles-Marie, 1844-1937A. L. S.: to Fanny?. Paris, 25 June 1886. 2p., French2 A. L. S.: n.p., n.d. 2p., FrenchDoc.: Biographical sketchWiel, Marie, 1833-1891A. L. S.: n.p., 28 [Sept.?]. 4p., GermanWieniawski, Henryk, 1835-1880A. L. S.: to ?. [Salzburg?], [Aug.?]. 1p., FrenchWieniawski, Józef, 1837-1912Call. c. Annot.: 17 Mar. 1880. GermanWild, Franz, 1792-18602 A. L. S.: to Tichatschek. Theater zu Graz, 16, 23 Feb. 1837. 6p., GermanWilhemj, August, 1845-1908P. card S.: to Rudolf Herfurth. Biebrich, 19 Dec. 1884. GermanWimberger, Gerhard, b. 1923A. Mus. ms. S.: Ars amatoria, 1967. 1p., 33x27cm.A. Mus. ms. S.: La Battaglia oder Der rote Federbusch, 1959. 2p., 34x27cm.A. Mus. ms. S.: Chronique, 1969. 2p., 34x27cm.A. Mus. ms. S.: Dame Kobold, 1963. 1p., 34x27cm.A. Mus. ms.: Drei lyrische Chansons. 40p., 34x27cm. Full draft in condensed scoreA. Mus. ms. S.: Hero und Leander, 1963. 1p., 34x27cm.A. Mus. ms. S.: Lebensregeln, 1972. 2p., 34x27cm.A. Mus. ms. S.: Memento vivere, 1974. 2p., 32x21cm.A. Mus. ms. S.: Multiplay, 1973. 2p., 27x32cm.A. Mus. ms. S.: Resonance für 3 Orchester-Gruppen, 1967. 2p., 34x27cm.A. Mus. ms. S.: Signum für Orgel, 1970. 2p., 34x27cm.A. Mus. ms. S.: Stories, 1962. 2p., 36x27cm.T. Doc. A. Rev.: Work list and biographical sketch. 2p.Winding, August, 1835-1899Related Collection MaterialsSee: Grieg, EdvardWinkelmann, Hermann, 1849-1912A. L. S.: Hamburg, 14 Mar. 1881. 1p., GermanWirén, Dag, 1905-1986Pri. Sco. S.: Sinfonietta, op. 7, Vienna: Universal, c1951, to Fritz Mahler. 105p.Wit, MargaretePort. Phot. Repro. S.Wittgenstein, Paul, 1887-1961A. L. S.: to Karl Weigl. Scheveningen, 30 Dec. 4p., German. Concerning piano concerto for the left handWittinger, Róbert, b. 1945A. Mus. ms. S.: Concentrazione, op. 6, Budapest, 1965. 1 leaf, 42x29cm. Title page and first page of full score. With additional printed score, c1967A. Mus. ms.: Divergenti, op. 13, [June-Sept. 1969]. 2p. (1 leaf), 60x42cm. Sketch. With additional printed score, c19692 Docs. A. Rev.: Work list. 2p., GermanCall. c.Clip.: Jan. 1971. 1p., German. With accompanying photographPort. Phot.: see clipping above(Shelf)S. rec.: opera 6, 7, 9, 10, 12, 17; Espressioni; Construzioni (Shelf)Wohlgemuth, Justus AlbertA. L. S.: to A. W. Gottschalg. Berlin, 18 May 1857. 2p., GermanWolf, Hugo, 1860-19032 A. Mus. mss. S.: An* (Lenau), Windischgraz, 27 Apr.-8 May 1877. Song with piano accompaniment; on verso of leaf, Morgenthau ("aus einem alten Liederbuche"), Windischgraz, 19 June 1877. Song with piano accompaniment. 1 leaf, 35x27cm., ink, pencil. Complete scoresA. Mus. ms. S.: [Der Corregidor], "Ave Maria purissima." 1p. (10m.), 25x33cm., ink, pencil. Fourth act. Original draft. With accompanying letter to Hinterberger, from Ilse Kautsky (Frauenkirchen, 4 July 1956)P. card S.: to Heinrich Potpeschnigg. Vienna, 31 May 18971p., German. Regarding Der CorregidorRcpt. S.: Vienna, 7 JulyWolff, Edward, 1816-1880A. Mus. ms. S.: Mazurka, Paris, 1 May 1846. 1p., 14x10cm.Wolff, Werner, 1883-1961A. L. S.: to Bruno Eisner. n.p., n.d. 3p., GermanWolfrum, Philipp, 1854-1919A. L. S.: Heidelburg, 28 Nov. 1903. 2p., GermanWolpe, Stefan, 1902-1972A. Mus. ms. S.: String Quartet, 1951. 12p., 34x27cm. Third movementP. card S.: to Bruno Eisner. New York, 28 Dec. 1951. 1p., EnglishWolzogen, Karl August Alfred von, 1823-18832 A. L. S.: Breslau, 12 Jan. 1861; Schwerin, 5 Mar. 1871. 5p., EnglishWoyrsch, Felix, 1860-1944A. L. S.: Altona, 27 Dec. 1908. 2p., GermanA. Mus. Quot. S.: "The Lord's Prayer." German, EnglishPort. Phot. S. (Box 116)Wranitzky, Anton, 1761-1820A. L. S.: to Anton André. Vienna, 13 Feb. 1802. 3p., GermanWranitzky-Seidler, Karoline, 1790 or 1794-1872A. L. S.: Berlin, 21 Jan. 1825. 3p., GermanL.: to ?. Berlin, 11 June 1828. 2p., GermanWuerst, Richard, 1824-1881A. Mus. Quot. S.: Allegretto, 29 Mar. 1846. 2p., 23x28cm.Wüllner, Ludwig, 1858-1938P. card S.: to Therese Lindenberg. Berlin, 1[7?] July 1917. GermanWürz, Richard, 1885-1965P. card S.: to Marie Geselschap. Munich, 5 Sept. 1924. GermanXenakis, Iannis, b. 1922(Shelf)A. Mus. ms. S.: Metastasis. 1p. (p.10), 74x52cm., pencil. Full score (Shelf)(Shelf)A. Mus. ms. S.: Pithoprakta, 16 Apr. 1956. 1p., 22x51cm., ink (Shelf)2 A. L. S.: to Hans Moldenhauer. Paris, 4 Mar., 9 Apr. 1963. 2p., EnglishT. Doc. S.: "Viel sind der Wunder...." GermanProg.: "Woche der leichten Musik Stuttgart 1962," 22-25 Oct. 1962. Hermann Heiss documents insertedYoo, InsookA. card S.: to Aurelio de la Vega. [1983]. EnglishYsaÿe, Eugène, 1858-1931A. L. S.: n.p., 20 June 1884. 1p., French. Mounted with portrait photograph, 1898Zarlino, Gioseffo, 1517-1590Doc. S.: Three-line attestation. To the last will of Vincenzo Diedo, Patriarch of Venice. Dec. 1559. 3p., Italian, 30x22cm. Witnessed by several persons besides Zarlino(Shelf)Bk: L'Institutioni Harmoniche, Venice, Francesco Senese, 1562 (Shelf)Zeisl, Eric, 1758-1832A. L. S.: to Alma Mahler, frum Trude Zeisl. Hollywood, n.d. 2p., GermanZemlinsky, Alexander, 1871-1942Related Collection MaterialsSee: Schoenberg, ArnoldRelated Collection MaterialsSee: Webern, AntonRelated Collection MaterialsSee: Weigl, KarlZenk, Ludwig, 1900-1949A. Mus. ms. S.: Missa Pacis 1945, Gloria, to Josef and Hildegard Humplik, 23 Dec. 1946. 1p. (mm.104-110), 34x26cm.A. Mus. ms.: [Sketches for a song with piano accompaniment], 1947. 4 leaves, 13-26x34cm.A. Mus. ms.: [Sketches for a four-part chorus with continuo], 1 June 1948. 5p., 34x26cm. + 32x24cm.A. Mus. ms. cop.[?]: [String quartet]. 11p. (viola part), 34x26cm.A. Mus. ms.: Symphonie, 28 Apr., 14 Sept. 1935. 31p., 34x27cm. Sketches and draft of Adagio and another movement19 A. L. S.: to Hildegard Jone and Josef Humplik. Vienna, 1936-1948. 42p., German. Containing references to Webern, his compositions, Trakl's poems; some bear postscript from Mia (wife)10 P. cards S.: to Hildegard Jone and Josef Humplik. Vienna, Berlin, Gurgl, 1938-1945. German. Some postcard photos taken by ZenkTlgm.: to Hildegard Jone. Aug. 1946. GermanA. L. S.: to Josef Humplik, from Mia Zenk. Vienna, 19 June 1949. 1p., German2 Mus. mss. Repro. S.: Blumen hörte ich sterben im Grund. 4p., German. Two copies, one signedMus. ms. Repro.: 2. Klaviersonate. 1p. Third movement2 Obit.: Vienna, 23 June [1949]. German. Includes copyRelated Collection MaterialsSee: Apostel, Hans ErichRelated Collection MaterialsSee: Webern, AntonZeuner, Charles, 1795-1857Related Collection MaterialsSee: Viardot, PaulineZilcher, Paul, 1855-1943A. Mus. ms. S.: Greetings from the Poets, op. 63, No. 2. 1p., 34x27cm.A. L. S.: Frankfurt, 19 Sept. 1910. 3p., German. With work listPort. Phot. S. (Box 116)Zimmermann, Bernd Alois, 1918-1970A. Mus. ms. S.: Omnia tempus habent, Rom., Oct. 1957. 6p., 33x26cm.P. card S.: to Hans Moldenhauer. Kampen, Sylt, 5 Apr. 1960. GermanA. L. S.: to Hans Mopldenhauer. Cologne, 4 May 1960. 1p., GermanZingarelli, Niccolò Antonio, 1752-1837A. L. S.: to Pietro Polivante[?}. Civitavecchia, 14 June [1811?]. 1p., Italian. Written from prison where Zingarelli had been committed for refusing to conduct a concert in celebration of the birthday of Napoleon's sonZöllner, Heinrich, 1854-1941A. L. S.: Antwerp, n.d. 1p., GermanA. Mus. Quot. S.: Die versunkene Glocke, to Gerhart Hauptmann. Includes poemPort. Phot. Repro. (Box 116)Zöllner, Karl Heinrich, 1792-1836A. L. S.: to Peters. Leipzig, 13 Aug. 1822. 1p., GermanZschiesche, August, 1800-1876A. L. S.: Berlin, 9 Mar. 1828. 1p., GermanZuckmayer, Carl, 1896-1977P. card S.: to Alma Werfel. Saas-Fee, 19 Dec. 1958. German. Postscript on a letter from his wifeDoc. S.: Festival address. "Das Ziel der Klasse," Mainz: Philipp von Zabern, to Hans Moldenhauer, 15 Feb. 1962 [1963]. 32p., GermanZuckmayer, Eduard, 1890-1972A. Mus. ms. S.: Bursa Sekme, 6 Dec. 1953. 3p., 34x25cm. Full scoreA. Mus. ms. S.: Gens Osman, Nov. 1956. 2p., 34x25cm. Full scoreA. Mus. ms. S.: Des Herrn Verheissung an Jaakob, 8 Sept. 1934. 3p., 34x27cm. Draft from the unfinished oratorioP. card S.: to Hans Moldenhauer. Turkey, 25 Dec. 1959. GermanT. L. S.: to Hans Moldenhauer. Ankara, 8 Feb. 1960. 2p., GermanA. L. S.: to Hans Moldenhauer. Ankara, 24 Feb. 1960. 1p., GermanPort. Phot. S.: to Hans Moldenhauer, 8 Feb. 1960 (Box 116)Zumsteeg, Johann Rudolf, 1760-1802A. Mus. ms. S.: Klage, 2p., 24x30cm., ink. Song with accompaniment. Incomplete. On verso, draft of another vocal compositionA. L. S.: to a publisher. Stuttgart, 6 Dec. 1796. 1p., GermanPri. Sco. S.: Die Geisterinsel, Overture, arangée Frederic Schneider à quatre mains, Leipzig: Hofmeister. 8p. First edition. Autograph title pageZweig, Friderike, 1882-197114 P. cards S.: to Hanna Schwarz. 1934-1970. German23 A. L. S.: to Hanna Schwarz. 1935-1971. German. Discusses leading writers and musicians of the time16 A. cards S.: to Hanna Schwarz. n.d. German. Holiday greeting cards with short messagesDoc.: Brochure. With portrait photograph reproduced. 4p., EnglishPort. Gr.: Friderike Zweig, Hanna Schwarz, and others, at Stanford (Box 116)Zweig, Stefan, 1881-19428 A. L. S.: to Hanna Schwarz. 1933-1938. German8 P. cards S.: to Hanna Schwarz. 1933-1937. German11 T. L. S.: to Hanna Schwarz. 1934-1939. German, English. Regarding addressee's wish to appear in London as a concert singer; musical society of EnglandDoc.: Announcement. Vienna, n.d. 1p., German. Regarding the founding of the International Stefan Zweig Society. With membership applicationDoc. Repro.: Catalog. Vienna: Herbert Reichner, n.d. German. With portrait photograph reproduced, listing Zweig's literary outputNon-Music Materials, 1700-1987The Non-Music Materials series include documents, mostly correspondence, from literary persons. Arrangement is alphabetical by composer, arranger, or title. García Lorca, Federico, 1898-1936A. Doc. A. Rev.: Text, original draft. Contains unpublished lines from section "The Poet in New York," from New York (Oficina y Denuncia), New York, 1930. 3p., Spanish, ink, pencilHamsun, Knut, 1859-1952Port. Phot. S.: ?. By WaleryHesse, Hermann, 1877-1962P. card S.: to Otto Jokl. Gaienhofen, 24 July [1901?]. GermanP. card S.: to Bruno Eisner. Mendrisio, 7 Oct. 1926. German. Includes rhymed messages from "Emmy" and "Ben"Pri. Card: to Hans Moldenhauer. Zug, Switzerland, 7 Jan. 1957. GermanKotzebue, August von, 1761-1819A. L. S.: to a poet in Dresden. Berlin, 28 May 1803. 2p., GermanA. L. S.: to Ackermann. Mannheim, 14 Jan. 1819. 1p., German. Shortly before his assassinationMann, Monique, 1910-19222 A. L. S.: to Bruno Eisner. Funes, 21 Sep. 1954; Kilchberg, 18 Aug. 1955. 3p., GermanNuremburg chronicleDoc.: Original leaf. Paginated ccxvii. Printed on both sides. German. With five woodcut illustrations, hand-colored in many hues of watercolor. 44x30cm.Rilke, Rainer Maria, 1875-1926A. L. S.: to Professor Wilhelm Fliess. Sierre, 4 Dec. 1921 (his birthday). 3p., GermanSand, George, 1804-1876A. L. S.: to Gustave Papet. n.p., n.d. 1p., FrenchWhymper, Edward, 1840-1911A. L. S.: to Foa. London, 24 Nov. 1899. 3p., EnglishWilder, Thornton, 1897-1975P. card S.: to Alma Mahler. Sommering, 1 Jan. 1959. German. Also signed by othersReturn to the Table of Contents |