Contents


Collection Summary

Biographical Note

Scope and Content Note

Organization of the Serge Diaghilev/Serge Lifar Collection

Selected Search Terms

Container List

I. Printed Music Material, 1750-1950

II. Manuscript Music Material, 1750-1950

III. Personal Papers, 1750-1950

IV. Printed Material, 1750-1950

Serge Diaghilev/Serge Lifar Collection

Processed by the Music Division of the Library of Congress

2006

Collection Summary

Creator Diaghilev, Serge, 1872-1929
Title Serge Diaghilev/Serge Lifar Collection
Span Dates 1750-1950(bulk 1890-1929)
Abstract: This collection is comprised in large part of printed music, widely representing 18th century Italian and 19th century Russian operatic music. Includes rare pre-revolutionary editions of Russian folk songs, annotated performance scores of Stravinsky, Mussorgsky, Rimsky-Korsakov, Gounod, Cimarosa. Non-musical materials include three letters from S. Prokofiev to S. Diaghilev, rare edition of books on music, literature and theater, libretti and synopses, souvenir books and programs and photographs. Several of the programs and photographs show Léon Bakst's set and costume designs. Non-musical materials also include Diaghilev’s personal notebook, containing entries in French, Russian, and English made in 1926-1929.
Extent: around 1,350 items81 boxes91 linear feet
Language: Collection material in English, French, and Russian
Identification: ML31.D53

Biographical Note

Date Event
1872, Mar. 31 Sergei Pavlovich Diaghilev is born in Novgorod province, Russia, the only child of Pavel Pavlovich Diaghilev and Evgeniia Nikolaevna Essipova; Diaghilev's mother died as a result of the birth. Both of his parents were from old gentry landowner families. Pavel Pavlovich, a soldier in the Chevaliers Gardes in the service of the tsar, is transferred to St. Petersburg shortly afterwards
1874 Pavel Pavlovich Diaghilev marries Elena Valerianovna Panaeva, of whom Serge Diaghilev was very fond. Elena was from a musical family and was distantly related to Pëtr Il'ich Tchaikovsky. Through these family connections, Diaghilev is afforded the opportunity as a youth to meet many musicians and composers, among them Tchaikovsky (whom the young Diaghilev referred to as "Uncle Petia") and Modest Musorgsky
1882 Pavel Pavlovich is transferred to the provincial Russian town of Perm. They move into the family estate at nearby Bikbarda, which soon becomes an unofficial town cultural center
1890 Serge Diaghilev enters the university at St. Petersburg to study law, for which he has little enthusiasm. His interest and effort seem to be channeled into music, for he soon begins lessons in singing and composition. After a short period of study with Nikolai Rimsky-Korsakov, who advises him to reconsider a career in composition, Diaghilev begins to turn his attention more and more to art history and criticism
1891 Serge Diaghilev's first European trip takes him to Berlin, Paris, Rome, Venice, Florence and Vienna. The cultural life which he encounters in these cities has a profound effect on his developing artistic sensibility
1895-1896 During subsequent trips Diaghilev begins to purchase paintings which form the basis of a noteworthy collection. His first articles about contemporary art and painters are published. After six years at the university (in a customarily four-year program), Diaghilev completes his law degree
1899 Establishment of a series of ambitious art exhibitions, which meet with tremendous acclaim. Establishment of the review Mir Iskusstva (The World of Art), which includes writings on art, music and literature, as well as highly original graphics material. Appointed assistant to the Director of the Imperial Theaters; he resigns after a dispute with management in 1901
1903 The World of Art ceases publication due to disagreements and dissatisfaction on the part of contributors to the magazine
1905 "The Exhibition of Historical Russian Portraits," comprising over three thousand works, was organized by Diaghilev; the project takes three years and innumerable trips throughout Russia to complete. The Exhibition is held at the Tauride (Tavri-chevskiĭ) Palace in St. Petersburg and meets with an immense success. Similar exhibitions were organized the following year in Paris, Berlin and Venice. Serge Lifar is born in Kiev
1907 First series of Russian music concerts organized in Paris
1908 Concerts are expanded to include opera and ballet; opera productions include the first performances outside Russia of Rimsky-Korsakov's Sadko and Musorgsky's Boris Godunov, the latter achieving almost instantaneous worldwide popularity, and having a significant musical influence on French composers, including Debussy and Ravel
1909, May 19 First appearance of the Ballet Russe in Paris. Its immense success led to a resurgence of the ballet as an art form, especially in France and in Russia, as well as to the development of the field of ballet criticism
1910, June 25 Première of Stravinsky's ballet The Firebird, commissioned by Diaghilev for the Ballet Russe; this was the first of twelve works resulting from the collaboration between Diaghilev and Stravinsky
1911 The Ballet Russe is established at Monte Carlo
1912 Non-Russian artists become more frequently involved in the Ballet Russe productions: commissions are given to artists such as Debussy, Ravel, Hahn and Cocteau
1913, May 29 Première of the groundbreaking Le Sacre de printemps of Stravinsky (choreo-graphed by Nijinsky) which causes an unprecedented and legendary scandal
1917 Collaboration with Pablo Picasso, who designs sets and costumes for Satie's Parade
1923 Meeting with Serge Lifar at Monte Carlo, who, upon the recommendation of his teacher Bronislava Nijinska, was contracted to enter the Ballet Russe. By commissioning Stravinsky's Pulcinella, based on works of the eighteenth century masters Cimarosa, Scarlatti and Pergolesi, Serge Diaghilev influences the rise of neoclassicism in twentieth-century music
1925 Lifar has a principal role in the Ballet Russe production of Dukelsky's Zéphyr et Flore
1929, Aug. 19 Serge Diaghilev dies in Venice from complications resulting from diabetes. Lifar assumes the management of the Paris Opéra Ballet, a position which he holds (excluding the years 1944 through 1946, when he directs the Nouveau Ballet de Monte-Carlo) until 1959. During his tenure there he creates many new ballets, writes several books (including a biography of Diaghilev) and establishes new dance institutions. For his contributions to the art of ballet he is awarded the French Légion d'Honneur
1986 Serge Lifar dies

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Scope and Content Note

He was neither a painter, nor a dancer, nor had extensive musical training, yet by means of his great organizational and managerial skills, as well as by a keen aesthetic sense and an unerring sense of style, Serge Diaghilev had a profound influence on the course of music, ballet and art in the twentieth century.

Diaghilev's musical interests spanned a wide range of styles, as reflected by the variety of musical material contained in this collection. A large part of this material represents musical works considered by Diaghilev for choreographic purposes and eventual production by the Ballet Russe; much of this material consequently bears annotations and performance indications.

This collection is comprised in large part of printed music, most of which emanated from the personal music library of Serge Diaghilev. This library was acquired by Lifar, a premier dancer with the Ballet Russe and a protégé of Diaghilev, who was present at the latter's deathbed. In his auto-biography, Ma Vie, Lifar recalls how Diaghilev had died without leaving a will, and that he was prompted to break into Diaghilev's Venice apartment and to smuggle out material from his library in order to prevent its dispersal.

The collection is particularly rich in the material of eighteenth-century Italian composers such as Paisiello, Pergolesi, and Cimarosa; nineteenth-century Russians such as Musorgsky, Rimsky-Korsakov, Tchaikovsky, Glinka, Dargomyzhsky and Liadov, as well as by several important collections of Russian folk song, all appearing in rare pre-Revolutionary editions; and nineteenth century French composers such as Chabrier, Gounod, Delibes and Godard. Also included are a significant number of popular works from the early Soviet period; several works for jazz band as well as popular songs from the early years of this century; heavily annotated chorus part books apparently used in the productions of Stravinsky's Les Noces, Rimsky-Korsakov's Snegurochka, and Musorgsky's Khovanshchina; and annotated performing scores of operas of Gounod (particularly La colombe, Philémon et Baucis, and Le médecin malgré lui) and Cimarosa for which Diaghilev commissioned new editions and/or additional musical material by composers such as Respighi, Satie, Milhaud and Auric. Particularly notable holograph material is represented in the collection by scores such as Respighi's recitatives for Cimarosa's Le astuzie femminili; Prokofiev's annotations to the printed score of his ballet Le pas d'acier; and one leaf of Stravinsky's arrangement for pianola of the "Berceuse" section from The Firebird. Among the non-musical material in the collection, particularly notable are three letters of Sergei Prokofiev to Diaghilev; rare editions of books on music, literature and theater; and Diaghilev's personal notebook, used from 1926 until his death in 1929, containing entries in French, Russian and English regarding planned productions, future projects, addresses, etc., made by Diaghilev, Lifar and Boris Kochno.

Russian transliterations follow the standard Library of Congress system wherever possible. Modifications, however, were incorporated due to the inaccessibility of certain computer-generated symbols, hence the use of the symbol "ĭ" for the Russian short "i" (i kratkoe) and the omission of ligatures over groupings of letters, such as those used to indicate Russian soft vowels.

In addition to printed music, the collection contains music manuscripts, correspondence, libretti and synopses, books and monographs, magazines, and Diaghilev's personal notebook, which the impresario used from 1926 until his death in 1929.

Three items purchased during the same auction are housed in the Prints and Photographs Division of the Library of Congress.

The approximate dates of the items in this collection range from about 1750, represented by several manuscripts, to about 1950, the date of several ballet scores added to the collection by Lifar. The majority of the material in the collection, however, dates from 1890 to 1929.

Kevin LaVine, June 1994

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Selected Search Terms

People

  • Bakst, Léon, 1866-1924.
  • Diaghilev, Serge, 1872-1929--Autographs.
  • Diaghilev, Serge, 1872-1929--Correspondence.
  • Diaghilev, Serge, 1872-1929.
  • Diaghilev, Serge, 1872-1929.
  • Lifar, Serge, 1905-1986.
  • Lifar, Serge, 1905-1986. Serge Diaghilev/Serge Lifar collection. 1750-1950.
  • Prokofiev, Sergey, 1891-1953--Correspondence.
  • Prokofiev, Sergey, 1891-1953.
  • Prokofiev, Sergey, 1891-1953.

Organizations

  • Ballets russes.

Subjects

  • Ballet--Costume.
  • Ballet--Stage-setting and scenery.
  • Composers--Correspondence.
  • Impresarios--Correspondence.
  • Operas--Librettos.
  • Operas--Scores.

Form/Genre

  • Correspondence.
  • Photographic prints.

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Organization of the Serge Diaghilev/Serge Lifar Collection

The Serge Diaghilev/Serge Lifar Collection is organized into four series:

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Container List

I. Printed Music Material, 1750-1950

The series Printed Music Material is arranged into three subseries: General, Collections, and Miscellaneous. This series is represented by printed music and other materials from the personal music library of Serge Diaghilev.

Arrangement is by format, composer and title.

A. General

Albéniz, Isaac

Chants d'Espagne, op. 232, no. 2: Orientale.Barcelona: Dotésio, n.d. Solo piano; score; 7 p.

Iberia, v. 1.Paris: Édition mutuelle, . 1911 Solo piano; score; 33 p.

Iberia, v. 2.Paris: Édition mutuelle, . 1907 Solo piano: score; 39 p.

Iberia, v. 3.Paris: Édition mutuelle, . 1907 Solo piano; score; 46 p.

Iberia, v. 4.Paris: Édition mutuelle, . 1907 Solo piano; score; 43 p.

Zortzico.Paris: Édition mutuelle, n.d. Solo piano; score; 7 p.

Aliab'ev, Aleksandr Aleksandrovich

Soloveĭ.Moscow: P. IUrgenson, . 1901 Voice and piano; score; 3 p.

Arkhangel'skiĭ, Aleksandr Andreevich

Chasy, op. 13a.Moscow: Izdanie Studiia, . 1910 Voice and piano; score; 6 p.

Chërtovy kacheli, op. 23, no. 3.Moscow: A. Gutkheĭl', . 1910 Voice and piano; score; 7 p.

Kuranty, op. 23, no. 2.Moscow: Izdanie Studiia, . 1910 Voice and piano; score; 8 p.

Maskarad, op. 34, no. 2: Petit morceau oublié.Moscow: B. Reshke, n.d. Cello and piano; cello part, piano score; 1 p.; 2 p.

Maskarad, op. 34, no. 3: Danse des vingtièmes années.Moscow: B. Reshke, n.d. Solo piano; score; 5 p.

Maskarad, op. 34, no. 4: Kogda pechal' slezoĭ nevol'noĭ (Romans Niny).Moscow: B. Reshke, n.d. Voice and piano; score; 5 p.

Maskarad, op. 34, no. 5: Valse triste.Moscow: B. Reshke, n.d. Solo piano; score; 5 p.

Piesnia o Komarie, op. 26, no. 1.Moscow: B. Reshke, n.d. Solo voice, chorus and piano; piano-vocal score; 7 p.

Prélude, op. 10, no. 1.Moscow: Izdanie Studiia, . 1913 Solo piano; score; 3 p.

Raspakhnulos' okno, op. 21a.Moscow: [s.n.], . 1910 Voice and piano; score; 5 p.

Shelkovinka, op. 5c.Moscow: Kruzhka, . 1908 Voice and piano; score; 6 p.

Skazka o kurochkie i zolotom iaichkie, op. 26, no. 2.Moscow: B. Reshke, n.d. Voice and piano; score; 7 p.

Starinnyĭ val's, op. 23, no. 1.Moscow: [s.n.], . 1910 Voice and piano; score; 8 p.

U mashinki, op. 25, no. 1.Moscow: B. Reshke, . 1913 Voice and piano; score; 7 p.

Udovushka, udovushka moia, op. 26, no. 3.Moscow: B. Reshke, n.d. Voice and piano; score; 7 p.

Viktoriia regiia, op. 36, no. 1.Moscow: Lira, . 1914 Voice and piano; score; 3 p.

Za nashim, za dvorom, op. 1, no. 3.Moscow: B. Reshke, . 1913 Solo voices (TB), clarinet and tambourine; score; 3 p.

Arne, Thomas

ComusSee: I.B. Collections, Box 1 (Item S/62), p. 67

Auber, Daniel François Esprit

L'ambassadrice.Paris: G. Brandus, n.d. Piano-vocal score; 154 p.

Barcarolle.Paris: RRandus [G. Brandus (?)], n.d. Piano-vocal score; 187 p.

Il cavallo di bronzo.Milan: E. Sonzogno, . 1875 Piano-vocal score; 342 p.

La circassienne.Paris: Colombier, n.d. Piano-vocal score; 357 p.

Le domino noir.Paris: G. Brandus, n.d. Piano-vocal score; 172 p.

Fra Diavolo.Paris: P. Maquet, n.d. Piano-vocal score; 374 p.

Le lac des fées.Paris: G. Brandus, n.d. Piano-vocal score; 416 p.

Lestocq.Paris: G. Brandus, n.d. Piano-vocal score; 260 p.

Marco Spada.Paris: J. Meissonnier, n.d. Piano-vocal score; 304 p.

Le premier jour de bonheur.Paris: L. Escudier, n.d. Piano-vocal score; 226 p.

La sirène.Paris: G. Brandus, n.d. Piano-vocal score; 178 p.

Zerline.Paris: G. Brandus, n.d. Piano-vocal score; 274 p.

Aubert, Louis

Suite brève, op. 6.Paris: A. Durand, . 1912 Two pianos; score; 23 p.

Audran, Edmond

La mascotte. [=Krasnoe solnyshko.]Moscow: A. Gutkheĭl', n.d. Reduction for solo piano; score; 95 p.

Austin, Ernest

Stella-Mary dances, op. 58.London: J.H. Larway, . 1919 Solo piano; score; 8 p.

Bach, Johann Sebastian

Beliebte Klavierstücke.Leipzig: C.F. Peters, n.d. Solo piano; score; 35 p.

Clavierwerke, v. 1, 2 (Suites), v. 3 (Partitas).Leipzig: Steingraber, n.d. Solo piano; scores; [v. 1:] 123 p.; [v. 2:] 147 p.; [v. 3:] 113 p.

Clavierwerke, v. 4, 7 (Vermische Werke).Leipzig: Steingraber, n.d. Solo piano; scores; [v. 4:] 108 p.; [v. 7:] 159 p.

Clavierwerke, v. 5, 6 (Das Wohltemperirte Clavier).Leipzig: Steingraber, n.d. Solo piano; scores; [v. 5:] 115 p.; [v. 6:] 133 p.

Klavierwerke: Capriccio; Fantasie; etc.Leipzig: C.F. Peters, n.d. Solo piano; score; 35 p.

Klavierwerke: Englische Suiten, nos. 1-3.Leipzig: C.F. Peters, n.d. Solo piano; score; 55 p.

Klavierwerke: Englische Suiten, nos. 4-6.Leipzig: C.F. Peters, n.d. Solo piano; score; 61 p.

Klavierwerke: Französische Suiten.Leipzig: C.F. Peters, n.d. Solo piano; score; 55 p.

Klavierwerke: Partitas, nos. 1-3.Leipzig: C.F. Peters, n.d. Solo piano; score; 56 p.

Klavierwerke: Partitas, nos. 4-6.Leipzig: C.F. Peters, n.d. Solo piano; score; 63 p.

Klavierwerke: Supplement.Leipzig: C.F. Peters, n.d. Solo piano; score; 92 p.

Geistliche Lieder und Arien.Leipzig: Breitkopf & Härtel, n.d. Arranged by E. Naumann for voice and piano; score; 81 p.

Orchester-Suiten nos. 1-4.Leipzig: C.F. Peters, n.d. Arranged by M. Reger for two pianos; 96 p.

Der Streit zwischen Phöbus und Pan.Leipzig: C.F. Peters, n.d. Piano-vocal score; 52 p.

Das Wohltemperiertes Klavier, v. 1.Leipzig: C.F. Peters, n.d. Solo piano; score; 119 p.

Das Wohltemperiertes Klavier, v. 2.Leipzig: C.F. Peters, n.d. Solo piano; score; 131 p.

Balilla Pratella, Francesco

Musica futurista, op. 30.Bologna: F. Bongiovanni, . 1912 Arranged for solo piano; score; 80 p.

Bantock, Granville

Old English suite.London: Novello, . 1909 Solo piano; score; 25 p.

The Pierrot of the minute.Leipzig: Breitkopf & Härtel, . 1913 Arranged for solo piano; score; 21 p.

Bartók, Béla

Der holzgeschnitzte Prinz.Vienna: Universal, . 1921 Reduction for solo piano; score; 70 p.

Bax, Arnold

In a vodka shop.London: Augener, . 1915 Solo piano; score; 7 p.

Beethoven, Ludwig van

Sonates choisies.Paris: Heugel, n.d. Solo piano; score; 162 p.

Sonate, op. 27, no. 2.Paris: A. Durand, . 1915 Solo piano; score; 15 p.

Symphonie pastorale. [Symphony, no. 6, op. 68, C minor.]Paris: A. Durand, n.d. Arranged for piano, four hands; score; 235 p.

Berger, Rodolphe

Lettre valséeSee: I.B. Collections, Box 2 (S/63), p. 67-68

Vdali ot RodinySee: I.B. Collections, Box 2 (S/63), p. 67-68

Vinovaty rozySee: I.B. Collections, Box 3 (S/64), p. 68-69

VliublennaiaSee: I.B. Collections, Box 2 (S/63), p. 67-68

Berlioz, Hector

Épisode de la vie d'un artiste, Grande symphonie fantastique. [Symphonie fantas-tique, op. 14.] ["Seconde édition revue et corrigée par F. Liszt."]Leipzig: F.E.C. Leuckart, n.d. Arranged for solo piano; score; 69 p.

Lelio, oder die Rückkehr ins Leben, op. 14b.Leipzig: Breitkopf & Härtel, . 1903 Piano-vocal score; 16 p.

Bernard, M.

Piesni russkago naroda.Moscow: P. IUrgenson, . 1886 Arranged for voice and piano; score; 157 p.

Berners, Lord

Le carrosse du Saint-Sacrement.London: J. & W. Chester, . 1923 Piano-vocal score; 158 p.

Le carrosse du Saint-Sacrement.London: J. & W. Chester, . 1923 Piano-vocal score; 159 p.

Berzhe, R.

Vdali ot RodinySee: I.B. Collections, Box 2 (S/63), p. 67-68.]

Vinovaty rozySee: I.B. Collections, Box 3 (S/64), p. 68-69

VliublennaiaSee: I.B. Collections, Box 2 (S/63), p. 67-68.]

Bessmertnyĭ, Mikhaĭl

Tsyganka Masha, op. 14.Leningrad: Ars, n.d. Voice and piano; score ;3 p.

Binet, Jean

Le Printemps.[S.l.]: [s.n.], n.d. Photoreproduced orchestral score; 113 p.

Bizet, Georges

L'Arlésienne.Paris: A. Choudens, n.d. Reduction for solo piano; score; 77 p.

Chants du Rhin.Paris: Heugel, n.d. Solo piano; score; 37 p.

Chasse fantastique.Paris: Heugel, n.d. Solo piano; score; 14 p.

Djamileh, op. 24.Paris: A. Choudens, n.d. Piano-vocal score; 129 p.

Djamileh, op. 24.Milan: E. Sonzogno, . 1892 Piano-vocal score; 143 p.

Don Procopio.Paris: A. Choudens, . 1905 Piano-vocal score; 273 p.

Jeux d'enfants, op. 22.Paris: A. Durand, n.d. Piano, four hands; score; 63 p.

La jolie fille de Perth.Paris: A. Choudens, n.d. Piano-vocal score; 260 p.

La jolie fille de Perth: [Excerpts ("Les bohémiennes").]Paris: A. Choudens, n.d. Arranged for solo piano; score; 16 p.

Roma: Suite de concert, no. 3.Paris: A. Choudens, n.d. Reduction for solo piano; score; 59 p.

Variations chromatiques.Paris: A. Choudens, n.d. Solo piano; score; 15 p.

Boccherini, Luigi

Minuetto, A major. [Quintetto, strings, op. 6, no. 2: Minuetto.]Milan: G. Ricordi, n.d. Arranged by M. Saladino for solo piano; score; 3 p.

Minuetto, G major.Milan: G. Ricordi, n.d. String quintet; score; 4 p.

Quartetti, op. 6, nos. 1-3.Milan: G. Ricordi, . 1915 String quartet; score; 53 p.

Quartetti, op. 6, nos. 4-6.Milan: G. Ricordi, . 1915 String quartet; score; 53 p.

Quintetto, op. 2, no. 6: Minuetto, A major.Milan: G. Ricordi, n.d. String quintet; score; 3 p.

Siciliana, C minor.Milan: G. Ricordi, n.d. String sextet; score; 3 p.

Sonate, no. 3, G major: Largo, Minuet.Paris: M. Senart, n.d. Cello and piano; cello part, piano score; 1 p.; 3 p.

Boieldieu, François Adrien

Le calife de Bagdad.Paris: Heugel, n.d. Piano-vocal score; 97 p.

Bonaterra, Luís

La festa de la rambla. [=La fête de la promenade.]Paris: Éditions espagnoles J. Garzón, n.d. Parts for: voice, vn I, vc-cb, sax I (alto)-sax II (tenor), sax III (alto), tpt-tbn, perc (1 p. each).

Borisov, B. S.

IA pomniu den'.Moscow: A. Gun, n.d. Voice and piano; score; 3 p.

Borodin, Aleksandr Porfir'evich

Kniaz' Igor'. [=Prince Igor.]Leipzig: M.P. Belaïeff, . 1889 Piano-vocal score; 371 p.

Kniaz' Igor': Ariia Kniazia Igoria. [=Prince Igor: Prince Igor's aria.]Leipzig: M.P. Belaïeff, n.d. Arranged for voice and piano; score; 9 p.

Kniaz' Igor'.Leipzig: M.P. Belaïeff, . 1888 Parts for chorus: altos [2] p.; tenors [18] p.; basses [?] p.

More.Moscow: P. IUrgenson, n.d. Voice and piano; score; 13 p.

Petite suite; Scherzo.Paris: A. Leduc, n.d. Solo piano; score; 27 p.

Petite suite.London: Augener, . 1914 Solo piano; score; 23 p.

Petite suite: Au couvent.Paris: A. Leduc, n.d. Solo piano; score; 3 p.

Serenata alla spagnola.Leipzig: M.P. Belaïeff, . 1888 Arranged by T. Jadoul for solo piano; score; 14 p.

Symphonie no. 1, E-flat major.Paris: A. Leduc, n.d. Piano, four hands; score; 75 p.

Symphonie no. 2, B minor.Paris: A. Leduc, n.d. Piano, four hands; score; 63 p.

Bortkevich, Sergeĭ Eduardovich

Tausend und eine Nacht, op. 37.Leipzig: D. Rahter, . 1928 Solo piano; score; 35 p.

Bosk, A.

Piesnaia skazka.Moscow: C.IA. IAmbor', n.d. Solo piano; score; 4 p.

Rose-MousseSee: I.B. Collections, Box 2 (S/63), p. 67-68

Boyce, William

Three pieces.London: Novello, n.d. Violin and piano; violin part, piano score; 5 p.; 12 p.

The ChapletSee: I.B. Collections, Box 1 (S/62), p. 67

Lyra BrittanicaSee: I.B. Collections, Box 1 (S/62), p. 67

SolomonSee: I.B. Collections, Box 1 (S/62), p. 67

Braga, Gaetano

La serenata.Paris: A. Durand, n.d. Arranged by J. Rummel for solo piano; score; 7 p.

Brahms, Johannes

Danses hongroises: 5. Allegro.Paris: J. Hamelle, n.d. Solo piano; score; 5 p.

Bretón, Tomás

Escenas andaluzas: 2. Polo gitano.Madrid: Unión musical española, n.d. Solo piano; score; 9 p.

La verbena de la paloma.Madrid: Dotésio, n.d. Piano-vocal score; 96 p.

Brown, LewSee: De Sylva, B. G.

Bull, John

Album of selected pieces.London: Novello, n.d. Solo piano; score; 36 p.

Byrd, William

Three dances.London: Novello, n.d. Arranged by G. Bantock for solo piano; score; 12 p.

Caplet, André

La cloche fêlée.Paris: Éditions de la nouvelle revue française, . 1924 Voice and piano; score; 8 p.

Carpenter, John Alden

Krazy Kat.New York: G. Schirmer, . 1922 Arranged by the composer for solo piano; score; 39 p.

Chabrier, Emmanuel

Air de ballet.Paris: Costallat, n.d. Solo piano; score; 7 p.

Bourrée fantasque.Paris: Enoch, n.d. Solo piano; score; 13 p.

Briséïs.Paris: Enoch, . 1897 Piano-vocal score; 126 p.

Chabrier, Emmanuel and Maurice Le Boucher

Capriccio.Paris: Costallat, . 1914 Solo piano; score; 20 p.

Une education manquée.Paris: Enoch, n.d. Piano-vocal score; 68 p.

España.Paris: Enoch & Costallat, n.d. Full score; 61 p.

España.Paris: Enoch & Costallat, n.d. Arranged by the composer for two pianos; parts; 15 p.; 15 p.

España.Paris: Enoch, . 1911 Solo piano; score; 147 p.

L'étoile.Paris: Enoch, n.d. Piano-vocal score; 184 p.

Feuillet d'album.Paris: Enoch, . 1897 Solo piano; score; 4 p.

Habañera.Paris: Enoch & Costallat, n.d. Arranged for solo piano; score; 7 p.

Impromptu.Paris: Enoch, n.d. Solo piano; score; 8 p.

L'invitation au voyage.Paris: Costallat, . 1913 Voice and piano, with bassoon obbligato; piano score, bassoon part; 12 p.; 1 p.

Joyeuse marche.Paris: Enoch & Costallat, n.d. Arranged by E. Alder for solo piano; score; 9 p.

Larghetto.Paris: Costallat, . 1913 Arranged for horn or cello and piano; cello part, piano score; 3p.; 12 p.

Pas redoublé.Paris: Costallat, . 1913 Arranged by P. Lacome for solo piano; score; 7 p.

Pièces pittoresques.Paris: Enoch, n.d. Solo piano; score; 63 p.

[Dix] pièces pittoresques.Paris: Enoch, n.d. Solo piano; score; 60 p.

[Dix] pièces pittoresques: Menuet pompeux.Paris: Enoch & Costallat, n.d. Solo piano; score; 7 p.

Recueil de mélodies.Paris: Enoch, n.d. Voice/chorus and piano; score; 119 p.

Le roi malgré lui.Paris: Enoch, n.d. Piano-vocal score; 423 p.

Le roi malgré lui.[Paris]: Enoch & Costallat, n.d. Piano-vocal score; 142 p.

Ronde champêtre.Paris: Enoch, . 1897 Solo piano; score; 8 p.

Ruy Blas. [Sérénade de Ruy Blas.]Paris: Costallat, . 1913 Voice and piano; score; 5 p.

Souvenirs de Munich.Paris: Costallat, . 1914 Piano, four hands; score; 11 p.

Suite de valses.Paris: Costallat, . 1913 Solo piano; score; 11 p.

Tes yeux bleus.Paris: Costallat, . 1913 Voice and piano; score; 7 p.

Trois valses romantiques.Paris: Enoch & Costallat, n.d. Two pianos; parts; 25 p.; 25 p.

Trois valses romantiques.Paris: Enoch, n.d. Arranged by A. Cortot for piano, four hands; score; 47 p.

Charpentier, Marc Antoine

Le malade imaginaire.Paris: A. Durand, n.d. Piano-vocal score; 48 p.

Cherniavskiĭ, A.

Vial'tseva-Kontsert.St. Petersburg: I.G. TSimmerman, n.d. Solo piano; score; 13 p.

Chopin, Frédéric

[Works.] [S.l.]: [s.n.], n.d. solo piano; score; [36] p.

Études.Paris: A. Durand, . 1915 Solo piano; score; 123 p.

Mazurkas.Paris: A. Durand, . 1915 Solo piano; score; 159 p.

Mazurke. [Composizioni, v. 3: Mazurke.]Milan: G. Ricordi, n.d. Solo piano; score; 239 p.

Mazurkas. [Klavierwerke, v. 6: Mazurkas.]See: I.B. Collections, Box 2 (S/63), p. 67-68

Mazurkas. [Sämmtliche Pianoforte-Werke: Mazurkas.]Leipzig: C.F. Peters, n.d. Solo piano; score; 150 p.

Nocturnes.Paris: A. Durand, . 1915 Solo piano; score; 100 p.

Polonaises.Paris: A. Choudens, . 1928 Solo piano; score; 94 p.

Polonaise, op. 40, no. 1.Braunschweig: H. Litolff, n.d. Solo piano; score; 5 p.

Préludes et rondos.Paris: A. Durand, . 1915 Solo piano; score; 110 p.

Valses.Paris: A. Durand, . 1915 Solo piano; score; 77 p.

Valse, op. 64, no. 2.Braunschweig: H. Litolff, n.d. Solo piano; score; 5 p.

Waltzes. [Complete works for the pianoforte, v. 1: Waltzes.]New York: G. Schirmer, . 1915 Solo piano; score; 76 p.

Walzer. [Sämmtliche Pianoforte-Werke: Walzer.]Leipzig: C.F. Peters, n.d. Solo piano; score; 79 p.

Cimarosa, Domenico

Le astuzie femminili.Paris: L. Escudier, n.d. Piano-vocal score; 284 p.

Le astuzie femminili.Milan: E. Sonzogno, n.d. Arranged for solo piano; score; 164 p.

Le astuzie femminili: Le ragazze che son di vent'anni (Act IV).Naples: T. Cottrau, n.d. Arranged for voice and piano; score; 11 p.

Giannina e Bernardone.Milan: G. Ricordi, n.d. Piano-vocal score; 180 p.

Il matrimonio segreto.Milan: G. Ricordi, n.d. Piano-vocal score; 312 p.

Il matrimonio segreto.Milan: G. Ricordi, n.d. Piano-vocal score; 429 p.

Il matrimonio segreto: Sinfonia.Milan: G. Ricordi, n.d. Arranged for small orchestra by L. Jacob; parts for: piano (condensed score) (13 p.); harmonium (10 p.); vn I (A), vn I (B), vn II (5 p. each); vla (4 p.); vc/cb (8 p.); fl, cl I, cl II, hn I, hn II, tpt, tbn (3 p. each); perc (1 p.).

Cools, EugèneSee: de Bozi, Harold and Cools, Eugène

Corelli, Arcangelo

Sonatas, op. 5. ["Opera quinta"][S.l.]: [s.n.], n.d. Violin and continuo; score; 44 p.

Sonate, op. 5, no. 6: 1. Grave, 2. Allegro.Paris: M. Senart, n.d. Violin and piano; violin part, piano score; 1 p.; 3 p.

Sonate, op. 5, no. 6: 3. Allegro, 4. Adagio, 5. Allegro.Paris: M. Senart, n.d. Violin and piano; violin part and piano score; 2 p.; 5 p.

Cottrau, T.

L'addio a NapoliSee: I.B. Collections, Box 2 (S/63), p. 67-68

Couperin, François

Concert en sol majeur. [Les goûts réunis: Concert no. 8.]Paris: Éditions musicales transatlantiques, . 1959 Arranged by F. Oubradous for orchestra; miniature score; 45 p.

Pièces de clavecin: v. 1.Paris: A. Durand, n.d. Solo keyboard; score; 139 p.

Pièces de clavecin: v. 2.Paris: A. Durand, n.d. Solo keyboard; score; 140 p.

Pièces de clavecin: v. 3.Paris: A. Durand, n.d. Solo keyboard; score; 115 p.

Pièces de clavecin: v. 4.Paris: A. Durand, n.d. Solo keyboard; score; 126 p.

Crémieux, Octave

Kogda umiraet liubov'.Moscow: IU.G. TSimmerman, n.d. Voice and piano; vocal part and piano score; 1 p.; 2 p.

Csenki, Imre

Gipsies.London: Hawkes, . 1958 Full score; 77 p.

Cueva, Julio

AjonjoliSee: Oréfiche, Armando. Puchunguita

Cui, César

Feuille d'albumSee: I.B. Collections, Box 3 (S/64), p. 68-69

Dacquin, Louis Claude

[Deux pièces:] Rigaudon, Guitare.Paris: Costallat, n.d. Solo piano; score; 4 p.

Darewski, Herman

Whispering.London: H. Darewski, . 1920 Solo piano; score; 3 p.

Dargomyzhskiĭ, Aleksandr Sergeevich

Au bal.Moscow: A. Gutkheĭl', n.d. Voice and piano; score; 9 p.

Baba IAga.St. Petersburg: W. Bessel, n.d. Arranged by the composer for two pianos; score; 25 p.

Bez uma, bez razuma.Moscow: A. Gutkheĭl', . 1885 Voice and piano; score; 3 p.

Bezumno zhazhdat' tvoeĭ vstriechi.Moscow: P. IUrgenson, n.d. Two voices and piano; score; 2 p.

Charuĭ menia, charuĭ!Moscow: P. IUrgenson, n.d. Voice and piano; score; 3 p.

Chukhonskaia fantaziia. [=Fantaisie sur des airs finlandais.]St. Petersburg: W. Bessel, n.d. Full score; 45 p.

Chukhonskaia fantaziia. [=Fantaisie finoise.]St. Petersburg: W. Bessel, n.d. Orchestral parts for: vn I (7 p.) [9 copies]; vn II, vla (6 p. each); vc/cb (11 p.); fl I, fl II/picc, ob I, ob II, cl I, cl II, bn I, bn II (4 p. each); hn I, hn II, hn III, hn IV, tpt I, tpt II, tenor tbn, bass tbn, ophicleide, timp (3 p. each); pc (2 p.).

Dievitsy krasavitsy.Moscow: P. IUrgenson, n.d. Two voices and piano; score; 9 p.

Dushechka dievitsa.Moscow: P. IUrgenson, n.d. Voice and piano; score; 7 p.

IA pomniu, gluboko.Moscow: A. Gutkheĭl', n.d. Voice and piano; score; 5 p.

IA vse eshchë ego liubliu!Moscow: A. Gutkheĭl', . 1888 Voice and piano; score; 5 p.

IA zatepliu sviechu.Moscow: A. Gutkheĭl', . 1899 Voice and piano; score; 2 p.

Jamais!Moscow: A. Gutkheĭl', . 1885 Voice and piano; score; 5 p.

Kamen' tiazhelyĭ na serdtsie lezhit.Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, . 1923 Two voices and piano; score; 5 p.

Kamennyĭ gost'. [=The stone guest.]St. Petersburg: V. Bessel', . 1872 Piano-vocal score; 126 p.

Likhoradushka.Moscow: A. Gutkheĭl', . 1885 Voice and piano; score; 3 p.

Liubila, liubliu ia, viek budu liubit'.Moscow: A. Gutkheĭl', . 1892 Voice and piano; score; 5 p.

Malorossiĭskiĭ kozachëk.Moscow: P. IUrgenson, n.d. Arranged by the composer for piano, four hands; score; 15 p.

Mel'nik.Moscow: A. Gutkheĭl', . 1897 Voice and piano; score; 3 p.

Mne grustno.Moscow: P. IUrgenson, n.d. Voice and piano; score; 5 p.

Ne skazhu nikomu.Moscow: P. IUrgenson, n.d. Voice and piano; score; 3 p.

O dieva roza ia v okovakh.Moscow: A. Gutkheĭl', . 1885 Voice and piano; score; 5 p.

O ma charmante.Moscow: A. Gutkheĭl', . 1885 Voice and piano; score; 7 p.

Oĭ vy ulany.Moscow: Proizvodstvennyĭ Podotdel, . 1920 Two voices and piano; score; 5 p.

Potsieluĭ.Moscow: A. Gutkheĭl', . 1885 Voice and piano; score; 5 p.

Le rêve de la EsméraldaSee: Glinka, Mikhaĭl. (editor) Sobranie muzykal'nykh pies, Box 66, Folder 9

Roza l' ty rozochka.Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, . 1924 Arranged by the composer for two voices and piano; score; 7 p.

Rusalka.Moscow: A. Gutkheĭl', . 1885 Piano-vocal score; 321 p.

Tituliarnyĭ sovietnik.Moscow: P. IUrgenson, n.d. Voice and piano; score; 3 p.

Torzhestvo vakkha.St. Petersburg: M. Bernard, n.d. Piano-vocal score; 148 p.

Tuchki nebesnyia.Moscow: P. IUrgenson, . 1896 Voice and piano; score; 7 p.

Ty khoroshen'kaia.Moscow: P. IUrgenson, . 1885 Voice and piano; score; 3 p.

Ty skoro menia pozabudesh'.Moscow: P. IUrgenson, n.d. Voice and piano; score; 3 p.

Van'ka-tan'ka.Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, . 1923 Two voices and piano; score; 5 p.

Van'ka-tan'ka.Moscow: A. Gutkheĭl', . 1885 Two voices and piano; score; 4 p.

Vliublen ia, dieva-krasota.Moscow: P. IUrgenson, . 1909 Voice and piano; score; 3 p.

Davidov, Karl IUlevich

I noch', i liubov', i luna, op. 26, no. 1.Moscow: A. Gutkheĭl', . 1890 Voice and piano; score; 7 p.

de Bozi, Harold and Eugène Cools

Ballet nuptial.Paris: M. Eschig, . 1934 Arranged for small orchestra; parts for: piano/conductor (19 p.); vn ("I")(11 p.), vc (8 p.), cb (3 p.).; 19 p.

de Curtis, G. B.

CarmelaSee: I.B. Collections, Box 2 (S/63), p. 67-68

Debucquoy, T.

Je t'aime toujours!Paris: Édition des bons auteurs, n.d. Voice and piano; score; 2 p.

Debussy, Claude Achille

La boîte à joujoux.Paris: A. Durand, . 1913 Solo piano; score; 48 p.

Danses. [Danses sacrées et profanes.]Paris: A. Durand, . 1907 Solo harp part arranged by J. Durand for solo piano; score; 12 p.

L'enfant prodigue: Cortège et air de danse.Paris: A. Durand, . 1907 Arranged by J. Durand for solo piano; score; 7 p.

Estampes: La soirée dans Grenade.Paris: A. Durand, . 1903 Solo piano; score; 6 p.

Images pour orchestre: 1. Gigues.Paris: A. Durand, . 1912 Arranged by A. Caplet for piano, four hands; score; 15 p.

Images pour orchestre: 2. Ibéria.Paris: A. Durand, . 1910 Arranged by A. Caplet for piano, four hands; score; 41 p.

Images pour orchestre: 2. Ibéria.Paris: A. Durand, . 1910 Arranged by A. Caplet for two pianos; score; 42 p.

Images pour orchestre: 3. Rondes de printemps.Paris: A. Durand, . 1910 Arranged by A. Caplet for piano, four hands; score; 21 p.

Images pour piano, série 1: 3. Mouvement.Paris: A. Durand, . 1905 Solo piano; score; 11 p.

Images pour piano, série 2: 3. Poissons d'or.Paris: A. Durand, . 1908 Solo piano; score; 13 p.

L'isle joyeuse.Paris: A. Durand, . 1904 Solo piano; score; 13 p.

Marche écossaise sur un thème populaire.Paris: E. Fromont, n.d. Piano, four hands; score; 17 p.

Masques.Paris: A. Durand, . 1904 Solo piano; score; 12 p.

Petite Suite.Paris: A. Durand, . 1906 Arranged by J. Durand for solo piano; score; 23 p.

La plus que lente.Paris: A. Durand, . 1910 Solo piano; score; 7 p.

Préludes, v. 2: 5. Bruyères.Paris: A. Durand, . 1913 Solo piano; score; 5 p

Préludes, v. 2: 7. La terrasse des audiences du clair de lune.Paris: A. Durand, . 1913 Solo piano; score; 7 p.

Sonate.Paris: A. Durand, . 1915 Cello and piano; cello part, piano score; 7 p.; 15 p.

De Giosa, Nicola

Napoli di carnovale.Milan: G. Ricordi, n.d. Piano-vocal score; 334 p.

Delibes, Léo

La cour du roi Pétaud.Paris: J. Martin, n.d. Piano-vocal score; 231 p.

Deux vieilles gardes.Paris: G. Brandus & Dufour, n.d. Piano-vocal score; 50 p.

L'écossais de Chatou.Paris: G. Brandus & Dufour, n.d. Piano-vocal score; 88 p.

Le jardinier et son seigneur.Paris: Colombier, n.d. Piano-vocal score; 107 p.

Jean de Nivelle.Paris: Heugel, n.d. Piano-vocal score; 353 p.

Kassya.Paris: Heugel, . 1893 Piano-vocal score; 371 p.

Kassya: Danse ruthène et Sumka.Paris: Heugel, . 1893 Arranged for solo piano; score; 3 p.

Kassya: Mazurka.Paris: Heugel, . 1893 Arranged for solo piano; score; 5 p.

Kassya: Trépack.Paris: Heugel, . 1893 Arranged for solo piano; score; 7 p.

Monsieur Griffard.Paris: L. Vieillot, n.d. Piano-vocal score; 106 p.

L'omelette à la Follembûche.Paris: Heugel, n.d. Piano-vocal score; 76 p.

Pas de fleurs: Grande valse. [Valse, ou Pas de fleurs(added to Le Corsaireof A. Adam).]Paris: H. Heugel, n.d. Arranged for solo piano; score; 11 p.

Rigaudon.Paris: H. Heugel, n.d. Solo piano; score; 5 p.

Le roi l'a dit. (Three act version.)Paris: H. Heugel, n.d. Piano-vocal score; 323 p.

Le roi s'amuse: Scène du bal.Paris: Heugel, n.d. Arranged for solo piano; score; 23 p.

Romances sans paroles: 1. Souvenir lointain.Paris: H. Heugel, n.d. Solo piano; score; 2 p.

Romances sans paroles: 2. Romance hongroise.Paris: H. Heugel, n.d. Solo piano; score; 5 p.

Six demoiselles à marier.Paris: Heugel, n.d. Piano-vocal score; 58 p.

Sylvia, ou La nymphe de Diane.Paris: Heugel, . 1876 Arranged for solo piano; score; 147 p.

Delmet, Paul

Charme d'amourSee: I.B. Collections, Box 3 (S/64), p. 68-69

L'étoile d'amourSee: I.B. Collections, Box 2 (S/63), p. 67-68

De Sylva, B. G.; Lew Brown, and Ray Henderson

You're the cream in my coffee. [from Hold everything!]London: Chappell, . 1928 Voice and piano; score; 3 p.

Dixon, Mort and Allie Wrubel

I see two lovers. ["Fox-trot du film Warner Bros. Sweet Music."]Paris: Éditions Feldman, . 1934 Arranged by F. Pearly for small orchestra; parts for: piano/conductor (includes vocal indications; English lyrics) (4 p.); vn I (3 p.); cb (2 p.); sax I (alto), sax II (tenor), sax III (alto), tpt I, tpt II, tbn, perc, banjo (2 p. each).

Donizetti, Gaetano

L'ajo nell'imbarazzo.Milan: G. Ricordi, n.d. Piano-vocal score; 271 p.

Don Pasquale.Milan: G. Ricordi, n.d. Piano-vocal score; 180 p.

L'elisir d'amore.Milan: G. Ricordi, n.d. Piano-vocal score; 252 p.

Dorfman, E. M.

Chat-noir.[S.l.]: E. M. Dorfman, . 1925 Solo piano; score; 2 p.

Dribinovitsch-Lenski, Henri

Perdue!Constantinople: J. d'Andria, n.d. Solo piano; score; 5 p.

Drizo, L'v

Liubov' ėto chary plienitel'noĭ skazki.Petrograd: K. Leopas, n.d. Voice and piano; score; 3 p.

Dunaevskiĭ, Isaak Osipovich

Kak khorosho na svete zhit'.[S.l.]: [s.n.], . 1935 Voice and piano; score; 3 p.

Dzegelenok, Aleksandr Mikhaĭlovich

Mazurka, op. 5, no. 2.Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, . 1924 Solo piano; score; 7 p.

Eberhard, G.

IAkht-klubSee: I.B. Collections, Box 3 (S/64), p. 68-69

Espinosa, L.

Titi.Paris: Éditions espagnoles J. Garzón, n.d. Arranged for small orchestra; parts for: piano/accordion (3 p.); vn (2 p.); vc-cb, tpt-sax (alto), perc (1 p. each).

Fall, Leo[pold]

Razvedenaia zhena: Val's. [=Die geschiedene Frau: Waltz.]Moscow: S.IA. IAmbor, n.d. Solo piano; score; 3 p.

Falla, Manuel de

Pièces espagnoles.Paris: A. Durand, . 1909 Solo piano; score; 25 p.

Pièces espagnoles: 2. Cubana.Paris: A. Durand, . 1909 Solo piano; score; 7 p.

El sombrero de tres picos.London: J. & W. Chester, . 1921 Reduction for solo piano; score; 78 p.

Farnaby, Giles

Album of selected pieces.London: Novello, n.d. Arranged by G. Bantock for solo piano; score; 26 p.

Fauchey, Paul

Folie d'amourSee: I.B. Collections, Box 3 (S/64), p. 68-69

Fauré, Gabriel Urbain

Clair de lune, op. 46, no. 2.Paris: J. Hamelle, . 1909 Arranged by A. Perilhou for solo piano; score; 6 p.

Le papillon et la fleur, op. 1, no. 1.Paris: J. Hamelle, n.d. Arranged by F. Behr for solo piano; score; 5 p.

Pavane, op. 50.Paris: J. Hamelle, n.d. Piano-vocal score; 9 p.

Pelléas et Mélisande, op. 80: 1. Prélude; 2. Fileuse; 3. (4.) Molto adagio.Paris: J. Hamelle, n.d. Arranged by J. Roger-Ducasse for piano, four hands; score; 19 p.

Pelléas et Mélisande, op. 80: 3. Sicilienne. [=op. 78.]Paris: J. Hamelle, . 1898 Arranged for solo piano; score; 7 p.

Valse-caprice, no. 1, op. 30.Paris: J. Hamelle, n.d. Solo piano; score; 15 p.

Valse-caprice, no. 2, op. 38.Paris: J. Hamelle, n.d. Solo piano; score; 15 p.

Valse-caprice, no. 3, op. 59.Paris: J. Hamelle, n.d. Solo piano; score; 15 p.

Valse-caprice, no. 4, op. 62.Paris: J. Hamelle, n.d. Solo piano; score; 15 p.

Ferroud, Pierre Octave

Foules.Paris: A. Durand, . 1925 Reduction by the composer for piano, four hands; score; 33 p.

Fields, Buddy and Gerald Marks

I'll be much obliged to you.Paris: Éditions Feldman, . 1934 Arranged by F. Pearly for small orchestra; parts for: piano/conductor (4 p.); vn I, cb, sax I (alto), sax II (tenor), sax III (alto), tpt I, tpt II, tbn, perc, banjo (2 p. each).

Fioravanti, Valentino

Le cantatrici villane.Paris: Mme. V. Launer, n.d. Piano-vocal score; 161 p.

Fleck, Fritz

Bathyllus.[S.l.]: [s.n.], n.d. Piano score; 38 p.

Flotow, Friedrich von

Alessandro Stradella.Milan: G. Ricordi, n.d. Piano-vocal score; 227 p.

Fomin, G.

Amerikantsy.Moscow: P. IUrgenson, . 1893 Piano-vocal score; 155 p.

Fragson, Harry

L'amour boiteuxSee: I.B. Collections, Box 3 (S/64), p. 68-69

Franck, César Auguste

Danse lente.Paris: B. Roudanez, . 1919 Solo piano; score; 2 p.

Les plaintes d'une poupée.Mainz: B. Schott's Söhne, . 1906 Solo piano; score; 3 p.

Prélude, fugue et variation, op. 18.Paris: A. Durand, . 1910 Arranged by H. Bauer for solo piano; score; 12 p.

Ruth.Paris: Heugel, n.d. Piano-vocal score; 117 p.

Frescobaldi, Girolamo

Canzone.Paris: M. Senart, n.d. Solo piano; score; 2 p.

Galuppi, Baldassare

Il filosofo di campagna: selections.Milan: Instituto editoriale italiano, . 1919 Arranged by G. F. Malipiero for voice and piano; scores; 31 p.; 27p.; 31 p.; 34 p.; 34 p.

Sonate: 1. Adagio, 2. Allegro.Paris: M. Senart, n.d. Solo piano; score; 7 p.

Gambardella, S.

O MarenarielloSee: I.B. Collections, Box 2 (S/63), p. 67-68

Gastaldon, Stanislao

Musica proibita, op. 5.Milan: Carisch & Jänichen, n.d. Voice and piano; score; 7 p.

Gaubert, Philippe

Sonia.Paris: Enoch, . 1912 Piano-vocal score; 184 p.

Gay, Byron

Le vamp.Constantinople: J. d'Andria, n.d. Solo piano; score; 4 p.

Gillet, Ernest

La lettre de man[s]onSee: I.B. Collections, Box 3 (S/64), p. 68-69

Glavatskiĭ, S.

Grëzy bylogo, op. 40.St. Petersburg: IU.G. TSimmerman, n.d. Solo piano; score; 7 p.

Glazunov, Aleksandr

Symphony no. 5, op. 55, B-flat major.Leipzig: M.P. Belaïeff, . 1896 Reduction by S. Taneev for piano, four hands; score; 79 p.

Symphony no. 6, op. 58, C minor.Leipzig: M.P. Belaïeff, . 1897 Reduction by S. Rachmaninoff for piano, four hands; score; 67 p.

Symphony no. 7, op. 77, F major.Leipzig: M.P. Belaïeff, . 1902 Reduction by the composer for piano, four hands; score; 79 p.

Glinka, Mikhaĭl

L'alouette. [=Proshchanie s Peterburgom, no. 10: Zhavoronok.]Moscow: A. Gutheil, See also: Zhavoronok, Box 25, Folder 23. n.d. Arranged by M. Balakirev for solo piano; score; 7 p.

Le baiser. [=IA liubliu! Ty mne tverdila.]Moscow: P. IUrgenson, n.d. Voice and piano; score; 4 p.

Capriccio brillante sur le thème de la jota aragonesa.Moscow: P. IUrgenson, See also: La jota aragonesa. n.d. Arranged by M. Balakirev for piano, four hands; score; 27 p.

Caprice brillant sur le thème de la jota aragonesa.Leipzig: M.P. Belaïeff, . See also: La jota aragonesa. 1901 Miniature score; 80 p.

Il desiderio.St. Petersburg: F. Stellovskiĭ, . 1861 Voice and piano; score; 5 p.

Dubrava shumit.Moscow: A. Gutkheĭl', n.d. Voice and piano; score; 11 p.

Ho perduto, il mio tesoro.Moscow: P. IUrgenson, . 1878 Voice (T) and piano; score; 5 p.

IA liubliu! Ty mne tverdilaSee: Le baiser

IA pomniu chudnoe mgnoven'e.Moscow: A. Gutkheĭl', n.d. Voice and piano; score; 7 p.

IA pomniu chudnoe mgnoven'e.Moscow: P. IUrgenson, n.d. Voice and piano; voice part, piano score; 1 p.; 7 p.

La jota aragonesa. [=Capriccio brillante.]Paris: Enoch, n.d. Arranged by M. Balakirev for solo piano; score; 17 p.

Kak sladko s toboiu mnie byt'.Moscow: A. Gutkheĭl', n.d. Voice and piano; voice part, piano score; 1 p.; 3 p.

Kniaz' Kholmskiĭ. [=Prince Kholmskiĭ.][S.l.]: F. Stellovskiĭ, n.d. Full score; 137 p.

Mi sento il cor traffigere.Moscow: P. IUrgenson, . 1878 Voice and piano; score; 7 p.

Molitva: Bozhe sil, vo dni smiaten'ia.Moscow: P. IUrgenson, . 1877 Mixed vocal trio (STB) and piano; score; 7 p.

Molitva: S nebesi uslyshi.Moscow: P. IUrgenson, . 1878 Mixed vocal quartet (SATB) and piano; score; 9 p.

Ne iskushaĭ menia bez nuzhdy.Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, . 1925 Voice and piano; score; 5 p.

Nochnoĭ smotr.Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, . 1923 Voice and piano; score; 9 p.

Nocturne.Moscow: P. Jurgenson, n.d. Solo piano or harp; score; 7 p.

Pol'skiĭ. [=Polonez; =Polonaise, E-flat major.]Moscow: P. IUrgenson, . 1878 Mixed chorus (SATB) and piano; piano-vocal score; 9 p.

Poputnaia piesnia. [Proshchanie s Peterburgom, no. 6.]Moscow: P. Jurgenson, n.d. Voice and piano; score; 11 p.

Pour un moment. [=Odin lish' mig.]Moscow: P. IUrgenson, n.d. Voice and piano; score; 3 p.

Prière.St. Petersburg: T. [F.] Stellowsky, n.d. Solo piano; score; 11 p.

Proshchal'naia pesnia vospitannits Ekaterinenenskago instituta. [no. 1].Moscow: P. IUrgenson, n.d. Mixed chorus (SSA) and piano; score; 9 p.

Proshchal'naia pesnia vospitannits Ekaterinenenskago instituta. [no. 2].Moscow: P. IUrgenson, n.d. Mixed chorus (SSA) and piano; score; 14 p.

Proshchanie s PeterburgomSee: L'alouette, Box 24, Folder 8See: Zhavoronok, Box 25, Folder 23See: Poputnaia piesnia, Box 25, Folder 5

Ruslan i LiudmilaSee: Audran, Edmond

Sobranie muzykal'nykh piesSee: Box 66, Folder 9

Souvenir d'une nuit d'été à Madrid.Moscow: P. IUrgenson, n.d. Arranged by M. Balakirev for piano, four hands; score; 21 p.

Tarantelle.St. Petersburg: M. Bernard, n.d. Solo piano; score; 2 p.

Thema con variationiMoscow: P. Jurgenson, n.d. Solo piano; score; 9 p.

Thème de l'opéra Faniska de CherubiniSee: Sobranie muzykal'nykh pies, Box 66, Folder 9

Thème de Mozart. [=Variations on a theme of Mozart.]Moscow: P. IUrgenson, See also: Variations sur un thème de Mozart, Box 25, Folder 21 n.d. Solo piano or harp; score; 7 p.

Toska.Moscow: P. IUrgenson, . 1878 Voice (T) and piano; score; 7 p.

Trot de cavalerie, no. 1.Moscow: P. Jurgenson, n.d. Piano, four hands; score; 2 p.

Trot de cavalerie, no. 2.Moscow: P. Jurgenson, n.d. Piano, four hands; score; 3 p.

Tu sei figlia e lodo.Moscow: P. IUrgenson, . 1878 Voice (S) and piano; score; 3 p.

Val's-Fantaziia.Moscow: A. Gutkheĭl', n.d. Arranged by B. Engelhardt for piano, four hands; 19 p.

ValseSee: Sobranie muzykal'nykh pies, Box 66, Folder 9

Valse favorite [B-flat major].St. Petersburg: F. Stellovskiĭ, n.d. Solo piano; score; 4 p.

Valse mélodique [E-flat major].St. Petersburg: F. Stellovskiĭ, n.d. Solo piano; score; 3 p.

Variations sur un thème de Mozart.Moscow: P. Jurgenson, See also: Thème de Mozart, Box 25, Folder 13 n.d. Solo piano or harp; score; 9 p.

La vie pour le Tsar. [=A Life for the Tsar.]Leipzig: M.P. Belaïeff, n.d. Piano-vocal score; 435 p.

Zhavoronok. [Proshchanie s Peterburgom, no. 10; =L'alouette.]Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, . See also: L'alouett, Box 24, Folder 8 1923 Voice and piano; score; 5 p.

Gluck, Christoph Willibald

Orphée.Braunschweig: H. Litolff, n.d. Arranged by L. Köhler for solo piano; score; 60 p.

Orpheus.Leipzig: C.F. Peters, n.d. Piano-vocal score; 142 p.

Godard, Benjamin

Air de ballet.Paris: L. Grus, n.d. Solo piano; score; 7 p.

Aubade, op. 133.Paris: J. Hamelle, n.d. Violin and piano; violin part, piano score; 5 p.; 11 p.

Berceuse d'enfant.Paris: A. Choudens, . 1896 Voice and piano; score; 5 p.

Bohémienne, op. 40.Paris: A. Durand, n.d. Solo piano; score; 6 p.

Brésilienne, op. 51.Paris: L. Grus, n.d. Solo piano; score; 7 p.

Carillon.[Paris]: [L. Grus], n.d. Solo piano; score; 4 p.

Les champs.Paris: L. Grus, n.d. Solo piano; score; 5 p.

Chemin faisant: En courant, op. 53, no. 1.Paris: L. Grus, n.d. Solo piano; score; 11 p.

Chemin faisant: En pleurant, op. 53, no. 2.Paris: L. Grus, n.d. Solo piano; score; 7 p.

Chemin faisant: En chantant, op. 53, no. 3.Paris: L. Grus, n.d. Solo piano; score; 7 p.

Chemin faisant: En riant, op. 53, no. 5.Paris: L. Grus, n.d. Solo piano; score; 5 p.

Chemin faisant: En valsant, op. 53, no. 6.Paris: L. Grus, n.d. Solo piano; score; 13 p.

Conte de fée, op. 62.Paris: A. Durand, n.d. Solo piano; score; 9 p.

Les contes de Perrault, op. 6.Paris: A. Durand, n.d. Solo piano; score; 51 p.

Contes de la veillée, op. 67.Paris: A. Durand, n.d. Piano, four hands; score; 49 p.

Danse fantastique.Paris: A. Choudens, . 1896 Solo piano; score; 5 p.

Six fables de La Fontaine.Paris: Heugel, n.d. Voice and piano; score; 51 p.

Une fête au village.Paris: A. Choudens, . 1896 Solo piano; score; 7 p.

Impressions de campagne au printemps, op. 123.Paris: A. Choudens, . 1892 Solo piano; 108 p.

Kermesse, op. 51.Paris: L. Grus, n.d. Arranged by G. Pfeiffer for piano, four hands; score; 21 p.

La lanterne magique, op. 50, no. 1: Boniment.Paris: L. Grus, n.d. Solo piano; score; 10 p.

La lanterne magique, op. 50, no. 2: Pan.Paris: L. Grus, n.d. Solo piano; score; 6 p.

La lanterne magique, op. 50, no. 3: Marquis et marquise.Paris: L. Grus, n.d. Solo piano; score; 3 p.

La lanterne magigue, op. 50, no. 4: Trilby.Paris: L. Grus, n.d. Solo piano; score; 12 p.

La lanterne magique, op. 55, no. 2: Poëte.Paris: L. Grus, n.d. Solo piano; score; 5 p.

La lanterne magique, op. 55, no. 4: Viennoise.Paris: L. Grus, n.d. Solo piano; score; 8 p.

La lanterne magique, op. 55, no. 5: Mignon.Paris: L. Grus, n.d. Solo piano; score; 9 p.

La lanterne magique, op. 55, no. 6: Bergers et bergères.Paris: L. Grus, n.d. Solo piano; score; 6 p.

La lanterne magique, op. 66, no. 4: Lansquenets.Paris: L. Grus, n.d. Solo piano; score; 5 p.

La lanterne magique, op. 66, no. 5: Esméralda.Paris: L. Grus, n.d. Solo piano; score; 9 p.

La lanterne magique, op. 66, no. 6: Marcel le Huguenot.Paris: L. Grus, n.d. Solo piano; score; 5 p.

La lanterne magique, op. 110, no. 2: Vénitienne.Paris: L. Grus, n.d. Solo piano; score; 7 p.

La lanterne magique, op. 110, no. 3: Espagnole.Paris: L. Grus, n.d. Solo piano; score; 11 p.

La lanterne magique, op. 110, no. 5: Saxonne.Paris: L. Grus, n.d. Solo piano; score; 11 p.

La lanterne magique, op. 115, no. 1: Norvégienne.Paris: L. Grus, . 1892 Solo piano; score; 7 p.

La lanterne magique, op. 115, no. 2: Russe.Paris: L. Grus, . 1892 Solo piano; score; 7 p.

La lanterne magique, op. 115, no. 4: Anglaise.Paris: L. Grus, . 1892 Solo piano; score; 9 p.

La lanterne magique, op. 115, no. 5: Orientale.Paris: L. Grus, . 1892 Solo piano; score; 3 p.

La lanterne magique, op. 115, no. 6: Styrienne.Paris: L. Grus, . 1892 Solo piano; score; 11 p.

Menuet-Andante-Gavotte, op. 16.Paris: A. Durand, n.d. Solo piano; score; 9 p.

Trois morceaux, op. 27.Paris: A. Durand, n.d. Solo piano; score; 13 p.

Novellozza, op. 47.Paris: A. Durand, n.d. Solo piano; score; 5 p.

Redowa, op. 141.Paris: H. Tellier, . 1893 Solo piano; score; 7 p.

Romance sans paroles, no. 2, op. 120.Paris: J. Hamelle, n.d. Solo piano; score; 7 p.

Scènes italiennes, op. 126.Paris: A. Durand, n.d. Solo piano; score; 24 p.

Scènes poétiques, op. 46, no. 1: Dans les bois.Paris: C. Joubert, n.d. Arranged by G. Pfeiffer for solo piano; score; 9 p.

Scènes poétiques, op. 46, no. 2: Dans les champs.Paris: C. Joubert, n.d. Arranged by G. Pfeiffer for solo piano; score; 5 p.

Scènes poétiques, op. 46, no. 3: Sur la montagne.Paris: Brandus, n.d. Arranged for piano, four hands; score; 9 p.

Scènes poétiques, op. 46, no. 4: Au village.Paris: C. Joubert, n.d. Arranged by G. Pfeiffer for solo piano; score; 9 p.

Scherzetto, no. 2, op. 108.Paris: A. Durand, n.d. Solo piano; score; 7 p.

Sérénade.Paris: J. Hamelle, n.d. Solo piano; score; 12 p.

Sérénade à Mabel, op. 138, no. 2.Paris: J. Hamelle, . 1892 Solo piano; score; 4 p.

Sérénade aux étoiles.Paris: A. Choudens, . 1896 Solo piano; score; 5 p.

Sonate fantastique, op. 63, no. 2: Les farfadets.Paris: J. Hamelle, n.d. Solo piano; score; 7 p.

Sonate fantastique, op. 63, no. 3: La fée d'amour.Paris: J. Hamelle, . 1897 Solo piano; score; 8 p.

Suite de danses anciennes et modernes, op. 103, nos. 1-3.Paris: C. Joubert, n.d. Solo piano; score; 14 p.

Suite de danses anciennes et modernes, op. 103, nos. 4-6.Paris: C. Joubert, n.d. Solo piano; score; 28 p.

Suite de trois morceaux, op. 116.Paris: A. Durand, n.d. Flute and piano; flute part, piano score; 10 p.; 19 p.

Symphonie-Ballet, op. 60, no. 1: Ouverture.Paris: L. Grus, n.d. Arranged for solo piano; score; 11 p.

Symphonie-Ballet, op. 60, no. 2: La cerrito.Paris: L. Grus, n.d. Arranged for solo piano; score; 7 p.

Symphonie-Ballet, op. 60, no. 3: Pantomime sentimentale.Paris: L. Grus, n.d. Arranged for solo piano; score; 5 p.

Symphonie-Ballet, op. 60, no. 4: Danse d'almées.Paris: L. Grus, n.d. Arranged for solo piano; score; 5 p.

Symphonie-Ballet, op. 60, no. 5: Final-valse.Paris: L. Grus, n.d. Arranged for solo piano; score; 15 p.

Le tasse, op. 39: Danse des bohémiens.Paris: Heugel, n.d. Arranged for solo piano; score; 7 p.

Le tasse, op. 39: La fête chez le duc d'Este.Paris: G. Hartmann, n.d. Arranged for piano, four hands; score; 17 p.

Le tasse, op. 39: Pastorale.Paris: G. Hartmann, n.d. Arranged for solo piano; score; 7 p.

Trio, no. 2, op. 72: Scherzo.Paris: Durand & Schoenewerk, . 1888 Arranged by I. Philipp for solo piano; score; 9 p.

Tziganka, op. 134.Paris: J. Hamelle, . 1895 Solo piano; score; 14 p.

Valse, no. 2, op. 56.Paris: A. Durand, . 1910 Solo piano; score; 7 p.

Valse, no. 3 (Valse-sérénade), op. 71.Paris: A. Durand, n.d. Solo piano; score; 9 p.

Goossens, Eugène

Four conceits, op. 20.London: J. & W. Chester, . 1918 Solo piano; score; 12 p.

Epigram, op. 19.London: J. & W. Chester, . 1918 Voice and piano; score; 3 p.

Kaleidoscope, op. 18.London: J. & W. Chester, . 1918 Solo piano; score; 25 p.

Deux proses lyriques, op. 16.London: J. & W. Chester, . 1917 Voice and piano; score; 15 p.

Two songs, op. 10.London: J. & W. Chester, . 1917 Voice and piano; score; 8 p.

Gounod, Charles François

L'Angelus.Paris: A. Leduc, n.d. Arranged by A. Le Beau for solo piano; score; 3 p.

Le bal d'enfants.Paris: A. Leduc, n.d. Solo piano; score; 5 p.

Chanson printanière.Paris: A. Choudens, . 1895 Solo piano; score; 5 p.

Choral et musette.Paris: A. Choudens, n.d. Solo piano; score; 5 p.

Cinq Mars: Ballet Louis XIII.Paris: L. Grus, n.d. Arranged for solo piano; score; 15 p.

Cinq Mars: Sarabande.Paris: L. Grus, n.d. Arranged for solo piano; score; 7 p.

La colombe.Paris: A. Choudens, n.d. Piano-vocal score; 142 p.

Dodelinette.Paris: H. Lemoine, n.d. Solo piano; score; 5 p.

Filemon e Bauci. [=Philémon et Baucis.]Paris: A. Choudens, See also: Philémon et Baucis Box 29, Folder 13See also: Philémon et Baucis Box 30, Folder 1See also: Philémon et Baucis Shelved item 24 n.d. Piano-vocal score; 171 p.

Gavotte.Paris: A. Choudens, . 1895 Solo piano; score; 7 p.

Impromptu.Paris: H. Lemoine, . 1888 Solo piano; score; 3 p.

Jeanne d'Arc: Danse bohémienne.Paris: A. Choudens, n.d. Arranged for solo piano; score; 11 p.

Marche funèbre d'une marionette.Paris: H. Lemoine, n.d. Solo piano; score; 7 p.

Matinée de mai.Paris: A. Choudens, . 1896 Solo piano; score; 3 p.

Le médecin malgré lui.Paris: E. Gallet, n.d. Piano-vocal score; 190 p.

Le médecin malgré lui.[Paris]: [A. Choudens], n.d. Piano-vocal score; [18] p.

Mireille.Paris: A. Choudens, n.d. Piano-vocal score; 213 p.

Petite étude-scherzo.Paris: H. Lemoine, n.d. Arranged for solo piano; score; 3 p.

Philémon et Baucis.Paris: A. Choudens, See also: Filemon e Bauci, Box 29, Folder 4 n.d. Piano-vocal score; 189 p.

Philémon et Baucis.Paris: A. Choudens, n.d. Piano-vocal score; 178 p.

Préludes et fugues pour l'étude préparatoire au Clavecin bien tempéré de Jean Sébastien Bach.Paris: A. Choudens, . 1895 Solo piano; score; 52 p.

Quatuor no. 3.Paris: A. Choudens, . See also: Scherzo, Box 30, Folder 6 1895 Strings; parts for: vn I, vn II, vla, vc (9 p. each).

La reine de Saba: Ballet et Marche.Paris: A. Choudens, n.d. Arranged for solo piano; score; 21 p.

Royal-Menuet.Paris: Le Beau, n.d. Solo piano; score; 5 p.

Scherzo. [Quartet, strings, no. 3, A minor: Scherzo.]Paris: A. Choudens, . See also: Quatuor no. 3, Box 30, Folder 3 1895 Arranged by H. Büsser for solo piano; score; 7 p.

Sérénade.Paris: A. Leduc, n.d. Arranged for solo piano; score; 2 p.

Souvenir d'un bal.Paris: A. Choudens, . 1895 Solo piano; score; 5 p.

Sylvie.Paris: A. Choudens, n.d. Voice and piano; score; 3 p.

Symphony no. 2, E-flat major: 1. Adagio-allegro agitato.Paris: A. Choudens, n.d. Arranged for piano, four hands; score; 25 p.

Symphony no. 2, E-flat major: 2. Larghetto; 3. Scherzo; 4. Final.Paris: A. Choudens, n.d. Arranged for piano, four hands; score; [41] p.

Le tribut de Zamora: excerpts.Paris: A. Choudens, n.d. Piano-vocal score; 56 p.

Ulysse.Paris: A. Choudens, n.d. Piano-vocal score; 112 p.

La valse des sylphes.Paris: H. Lemoine, n.d. Solo piano; score; 7 p.

Grainger, Percy Aldridge

British folk-music settings: Irish tune from County Derry (no. 6).London: Schott, . 1911 Solo piano; score; 7 p.

British folk-music settings: Shepherd's hey (no. 4).London: Schott, . 1911 Solo piano; score; 10 p.

British folk-music settings: The Sussex Mummers' Christmas carol (no. 2).London: Schott, . 1911 Solo piano; score; 7 p.

Room music tit-bits: Mock Morris (no. 1). ["Concert version."]London: Schott, . 1912 Solo piano; score; 12 p.

Room music tit-bits: Mock Morris (no. 1). ["Popular version."]London: Schott, . 1912 Solo piano; score; 10 p.

Room-music tit-bits: Walking tune (no. 3).London: Schott, . 1912 Solo piano; score; 10 p.

Sentimentals: Colonial song (no. 1).London: Schott, . 1913 Voice and piano or solo piano; score; 11 p.

Settings of songs and tunes from William Chappell'sOld English popular music: My robin is to the greenwood gone (no. 2).London: Schott, . 1912 Solo piano; score; 10 p.

Grechaninov, Aleksandr Tikhonovich

Quatre mélodies, op. 20, no. 4: Le captif.Leipzig: M.P. Belaïeff, . 1912 Voice and piano; score; 5 p.

Grosz, Wilhelm

Baby in der Bar, op. 23.Vienna: Universal, . 1927 Arranged by the composer for solo piano; score; 43 p.

Gurilev, Aleksandr L'vovich

Ne shumi ty, rozh', spelym kolosom.Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, . 1923 Two voices and piano; score; 7 p.

Haberbier, E.

ValseSee: Glinka, Mikhaĭl. Sobranie muzykal'nykh pies, Box 66, Folder 9

Hahn, Reynaldo

Le bal de Béatrice d'Este.Paris: Heugel, . 1911 Arranged by A. Gédalge for piano, four hands; score; 25 p.

Ciboulette: selections.Paris: F. Salabert, . 1923 Arranged by F. Salabert for solo piano; score; 8 p.

Haydn, Joseph

Symphonie d'enfants.Paris: Costallat, n.d. Condensed score; 5 p.

Symphonie d'enfants.Paris: [s.n.], n.d. Parts for: vn I, vn II (2 p. each); cb (1 p.); perc (2 copies, 1 p.).

Henderson, RaySee: De Sylva, B. G.

Hindemith, Paul

Der Dämon, op. 28.Mainz: B. Schott's Söhne, . 1924 Reduction by H. Uhticke for solo piano; score; 27 p.

Hin und zurück, op. 45a.Mainz: B. Schott's Söhne, . 1927 Piano-vocal score; 23 p.

Tanzstücke, op. 19.Mainz: B. Schott's Söhne, . 1928 Solo piano; score; 22 p.

Holländer, Friedrich

Loin de toi. [=Wie hab'ich nur leben können Dich?]Paris: F. Salabert, . 1933 Parts for: piano/conductor (4 p.); vn I/conductor (reduced score) (3 p.) (2 copies); vn II, vla, vc, cb, fl, ob, cl I, sax I (alto), sax II (tenor), sax III (alto), tpt I, tpt II, tbn, perc, banjo (2 p. each)

Qui j'aime. [=Ich weiss nicht zu wem ich gehöre.]Paris: F. Salabert, . 1932 Parts for: piano/conductor (4 p.); vn I/ conductor (2 p.) (2 copies); vn II, vla, vc, cb, fl, ob, cl I, sax I (alto), sax II (tenor), sax III (alto), tpt I, tpt II, tbn, perc, banjo (2 p. each)

Howard, Samuel

The Amorous GoddessSee: I.B. Collections, Box 1 (S/62), p. 67

d'Indy, Vincent

Attendez-moi sous l'Orme.Paris: Enoch, n.d. Piano-vocal score; 106 p.

Inghelbrecht, Désiré Émile

Le diable dans le beffroi.Paris: Heugel, . 1927 Reduction for solo piano; score; 76 p.

Kalinnikov, Vasiliĭ Sergeevich

Chanson triste.Moscow: P. Jurgenson, n.d. Solo piano; score; 3 p.

Kéler, Béla

Lustspiel-Ouverture, op. 73.Berlin: Edition Europa, n.d. Arranged for solo piano; score; 7 p.

Kool, Jaap

Der Leierkasten.Vienna: Universal, . 1925 Reduction by K. Mengelberg for solo piano; score; 44 p.

Kuzmin, Mikhaĭl

Aleksandriĭskie pesni, v. 1.Moscow: Gosudarstvennoe muzykal'noe izdatel'stvo, . 1921 Voice and piano; score; 23 p.

Labadie, H.

Mia caraSee: I.B. Collections, Box 3 (S/64), p. 68-69

Lalo, Édouard

Divertissement.Paris: Heugel, n.d. Arranged for solo piano; score; 23 p.

Pastorale et scherzo alla Pulcinella, op. 8.Paris: Costallat, n.d. Violin and piano; violin part, piano score; 3 p.; 10 p.

Il re d'Ys. [=Le roi d'Ys.]Milan: E. Sonzogno, . 1890 Piano-vocal score; 231 p.

Lama, Gaetano

Pallida mimosa.Naples: F. Feola, . 1921 Voice and piano; score; 3 p.

Laskowsky, J.

ValseSee: Glinka, Mikhaĭl. Sobranie muzykal'nykh pies, Box 66, Folder 9

Lassen, Eduard

Pominal'nyĭ den', op. 85, no. 3.Moscow: A. Gutkheĭl', . 1891 Voice and piano; score; 5 p.

Le Borne, Fernand

Judith, op. 71.Paris: Deiss & Crépin, . 1922 Full score; 103 p.

Lecocq, [Alexandre] Charles

Le cygne.Paris: Heugel, . 1899 Reduction for solo piano; score; 87 p.

Lehár, Franz

Tsyganskaia liubov' [=Gypsy Love]: Waltz.Moscow: S.IA. IAmbor, n.d. Arranged for solo piano; score; 4 p.

Veselaia vdova [=The Merry Widow.]: Waltz.Moscow: S.IA. IAmbor, n.d. Arranged for solo piano; score; 4 p.

Liadov, Anatoliĭ Konstantinovich

Arabesques, op. 4, no. 1.Paris: A. Leduc, n.d. Solo piano; score; 5 p.

Arabesques, op. 4, no. 2.Paris: A. Leduc, n.d. Solo piano; score; 7 p.

Arabesques, op. 4, no. 3.Paris: A. Leduc, n.d. Solo piano; score; 5 p.

Arabesques, op. 4, no. 4.Paris: A. Leduc, n.d. Solo piano; score; 7 p.

Bagatelle, op. 30.Leipzig: M.P. Belaïeff, . 1892 Solo piano; score; 3 p.

Trois bagatelles, op. 53.Leipzig: M.P. Belaïeff, . 1903 Solo piano; score; 5 p.

Biroulki, op. 2.Paris: A. Leduc, n.d. Solo piano; score; 27 p.

Trois canons, op. 34.Leipzig: M.P. Belaïeff, . 1894 Solo piano; score; 5 p.

Etiud i kantsonetta, op. 48.Leipzig: M.P. Belaïeff, . 1899 Solo piano; score; 10 p.

Etiud i 3 preliudii, op. 40.Leipzig: M.P. Belaïeff, . 1897 Solo piano; score; 11 p.

Fantaziia na russkuiu piesniuVozlie riechki, vozlie mostu.Moscow: A. Gutkheĭl', n.d. Arranged for piano, four hands; score; 17 p.

Idilliia, op. 25.Leipzig: M.P. Belaïeff, . 1891 Solo piano; score; 10 p.

Le lac enchanté, op. 62. [=Volshebnoe ozero.]Leipzig: M.P. Belaïeff, . 1909 Arranged by B. Kalafati for piano, four hands; 11 p.

Mazurka, op. 38.Leipzig: M.P. Belaïeff, . 1896 Solo piano; score; 7 p.

Deux mazurkas, op. 15.Paris: J. Hamelle, n.d. Solo piano; score; 5 p.

2 morceaux, op. 24. [=2 p'esy.]Leipzig: M.P. Belaïeff, . 1890 Solo piano; score; 19 p.

Deux morceaux, op. 31. [=2 p'esy.]Leipzig: M.P. Belaïeff, . 1893 Solo piano; score; 13 p.

Trois morceaux, op. 10, no. 1: Prélude.Paris: A. Leduc, n.d. Solo piano; score; 5 p.

Trois morceaux, op. 10, no. 2: Mazurka, C major.Paris: A. Leduc, n.d. Solo piano; score; 4 p.

Trois morceaux, op. 10, no. 3: Mazurka, D major.Paris: A. Leduc, n.d. Solo piano; score; 5 p.

Trois morceaux, op. 57. [=Tri p'esy.]Leipzig: M.P. Belaïeff, . 1906 Solo piano; score; 11 p.

Quatre morceaux, op. 64.Leipzig: M.P. Belaïeff, . 1910 Solo piano; score; 7 p.

Six morceaux.Paris: A. Leduc, n.d. Solo piano; score; 23 p.

3 morceaux de ballet, op. 52.Leipzig: M.P. Belaïeff, . 1901 Solo piano; score; 1 p.

Novelette, op. 20. [=Novinka.]Leipzig: M.P. Belaïeff, . 1889 Solo piano; score; 9 p.

Petite valse, op. 26.Leipzig: Bosworth, . 1908 Solo piano; score; 7 p.

Deux préludes et mazurka, op. 42. [=2 preliudii i mazurka.]Leipzig: M.P. Belaïeff, . 1898 Solo piano; score; 7 p.

3 préludes, op. 27. [=3 preliudii.]Leipzig: M.P. Belaïeff, . 1891 Solo piano; score; 12 p.

3 préludes, op. 36. [=3 préludes.]Leipzig: M.P. Belaïeff, . 1895 Solo piano; score; 7 p.

Quatre préludes, op. 13.St. Petersburg: V. Bessel', n.d. Solo piano; score; 13 p.

Quatre préludes, op. 39. [=4 preliudii.]Leipzig: M.P. Belaïeff, . 1896 Solo piano; score; 11 p.

Quatre préludes, op. 46. [=4 preliudii.]Leipzig: M.P. Belaïeff, . 1899 Solo piano; score; 9 p.

Une tabatière à musique, op. 32.Leipzig: M.P. Belaïeff, . 1893 Solo piano; score; 6 p.

Valse, op. 9, no. 1. [=Two pieces: Valse.]Leipzig: Bosworth, . 1897 Solo piano; score; 7 p.

Variations sur un thème populaire polonais, op. 51. [=Variatsii.]Leipzig: M.P. Belaïeff, . 1901 Solo piano; score; 18 p.

Lipnitzki, Boris

Les aveugles.[S.l.]: Boris Lipnitzki, n.d. Reduction for solo piano; score; 20 p.

Liszt, Franz

Le rossignol.Mainz: B. Schott's Söhne, . 1917 Arranged by A. Aliab'ev for piano solo; score; 6 p.

Locatelli, Pietro Antonio

Sonate, op. 6, G major: 1. Largo-allemande.Paris: M. Senart, n.d. Violin and piano; violin part, piano score; 1 p.; 2 p.

Sonate, op. 6, G major: 2. Sicilienne.Paris: M. Senart, n.d. Violin and piano; violin part, piano score; 1 p.; 2 p.

Sonate, op. 6, G major: 3. Gigue.Paris: M. Senart, n.d. Violin and piano; violin part, piano score; 1 p.; 2 p.

Loucheur, Raymond

Hop-Frog.[S.l.]: [s.n.], n.d. Reduction for solo piano; score; 71 p.

L'vov, A.

Dukhovno-muzykal'nyia. [=Sacred musical works.]St. Petersburg: [s.n.], n.d. Mixed chorus (SATB) and piano; score; 238 p.

Lynde, L. L.

One day, one night.Paris: F. Salabert, . 1918 Arranged for solo piano by F. Salabert; score; 7 p.

Malderen, Édouard van

Le tango du rêve.Paris: L. Maillochon, . 1919 Solo piano; score; 2 p.

Malipiero, Gian Francesco

La mascherata delle principesse prigioniere. [=La mascarade des prin-cesses captives.]London: J. & W. Chester, . 1919 Reduction for piano, four hands; score; 46 p.

Marchetti, F. D.

FascinationSee: I.B. Collections, Box 3 (S/64), p. 68-69

Margis, Alfred

La châtelaineSee: I.B. Collections, Box 3 (S/64), p. 68-69

Pourquoi ne pas m'aimerSee: I.B. Collections, Box 2 (S/63), p. 67-68

Premier printempsSee: I.B. Collections, Box 3 (S/64), p. 68-69

Marie, William

Caroles du moyen-âge.Paris: G. Legouix, n.d. Solo piano; score; 20 p.

Contredanses du directoire.Paris: G. Legouix, n.d. Solo piano; score; 12 p.

Danses d'almées, op. 35: Chanson orientale.Paris: G. Legouix, n.d. Solo piano; score; 5 p.

Danses d'almées, op. 35: Pas des voiles.Paris: G. Legouix, n.d. Solo piano; score; 5 p.

Danses anciennes.Paris: G. Legouix, n.d. Solo piano; score; 15 p.

Danses du grand siècle.Paris: G. Legouix, n.d. Solo piano; score; 18 p.

Danses romantiques.Paris: G. Legouix, n.d. Solo piano; score; 13 p.

Marinier, Paul

Bonsoir Madame la lune; D'elle à luiSee: I.B. Collections, Box 3 (S/64), p. 68-69

Mariotte, Antoine

Salomé.Paris: Enoch, . 1910 Piano-vocal score; 231 p.

Marks, GeraldSee: Fields, Buddy and Marks, Gerald

Marsden, Evan

From a Russian village.London: J.H. Larway, . 1926 Solo piano; score; 11 p.

From a Russian village.London: J.H. Larway, . 1926 Arranged by E. Mareo for small orchestra; parts for: piano/conductor (condensed score) (7 p.); vn I (2 copies, 3 p. each); vn II, vla, vc, cb, fl, ob (2 p. each); cl (4 p.); bn, hn (2 p. each); tpt (3. p); tbn (2 p.); timp (1 p.); perc (2 p.); harmonium (4 p.).; 30 p.

Martini, Giovanni Battista

Gavotte des moutons. [Sonata no. 12.]Paris: M. Senart, n.d. Arranged for solo piano; score; 3 p.

Martini, Jean Paul Égide

Plaisir d'amour.Paris: M. Senart, n.d. Arranged for solo piano; score; 3 p.

Massenet, Jules Émile Frédéric

Pensée d'automneSee: I.B. Collections, Box 3 (S/64), p. 68-69

Le roman d'Arlequin.Paris: Heugel, n.d. Solo piano; score; 11 p.

Scènes de bal, op. 17.Paris: Heugel, n.d. Arranged by G. Bizet for solo piano; score; 15 p.

Méhul, Étienne Nicolas

Une folie.[S.l.]: J. André, n.d. Piano-vocal score; 95 p.

L'irato. [=L'emporté.]Paris: Mme. V. Launer, n.d. Piano-vocal score; 116 p.

Ouverture burlesque.Paris: A. Durand, n.d. Full score; 9 p.

Ouverture burlesque.Paris: Durand & Schoenewerke, n.d. Parts for: vn (2 copies); "mirlitons" I, II, III (2 p. each); tpt, [perc:] snare drum, triangle, "crécelle" (1 p. each).

Der Schatzgräber. [=Le trésor supposé.][S.l.]: [s.n.], n.d. Piano-vocal score; 65 p.

Melfi, A. Mario.

Pourquoi mentir.Paris: Éditions espagnoles J. Garzón, n.d. Arranged for small orchestra; parts for: piano/accordion (3 p.); vn (2 p.); vc-cb, tpt-sax (alto), perc (1 p. each).

Mendelssohn [-Bartholdy], Felix

Klavierwerke, v. 4: Sämmtliche Leider ohne Worte; Kinderstücke, op. 72.Leipzig: Steingräber, n.d. Solo piano; score; 86 p.

Messager, André Charles Prosper

Isoline.Paris: Enoch, n.d. Piano-vocal score; 229 p.

Migot, Georges

Le livre de danceries.Paris: A. Leduc, . 1930 Flute/violin, violin, piano; parts for: fl/vn, vn; piano score; 10 p.; 10 p.; 37 p.

Milhaud, Darius

Le train bleu, op. 84.Paris: Heugel, . 1924 Reduction for solo piano; score; 65 p.

Missa, Edmond

L'éventailSee: I.B. Collections, Box 2 (S/63), p. 67-68

Monteverdi, Claudio

Orfeo.Paris: Schola Cantorum, . 1905 Piano-vocal score; 73 p.

Morny, Charles Auguste and Jacques Offenbach

Monsieur Choufleuri restera chez lui le....Paris: Heugel, n.d. Piano-vocal score; 70 p.

Mosolov, Aleksandr Vasil'evich

Sonata, no. 1, op. 3.Moscow: Muzykal'nyĭ sektor gosudarstvennoe izdatel'stva, . 1926 Solo piano; score; 15 p.

Mostazo [-Morales], Juan

Coplas.Paris: Éditions espagnoles J. Garzón, . 1936 Small orchestra; parts for: piano/conductor (containing chordal indications; vocal line indications in Spanish) (condensed score; 3 p.); vn I (2 p.); vc/tbn-cb, sax I (alto)-sax II (tenor), sax III (alto), tpt, perc, banjo (1 p. each).

Mozart, [Johann Chrysostom] Wolfgang Amadeus

Sonates.Paris: E. Gallet, n.d. Solo piano; score; 296 p.

Sechs deutsche Tänze.Leipzig: Breitkopf & Härtel, n.d. Arranged by O. Taubmann for solo piano; score; 10 p.

Divertimento, K. 205.Leipzig: E. Eulenburg, n.d. Miniature score; 20 p.

Divertimento, K. 247.Leipzig: E. Eulenburg, n.d. Miniature score; 31 p.

Divertimento, K. 334.Leipzig: E. Eulenburg, n.d. Miniature score; 50 p.

Don Giovanni, K. 527.London: Novello, n.d. Piano-vocal score; 299 p.

Dorfmusikanten Sextett, K. 522.Leipzig: E. Eulenburg, n.d. Miniature score; 26 p.

Galimathias Musicum, K. 32.Leipzig: Breitkopf & Härtel, n.d. Full score; 14 p.

Idomeneo.Leipzig: Breitkopf & Härtel, n.d. Piano-vocal score; 295 p.

Serenade, K. 361.Leipzig: E. Eulenburg, n.d. Miniature score; 78 p.

Serenade, K. 375.Leipzig: E. Eulenburg, n.d. Miniature score; 50 p.

Serenade, K. 388.Leipzig: E. Eulenburg, n.d. Miniature score; 40 p.

Türkischer Marsch. [Sonata, K. 300i (331), A major: Türkischer Marsch.]Leipzig: Anton J. Benjamin, n.d. Arranged by L. Weninger; part only for piano/conductor (condensed score); 4 p.

Musorgskiĭ, Modest Petrovich

Au village. [=V derevnie.]Moscow: P. Jurgenson, n.d. Solo piano; score; 5 p.

Aux bords du Don. [=Po nad Donom sad tsvietet.]St. Petersburg: W. Bessel, . 1908 Voice and piano; score; 5 p.

Bez solntsa. [=Sans soleil; Sunless.]St. Petersburg: W. Bessel, . 1908 Voice and piano; score; 27 p.

Bilder einer Ausstellung. [=Pictures at an exhibition.]Mainz: B. Schott's Söhne, n.d. Solo piano; score; 45 p.

Boris Godunov.St. Petersburg: W. Bessel, . 1908 Piano-vocal score; 293 p.

Boris Godunov[S.l.]: [s.n.], n.d. Chorus parts (SAB only); 6 p.; 4 p.; 2 p.

Un brave ne doit point filer. [=Oĭ chest'-li to molodtsu len priasti?]St. Petersburg: W. Bessel, . 1908 Voice and piano; score; 5 p.

Chanson d'enfant. [=Dietskaia piesenka.]St. Petersburg: W. Bessel, . 1908 Voice and piano; score; 3 p.

Zwei Clavierstücke: Intermezzo.Leipzig: M.P. Belaïeff, n.d. Solo piano; score; 5 p.

La couturière. [=Shveia.]Moscow: P. Jurgenson, n.d. Solo piano; score; 7 p.

Dietskaia. [=The Nursery.]St. Petersburg: V. Bessel', See also: Enfantines, Box 37, Folder 14 n.d. Voice and piano; score; 42 p.

En Crimée (Capriccio). [=Bliz iuzhnago berega Kryma.]Moscow: P. Jurgenson, . 1896 Solo piano; score; 7 p.

En Crimée (Hoursouff-Notes de voyage). [=Na iuzhnom beregu Kryma.]Moscow: P. Jurgenson, . 1896 Solo piano; score; 7 p.

Enfantines. [=Dietskaia; The nursery.]St. Petersburg: W. Bessel, . See also: Dietskaia, Box 37, Folder 11 1908 Voice and piano; score; 48 p.

L'errant. [=Strannik; The wanderer.]St. Petersburg: W. Bessel, . 1908 Voice and piano; score; 3 p.

La foire de SorotchintsiSee also: Sorochinskaia iarmarka

La foire de Sorotchintsi. [=Sorochinskaia iarmarka; Sorochintsy fair.]Petrograd: W. Bessel, . See also: Sorochinskaia iarmarka 1923 Piano-vocal score; 190 p.

La foire de Sorotchintsi: Chanson de Khivria. [=Piesnia Khivri; Khivria's song.]Petrograd: W. Bessel, . 1909 Arranged for voice and piano; score; 9 p.

La foire de Sorotchintsi: Chanson de Khivria.St. Petersburg: W. Bessel, . 1908 Arranged for voice and piano; score; 9 p.

La foire de Sorotchintsi: Chanson de Parassia. [=Dumka Parasi; Parassia's song.]Petrograd: W. Bessel, . 1908 Arranged for voice and piano; score; 7 p.

La foire de Sorotchintsi: Chanson du jeune villageois. [=Dumka parobka.]St. Petersburg: W. Bessel, . See also: La foire de Sorotchintsi: Rêverie du jeune villageois, Box 38, Folder 5. 1908 Arranged for voice and piano; score; 5 p.

La foire de Sorotchintsi: Gopak.St. Petersburg: V. Bessel', n.d. Arranged for full orchestra; full score; 15 p.

La foire de Sorotchintsi: Gopak.Leipzig: M.P. Belaïeff, . 1898 Arranged for voice and piano; score; 8 p.

La foire de Sorotchintsi: Introduction.Petrograd: W. Bessel, . 1909 Arranged by C. Tchernov for piano, four hands; score; 11 p.

La foire de Sorotchintsi: Introduction.Petrograd: W. Bessel, . 1909 Arranged by C. Tchernov for solo piano; score; 7 p.

La foire de Sorotchintsi: Rêverie du jeune villageois. [=Dumka parobka.]Petrograd: W. Bessel, . See also: La foire de Sorotchintsi: Chanson du jeune villageois, Box 37, Folder 19 1909 Arranged for voice and piano; score; 5 p.

La foire de Sorotchintsi: Scène du compère et de Tchérévik.Leipzig: W. Bessel, n.d. Piano-vocal score; 11 p.

Iisus Navin. [=Joshua, or Jesus Navinus.]St. Petersburg: V. Bessel', . 1883 Vocal soloists (AB), chorus, piano; piano-vocal score (17 p.), vocal parts for SATB; 17 p.; 2 p.; 2 p.; 3 p.; 2 p.

Kallistrate.St. Petersburg: W. Bessel, . 1908 Voice and piano; score; 11 p.

Khovanshchina.St. Petersburg: V. Bessel', . 1882 Piano-vocal score; 207 p.

Khovanshchina: Entr'acte (to Act IV, Scene II).Petrograd: W. Bessel, . 1910 Arranged by C. Tchernov for two pianos; score; 7 p.

Khovanshchina[S.l.]: [s.n.], n.d. Chorus parts for soprano; 101 p.

Khovanshchina[S.l.]: [s.n.], n.d. Chorus parts for alto; 83 p.

Khovanshchina[S.l.]: [s.n.], n.d. Chorus parts for tenor; 113 p.

Khovanshchina[S.l.]: [s.n.], n.d. Chorus parts for bass; 112 p.

Le mariage. [=Zhenit'ba; The marriage.]St. Petersburg: W. Bessel, . 1911 Piano-vocal score; 64 p.

Une nuit sur le mont chauve. [=Night on Bald Mountain.]Petrograd: W. Bessel, . 1920 Arranged by N. Artzibouchev for piano, four hands; score; 35 p.

Oedipe: Choeur. [=Oedipus in Athens: Chorus].St. Petersburg: W. Bessel, . 1909 Piano-vocal score; 13 p.

L'orgueil. [=Spies'; Pride.]St. Petersburg: W. Bessel, . 1908 Voice and piano; score; 5 p.

La peine. [=Ne bozhiim gromom gore udarilo.]St. Petersburg: W. Bessel, . 1908 Voice and piano; 5 p.

La pie. [=Strekotun'ia bieloboka; The magpie.]St. Petersburg: W. Bessel, . 1908 Voice and piano; score; 9 p.

Pirouchka. [=The feast.]Leipzig: M.P. Belaïeff, . 1898 Voice and piano; score; 3 p.

Sorochinskaia iarmarkaSee also: La foire de Sorotchintsi

Sorochinskaia iarmarka: Komicheskiia stseny. [=Sorochintsy fair: Burlesque (Act II).]St. Petersburg: V. Bessel', n.d. Piano-vocal score; 77 p.

Sorochinskaia iarmarka: Vstuplenie i iarmarochkaia stsena. [=Sorochintsy fair: Introduction and fair scene (Act I).]St. Petersburg: V. Bessel', n.d. Piano-vocal score; 41 p.

Sur le Dnièpr. [=Na Dnieprie; On the Dniepr.]St. Petersburg: W. Bessel, . 1908 Voice and piano; score; 9 p.

Tableaux d'une exposition. [=Pictures at an exhibition.]Paris: W. Bessel, n.d. Solo piano; score; 31 p.

Trouble. [=Razsievaetsia, razstupaetsia.]St. Petersburg: W. Bessel, . 1908 Voice and piano; score; 3 p.

[Works for voice and piano.]See: I.B. Collections, Box 4 (S/65), p. 69-70

Nabokov, Nicolas

Le Coeur de Don Quichotte. [=Serdtse Don Kikhota.]Berlin: Édition russe de musique, n.d. Solo piano; score; 14 p.

Ode. [=Oda.]Paris: M. Senart, n.d. Vocal soloists (SB), mixed chorus (SATB), orchestra; piano-vocal score; 1 p.

Shot stories.Paris: Rouart, n.d. Solo piano; score; 11 p.

Nascimbene, Mario

Pigmalione.Milan: Mario Nascimbene, . 1946 Reduction for solo piano; score; 62 p.

Neustedt, C.

Le rêve du prisonnierSee: I.B. Collections, Box 3 (S/64), p. 68-69

Ocki-Albi, Georges N.

Palais du crystalSee: I.B. Collections, Box 2 (S/63), p. 67-68.

Petite conversationSee: I.B. Collections, Box 3 (S/64), p. 68-69

Offenbach, Jacques

Apothicaire et perruquier.Paris: Heugel, n.d. Piano-vocal score; 38 p.

La bonne d'enfant.Paris: Heugel, n.d. Piano-vocal score; 54 p.

Les contes d'Hoffmann: selections.Moscow: A. Gutheil, n.d. Arranged for solo piano; score; 87 p.

Les contes d'Hoffmann: O belle nuit (Barcarolle).Paris: A. Choudens, n.d. Arranged by F. Spindler for solo piano; score; 5 p.

Une demoiselle en loterie.Paris: Heugel, n.d. Piano-vocal score; 64 p.

Le financier et le savetier.Paris: Heugel, n.d. Piano-vocal score; 56 p.

Le mariage aux lanternes.Paris: Heugel, n.d. Piano-vocal score; 72 p.

Monsieur et Madame Denis.Paris: Heugel, n.d. Piano-vocal score; 100 p.

Prekrasnaia Elena. [=La belle HélèneSee: I.B. Collections, Box 2 (S/63), p. 67-68.

Valse chaloupéeSee: I.B. Collections, Box 3 (S/64), p. 68-69.

O'Hara, Geoffrey

K-K-K-Katy.Constantinople: J. d'Andria, n.d. Voice and piano; score; 3 p.

Oréfiche, Armando

Puchunguita.Paris: Éditions espagnoles J. Garzón, n.d. Small orchestra; parts for: piano/conductor's score, vn (2 p. each); vc/tbn-cb, sax I (alto)-sax III (alto), tpt, banjo/guitar/vn II-sax II (tenor) (1 p. each); perc (2 p.).

Paderewski, Ignace Jan

Menuet, op. 14, no. 1.Berlin: E. Bote & G. Bock, n.d. Solo piano; score; 7 p.

Paër, Ferdinando

Il maestro di cappella.Milan: G. Ricordi, n.d. Piano-vocal score; 101 p.

Paisiello, Giovanni

Il barbiere di Siviglia.Milan: G. Ricordi, n.d. Piano-vocal score; 237 p.

Il mio ben quando verrà.Milan: G. Ricordi, n.d. Voice and piano; score; 5 p.

La molinara: Mon coeur est sans jeunesse. [=Nel cor più non mi sento.]Milan: G. Ricordi, n.d. Arranged for voice and piano; score; 3 p.

La molinara: Nel cor più non mi sento.Milan: G. Ricordi, n.d. Arranged for voice and piano; score; 7 p.

La molinara: Ouverture und favorite Arien.Bonn: N. Simrock, n.d. Reduction for piano solo/voice and piano by C. G. Neefe; score; [12] p.

La molinara: Per marito vossignoria.Milan: G. Ricordi, n.d. Arranged for two voices and piano; score; 9 p.

Nina, oder Wahnsinn aus Liebe.Mannheim: I.M. Gotz, n.d. Piano-vocal score; 165 p.

Nina, ossia la pazza per amore.Paris: Carli, n.d. Piano-vocal score; 161 p.

I zingari infiera: Chi vuol la zingarella.Milan: G. Ricordi, n.d. Arranged for voice and piano; score; 4 p.

Paladilhe, Émile

MandolinataSee: I.B. Collections, Box 2 (S/63), p. 67-68.

Patáky, Hubert

Prometheus, op. 31.Berlin: Verlag alte und neue Kunst, . 1927 Reduction for solo piano; score; 41 p.

Pedrotti, Carlo

Tutti in maschera.Milan: G. Ricordi, n.d. Piano-vocal score; 242 p.

Pergolesi, Giovanni Battista

Livietta e Tracollo.Paris: M. Senart, . 1914 Piano-vocal score; 92 p.

Olimpiade.Milan: Associazione dei musicologi italiani, . 1915 Piano-vocal score; 287 p.

Olimpiade: Se cerca, se dice l'amico dov'è.Milan: G. Ricordi, n.d. Arranged for voice and piano; score; 7 p.

La serva padrona.Milan: G. Ricordi, n.d. Piano-vocal score; 59 p.

La serva padrona.Milan: G. Ricordi, n.d. Piano-vocal score; 59 p.

La serva padrona: Stizzoso, mio stizzoso.Milan: G. Ricordi, n.d. Arranged for voice and piano; score; 7 p.

Sonate [no.] 12.Milan: G. Ricordi, n.d. Violin and figured bass; parts for vn, vc; 30 p.; 33 p.

Sonata, D major.London: Schott & Co., n.d. Solo keyboard; score; 11 p.

Tre giorni son che Nina.Milan: G. Ricordi, n.d. Voice and piano; score; 5 p.

Pesse, Maurice

Sur un vieux thème russe.Paris: L. Philippo, . 1928 Solo piano; score; 4 p.

Petrella, Errico

Il carnevale di Venezia.Milan: G. Ricordi, n.d. Piano-vocal score; 339 p.

Petrov, B.

Zhemchuzhiny russkoĭ narodnoĭ piesni: 100 velikorusskikh narodnykh piesen. [="Pearls" of old Russian folk song: 100 Russian folksongs.]St. Petersburg: IU.G. TSimmerman, . 1902 Arranged for voice and piano; score; 61 p.

Pinsuti, Ciro

El libro santo.Milan: G. Ricordi, n.d. Voice and piano; score; 7 p.

Pirani, G.

AltalenaSee: I.B. Collections, Box 2 (S/63), p. 67-68.

Planquette, Robert

Les cloches de Corneville: Chanson des servantesSee: I.B. Collections, Box 2 (S/63), p. 67-68.

Plevitskaia, Nadezhda V.

Moskovskaia troĭka.Moscow: S.IA. IAmbor, n.d. Voice and piano; score; 3 p.

Zolotym kol'tsom skovali.Moscow: S.IA. IAmbor, n.d. Voice and piano; score; 3 p.

Poldowski

Caledonian market.London: J. & W. Chester, . 1923 Solo piano; score; 23 p.

Poulenc, Francis

Sonate.London: J. & W. Chester, . 1924 Clarinet and bassoon; score; 12 p.

Sonate.London: J. & W. Chester, . 1919 Two clarinets; score; 11 p.

Sonate.London: J. & W. Chester, . 1924 Horn, trumpet and trombone; parts; 4 p.; 4 p.; 4 p.

Prisovskiĭ, V. A.

Serenada, op. 92.Moscow: L. Idzikovskiĭ, n.d. Solo piano; score; 3 p.

Prokof'ev, Sergeĭ Sergeevich

Liubov' k trem apel'sinam, op. 33. [=The Love for three oranges.]Moscow: A. Gutheil, . 1922 Piano-vocal score; 252 p.

Skazka pro Shuta. [=Chout.]Moscow: A. Gutheil, n.d. Solo piano; score; 64 p.

Shut: Siuita iz baleta, op. 21b. [=Chout: Ballet suite.]Moscow: A. Gutheil, . 1924 Miniature score; 156 p.

Stal'noĭ skok, op. 41. [=Le pas d'acier; The steel step.]Berlin: Édition russe de musique, . 1928 Solo piano; score; 59 p.

Puare, Mariia IAkovlevna

IA iekhala domoĭ.Moscow: A. Gutkheil', n.d. Voice and piano; score; 5 p.

Puccini, Giacomo

Bogema. [=La Bohème.]St. Petersburg: A. Iogansen, . 1899 Piano-vocal score; 103 p.

La bohème: O Mimì tu più non torni.Milan: G. Ricordi, . 1896 Arranged for voice and piano; score; 4 p.

La bohème: Sì, mi chiamano Mimì.Constantinople: J. d'Andria, n.d. Arranged for voice and piano; score; 7 p.

La bohème: Votre main est glacée.Milan: G. Ricordi, . 1898 Arranged for voice and piano; score; 7 p.

Madama ButterflyLondon: G. Ricordi, . 1905 Arranged by C. Godfrey for solo piano; score; 19 p.

Tosca: Le ciel luisait d'étoiles (Act III).Milan: G. Ricordi, . 1908 Arranged for voice and piano; score; 4 p.

Tosca: D'art et d'amour, je vivais toute. (Prière de Tosca) (Act II).[S.l.]: [s.n.], n.d. Arranged for voice and piano; score; 5 p.

Purcell, Henry

Ten pianoforte pieces.London: Novello, n.d. Solo piano; score; 30 p.

Fourteen pieces.London: Novello, n.d. Arranged by A. Dolmetsch for violin and piano; violin part, piano score; 11 p.; 27 p.

Purcell album.London: Schott, . 1918 Arranged by H. Fryer for solo piano; score; 13 p.

Allemande.Paris: M. Senart, n.d. Arranged by A. Sauvrezis for solo piano; score; 3 p.

The Fairy Queen.London: Novello, n.d. Piano-vocal score; 164 p.

Suite, C major.Paris: M. Senart, n.d. Solo piano; score; 9 p.

Suite, D major.Paris: M. Senart, n.d. Solo piano; score; 4 p.

Rachmaninoff, Sergeĭ

Morceaux de fantaisie, op. 3, no. 2: Prélude.Moscow: A. Gutheil, n.d. Solo piano; score; 5 p.

Morceaux de fantaisie, op. 3, no. 5: Sérénade.Moscow: A. Gutheil, n.d. Solo piano; score; 5 p.

24 Préludes. [from opp. 3, 23, 32.]Moscow: A. Gutheil, n.d. Solo piano; score; 108 p.

Raimondi, Pietro

Il ventaglio.Naples: T. Cottrau, n.d. Piano-vocal score; 211 p.

Rameau, Jean Philippe

Pièces de clavecin.Paris: A. Durand, n.d. Solo piano; score; 113 p.

Symphonies des Indes galantes. [Les Indes galantes: selections.]Paris: Éditions musicales transatlantiques, . 1937 Miniature score; 49 p.

Ravel, Maurice

L'heure espagnole.Paris: A. Durand, . 1908 Piano-vocal score; 114 p.

Introduction et allegro.Paris: A. Durand, . 1906 Arranged by the composer for two pianos; score; 25 p.

Introduction et allegro.Paris: A. Durand, . 1906 Solo harp part only; score; 13 p.

Ma mère l'oye.Paris: A. Durand, . 1910 Piano, four hands; score; 31 p.

Ma mère l'oye.Paris: A. Durand, . 1912 Solo piano; score; 44 p.

Menuet antique.Paris: Enoch, . 1898 Solo piano; score; 8 p.

Rapsodie espagnole.Paris: A. Durand, . 1908 Reduction for piano, four hands; score; 32 p.

Shéhérazade.Paris: A. Durand, . 1911 Piano-vocal score; 24 p.

Trio pour piano, violon et violoncelle.Paris: A. Durand, . 1915 Piano score, parts; 35 p.; 11 p.; 12 p.

Rechkunov, M.

Requiem.Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, . 1928 Voice and piano; score; 5 p.

Respighi, Ottorino

Antiche danze ed arie [per liuto], v. 1.Milan: G. Ricordi, . 1919 Arranged for solo piano; score; 21 p.

Antiche danze ed arie [per liuto], v. 2.Milan: G. Ricordi, . 1924 Arranged for piano, four hands.; 37 p.

La boutique fantasqueSee: Rossini, Gioacchino

Ricci, Luigi and Federico Ricci

Crispino e la comare.Milan: G. Ricordi, n.d. Piano-vocal score; 242 p.

Rimskiĭ-Korsakov, Nikolaĭ Andreevich

Antar, op. 9.Paris: A. Leduc, . 1911 Solo piano; score; 39 p.

Capriccio espagnol, op. 34.Leipzig: M.P. Belaïeff, . 1887 Arranged by the composer for piano, four hands; score; 39 p.

Le coq d'or. [=Zolotoĭ pietushok.]Moscow: P. Jurgenson, . 1896 Piano-vocal score; 206 p.

Le coq d'or: Suite. [=Four musical pictures.]Moscow: P. Jurgenson, n.d. Full score; 106 p.

Le coq d'or: Suite.Moscow: P. Jurgenson, n.d. Arranged by K. Chernov for piano, four hands; score; 61 p.

Fantaziia na serbskiia temy, op. 6. [=Fantasia on Serbian themes.]Leipzig: M.P. Belaïeff, . 1895 Arranged by the composer for piano, four hands; score; 23 p.

Maĭskaia noch': Ukraĭnskaia noch' i pesny Levki (Act III). [=May night: Ukranian night and Levka's song.]Leipzig: M.P. Belaïeff, . 1895 Piano-vocal score; 9 p.

[Mozart and Salieri.][S.l.]: [s.n.], n.d. Piano-vocal score; [15] p.

Noch' pered Rozhdestvom. [=La nuit de Noël; Christmas eve.]Leipzig: M.P. Belaïeff, . 1895 Piano-vocal score; 292 p.

Pskovitianka.St. Petersburg: V. Bessel', . 1894 Piano-vocal score; 205 p.

La Pskovitaine: Ouverture, entr'actes. [=Pskovitianka.]St. Petersburg: W. Bessel, n.d. Arranged by Nadezhda Rimskaia-Korsakova for piano, four hands; score; 37 p.

Sadko.Leipzig: M.P. Belaïeff, . 1897 Full score; 569 p.

Sadko.[Leipzig]: [M. Belaïeff], n.d. Parts for chorus: tenors [1] p.; basses [17] p.

Skazanie o nevidimom grade Kitezhie i dievie Fevronii. [=Legend of the invisible city of Kitezh and the maiden Fevroniia.]Leipzig: M.P. Belaïeff, . 1906 Piano-vocal score; 326 p.

Skazka, op. 29. [=Conte féerique.]Leipzig: M.P. Belaïeff, . 1886 Reduction by the composer for piano, four hands; score; 35 p.

Skazka o tsarie Saltanie. [=The story of Tsar Saltan.]St. Petersburg: V. Bessel', . [1900] Piano-vocal score; 281 p.

Skazka o tsarie Saltanie.Moscow: W. Bessel, n.d. Reduction for solo piano; score; 186 p.

Snégourotchka. [=The snow maiden.]St. Petersburg: W. Bessel, . 1908 Piano-vocal score; 296 p.

Snegurochka: Siuita. [=The snow maiden: Suite.]St. Petersburg: W. Bessel, n.d. Full score; 73 p.

Snegurochka[S.l.]: [s.n.], n.d. Chorus part books; 88 p.

Sniegurochka. [=The snow maiden.]St. Petersburg: V. Bessel', . 1881 Piano-vocal score; 298 p.

V temnoĭ roshchie zamolk soloveĭ, op. 4, no. 3.Leipzig: M.P. Belaïeff, . [1866] Voice and piano; score; 5 p.

Roberts, Lee S.

Smiles.Constantinople: J. d'Andria, n.d. Voice and piano; score; 4 p.

Roger-Ducasse, Jean Jules Amable

Petite suite: Claironnerie.Paris: A. Durand, . 1911 Arranged by J. Charlot for solo piano; score; 4 p.

Prélude d'un ballet.Paris: A. Durand, . 1910 Arranged by the composer for solo piano; score; 3 p.

Suite française.Paris: A. Durand, . 1909 Arranged by the composer for piano, four hands; score; 41 p.

Romand, Gabriel and Gabriel Pachoutine

Mon prince charmant.Paris: Éditions musicales universelles, . 1935 Voice and piano; score; 3 p.

Rosellen, Henri

Le trémolo, op. 31, no. 1.Hamburg: A.J. Benjamin, n.d. Solo piano; score; 7 p.

Rosey, George

The honey-moon (mar[s]ch)See: I.B. Collections, Box 2 (S/63), p. 67-68

Rossini, Gioacchino

A Grenade. [Deux nouvelles compositions, no. 1.][S.l.]: [s.n.], n.d. Voice and piano; score; 9 p.

Il barbiere di Siviglia.Milan: G. Ricordi, n.d. Piano-vocal score; 327 p.

Il barbiere di Siviglia.Paris: M. Schlesinger, n.d. Piano-vocal score; 208 p.

ll barbiere di Siviglia.Milan: G. Ricordi, n.d. Arranged for solo piano; score; 125 p.

La boutique fantasque.London: J. & W. Chester, . 1919 Arranged by O. Respighi for solo piano; score; 78 p.

Bruschino. [Il Signor Bruschino.]Paris: Heugel, See also: Il Signor Bruschino, Box 54, Folders 3, 4, 5 n.d. Piano-vocal score; 117 p.

La cambiale di matrimonio.Milan: G. Ricordi, n.d. Piano-vocal score; 163 p.

La cambiale di matrimonio.Milan: G. Ricordi, n.d. Piano-vocal score; 163 p.

La Cenerentola.Milan: G. Ricordi, n.d. Piano-vocal score; 354 p.

Échantillon de blague. [Péchés de vieillesse, v. 9, no. 11.]Milan: G. Ricordi, n.d. Solo piano; score; 11 p.

La gazzetta.Milan: G. Ricordi, n.d. Piano-vocal score; 372 p.

L'italiana in Algeri.Milan: G. Ricordi, n.d. Piano-vocal score; 291 p.

L'italiana in Algeri: Sinfonia.Milan: G. Ricordi, n.d. Arranged by L. Cerri for small orchestra; 15 p.

L'italienne à Alger.Paris: Aulagnier, n.d. Piano-vocal score; 205 p.

La pie voleuse. [=La gazza ladra.]Paris: Aulagnier, n.d. Piano-vocal score; 193 p.

La pietra del parragone.Paris: Launer, n.d. Piano-vocal score; 217 p.

Cinq grands quatuors. [=Sonate a quattro.]Paris: B. Schott, n.d. Parts for: vn I, vn II, vla, vc; 16 p.; 16 p.; 16 p.; 16 p.

La regata veneziana. [Péchés de vieillesse, v. 1, no. 8 through 10.]Milan: G. Ricordi, n.d. Voice and piano; score; 31 p.

Il Signor Bruschino.Milan: G. Ricordi, See also: Bruschino, Shelved item 32. n.d. Piano-vocal score; 167 p.

Il Signor Bruschino: Sinfonia.Milan: G. Ricordi, n.d. Parts for: vn I, vn II, vla, vc/cb; 5 p.; 6 p.; 5 p.; 5 p.

[S]oirée[s] musicale[s] , v. 1: 8 ariette.Milan: G. Ricordi, n.d. Voice and piano; score; 51 p.

[S]oirée[s] musicale[s] , v. 2: 4 duetti.Milan: G. Ricordi, n.d. Two voices and piano; score; 41 p.

Le Traître démasqué. [=L'inganno felice ("L'inganno fortunato").]Brussels: E. Lauweryns, n.d. Piano-vocal score; 138 p.

Il turco in Italia.Milan: G. Ricordi, n.d. Piano-vocal score; 329 p.

Rubinstein, Anton

Ballada.Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, . 1928 Voice and piano; score; 7 p.

Sablon, A.

Paris sur la boucheSee: I.B. Collections, Box 3 (S/64), p. 68-69

Saint-Saëns, Camille

Javotte.Paris: A. Durand, . 1896 Reduction for solo piano; score; 121 p.

Ascanio: Suite no. 1.Paris: A. Durand, . 1919 Arranged by H. Mouton for small orchestra; 15 p.

Salabert, Francis

Hawaiian butterfly.Paris: F. Salabert, . 1917 Solo piano; score; 4 p.

Sarrablo, M.

El número 13See: I.B. Collections, Box 3 (S/64), p. 68-69

Sartinskiĭ-Beĭ, D. K.

IA ne mogu poniat'.Moscow: N. Davingof, . [1916] Voice and piano; score; 5 p.

Satie, Erik

Aperçus désagréables.Paris: E. Demets, . 1913 Piano, four hands; score; 13 p.

La belle excentrique.Paris: Éditions de la sirène, . 1922 Piano, four hands; score; 25 p.

Chapitres tournés en tous sens.Paris: E. Demets, . 1913 Solo piano; score; 8 p.

Croquis et agaceries d'un gros bonhomme en bois.Paris: E. Demets, . 1913 Solo piano; score; 10 p.

Descriptions automatiques.Paris: E. Demets, . 1913 Solo piano; score; 8 p.

La diva de "L'Empire".Paris: Bellon Ponscarme, . 1904 Voice and piano; score; 7 p.

Embryons desséchés.Paris: E. Demets, . 1913 Solo piano; score; 11 p.

En habit de cheval.Paris: Rouart, n.d. Piano, four hands; score; 13 p.

Le fils des étoiles: Préludes.Paris: E. Baudoux, n.d. Solo piano; score; 8 p.

Gymnopédies, no. 3.Paris: Rouart, n.d. Solo piano; score; 3 p.

Menus propos enfantins.Paris: E. Demets, . 1916 Solo piano; score; 6 p.

3 morceaux en forme de poire.Paris: Rouart, n.d. Piano, four hands; score; 31 p.

Sonneries de la Rose + Croix.Paris: Rouart, n.d. Solo piano; score; 12 p.

Vieux sequins et vieilles cuirasses.Paris: E. Demets, . 1913 Solo piano; score; 11 p.

Savasta, J.

Le prince noir.Athens: M. Kazaze, n.d. Solo piano; score; 3 p.

Scarlatti, Alessandro

Già il sole dal Gange.Milan: G. Ricordi, n.d. Voice and piano; score; 4 p.

O cessate di piagarmi.Milan: G. Ricordi, n.d. Voice and piano; score; 3 p.

Se delitto è l'adorarvi.Milan: G. Ricordi, n.d. Voice and piano; score; 3 p.

Se Florindo è fedele.Milan: G. Ricordi, n.d. Voice and piano; score; 4 p.

Se tu della mia morte.Milan: G. Ricordi, n.d. Voice and piano; score; 3 p.

Sento nel core.Milan: G. Ricordi, n.d. Voice and piano; score; 4 p.

Son tutta duolo.Milan: G. Ricordi, n.d. Voice and piano; score; 3 p.

Spesso vibra per suo gioco.Milan: G. Ricordi, n.d. Voice and piano; score; 3 p.

Toglietemi la vita.Milan: G. Ricordi, n.d. Voice and piano; score; 3 p.

Scarlatti, Domenico

18 ausgewählte Klavierstücke.Leipzig: C.F. Peters, n.d. Solo piano; score; 67 p.

Schmitt, Florent

Le petit elfe "Ferme-l'oeil,"op. 73.Paris: A. Durand, . 1924 Reduction by the composer for solo piano; score; 54 p.

Pièces récréatives, op. 37.Paris: J. Hamelle, n.d. Piano, four hands; score; 10 p.

Schreker, Franz

Der Geburtstag der Infantin: Tanz-Suite.Vienna: Universal, . 1909 Reduction for piano, four hands; score; 35 p.

Schubert, Franz

Berühmte Klavier-Compositionen.Leipzig: C.F. Peters, n.d. Score; 153 p.

Compositionen.Leipzig: C.F. Peters, n.d. Score; 111 p.

Sämmtliche Tänze.Leipzig: C.F. Peters, n.d. Score; 74 p.

Sonaten.Leipzig: C.F. Peters, n.d. Score; 222 p.

Schumann, Robert

Carnaval, op. 9.Paris: A. Durand, n.d. Solo piano; score; 37 p.

Scotto, Marc-César

Rapsodie niçoise.Nice: Delrieu Frères, . 1926 Arranged by the composer for solo piano; score; 11 p.

Seleznev, A.

Raznoshchik.Hamburg: F. Schuberth, n.d. Voice and piano; score; 5 p.

Sellenick, A.

Marche indienne.Paris: A. Leduc, . 1911 Arranged by the composer for solo piano; score; 7 p.

Senilov, Vladimir Alexeevich

Kalechina-malechina, op. 10, no. 2.Moscow: P. IUrgenson, n.d. Voice and piano; score; 11 p.

Kolybel'naia piesnia, op. 10, no. 1.Moscow: P. IUrgenson, n.d. Voice and piano; score; 5 p.

Shafrov, N. M.

Ne nado!...Ne nado!Petrograd: N. Davingof, n.d. Voice and piano; score; 5 p.

Sharov, M.

Bielaia akatsiia.Moscow: S.IA. IAmbor, n.d. Voice and piano; score; 3 p.

Shtraus, Oskar

V vikhrie val'sa: V grëzakh.Moscow: S.IA. IAmbor, n.d. Solo piano; score; 4 p.

Sibelius, Jean

Scaramouche, op. 71.Copenhagen: W. Hansen, . 1919 Arranged by O. Olsen for solo piano; score; 73 p.

Der Schwan von Tuonela, op. 22, no. 3. [Lemminkäinen Suite.]Leipzig: Breitkopf & Härtel, . 1907 Arranged by O. Taubmann for solo piano; score; 7 p.

Valse triste. [Kuolema, op. 44.]Leipzig: Breitkopf & Härtel, . 1904 Arranged for solo piano; score; 7 p.

Slavenski, Josip

Balkanophonia, op. 10.Mainz: B. Schott's Söhne, . 1928 Full score; 51 p.

Slavini, Niccolo

Bosphore valse.[S.l.]: [s.n.], n.d. Solo piano; score; 3 p.

Smith, Melson

Romanza, A-flat major.Paris: Éditions Ricordi, . 1921 Violin and piano; violin part, piano score; 2 p.; 4 p.

Sokolov, Flaviĭ Vasil'evich

Tsyganskaia pies'nia (Sobiraities' dievki krasnyia).Hamburg: F. Schuberth, n.d. Voice and piano; score; 3 p.

Somerville, Reginald

Fo'c'stle dance.London: Hawkes, . 1929 Small orchestra; 4 p.

Spendiarov, Aleksandr Afanas'evich

Deux morceaux, op. 3: Berceuse.Paris: W. Bessel, n.d. Arranged for solo piano; score; 5 p.

Spies, Leo

Apollo und Daphne.[S.l.]: [s.n.], n.d. Photoreproduced score [reduction ?] for solo piano; 34 p.

Stamper, Dave

Prends garde à Tchou-tchin-tchou.Constantinople: J. d'Andria, n.d. Arranged by F. Salabert for voice and piano; voice part, piano score; 2 p.; 5 p.

Slavenski, Josip

Semela, op. 10; Midas.Leipzig: M.P. Belaïeff, n.d. Reduction for solo piano; score; [23] p.

Stivinskiĭ, S.

Gdie ty, milyĭ bozhok?Moscow: B.L. Andrzheevskiĭ, n.d. Voice and piano; score; 3 p.

Storoni, J.

Amapa.Paris: F. Salabert, . 1913 Arranged for solo piano; score; 4 p.

Strauss, Johann

Johann Strauss' famous waltzes.London: K. Prowse, . 1931 Arranged by E. Haywood for solo piano; score; 64 p.

10 valses célèbres.Paris: [A.] Durand, . 1932 Arranged for solo piano; score; 95 p.

Strauss, Richard

Schlagobers, op. 70.Berlin: A. Fürstner, . 1923 Reduction by O. Singer for solo piano; score; 156 p.

Till Eulenspiegels lustige Streiche, op. 28.Leipzig: Breitkopf & Härtel, . 1903 Arranged for solo piano; score; 26 p.

Stravinsky, Igor

Le rossignol.Berlin: Édition russe de musique, n.d. Piano-vocal score; 93 p.

A song of the dew, op. 6, no. 2See: I.B. Collections, Box 4 (S/65), p. 69-70

Strimer, Joseph

Dans la rue: Au son du moteur.Paris: Rouart, n.d. Solo piano; score; 4 p.

Dans la rue: Catherinette.Paris: Rouart, n.d. Solo piano; score; 4 p.

Tempo di minuetto.Paris: J. Joubert, . 1931 Solo piano; score; 4 p.

Suelto, Ramon

Créollita.Paris: Ramon Suelto, n.d. Solo piano; score; 2 p.

Szymanowski, Karol

Cztery pieśni, op. 2, no. 3: We mgłach.Warsaw: Gebethner & Wolff, n.d. Voice and piano; score; 5 p.

Cztery pieśni, op. 2, no. 4: Czasem gdy długo na półsennie marzę.Warsaw: Gebethner & Wolff, n.d. Voice and piano; score; 5 p.

9 preludes, op. 1, no. 1.Berlin: A. Stahl, . 1906 Solo piano; score; 3 p.

Tansman, Alexandre

Bric-à-brac.Paris: M. Eschig, . 1938 Reduction for solo piano; score; 58 p.

Sextuor.Paris: M. Eschig, . 1929 Reduction for solo piano; score; 23 p.

Tartini, Giuseppe

Pastorale.Milan: G. Ricordi, . 1921 Violin and piano; violin part, piano score; 5 p.; 11 p.

Sonate, D major: 1. Grave-Allegro.Paris: M. Senart, n.d. Violin and piano; violin part, piano score; 2 p.; 5 p.

Sonate, D major: 2. Larghetto.Paris: M. Senart, n.d. Violin and piano; violin part, piano score; 1 p.; 3 p.

Sonate, D major: 3. Gigue.Paris: M. Senart, n.d. Violin and piano; violin part, piano score; 1 p.; 3 p.

Sonate, E major.Paris: M. Senart, . 1917 Violin and piano; violin part, piano score; 4 p.; 12 p.

Tchaikovsky, Pëtr Il'ich

La belle au bois dormant, op. 66, no. 24See: I.B. Collections, Box 3 (S/64), p. 68-69

Berceuse, op. 16, no. 1.Paris: A. Noël, n.d. Voice and piano; score; 7 p.

Casse-noisette, op. 71. [=Shchelkunchik; The Nutcracker.]Moscow: P. Jurgenson, n.d. Reduction by the composer for solo piano; score; 166 p.

Casse-noisette, op. 71: Suite.London: W. Reeves, n.d. Arranged by E. Evans for solo piano; score; 42 p.

Charodeĭka. [=The Sorceress.]Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, . 1926 Piano-vocal score; 385 p.

Charodeĭka: Stsena i ariozo Kumy (Glianut' s Nizhniago). [=Scene and Ku[d]ma's arioso (Act I).]Moscow: P. IUrgenson, . 1887 Piano-vocal score; 9 p.

Cherevichki. [=The Little Shoes: revised version of Kuznets Vakula (=Vakula the Black-smith).]Moscow: P. IUrgenson, . See also: Kuznets Vakula, Box 60, Folder 4 1885 Piano-vocal score; 297 p.

Eugene Onegin.Moscow: P. IUrgenson, . 1897 Piano-vocal score; 240 p.

Eugene Onegin.[S.l.]: [s.n.], n.d. Piano-vocal score; [31] p.

Iolanta. [=Iolanthe; Yolande.]Moscow: P. IUrgenson, . 1892 Piano-vocal score; 190 p.

Kuznets Vakula. [=Vakula the Blacksmith.]Moscow: P. IUrgenson, See also: Cherevichki, Box 59, Folder 3 n.d. Arranged for solo piano; score; 162 p.

Oprichnik.St. Petersburg: V. Bessel', . 1896 Piano-vocal score; 327 p.

Orleanskaia dieva. [=The maid of Orléans.]Moscow: P. IUrgenson, . 1899 Piano-vocal score; 423 p.

Otchego poblednela vesnoĭ, op. 6, no. 5.Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, . 1924 Voice and piano; score; 5 p.

Pikovaia dama, op. 68. [=The queen of spades.]Moscow: Muzgiz, . 1936 Piano-vocal score; 278 p.

Pikovaia dama, op. 68.Moscow: P. IUrgenson, n.d. Reduction for solo piano; 165 p.

Primiren'eSee: I.B. Collections, Box 4 (S/65), p. 69-70

Les saisons, op. 37b.Paris: J. Hamelle, n.d. Solo piano; score; 61 p.

Shest' romansov, op. 16.St. Petersburg: V. Bessel', . 1873 Voice and piano; score; 33 p.

Shest' romansov, op. 25.St. Petersburg: V. Bessel', . 1875 Voice and piano; score; 31 p.

Snegurochka, op. 12. [=The snow maiden.]Moscow: P. IUrgenson, . 1895 Piano-vocal score; 103 p.

Snegurochka: excerpts.Moscow: P. IUrgenson, . 1879 Arranged by L. Langer for piano, four hands; score; 115 p.

Snegurochka: Piesn' Lelia (Tucha s gromom).Moscow: P. IUrgenson, . 1873 Arranged for voice and piano; score; 5 p.

Tedé, F.

Uviali rozy, op. 51.Moscow: F. Detlaf, n.d. Solo piano; score; 5 p.

Toch, Ernst

Sonate, op. 47.Mainz: B. Schott's Söhne, . 1928 Solo piano; score; 15 p.

Tomasi, Henri

Jabadao.Paris: A. Leduc, . 1959 Condensed score; 27 p.

Tosti, Francesco Paolo

A Greyswood: Mattinata (Mary, tremando l'ultima stella).Milan: G. Ricordi, n.d. Voice and piano; score; 6 p.

Ici-bas.Milan: G. Ricordi, n.d. Voice and piano; score; 5 p.

Malìa.Milan: G. Ricordi, n.d. Voice and piano; score; 7 p.

Si vous saviez!Milan: G. Ricordi, n.d. Voice and piano; score; 4 p.

Tormento!Milan: G. Ricordi, . 1912 Voice and piano; score; 6 p.

Tristezza.Milan: G. Ricordi, . 1909 Voice and piano; score; 7 p.

Vorrei morire!Milan: G. Ricordi, n.d. Voice and piano; score; 8 p.

Tsokopoupos, Anninos Dēmētrakopoupos

Madelon.Athens: Mousikon Katastēma "Mousikē", n.d. Voice and piano; score; 2 p.

Turina, Joaquín

Trois danses andalouses.Paris: Rouart, n.d. Solo piano; score; 20 p.

Trois danses andalouses: 1. Petenera.Paris: Rouart, n.d. Solo piano; score; 8 p.

Sonate romantique.Paris: E. Demets, . 1910 Solo piano; score; 30 p.

Tveit, Geirr

Meinvarnađur.Oslo: Geirr Tveit, . 1938 Arranged by the composer for solo piano; score; 7 p.

Varlamov, Aleksandr Egorovich

Gamlet: Piesn' Ofelii (Moego vy znalil druga?). [=Hamlet: Ophelia's song.]Hamburg: F. Schu-berth, n.d. Voice and piano; score; 11 p.

Krasnyĭ sarafan.Moscow: IU. Gresser, n.d. Voice and piano; score; 7 p.

O molchi, milyĭ drug moĭ molchi.St. Petersburg: U.M. Bernard, n.d. Voice and piano; score; 3 p.

Slezy umileniia.Hamburg: F. Schuberth, n.d. Voice and piano; score; 5 p.

Verdi, Giuseppe

Il finto Stanislao. [=Un giorno di regno.]Milan: G. Ricordi, n.d. Piano-vocal score; 390 p.

Verdun, Henry

Mon seul amour (L'amour que je garde en moi-même).Paris: Éditions Salabert, . 1933 Arranged by F. Salabert for small orchestra; parts for: piano/conductor-piano/"melody" (4 p. each); vn I (2 copies), vn II, vla, vc, fl (2 p. each); ob-cb (1 p. each); cl, [solo] sax, sax I (alto), sax II (tenor), sax III (alto), tpts I, II, tbn (2 p. each); perc (1 p. each); banjo, accordion (1 p. each)

Verstovskiĭ, Alekseĭ Nikolaevich

Askol'dova mogila.St. Petersburg: F. Stellovskiĭ, . 1866 Piano-vocal score; 226 p.

Askol'dova mogila.St. Petersburg: F. Stellovskiĭ, n.d. Arranged by K. Vil'boa for solo piano; score; 102 p.

Askol'dova mogila: excerpts.Moscow: A. Gutkheil', n.d. Arranged for solo piano; score; 93 p.

Vertinskiĭ, Aleksandr

IA segodnia smieius' nad soboĭ.Moscow: B.L. Andrzheevskiĭ, n.d. Voice and piano; score; 3 p.

Vil'boa, Konstantin

Russkiia narodnyia piesni.St. Petersburg: F. Stellovskiĭ, . 1860 Voice and piano; score; 158 p.

Villa-Lobos, Heitor

Cirandas: 1. Therezinha de Jesus.Rio de Janeiro: A. Napoleão, n.d. Solo piano; score; 3 p.

Cirandas: 2. A condessa.Rio de Janeiro: A. Napoleão, n.d. Solo piano; score; 3 p.

Cirandas: 3. Senhora, dona Sancha.Rio de Janeiro: A. Napoleão, n.d. Solo piano; score; 5 p.

Cirandas: 4. O cravo brigou com a rósa (Sapo jurúrú).Rio de Janeiro: A. Napoleão, n.d. Solo piano; score; 5 p.

Cirandas: 5. Pobre céga (Toada da rêde).Rio de Janeiro: A. Napoleão, n.d. Solo piano; score; 3 p.

Cirandas: 6. Passa, passa, gavião.Rio de Janeiro: A. Napoleão, n.d. Solo piano; score; 5 p.

Cirandas: 8. Vamos atraz da sérra calunga.Rio de Janeiro: A. Napoleão, n.d. Solo piano; score; 7 p.

Cirandas: 9. Fui no tóróró.Rio de Janeiro: A. Napoleão, n.d. Solo piano; score; 5 p.

Cirandas: 10. O pintor de Cannahy.Rio de Janeiro: A. Napoleão, n.d. Solo piano; score; 3 p.

Cirandas: 11. N'esta rua, n'esta rua.Rio de Janeiro: A. Napoleão, n.d. Solo piano; score; 3 p.

Cirandas: 12. Olha o passarinho, domine.Rio de Janeiro: A. Napoleão, n.d. Solo piano; score; 7 p.

Cirandas: 13. A' procura de uma agulha.Rio de Janeiro: A. Napoleão, n.d. Solo piano; score; 5 p.

Cirandas: 14. A canôa virou.Rio de Janeiro: A. Napoleão, n.d. Solo piano; score; 5 p.

Cirandas: 16. Có-có-có.Rio de Janeiro: A. Napoleão, n.d. Solo piano; score; 5 p.

A próle do bébé, no. 2: 1. A baratinha de papel.Paris: M. Eschig, . 1927 Solo piano; score; 4 p.

A próle do bébé, no. 2: 2. A gatinho de papelão.Paris: M. Eschig, . 1927 Solo piano; score; 3 p.

A próle do bébé, no. 2: 3. O camundongo de massa.Paris: M. Eschig, . 1927 Solo piano; score; 11 p.

A próle do bébé, no. 2: 4. O cachorrino de borracha.Paris: M. Eschig, . 1927 Solo piano; score; 4 p.

A próle do bébé, no. 2: 5. O cavalinho de páu.Paris: M. Eschig, . 1927 Solo piano; score; 7 p.

A próle do bébé, no. 2: 6. O boisinho de chumbo.Paris: M. Eschig, . 1927 Solo piano; score; 7 p.

A próle do bébé, no. 2: 7. O passarinho de panno.Paris: M. Eschig, . 1927 Solo piano; score; 7 p.

A próle do bébé, no. 2: 8. O ursozinho de algodão.Paris: M. Eschig, . 1927 Solo piano; score; 7 p.

A próle do bébé, no. 2: 9. O lobosinho de vidro.Paris: M. Eschig, . 1927 Solo piano; score; 11 p.

Saudades das sélvas brasileiras.Paris: M. Eschig, . 1927 Solo piano; score; 11 p.

Vivaldi, Antonio

Six sonates.Paris: M. Senart, . 1916 Cello and piano; cello part, piano score; 18 p.; 45 p.

Vlad, Roman

La dama delle camelie.Milan: Carisch, . 1948 Reduction by the composer for solo piano; score; 56 p.

Wagner, Richard

Siegfried-Idyll. [Siegfried.]Vienna: Universal, n.d. Arranged by J. V. von Wöss for solo piano; score; 19 p.

Tangeizer. [=Tannhäuser.]Moscow: P. Jurgenson, n.d. Arranged for solo piano; score; 171 p.

Tannhäuser.Paris: [s.n.], n.d. Arranged for solo piano; score; 181 p.

Tannhäuser: Overture.Leipzig: A.J. Benjamin, n.d. Arranged for solo piano; score; 15 p.

Val'kiriia. [=Die Walküre.]St. Petersburg: Sievernaia lira, n.d. Piano-vocal score; 204 p.

Walter, Fried

Kleopatra, op. 22.Mainz: B. Schott's Söhne, n.d. Reduction by A. Zickler for solo piano; score; 95 p.

Wayne, M.

Butterfly.Paris: Éditions Salabert, . 1935 Arranged by F. Salabert for small orchestra; parts for: piano/conductor-piano/"melody" (4 p. each); [solo] vn (3 p.); vn I (2 copies) (3 p. each); vc, cb, [solo] sax (2 p. each); sax I (alto) (3 p.); sax II (tenor), sax III (alto), tpts I, II, tbn, perc, banjo, accordion (2 p. each).

Weber, Carl Maria von

L'invitation à la valse, op. 65.Paris: A. Durand, n.d. Solo piano; score; 12 p.

Weill, Kurt

Der neue Orpheus, op. 15.Vienna: Universal, . 1926 Arranged for voice, violin and piano; score; 32 p.

Royal Palace, op. 17.Vienna: Universal, . 1926 Piano-vocal score; 83 p.

Wolff, A.

España.Paris: Enoch, . 1911 Solo piano; score; 147 p.

Wrabel, AllieSee: Dixon, Mort and Wrubel, Allie

Zhak, Samuil

Mersedes.[S.l.]: [s.n.], n.d. Voice and piano; score; 5 p.

B. Collections of Printed music

Collections, Box 1: Five works bound together in a single hard-cover volume; items are listed in the order in which they appear.

Arne, Thomas

Comus.[S.l.]: [s.n.], n.d. Piano-vocal score; 18 p.

Boyce, William

Solomon.London: Harrison & Co., n.d. Piano-vocal score; 48 p.

Lyra Brittanica.London: Harrison & Co., n.d. Piano-vocal score; 83 p.

The Chaplet.London: Harrison & Co., n.d. Piano-vocal score; 19 p.

Howard, Samuel

The Amorous Goddess.London: Harrison & Co., n.d. Piano-vocal score; 14 p.

Collections, Box 2: Eighteen works bound together in a single hard-cover volume; items are listed in in the order in which they appear.

Carelli, Beniamino

L'arte del canto.Naples: Società musicale napolitana, . 1898 Voice and piano; score; 52 p.

Bosc, Auguste

Rose-Mousse.Moscow: A. Gutheil, n.d. Solo piano; score; 5 p.

Ocki-Albi, Georges N.

Palais de cristal.St. Petersburg: J.H. Zimmermann, . 1899 Solo piano; score; 7 p.

Rosey, George

The honey-moon (mar[s]ch).St. Petersburg: N. Davingof, n.d. Solo piano; score; 5 p.

Berger, Rodolphe

Vdali ot Rodiny.St. Petersburg: Sievernaia lira, . 1900 Solo piano; score; 7 p.

Offenbach, Jacques

Prekrasnaia Elena. [=La belle Hélène.]Moscow: A. Gutkheĭl', n.d. Arranged for solo piano; score; 61 p.

Chopin, Frédéric

Mazurkas. [Klavierwerke, v. 6: Mazurkas].Leipzig: Steingräber, n.d. Solo piano; score; 92 p.

Berzhe, R.

Vliublennaia. [=Amoureuse.]St. Petersburg: N. Davingof, . 1901 Voice and piano; score; 7 p.

Berger, Rodolphe

Lettre valsée.Paris: Enoch, . 1900 Voice and piano; score; 5 p.

Delmet, Paul

L'étoile d'amour.Paris: Enoch, n.d. Voice and piano; score; 5 p.

Margis, Alfred

Pourquoi ne pas m'aimer?Paris: W. Salabert, n.d. Voice and piano; score; 5 p.

Missa, Edmond

L'éventail.Paris: Costallat, n.d. Voice and piano; score; 4 p.

Planquette, Robert

Les cloches de Corneville: Chanson des servantes.Paris: A. Boutiot, n.d. Arranged for voice and piano; score; 7 p.

Pirani, G.

Altalena.Florence: A. Forlivesi, n.d. Voice and piano; score; 5 p.

Paladilhe, Émile

Mandolinata.[S.l.]: [s.n.], n.d. Voice and piano; score; 7 p.

Cottrau, T.

L'addio a Napoli.Naples: T. Cottrau, n.d. Voice and piano; score; 3 p.

Gambardella, S.

O Marenariello.Naples: Libreria Editrice Bideri, n.d. Voice and piano; score; 1 p.

Curtis, G. B. de

Carmela.Naples: Premiato Stabilimento Bideri, n.d. Voice and piano; score; 4 p.

[Composer not indicated]

Vieni sul mar.Naples: Libreria Editrice Bideri, n.d. Voice and piano; score; 1 p.

Collections, Box 3: Twenty works bound together in a single hard-cover volume; items are listed in the order in which they appear.

Chopin, Frédéric

Ballade, op. 24.Moscow: P. Jurgenson, n.d. Solo piano; score; 11 p.

Gillet, Ernest

La lettre de man[s]on.St. Petersburg: N. Davingof, n.d. Solo piano; score; 7 p.

Ocki-Albi, Georges N.

Petite conversation.St. Petersburg: N. Davingof, n.d. Solo piano; score; 9 p.

Tchaikovsky, Pëtr Il'ich

La belle au bois dormant, op. 66, no. 24. [=Sleeping beauty.]Moscow: P. Jurgenson, n.d. Reduction by T. Kirchner for solo piano; score; 6 p.

Margis, Alfred

La châtelaine, op. 30.Paris: Enoch, . 1903 Solo piano; score; 7 p.

Labadie, H.

Mia cara.Moscow: S. Meukov, n.d. Solo piano; score; 11 p.

Neustedt, C.

Le rêve du prisonnier.Paris: H. Heugel, n.d. Solo piano; score; 6 p.

Sablon, A.

Paris sur la bouche.Paris: Au succès du XXe siècle, n.d. Solo piano; score; 3 p.

Offenbach, Jacques

Valse chaloupée.Paris: A. Choudens, . 1908 Arranged by C. Dubourg for solo piano; score; 5 p.

Berzhe, R.

Vinovaty rozy.St. Petersburg: IU.G. TSimmerman, n.d. Solo piano; score; 7 p.

Eberhard, G.

IAkht-klub.St. Petersburg: A. IUgansen, n.d. Solo piano; score; 9 p.

Cui, César

Feuille d'album, op. 39, no. 2.St. Petersburg: W. Bessel, n.d. Solo piano; score; 3 p.

Margis, Alfred

Premier printemps.[S.l.]: Chappell, . 1903 Solo piano; score; 5 p.

Marchetti, F. D.

Fascination.Paris: F.D. Marchetti, . 1904 Solo piano; score; 5 p.

Sarrablo, M.

El número 13.Paris: M. Sarrablo, . 1911 Solo piano; score; 3 p.

Fragson, Harry

L'amour boiteux.Paris: Aux répertoires réunis, n.d. Voice and piano; score; 3 p.

Fauchey, Paul

Folie d'amour.Paris: Éditions Phono-Gazette, . [1906] Voice and piano; score; 5 p.

Delmet, Paul

Charme d'amour.Paris: Heugel, n.d. Voice and piano; score; 3 p.

Marinier, Paul

Bonsoir Madame la lune.Paris: E. Meuriot, n.d. Voice and piano; score; 3 p.

D'elle à lui.Paris: P. Dupont, n.d. Voice and piano; score; 3 p.

Massenet, Jules Émile Frédéric

Pensée d'automne.Paris: Heugel, n.d. Voice and piano; score; 7 p.

Collections, Box 4: Twelve works bound together in a single hard-cover volume, of which the first ten are works by Musorgskiĭ, M.; items are listed in the order in which they appear.

Musorgskiĭ, Modest Petrovich

Le guignol. [=Raëk; The Peepshow.]St. Petersburg: W. Bessel, . 1908 Voice and piano; score; 32 p.

Sans soleil. [=Bez solntsa; Sunless.]St. Petersburg: W. Bessel, . 1908 Voice and piano; score; 27 p.

L'orphelin. [=Sirotka; The orphan.]St. Petersburg: W. Bessel, . 1908 Voice and piano; score; 5 p.

Chanson d'enfant. [=Dietskaia piesenka; Children's song.]St. Petersburg: W. Bessel, . 1908 Voice and piano; score; 3 p.

Kallistrate.St. Petersburg: W. Bessel, . 1908 Voice and piano; score; 11 p.

Aux bords du Don. [=Po nad Donom sad tsvietet.]St. Petersburg: W. Bessel, . 1908 Voice and piano; score; 5 p.

Berceuse du paysan. [=Spi, usni, krest'ianskiĭ syn.]St. Petersburg: W. Bessel, . 1908 Voice and piano; score; 7 p.

La nuit. [=Noch'; Night.]St. Petersburg: W. Bessel, . 1908 Voice and piano; score; 7 p.

Vision. [=Vidien'e.]St. Petersburg: W. Bessel, . 1908 Voice and piano; score; 5 p.

Doucement planait une âme. [=Gornimi tikho letiela dusha nebesami.]St. Petersburg: W. Bessel, . 1908 Voice and piano; score; 5 p.

Trouble. [=Razsievaetsia, razstupaetsia.]St. Petersburg: W. Bessel, . 1908 Voice and piano; score; 3 p.

Hopak. [La foire de Sorochintsi: Gopak.]London: J. & W. Chester, . 1916 Arranged for voice and piano; score; 9 p.

Stravinsky, Igor

A song of the dew, op. 6, no. 2.Moscow: P. Jurgenson, n.d. Voice and piano; score; 9 p.

Tchaikovsky, Pëtr Il'ich

Primiren'e.St. Petersburg: V. Bessel', n.d. Voice and piano; score; 7 p.

Album klasiků.Prague: M. Urbánek, n.d. Voice and piano; score; 195 p.

[Unidentified]

[Collection of piano works.] [New York]: G. Schirmer, . 1897 Solo piano; score; 101 p.

Neuvième album Francis Salabert.Paris: F. Salabert, . 1926 Solo piano; score; 62 p.

Album russe: 36 beliebte Werke russischer Komponisten.Hamburg: A.J. Benjamin, n.d. Solo piano; score; 142 p.

Sept chants populaires.Moscow: P. Jurgenson, . [1910] Voice and piano; score; 30 p.

Collection de ballets et fragments célèbresParis: A. Choudens, n.d. Solo piano; score; 17 p.

Les maîtres musiciens de la renaissance française, v. 1: Danceries.Paris: A. Leduc, . 1908 Four part instrumental arrangement and keyboard reduction; score; 115 p.

The Russian song books, v. 1.London: J.W. Chester, . 1917 Voice and piano; score; 25 p.

The Russian song books, v. 2.London: J.W. Chester, . 1917 Voice and piano; score; 25 p.

Glinka, Mikhaĭl

Sobranie muzykal'nykh pies. [=Collection of musical pieces.]St. Petersburg: [s.n.], . 1839 Solo piano; score; 26 p.

C. Miscellaneous/unidentified

Unidentified fragments of printed music; 8 items.

Covers of printed music containing autograph inscriptions; 5 items.

Covers of printed music of identified or printed materials; 17 items.

Covers of printed music containing publicity material with music; 4 items.

Covers of printed music containing publicity material without music; 27 items.

II. Manuscript Music Material, 1750-1950

The Manuscript Music Material series consists of holograph and copyist scores from the personal music library of Serge Diaghilev.

Arrangement is by composer and title.

Bruguière, Émile

Le rêve de Lisette. Copyist's [holograph?] manuscript; reduced score, 97 p.

Chabrier, Emmanuel

Une éducation manquée: Air d'Hélène. Copyist's manuscript; piano-vocal score; 7 p.

Cimarosa, Domenico

[Arias; Duets.] Full score; copyist's manuscript; 278 p.

La felicità inaspettata: Quartetto. Strings/chamber ensemble; copyist's manuscript; 1 p.

Il maestro di capella. Piano-vocal score; copyist's manuscript; 44 p.

Il maestro di capella. Full score; copyist's manuscript; 40 p.

Sonate. Harpsichord solo; score; copyist's manuscript; 22 p.

La vergine del sole: Aria di Alci... Strings or chamber emsemble; full score; copyist's manuscript; 1 p.

Cleveland, Richard

Le necromancier. Reduced score; copyist's manuscript; 19 p.

Crémieux, Octave

Quand l'amour meurt. Piano reduction; score; copyist's manuscript; 5 p.

Gounod, Charles

Philémon et Baucis: [Manuscript material]. Piano-vocal scores; copyist's manuscripts; 91 p.

Philémon et Baucis: [Manuscript material]. Piano-vocal scores; copyist's manuscripts; 51 p.

Philémon et Baucis: [Manuscript material]. Piano-vocal scores; copyist's manuscripts; 48 p.

Philémon et Baucis: [Two fragments]. From piano-vocal score; copyist's manuscripts

Le médecin malgré lui. Piano-vocal scores of Act II, scene 13; copyist's manuscripts; six copies, 22 p. each.

Le médecin malgré lui. Piano-vocal score; copyist's manuscript; 102 p. each.

Le médecin malgré lui. Piano-vocal score; copyist's manuscript; 96 p.

Le médecin malgré lui. Parts for vn I; copyist's manuscripts; 66 p.

Le médecin malgré lui. Parts for vn II; copyist's manuscripts; 48 p.

Le médecin malgré lui. Parts for vla; copyist's manuscripts; 28 p.

Le médecin malgré lui. Parts for vc, cb; copyist's manuscripts; 30 p.; 24 p.

Le médecin malgré lui. Parts for fl, ob, cl, bn; copyist's manuscripts; 11 p.; 11 p.; 11 p.; 13 p.

Le médecin malgré lui. Parts for hn, tpt, perc; copyist's manuscripts; 12 p.; 9 p.; 1 p.

Graëfe, Gustave

Les roses d'Ispahan. Piano reduction; score; copyist's manuscript; 18 p.

Méhul, Étienne Nicolas

La dansomanie: Ouverture. Full score; copyist's manuscript; 38 p.

de Montéclair, Michel Pinolet

Concerts [6] pour la flûte traversière avec la basse chiffrée. Score; copyist's manuscript; 87 p.

Mozart, [Johann Chrysostom] Wolfgang Amadeus

Cassation, K. 63: Andante. Arranged for strings or chamber ensemble; full score; copyist's manuscript; 7 p.

Musorgskiĭ, Modest Petrovich

Khovanshchina. Piano-vocal score; copyist's manuscript; 155 p.

Khovanshchina. Piano-vocal score; copyist's manuscript; in two sections (11, 23 p.), plus three unbound pages.

Paisiello, Giovanni

Achille in Sciro: [Excerpts, Act III]. Full score; copyist's manuscript; 7 p.

Chaconne; Rigadon; Menuet. Strings and continuo or chamber ensemble; full score; copyist's manuscript; 9 p.

La finta amante: Act I. Full score; copyist's manuscript; 358 p.

Dal finto il vero: Sinfonia. Full score; copyist's manuscript; 7 p.

Il duello comico. Full score; copyist's manuscript; [1] p.

Il duello comico: Air de Bettina. Full score; copyist's manuscript; 33 p.

Il duello comicoSee: Cimarosa, Domenico. La vergine del sole: Aria di Alci... Box 68, Folder 7

Gigue pour le Zéphir; Finale[to ?]. Full score; copyist's manuscript; 51 p.

Lucinda e Armidoro: [Excerpts]. Full score; copyist's manuscript; in two sections (3, 12 p.).

Sei minuetti. Chamber ensemble; full score; copyist's manuscript; 25 p.

Sei minuetti. Chamber ensemble; copyist's manuscript parts for: vn I, vn II, ob I, ob II (3 p. each), hn I, hn II, continuo (2 p. each).

Sei minuetti. Score; copyist's manuscript; 5 p.

La modista raggiratrice: Finale, Act I. Full score; copyist's manuscript; 7 p.

Il mondo della luna: [Excerpts]. Full score; copyist's manuscript; in three sections (1, 15, 32 p.).

Nina, o sia La pazza per amore: Cantata del pastore (?). Full score; copyist's manuscript; 8 p.

Proserpine: [Excerpts from Acts I, II]. Full score; copyist's manuscript in two sections; 18 p.; 39 p.

Proserpine: [Excerpts]. Full score; copyist's manuscript in two sections (6, 10 p.).

Raccolta di varie rondo e capricci. Piano solo with violin obbligato; score; copyist's manuscript; 11 p.

Il re Teodoro in Venezia: Che novita! che stravaganza...; Come lasciar potrei. Full score; copyist's manuscript; 34 p.

La serva padrona. Full score; copyist's manuscript; 188 p.

La serva padrona: [Excerpt ("Il finale del manuscritto")]. Full score; copyist's manuscript; 62 p.

La serva padrona: [Instrumental selections]. Full score; copyist's manuscript; 23 p.

Socrate immaginario: Ballo delle furie. Full score; copyist's manuscript; 3 p.

Sonata a quattro mani. Piano four hands; score; copyist's manuscript; 14 p.

Sonatine. Harpsichord or piano solo; score; copyist's manuscript; 22 p.

[Unidentified work for piano solo.] Score; copyist's manuscript; in two sections (8, 9 p.).

Pergolesi, Giovanni Battista

Andante Amoroso (Solfeggio no. 18). Piano-vocal score; copyist's manuscript; 5 p.

Concerto. Violin and chamber ensemble; full score; copyist's manuscript; 55 p.

Euridice, e dovè sei?. Voice and chamber ensemble; full score; copyist's manuscript; 27 p.

Il flaminio: Aria di Ferdinando (Act II). Piano-vocal score; copyist's manuscript; 7 p.

Il flaminio: [Ballet following Act I.] Score; copyist's manuscript; 2 p. (recto and verso).

Il flaminio: [Ballet following Act II.] Score; copyist's manuscript; 2 p. (recto and verso).

Il flaminio: Duetto finale (Act I). Full score; copyist's manuscript; 4 p.

Lo frate 'nnamorato: [Excerpts]. Full score; copyist's manuscript; in three sections (5, 21, 9 p.).

Gavotta[?]: variazione 2, 3, 5. Keyboard solo; scores; copyist's manuscripts in three sections (2, 2, 2 p.).

Il geloso schernito. Full score; copyist's manuscript; 109 p.

Le maître de musique. Piano-vocal score; copyist's manuscript; 80 p.

La serva padrona. Full score; copyist's manuscript; [121] p.

La serva padrona[?]: Quello sdegno e quel furore. Piano-vocal score; copyist's manuscript; 5 p.

Solfeggi a due voci. Full score; copyist's manuscript; 13 p.

Solfeggi a tre voci. Full score; copyist's manuscript; 108 p.

Sonate no. 3: Allegro. Keyboard solo; score; copyist's manuscript; 2 p.

Sonate no. 6: Tempo di minuetto. Keyboard solo; score; copyist's manuscript; 2 p.

Sonate no. 7: Giga. Keyboard solo; score; copyist's manuscript; 2 p.

Sonate no. 7: Menuet. Keyboard solo; score; copyist's manuscript; 2 p.

Sonate no. 10: [I.] Moderato. Two violins and continuo; score; copyist's manuscript; 5 p.

Respighi, Ottorino

Recitativi per Le astuzie femminili di Cimarosa. Holograph piano-vocal score; [93] p.

Rimskiĭ-Korsakov, Nikolaĭ Andreevich

Snegurochka: [Excerpt (Act III)]. Vocal parts for SATB; copyist's manuscripts; 4 p.; 2 p.; 2 p.; 2 p.

Rossini, Gioacchino

L'italiana in Algeri: [Excerpt (Act II)]. Full score; copyist's manuscript; 14 p.

Il signor Bruschino: Sinfonia. Full score (67 p.) and parts for fl, ob I, ob II, cl I, cl II, bn, hn I (4 p. each), hn II (3 p.); copyist's manuscripts.

Schumann, Robert

Papillons, op. 2. Arranged by N. Tcherepnin for orchestra; holograph [?] full score; 30 p.

Stravinsky, Igor

Les noces. Copyist's manuscript part book (soprano/alto); 16 p.

Les noces. Copyist's manuscript part book (tenor/bass); 15 p.

Les noces. Copyist's manuscript part book (tenor/bass); 16 p.

Les noces. Copyist's manuscript part book (tenor/bass); 17 p.

Les noces. Copyist's manuscript part book (tenor/bass); 18 p.

L'oiseau de feu [=The Firebird]: Berceuse. Holograph manuscript in pencil with annotations in red pencil; 2 p. (recto and verso).

[Unidentified composer.]

Mazurka. Instrumental parts for vn I (5 copies), vn II (5 copies), vla I, vla II, vla III, vc I, vc II, vc III, cb I, cb II, fl, ob, cl, bn, hn, tpt (2 p. each); copyist's manuscripts.

[Unidentified composer.]

The unconscious of Kathleen and Alistair. Full score; copyist's manuscript in 167 p. in five sections (11, 52, 32, 36, 36 p.).

[Unidentified composer.]

[Unidentified]

III. Personal Papers, 1750-1950

The Personal Papers series is divided into two subseries: Notebook and Correspondence. The Notebook series is represented by Diaghilev's personal notebook which the impresario used from 1926 until his death in 1929. The Correspondence series is represented by letters of Sergei Prokofiev and others.

Arrangement is by format and by correspondent.

A. Notebook

Autograph notebook of Diaghilev, dating from 1926 until his death in 1929; also contains entries in the hands of Lifar and Boris Kochno; entries are in French, Russian and English; c. 140 p.

B. Correspondence

Bauchant, André to Diaghilev; TLS and ALS receipt (French); dated 1928 Mar 30; 1, 1 p.

Klemperer, Otto to Diaghilev; TLS (German); dated 1929 Jul 19; 1 p.

Prokof'ev, Sergeĭ to Diaghilev; ALS (Russian); dated 1918 Oct 1; 1 p.

Prokof'ev, Sergeĭ to Diaghilev; TLS and ALS envelope (Russian); dated 1922 Jun 26; 1, 1 p.

Prokof'ev, Sergeĭ to Diaghilev; TLS (Russian); dated 1928 Sep 21; 2 p.

Prokof'ev, Sergeĭ to Diaghilev; Photoreproduced copies of three letters, dated 1925 Nov 25; 1928 Apr 14; 1929 Aug 25 (Russian); 3 p. Gift of Mme. Prokof'eva. May not be photoreproduced.

[Unidentified/notes.] Autograph (Russian, French); 4 p.

IV. Printed Material, 1750-1950

The Printed Material series is divided into five subseries: Libretti and Synopses; Books, Monographs, Programs, etc.; Serials; Photographs; and Miscellaneous.

Arrangment is by format, composer and title.

A. Libretti and Synopses

Auber, Daniel-François-Esprit

Le premier jour de bonheur.Paris: Tresse, . 1873 86 p.

Delibes, Léo

L'écossais de Chatou.Paris: Stock, . 1910 52 p.

Kassya.Paris: Heugel, . 1893 75 p.

L'omelette à la Follembûche.Paris: Stock, . 1911 46 p.

Six demoiselles à marier.Paris: Calmann-Lévy, . 1883 21 p.

Sylvia, ou la nymphe de Diane.Paris: Calmann-Lévy, n.d. 28 p.

Elukhen, Aleksandr

Sotra. Typed, photo-reproduced copy; 48 p.

Orphée. Typed, photoreproduced copy; 39 p.

Gounod, Charles

Mireille.Paris: Calmann-Lévy, n.d. 60 p.

Roméo et Juliette.Paris: Calmann-Lévy, n.d. 68 p.

Holst, Gustav

The lure [=L'attirance]. Photoreproduction of typed copy; 8 p.

Méhul, Étienne Nicolas

Joseph.Paris: Calmann-Lévy, . 1900; 37 p

Migot, Georges

Agrestides. Photoreproduction of typed copy; 5 p.

Les aveux et les promesses. Photoreproduction of typed copy of synopsis; 3 p.

Mortier, Alfred [?]

Galatée. Typed synopsis; 12 p.

Paisiello, Giovanni

Il duello [comico].[S.l.]: [s.n.], n.d.; xx, 36 p.

La finta amante. Photoreproduction of typed copy; 40 p.

Nina, o sia la pazza per amore.[S.l.]: [s.n.], n.d.; 48 p.

Schreker, Franz

Spanisches Fest [Der Geburtstag der Infantin.]Wien: Universal Edition, . 1926; 8 p

Whitworth, Geoffrey

Le jardin enchanté. Typed synopsis; 6 p.

[Unidentified composer/librettist.]

Rats Autograph synopsis, in ink; 3 p. (one bifolio on music manuscript paper), “d’après la fable de La Fontaine ‘Le rat de village et le rat de campagne’.”

B. Books, Monographs, Programs, etc.

D’Armana, Jean

Le crépuscule des dieux.Bordeaux: Delmas, . 1936 Libretto; 61 p.

Checchi, Eugenio

Rossini.Firenze: G. Barbèra, . 1898; 6, 200 p

Croce, Benedetto

Saggi sulla letteratura italiana del seicento.Bari: Giuseppe Laterza & Figli, . 1911; 23, 444 p

De Guarinoni, Eugenio

Indice generale: Archivio musicale Noseda.[Milan]: [s.n.], n.d.; [2], 420 p.

Finck, Henry T.

Léon Bakst and Serge de Diaghileff’s Ballet Russe. Monograph extracted from the New York Evening Post, 1915 Nov 20; 5 p.

Gastoué, Amédée

Les primitifs de la musique française.Paris: Henri Laurens, ; 117 p. 1922

Gozzi, Carlo

Théâtre fiabesque.Paris: Michel Lévy Frères, ; 357 p. 1865

[Jullien, Adolphe]

Bibliothèque musicale de M. Adolphe Jullien. Vente du 23 juin 1933. Paris, Hôtel Drouot. Salle No. 9. [No publication data], 52 p.

Parente, Alfredo

Colori e forme nella musica: Il probleme dell'interferenza delle arti e l'estetica del futurismo.[S.l.]: [s.n.], ; 20 p. n.d.

Critica e storiografia musicale: Premesse metodologiche.[S.l.]: [s.n.], ; 27 p. n.d.

Natura estetica dell'armonia.Firenze: Felice Le Monnier, ; 8 p. 1936

Note sull'estetica musicale contemporanea in Italia.[S.l.]: [s.n.], ; 26 p. n.d.

Pensieri di F. de Sanctis intorno alla musica.Napoli: Edizioni "Aspetti Letterari", ; 20 p. 1934

Pirro, André

Les clavecinistes.Paris: Henri Laurens, ; 125 p. n.d.

Scherillo, Michele

L'opera buffa napoletano durante il settecento.[S.l.]: Remo Sandron, ; 11, 55 p. n.d.

C. Serials

L’Arte. (Italian, French) Milano: September-December 1956 (vol. 20); 128 p.

Innen-Dekoration. (German) Darmstadt: January 1929 (vol. 40); 8 p.

Das Theater. (German) Berlin: December 1925 (vol. 6, no. 23); 20 p.

Das Theater. (German) Berlin: November 1926 (vol. 7, no. 21); 13 p.

Das Theater (German): hand-colored illustration, ca. 1920; 1 p.

D. Photographs

Cecchetti, Enrico

Cecchetti, Enrico

Duncan, Isadora

Fokina, Vera

Fokina, Vera

Fokine, Michel

Galli, Rosina

Hoffman, Gertrude

Karsavina, Thamar

Lind, Jenny

Lopokova, Lydia [two copies]

Marmein, Miriam

Nijinsky, Vaclav

Nijinsky, Vaclav

Nijinsky, Vaclav

Pauley, Andreas

Pauley, Andreas

Pavlova, Anna

Revalles, Flore

Tchernichova, Lubov

Tchernichova, Lubov

Bolm, Adolph and Karsavina, Thamar

Diaghilev, Serge and Cocteau, Jean, circa 1924

Diaghilev, Serge and Massine, Léonide

Diaghilev, Serge and Nijinsky, Vaclav

Bolm, Adolph; Karsavina, Thamar; and Nijinsky, Vaclav

Bakst, Léon: photograph of costume design for Firebird (unidentified dancer).

Bakst, Léon: photograph of set design for Schéhérazade (unidentified dancers) [two copies].

E. Miscellaneous

Souvenir book: The Art of Anna Pavlowa. (English) [No publication data; copyrighted 1914 by Max Rabinoff]; 16 p.

Souvenir book: The Real Ballet Russe. (English) New York: Metropolitan Ballet Company, Inc., 1915; 24 p. [Contains photographic reproductions and color illustrations of Léon Bakst’s costume and set designs.]

Souvenir book: Serge de Diaghileff’s Ballet Russe. (English) New York: Metropolitan Ballet Company, Inc., 1916; 40 p. [Contains photographic reproductions and color illustrations of Léon Bakst’s costume and set designs, as well as synopses of ballets performed by the company.]

Program from Ballet Russes performances. May 1917, Paris. (French) [No publication data], 59 p. [Purchased 1989; acquisition information laid in.]

Program notes from the première performance by the Ballets Russes of G. Rossini's La Boutique fantasque, arranged by O. Respighi and choreographed by L. Massine, London, 1919 Jun 5. (English) [No publication data], 6 p.

Souvenir book: Soirèe [sic] de Gala in Honour of Her Majesty the Queen of Roumania. (English) New York: Metropolitan Opera House, 1916; 40 p. [Contains photographic reproductions and color illustrations of Léon Bakst’s costume and set designs, as well as synopses of ballets performed by the company.]

Souvenir book: S. Hurok presents Ballet Russe de Monte Carlo [...] Season 1939-1940. (English) [No publication data]; 67 p. [Contains inscriptions (to “Jules”) from each company member, including those from Léonide Massine and Sol Hurok; several photographic reproductions of company members, color illustrations of costume and set designs by Picasso, Tchelitcheff, Dalí, etc.]

Catalogo delle opere teatrali complete, novembre 1922. (Italian) [Milano]: Edizioni Ricordi, [1922]; 8 p.

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