Contents


Collection Summary

Biographical Sketch

Scope and Content Note

Organization of the Jacobo Ficher Collection

Selected Search Terms

Container List

Music, 1927-1977

Biographical Materials, 1864-1978

Correspondence, 1923-1978

Writings, 1940-1987

Programs, 1919-1997

Scrapbooks, 1914-1990

Jacobo Ficher Collection

Processed by the Music Division of the Library of Congress

2005

Collection Summary

Creator Ficher, Jacobo, 1896-1978
Title Jacobo Ficher Collection
Span Dates 1864-1997(bulk 1919-1978)
Abstract: The collection comprises practically all the composer's works, mainly holograph ms. scores in all major categories of composition. It also includes documents, correspondence (to and from Leonard Bernstein, Carlos Chávez, Elizabeth Sprague Coolidge, Aaron Copland, Henry Cowell, Vivian Fine, Alberto Ginastera, Paul Kletzki, Nicolai Malko, Eugene Ormandy, Arthur Rubinstein, Nicolas Slonimsky, Leopold Stokowski, and others), writings, programs, and scrapbooks.
Extent: circa 6,000 items68 boxes73 linear feet
Language: Collection material in English
Identification: ML31.F47

Biographical Sketch

Date Event
1896 On January 15 Jacobo (Iakov) Ficher was born in Odessa, Russia to Alexander Ficher (Odessa, 1864 - Buenos Aires, 1937), trombonist of the Odessa Philharmonic Orchestra, and his wife Iente Mirl (Elena) Gotz.
1901 He began violin studies at five, but they were soon interrupted due to his mother's death.
1903 His violin studies continued with professors, Piotr S. Stoliarsky and M. T. Hait.
1912 He applied to the Saint Petersburg Conservatory at sixteen. After being admitted, he travelled alone to the imperial capital and began his academic musical studies. He studied violin under Sergei Korguieff and Leopoldo Auer, and fugue, harmony, counterpoint, composition and orchestration with Vasili Kalafati, Maximilian Steinberg, Nikolay Tcherepnin and Nicolai Sokoloff.
1917 He graduated from the conservatory (then the Petrograd Conservatory) as a "Free Artist."
1917-1923 He composed his first works: songs, and piano and violin pieces.
1919 Winner of an orchestra competition judged by Alexander Glazounov, he was appointed concertmaster of the ex-Imperial Opera Orchestra (renamed the Academic Opera Orchestra). However, he remained in that position for a short period after seeing, when he came back to Odessa, the deprivation that the city began to suffer.
1919 On August 1 he was soloist in Bruch's G minor Violin Concerto with the Soviet Odessa Philharmonic under conductor L. P. Steinberg.
1920 In Odesssa on June 3 [16 in Gregorian calendar] he married the pianist Ana Aronberg, a pupil at the Odessa Conservatory.
1921 Due to the famine and persecution in Odessa the couple and members of their family flew to Poland.
1923 On February 10 Jacobo Ficher, his wife, younger brother, sister-in-law, and his father with his second wife arrived in Buenos Aires, Argentina and established themselves there.
1923 Being the peak of the Carnival season in Buenos Aires, he was engaged the day after his arrival to play the violin and provide music at masked balls.
1923 Later on, he formed with his wife, his father and his younger brother Rachmiel (who played the cello) a small orchestra to play at silent movies in a Buenos Aires cinema. Due to an exhausting playing schedule they resigned, but soon were contracted by a posh Buenos Aires hotel to play popular music and also medleys of classical composers.
1923 On June 24 his first child, a son Miguel, was born.
1924 He composed his first orchestral work, Suite no. 1
1927-1928 With Poema heroico Op. 7 he shared with Dmitri Shostakovich the only two second prizes awarded in a contest organized by the Leningrad Philharmonic Orchestra.
1928 On February 7 his second child, a daughter Myra, was born.
1929 He won two prizes: the Municipality of Buenos Aires Prize for his first string quartet and the Asociación del Profesorado Orquestal Prize for Obertura patética, Op. 11
1929 He co-founded the Grupo Renovación with Juan José Castro, José María Castro, Juan Carlos Paz, and Gilardo Gilardi.
1929 He received the Asociación del Profesorado Orquestal Prize for Exodus-Obertura para orquesta sinfónica, Op. 11
1931 He won again the Municipality of Buenos Aires Prize for Sulamita, poema de amor, Op. 8 for orchestra.
1932 Again, he won the Asociación del Profesorado Orquestal Prize for Tres bocetos sinfónicos inspirados en el Talmud, Op. 17.
1932 He was nominated conductor of the Orchestra Asociación del Profesorado Orquestal.
1933 He was also nominated conductor of the Radio Nacional, Radio Municipal, and Radio Belgrano orchestras.
1936 He was the winner of second prize for La rosa muerta, poema para coro mixto y piano, Op. 34, in a contest sponsored by the Idelssohn Asociation of Johannesburg, Sud Africa.
1937 He received the Coolidge Prize for his second string quartet at the Festival de Música de Cámara Panamericana, Mexico City.
1939 He was nominated conductor of the AGMA (Asociación General de Músicos de la Argentina) Symphonic Orchestra and Music Director of Radio Splendid.
1940 He was the winner of the Comisión Nacional de Cultura First Prize for his Symphony No. 3.
1941 Again, he received the Municipality of Buenos Aires Prize for his Piano Sonata No. 1.
1942 He accepted the E.A. Fleisher Collection Prize for his Violin Concerto, Op. 46.
1943 He became professor of Harmony at the Asociación General de Músicos de la Argentina.
1947 He founded the Liga de Compositores de la Argentina.
1952 He received the Asociación Wagneriana Carlos López-Buchardo Prize for his fourth string quartet.
1954 On November 7, his Tercera suite para orquesta de cámara, Op. 78 was premiered by the Indianapolis Orchestra under Fabien Sevinsky.
1954 In November-December he was invited to the Festival de Música Latinoamericana de Caracas, where his cantata Salmo de Alegría was performed.
1956 He was appointed Professor of Harmony at the Escuela Superior de Música de la Universidad de La Plata.
1957 In March he was invited to the II Festival de Música Latinoamericana, Caracas and conducted his Obertura para Don Segundo Sombra.
1957 In September he won Second Prize at the Festival Interamericano de Música, Montevideo, for his saxophone quartet.
1958 He was appointed Professor of Composition at Buenos Aires National Conservatory and Musical Advisor to the Fondo Nacional de las Artes.
1958 On August 14 his Oda a la Libertad, Op. 90 was premiered by Jean Fournier.
1960 He received the Grand Prize "Sesquicentenario de la Revolución de Mayo" for his Symphony No. 7, Op. 92 Epopeya de Mayo.
1961 During March at the Festival of Contemporary Music in Miami, the Suite for Chamber Orchestra was performed.
1961 In November he received the Argentinean Mozarteum Prize (Academia Nacional de Bellas Artes) for his piano quintet.
1963 On August 29 his cantata Mi aldea, for soloist, choir and orchestra was premiered by Jacques Bodmer.
1963 In December his ballet Los invitados was performed by the Tucson Symphony Orchestra in Arizona.
1964 His Obertura festiva was performed by the Athens Symphony Orchestra under Andreas Paridis.
1965 In August his Piano Sonata Op. 101 was premiered at the IV Festival of Contemporary Music of the Instituto Torcuato Di Tella.
1966 Several concerts were performed in Buenos Aires to celebrate his 70th birthday. Also, Ediciones Culturales Argentinas published his biography by Boris Zipman.
1966 He was appointed Professor of Composition at Buenos Aires Conservatorio Municipal Manuel de Falla.
1967 At a homage in La Plata, he conducted his cantata Salmo de Alegría at the Teatro Argentino.
1968 On November 12 his opera Pedido de mano [The Proposal] was premiered at the Buenos Aires Teatro Presidente Alvear under the conductor Armando Krieger.
1968 He was appointed Professor of Instrumentation at the Teatro Colón's Conservatorio e Instituto.
1968 In December he traveled to Europe with his wife, through invitations by the Israel Composers Association and the British Council. He spent one month in Israel, traveled to Italy, France and England, and visited London under the auspices of the British Council.
1969 In January he traveled to the United States and remained one month in Philadelphia.
1969 In July he was nominated a Member of the Academia Nacional de Bellas Artes.
1969 In September he lectured on his works at the Conservatorio Municipal Manuel de Falla.
1970 His Cinco retratos, Op. 113 for piano was premiered during the II Festival of Argentinean Contemporary Music.
1972 In a concert sponsored by the Fondo Nacional de las Artes his Piano Sonata Op. 118 was premiered.
1974 The Filarmónica de Buenos Aires under Pedro Ignacio Calderón premiered his Capricho argentino, Op. 121 for orchestra at the Teatro Colón.
1976 On July 9 the Orquesta Sinfónica Nacional under Juan Emilio Martini celebrated his 80th birthday.
1976 On July 27 his wife Ana Aronberg Ficher died.
1976 On September 30 the Filarmónica de Buenos Aires under Pedro Ignacio Calderón premiered his Obertura dramática, Op. 130 for orchestra at the Teatro Colón.
1977 On September 5 his Cello Concerto Op. 128 was premiered by the Orquesta Sinfónica Nacional under Juan Carlos Zorzi with Leo Viola as soloist.
1977 A homage was given by the Instituto Luchelli Bonadeo with a concert of his piano works and the presentation of new piano pieces published by the Instituto.
1978 On September 9 Jacobo Ficher died at the age of 82 in Buenos Aires.
1979 On September 8 the Dirección Cultural de la Municipalidad de Buenos Aires organized a tribute to his memory, with introductory words by the Director of Educación, a lecture by Dr. Pola Suárez Urtubey, and a concert of his works.
1988 In November a Memorial Concert was held at the Fleisher Art Memorial in Philadelphia under the auspices of the Leningrad-Philadelphia Sister Cities organization.
1992 On December 15 the Department of Music of New York University presented works by Ficher in a chamber concert.
1999 May 23 his Sinfonía de cámara No. 9, Op. 123 was given a world premiered by the Southern Arizona Symphony Orchestra conducted by Warren Cohen.

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Scope and Content Note

The Jacobo Ficher Collection reveals a composer who was significantly associated with the Argentinean music of the twentieth century. In addition to being a major creator, he developed a brilliant career as an orchestra conductor, prominent teacher and violinist.

Ficher, born at the end of the nineteenth century in Odessa, Russia, came from a quite artistic family that included many musicians as well as actors on the Russian stage. His father Alexander was a trombonist at the Odessa Philharmonic Orchestra. The young Jacobo began his violin studies when he was five years old. And at sixteen, he moved to Saint Petersburg and was accepted in the Imperial Conservatory where he studied for six years under prominent musicians and pedagogues, such as, Sergei Korguieff and Leopold Auer in violin, and Vasili Kalafati, Maximilian Steinberg, Nikolay Tcherepnin and Nicolai Sokoloff in fugue, harmony, counterpoint, composition and orchestration.

After the revolution life in his native Odessa became very difficult, and the city was soon under a pathetic famine. As a consequence his family decided to emigrate to Poland. At that time the composer was already married to the distinguished pianist Ana Aronberg. But later on all of them, including his father with his second wife, his youngest brother and a sister-in-law traveled to South America and settled in Buenos Aires.

Musical life in the Buenos Aires of the 1920s was very active, and the local composers, many of them trained in Europe, were at the middle of a musical nationalism, based mainly on the integration of native and folk themes into art music. However, a group of young composers were looking toward transitional styles and the new European trends. Ficher fit perfectly into the last category. As a consequence he, together with Juan José and José María Castro, Juan Carlos Paz and Gilardo Gilardi founded, in 1929, the Grupo Renovación, which rapidly became the leading organization for the promotion of a new musical trend in Argentina.

But being a Russian and a Jew with strong musical roots, Ficher used the new languages available, with few incursions into the twelve-tone technique, and blended them with ancient Russian and Jew tunes, specially in his early works. And interesting enough, he was attracted by some Argentinean folk and popular melodies, such as tangos and milongas. His style remained in a conservative balance, with an aside to the most avant-garde examples of his time, and always with an Slavonic influence.

This collection is very complete and comprises practically all the composer's works, mainly holograph manuscript scores in all major categories of composition. It also includes highly interesting additional items, such as, documents, correspondence, writings, programs, and scrapbooks.

The collection includes six series: Music, with a total of 379 items; Biographical materials; Correspondence, with more than 3000 letters; Writings; Programs, with around 500 items, from 1919 to 1997, and finally five scrapbooks of 200 pages each, from 1914 to 1990, with newspaper clippings, critical reviews, concerts programs, pictures, and letters.

The MUSIC series consist of his stage and instrumental output which is significantly extensive. There are 202 items which include four ballets, two operas, ten symphonies, several cantatas, overtures, concertos with soloists, serenatas, as well as other small works. All of them are holograph manuscripts and, in the case of the operas and symphonies, include complete sets of vocal and orchestral parts. Since his two operas El oso [The Bear] and Pedido de mano [The Proposal] are based on Anton Chekov texts, the scores and also the libretti have both Russian and Spanish versions.

The chamber music, which includes 86 items, is quite substantial because it holds, among other works, the composer's major string and wind trios, quartets, and quintets. The Second String Quartet Op. 35 was awarded the Elizabeth Sprague Coolidge Prize, in 1937, and premiered at the Latin American Chamber Music Festival in Mexico City. There are also suites and numerous sonatas written for one or various instrumental combinations.

The vocal output contains about 45 vocal scores, many of them cycles of songs based on texts of Argentinean and other Latin American poets and several choruses "a cappella".

The piano music comprises 46 holograph manuscript scores and includes several major sonatas and sonatinas, several piano cycles based on children fables, and a few pieces for two pianos.

For a complete description of his works, with world premieres dates, orchestras, conductors, interpreters and other details, see the Catalogue of Works in the WRITINGS series.

The BIOGRAPHICAL MATERIALS series consists of several documents written in Russian that belong to the composer, his wife and his family, such as birth and death certificates, passports, identifications, and documents relating to his studies at the Saint Petersburg [Petrograd, Leningrad] Conservatory, as well as the Odessa Conservatory.

The CORRESPONDENCE series, which encompasses approximately 3000 letters received during a period of more than sixty years of Jacobo Ficher's life, show a diverse picture of the composer's correspondents with family, friends, acquaintances, and pupils. Major Latin American composers and conductors as well as European contemporary musicians wrote to him. A substantial amount of letters are in Russian, and span more than sixty years from his pals during his formative youthful years in Odessa and Saint Petersburg, such as, Nicolai Malko, Fabien Sevitsky, Joseph Roisman, Lazare Saminsky. Also, there are several letters from Paul Kletzki, Gregory Stone, Stanislaw Wislocki, Sir Adrian Boult, Hugo Kortschak and others. Half of the correspondence is written in Spanish; the others are in Russian, Italian, Portuguese, French, and English. There are also a few letters in Yiddish. It is interesting to mention the correspondence from Elizabeth Sprague Coolidge and also from Aaron Copland with whom he developed a friendship during Copland's frequent visits to Buenos Aires. It is remarkable how many of the composer's pupils wrote to him during several years from diverse points of the world where they were studying. Those letters are practically diaries about the development of the musical life between the 1950s and 70s principally in France, the United States, and Russia.

The WRITINGS are a small and interesting series, and among other items includes the composer's lectures about his own works, as well as acceptance speeches, and presentations he did in Tel-Aviv during his official trip to Israel. It contains also some lectures by distinguished Argentinean musicologists and critics about the composer's life and works.

The PROGRAMS series contains programs from the early days of the composer's youth in Odessa to world premieres performed after his death in 1978. A singular and valuable item is the program/poster written in Russian with Ficher as soloist in Bruch's G minor Violin Concerto with the Soviet Odessa Philharmonic conducted by L. P. Steinberg, held on August 1, 1919. There is also a big poster announcing the world premiere of his opera Pedido de mano [The Proposal] at Buenos Aires's Teatro Alvear during the 1968 opera season.

The SCRAPBOOKS are five 200-page books, very well organized and numbered by year. There is a weighty amount of critical reviews from Argentinean newspapers and other periodicals from different countries. Also, pasted to these books are photographs, letters, and programs.

Finally, I would like to express my gratitude to Dr. Miguel Ficher for his continuous support and collaboration, to Kevin LaVine for the translation of Russian documents and letters, and to Wilda Heiss for her advice in the processing of this collection.

Susana Salgado, 1999

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Selected Search Terms

People

  • Bernstein, Leonard, 1918-1990--Correspondence.
  • Chávez, Carlos, 1899-1978--Correspondence.
  • Coolidge, Elizabeth Sprague, 1864-1953--Correspondence.
  • Copland, Aaron, 1900-1990--Correspondence.
  • Cowell, Henry, 1897-1965--Correspondence.
  • Ficher, Jacobo, 1896-1978--Autographs.
  • Ficher, Jacobo, 1896-1978--Correspondence.
  • Ficher, Jacobo, 1896-1978.
  • Fine, Vivian, 1913-2000--Correspondence.
  • Ginastera, Alberto, 1916-1983--Correspondence.
  • Kletzki, Paul--Correspondence.
  • Malko, Nicolai, 1883-1961--Correspondence.
  • Ormandy, Eugene, 1899-1985--Correspondence.
  • Rubinstein, Artur, 1887-1982--Correspondence.
  • Slonimsky, Nicolas, 1894-1995--Correspondence.
  • Stokowski, Leopold, 1882-1977--Correspondence.

Subjects

  • Musicians--Correspondence.

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Organization of the Jacobo Ficher Collection

The Jacobo Ficher Collection is organized in 6 series:

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Container List

Music, 1927-1977

Consists of holograph manuscripts and photocopies of full scores, parts, and libretti.

Arranged into five subseries: Stage, Orchestral Works, Chamber Music, Vocal Music, and Piano Music.

Stage, 1933-1956

Colombina de Hoy, ballet en 1 acto para dos pianos, op. 25, [1]933 Holograph two-piano scores in ink (piano I/II)

Golondrina, ballet en tres jornadas, op. 47 Holograph full score in pencil

Golondrina, ballet en tres jornadas, op. 47 Holograph piano score in pencil [first draft]

Golondrina, ballet en tres jornadas, op. 47 Bound holograph full score in ink

Golondrina, ballet en tres jornadas, op. 47 Bound holograph piano score in ink

Golondrina, ballet en tres jornadas, op. 47 Typed libretto with description of each number and timing (2 copies)

Los invitados, ballet en 1 acto, op. 26, para orquesta y dos pianos Holograph full score in pencil

Los invitados, ballet en 1 acto, op. 26, para orquesta y dos pianos Holograph full score in ink

Los invitados, ballet en 1 acto, op. 26, para orquesta y dos pianos Holograph piano score in ink

Los invitados, ballet en 1 acto, op. 26, para orquesta y dos pianos Copyist's manuscript piano score in ink

Los invitados, ballet en 1 acto, op. 26, para orquesta y dos pianos Copyist's manuscript orchestral parts in ink

Melchor, ballet con coros [and orchestra] en 3 actos, op. 40 Holograph full score and choral sketches in pencil and ink [first draft]

Melchor, ballet con coros [and orchestra] en 3 actos, op. 40 Bound holograph full score in ink

Melchor, ballet con coros [and orchestra] en 3 actos, op. 40 Bound holograph piano-choral score in ink

Melchor, ballet con coros [and orchestra] en 3 actos, op. 40 Typed Spanish libretto; description of acts and scenes

El oso, ópera en 1 acto, libretto Chekov, op. 75, 1952 Holograph cardboard cover

El oso, ópera en 1 acto, libretto Chekov, op. 75, 1952 Holograph full score in pencil; p. 1-120

El oso, ópera en 1 acto, libretto Chekov, op. 75, 1952 Holograph full score in pencil; p. 121-238

El oso, ópera en 1 acto, libretto Chekov, op. 75, 1952 Holograph full score (transparency)

El oso, ópera en 1 acto, libretto Chekov, op. 75, 1952 Holograph piano-vocal score (transparency)

El oso, ópera en 1 acto, libretto Chekov, op. 75, 1952 Bound ozalid piano-vocal score with marks in red pencil

El oso, ópera en 1 acto, libretto Chekov, op. 75, 1952 Spiral-bound ozalid piano-vocal score, corrected draft

El oso, ópera en 1 acto, libretto Chekov, op. 75, 1952 Ozalid piano-vocal score, corrected draft (2 copies)

El oso, ópera en 1 acto, libretto Chekov, op. 75, 1952 Ozalid piano-vocal score [incomplete draft] p. 3-145

El oso, ópera en 1 acto, libretto Chekov, op. 75, 1952 Copyist's manuscript orchestral parts (transparency)

El oso, ópera en 1 acto, libretto Chekov, op. 75, 1952 Typed Spanish libretto (3 copies)

Pedido de mano, ópera de cámara en 1 acto, op. 84 Holograph full score in pencil, argumento de Anton Chekov

Pedido de mano, ópera de cámara en 1 acto, op. 84 Holograph full score (transparency)

Pedido de mano, ópera de cámara en 1 acto, op. 84 Holograph piano-vocal score (transparency)

Pedido de mano, ópera de cámara en 1 acto, op. 84 Holograph orchestral parts (transparency)

Pedido de mano, ópera de cámara en 1 acto, op. 84 Manuscript libretto in Spanish

Pedido de mano, ópera de cámara en 1 acto, op. 84 Typed libretto in Spanish

Orchestral Works, 1927-1977

Algodón, película documental [film score] Holograph full score in pencil

Kadish cantata, per solisti, coro ed orchestra, op. 112; poema de Arminda Ralesky Holograph full score in pencil

Kadish cantata, per solisti, coro ed orchestra, op. 112; poema de Arminda Ralesky Bound ozalid full score

Kadish cantata, per solisti, coro ed orchestra, op. 112; poema de Arminda Ralesky Holograph full score (transparency)

Kadish cantata, per solisti, coro ed orchestra, op. 112; poema de Arminda Ralesky Typed texts in Spanish, English, Italian, German and French

Kadish cantata, per solisti, coro ed orchestra, op. 112; poema de Arminda Ralesky Holograph piano-vocal score (transparency)

Kadish cantata, per solisti, coro ed orchestra, op. 112; poema de Arminda Ralesky Holograph orchestral parts (transparency)

Kadish Laico (Requiem) Printed original poem Kadish Laico (Requiem) and photocopy, both with pencil annotations by the composer

Mi aldea, cantata para soprano, contralto, tenor y orquesta de cámara, op. 91 Holograph full score in pencil

Mi aldea, cantata para soprano, contralto, tenor y orquesta de cámara, op. 91 Holograph full score (transparency)

Mi aldea, cantata para soprano, contralto, tenor y orquesta de cámara, op. 91 Holograph piano-vocal score (transparency)

Mi aldea, cantata para soprano, contralto, tenor y orquesta de cámara, op. 91 Holograph orchestral parts (transparency)

Cantata Salmo de Alegría, dedicada al pueblo de Israel, poema de Rafael Alberti, op. 69 Holograph full score in pencil

Cantata Salmo de Alegría, dedicada al pueblo de Israel, poema de Rafael Alberti, op. 69 Holograph full score (transparency)

Cantata Salmo de Alegría, dedicada al pueblo de Israel, poema de Rafael Alberti, op. 69 Ozalid full score with marks in red and blue pencil

Cantata Salmo de Alegría, dedicada al pueblo de Israel, poema de Rafael Alberti, op. 69 Ozalid and holograph choral parts (transparency)

Cantata Salmo de Alegría, dedicada al pueblo de Israel, poema de Rafael Alberti, op. 69 Holograph orchestral parts (transparency)

Capriccio Argentino, op. 121 Holograph full score in pencil

Capriccio Argentino, op. 121 Holograph full score (transparency)

Capriccio Argentino, op. 121 Holograph orchestral parts (transparency)

Cinco sonetos de Shakespeare para voz y orquesta, op. 94, translation Manuel Mujica-Lainez Holograph full score (transparency)

Cinco sonetos de Shakespeare para voz y orquesta, op. 94, translation Manuel Mujica-Lainez Bound ozalid full score

Cinco sonetos de Shakespeare para voz y orquesta, op. 94, translation Manuel Mujica-Lainez Holograph piano-vocal score (transparency)

Cinco sonetos de Shakespeare para voz y orquesta, op. 94, translation Manuel Mujica-Lainez Bound ozalid piano-vocal score

Cinco sonetos de Shakespeare para voz y orquesta, op. 94, translation Manuel Mujica-Lainez Holograph orchestral parts (transparency)

Concierto para arpa y orquesta de cámara, op. 85 Holograph full score in pencil

Concierto para arpa y orquesta de cámara, op. 85 Holograph full score (transparency)

Concierto para arpa y orquesta de cámara, op. 85 Holograph piano-harp score (transparency)

Concierto para arpa y orquesta de cámara, op. 85 Holograph orchestral parts (transparency)

Concierto para flauta y orquesta de cámara, op. 107 Holograph full score in pencil

Concierto para flauta y orquesta de cámara, op. 107 Holograph piano-flute score in pencil

Concierto para flauta y orquesta de cámara, op. 107 Holograph full score (transparency)

Concierto para flauta y orquesta de cámara, op. 107 Holograph piano-flute score (transparency)

Concierto para flauta y orquesta de cámara, op. 107 Holograph orchestral and soloist parts (transparency)

Concierto para piano y orquesta no. 1, op. 53 Holograph full score in pencil

Concierto para piano y orquesta no. 1, op. 53 Holograph two-piano score in ink with pencil and red pencil notations

Concierto para piano y orquesta no. 2, op. 81 Holograph full score in pencil

Concierto para piano y orquesta no. 2, op. 81 Holograph full score (transparency)

Concierto para piano y orquesta no. 2, op. 81 Spiral-bound ozalid full score with emendations in ink and marks in red pencil

Concierto para piano y orquesta no. 2, op. 81 Holograph two-piano score (transparency)

Concierto para piano y orquesta no. 2, op. 81 Holograph orchestral parts (transparency)

Concierto para piano y orquesta no. 2, op. 81 Ozalid copyist orchestral parts with emendations in ink and pencil; 52 p.

Concierto para piano y orquesta no. 3, op. 103 Holograph full score in pencil

Concierto para piano y orquesta no. 3, op. 103 Holograph full score (transparency)

Concierto para piano y orquesta no. 3, op. 103 Ozalid full score

Concierto para piano y orquesta no. 3, op. 103 Holograph two-piano score (transparency)

Concierto para piano y orquesta no. 3, op. 103 Holograph orchestral parts (transparency)

Concierto para violín y orquesta, op. 46 Holograph piano-violin score in pencil [first draft]

Concierto para violín y orquesta, op. 46 Holograph full score in pencil with emendations in ink and marks in red pencil

Concierto para violín y orquesta, op. 46 Holograph full score (transparency)

Concierto para violín y orquesta, op. 46 Holograph piano-violin score and soloist part (transparency)

Concierto para violín y orquesta, op. 46 Holograph orchestral parts (transparency)

Concerto per violoncello ed orchestra, op. 128 Holograph full score (transparency)

Concerto per violoncello ed orchestra, op. 128 Bound ozalid full score

Concerto per violoncello ed orchestra, op. 128 Holograph piano-cello score (transparency) and ozalid soloist part

Concerto per violoncello ed orchestra, op. 128 Holograph orchestral and soloist parts (transparency)

Concerto per violoncello ed orchestra, op. 128 Ozalid orchestral parts; 55 p.

Cría de caballos de carrera, film documental [film score] Holograph full score in pencil

Dos poemas no. 16 y 42 de "El Jardinero" de R. Tagore, op. 10 Holograph full score in pencil with emendations in ink and red pencil

Dos poemas no. 16 y 42 de "El Jardinero" de R. Tagore, op. 10 Holograph full score in ink with emendations in blue and red pencil

Dos poemas no. 16 y 42 de "El Jardinero" de R. Tagore, op. 10 Holograph full score (transparency)

Dos poemas no. 16 y 42 de "El Jardinero" de R. Tagore, op. 10 Holograph piano score in ink with marks in red pencil

Dos poemas no. 16 y 42 de "El Jardinero" de R. Tagore, op. 10 Holograph orchestral parts (transparency) and clarinet part in ink

Exodus, obertura, op. 11 Holograph full score in pencil

Exodus, obertura, op. 11 Holograph full score (transparency)

Exodus, obertura, op. 11 Holograph orchestral parts (transparency)

Gaucho, suite de la película [Gaucho], op. 51 [film score] Copyist's full score (transparency)

Gaucho, suite de la película [Gaucho], op. 51 [film score] Copyist's orchestral parts (transparency)

Hamlet, cuatro movimientos sinfónicos, op. 67 Holograph full score in pencil

Hamlet, cuatro movimientos sinfónicos, op. 67 Bound holograph full score in ink

Hamlet, cuatro movimientos sinfónicos, op. 67 Holograph full score (transparency)

Hamlet, cuatro movimientos sinfónicos, op. 67 Bound ozalid full score

Hamlet, cuatro movimientos sinfónicos, op. 67 Holograph orchestral parts (transparency)

Obertura dramática, op. 130 Holograph full score in pencil

Obertura dramática, op. 130 Holograph full score (transparency)

Obertura dramática, op. 130 Holograph orchestral parts (transparency)

Obertura festiva, op. 98 Bound ozalid full score with marks in red pencil

Obertura para "Don Segundo Sombra" de Ricardo Güiraldes, op. 82 Holograph full score (transparency)

Obertura para "Don Segundo Sombra" de Ricardo Güiraldes, op. 82 Holograph orchestral parts (transparency)

Oda a la libertad, op. 90, para voz recitante y orquesta, poema de José Isaacson Holograph full score (transparency)

Oda a la libertad, op. 90, para voz recitante y orquesta, poema de José Isaacson Bound ozalid full score

Oda a la libertad, op. 90, para voz recitante y orquesta, poema de José Isaacson Holograph piano-speaker score (transparency)

Oda a la libertad, op. 90, para voz recitante y orquesta, poema de José Isaacson Holograph orchestral parts (transparency)

El organillero, poema sinfónico, op. 41, poema de Leónidas Barletta [bass soloist] Holograph full score (transparency)

El organillero, poema sinfónico, op. 41, poema de Leónidas Barletta [bass soloist] Holograph piano-vocal score (transparency)

El organillero, poema sinfónico, op. 41, poema de Leónidas Barletta [bass soloist] Holograph orchestral parts (transparency)

Poema heroico, op. 7 Holograph full score in pencil

Poema heroico, op. 7 Bound holograph full score in ink, second version

Preludio, coral y fuga, op. 54-BSee also: Piano subseries, op. 54-A for piano solo Holograph full score in pencil

Preludio, coral y fuga, op. 54-B Holograph full score (transparency)

Preludio, coral y fuga, op. 54-B Holograph orchestral parts (transparency)

Primavera sin nieve, película documental [film score] Holograph full score in pencil

Seis canciones del Paraná op. 77-B, para canto y orquestaSee also: Vocal music subseries op. 77-A, for voice and piano Holograph full score in pencil

Seis fábulas (segunda serie), op. 59-BSee also: Piano subseries op. 59-A, for piano solo Holograph full score in pencil

Seis fábulas (segunda serie), op. 59-B Ozalid manuscript full score with cover, marks in red, blue and black pencil

Seis fábulas (segunda serie), op. 59-B Ozalid manuscript orchestral parts with covers and with marks in red and black pencil, emendations in ink; 46 p.

Serenada, op. 61 Holograph full score in pencil

Siete canciones de Amado Villar para soprano (tenor) y orquesta, op. 45 Holograph full score (transparency)

Primera suite, 1924, op. 5, revised 1966 Holograph full score in pencil

Primera suite, 1924, op. 5, revised 1966 Holograph full score (transparency)

Primera suite, 1924, op. 5, revised 1966 Holograph orchestral parts (transparency)

Segunda suite, op. 6, 1926, revised 1962 Holograph full score (transparency)

Segunda suite, op. 6, 1926, revised 1962 Holograph orchestral parts (transparency)

Suite para orquesta, op. 78, 3a. suite Holograph full score in pencil

Suite para orquesta, op. 78, 3a. suite Holograph full score (transparency)

Suite para orquesta, op. 78, 3a. suite Holograph orchestral parts (transparency)

Sulamita, poema sinfónico, op. 8, poema de amor según Alejandro Kuprin, 1927 Holograph full score in pencil

Sulamita, poema sinfónico, op. 8, poema de amor según Alejandro Kuprin, 1927 Holograph full score (transparency)

Sulamita, poema sinfónico, op. 8, poema de amor según Alejandro Kuprin, 1927 Holograph orchestral parts (transparency)

Primera sinfonía, op. 20 (de cámara) Holograph full score in pencil with cover

Primera sinfonía, op. 20 (de cámara) Holograph full score (transparency)

Primera sinfonía, op. 20 (de cámara) Holograph orchestral parts (transparency)

2a. sinfonía, op. 24 Holograph full score in pencil

2a. sinfonía, op. 24 Holograph piano score in pencil with marks in black, red and blue pencil [first sketch]

2a. sinfonía, op. 24 Holograph full score (transparency)

2a. sinfonía, op. 24 Manuscript orchestral parts in ink with covers and indications in pencil

Tercera sinfonía, op. 36 Holograph full score in pencil

Tercera sinfonía, op. 36 Holograph piano score in pencil [first draft]

Tercera sinfonía, op. 36 Manuscript orchestral parts in ink with covers

Cuarta sinfonía, op. 60 Holograph full score in pencil

5a. sinfonía, op. 63, "Así habló Isaías" Holograph full score in pencil

5a. sinfonía, op. 63, "Así habló Isaías" Holograph full score (transparency)

5a. sinfonía, op. 63, "Así habló Isaías" Holograph orchestral parts (transparency)

5a. sinfonía, op. 63, "Así habló Isaías" Manuscript orchestral parts in ink with covers and with indications in pencil; 60 p.

6a. sinfonía, op. 86 Holograph full score in pencil

6a. sinfonía, op. 86 Holograph full score (transparency)

6a. sinfonía, op. 86 Bound ozalid full score

6a. sinfonía, op. 86 Holograph orchestral parts (transparency)

7a. sinfonía, op. 92, "Epopeya de Mayo" Holograph full score in pencil

7a. sinfonía, op. 92, "Epopeya de Mayo" Holograph full score (transparency)

7a. sinfonía, op. 92, "Epopeya de Mayo" Copyist's manuscript orchestral parts (transparency)

8a. sinfonía, op. 105 Holograph full score in pencil

8a. sinfonía, op. 105 Holograph full score (transparency)

8a. sinfonía, op. 105 Holograph orchestral parts (transparency)

Sinfonía no. 9, op. 123 Holograph full score in pencil

Sinfonía no. 9, op. 123 Holograph full score (transparency)

Sinfonía no. 9, op. 123 Holograph orchestral parts (transparency)

10a. sinfonía, op. 131 Holograph full score in pencil

10a. sinfonía, op. 131 Holograph full score (transparency)

Tres bocetos sinfónicos inspirados en el Talmud, op. 17 Holograph full score in pencil and ink with red and blue pencil marks

Tres bocetos sinfónicos inspirados en el Talmud, op. 17 Holograph full score (transparency)

Tres piezas para orquesta de bronces y percusión, op. 116 Holograph full score (transparency)

Tres piezas para orquesta de bronces y percusión, op. 116 Holograph orchestral parts (transparency)

Tres piezas para violín y orquesta, op. 65[B]See also: Chamber music subseries, op. 65[A] original for violin and piano Holograph full score in pencil

Tres piezas para violín y orquesta, op. 65[B] Holograph full score (transparency)

Tres piezas para violín y orquesta, op. 65[B] Holograph orchestral parts (transparency)

Variaciones y fuga sobre un tema de Mozart, op. 95 Holograph full score in pencil

Variaciones y fuga sobre un tema de Mozart, op. 95 Holograph full score (transparency)

Variaciones y fuga sobre un tema de Mozart, op. 95 Photographic negatives of printed full score

Variaciones y fuga sobre un tema de Mozart, op. 95 Holograph orchestral parts (transparency)

Chamber Music, 1927-1974

Canción de cuna Holograph cello score in ink

Canto elegíaco para violoncello y piano, op. 13, no. 1 Holograph piano/cello score in ink

Cuarteto para cuerdas, no. 1, op. 9, versión nueva, revisada en 1947 Holograph full score in pencil

Cuarteto para cuerdas, no. 1, op. 9, versión nueva, revisada en 1947 Holograph full score in ink

Cuarteto para cuerdas, no. 1, op. 9, versión nueva, revisada en 1947 Holograph full score (transparency)

Cuarteto para cuerdas, no. 1, op. 9, versión nueva, revisada en 1947 Holograph parts (transparency)

Cuarteto para cuerdas, no. 2, op. 35 Holograph full score (transparency)

Cuarteto para cuerdas, no. 2, op. 35 Holograph parts (transparency)

Cuarteto para cuerdas, no. 3 op. 50 Holograph full score in pencil with ink emendations

Cuarteto para cuerdas, no. 3 op. 50 Holograph full score in ink

Cuarteto para cuerdas, no. 3 op. 50 Holograph parts in ink with pencil marks

Cuarteto para cuerdas, no. 4, op. 73 Holograph full score in pencil

Cuarteto para cuerdas, no. 4, op. 73 Holograph full score (transparency)

Cuarteto para cuerdas, no. 4, op. 73 Bound ozalid full score (2 copies)

Cuarteto para cuerdas, no. 4, op. 73 Copyist's manuscript parts in ink (transparency)

Cuarteto para cuerdas, no. 4, op. 73 Printed parts

Cuarteto para saxofones, sop, alto, tenor, bar, op. 89 Holograph full score in pencil

Cuarteto para saxofones, sop, alto, tenor, bar, op. 89 Holograph full score (transparency)

Cuarteto para saxofones, transcripción para fl, ob, cl, fg o v1, v2, vla, vlc, op. 89 Holograph full score in pencil

Cuatro piezas para 4 solistas, op. 127 (flauta, oboe, clarinete en Sib y fagot) Holograph (transparency)

Dos piezas hebreas para violín y piano, op. 12, no. 1 Melodía hebrea, no. 2 Danza hebrea Holograph piano/violin score in pencil [no. 2 Danza hebrea only]

Dos piezas hebreas para violín y piano, op. 12, no. 1 Melodía hebrea, no. 2 Danza hebrea Holograph piano/violin score in ink and violin part

Dos piezas hebreas para violín y piano, op. 12, no. 1 Melodía hebrea, no. 2 Danza hebrea Holograph piano-violin score and violin part (transparency)

Dos piezas hebreas para violín y piano, op. 12, no. 1 Melodía hebrea, no. 2 Danza hebrea Bound ozalid piano-violin score and violin part

Grave y presto, op. 3, para violin solo Holograph violin score (transparency)

Grave y presto, op. 3, para violin solo Ozalid violin score (4 copies)

Hora [Jewish dance] Holograph violin and cello parts in ink

Introducción y movimiento perpetuo, op. 92 Holograph piano-violin score and violin part in ink

Introduzione ed Allegro para piano, flauto, oboe, fagotto, violino, viola, op. 118 Holograph full score (transparency)

Introduzione ed Allegro para piano, flauto, oboe, fagotto, violino, viola, op. 118 Bound ozalid full score

Introduzione ed Allegro para piano, flauto, oboe, fagotto, violino, viola, op. 118 Holograph parts (transparency)

Melodía hebrea para cello y piano, op. 31, no. 2See also: Dos piezas hebreas para violín y piano op. 12 Holograph piano-cello score in ink

Quinteto para flauta, oboe, clarinete, fagot y corno, op. 108 Holograph score in pencil

Quinteto para flauta, oboe, clarinete, fagot y corno, op. 108 Holograph score (transparency)

Quinteto para flauta, oboe, clarinete, fagot y corno, op. 108 Holograph parts (transparency)

Quinteto para piano y cuarteto de cuerdas, op. 96 Holograph score in pencil

Quinteto para piano y cuarteto de cuerdas, op. 96 Holograph score (transparency)

Quinteto para piano y cuarteto de cuerdas, op. 96 Holograph string parts (transparency)

Serenata, op. 61 [string orchestra] Copyist's manuscript full score in ink (transparency)

Serenata, op. 61 [string orchestra] Copyist's manuscript parts in ink (transparency)

Sonata a cuatro, op. 68, no. 3 (flauta, oboe, clarinete en Sib, fagot) Holograph score in pencil

Sonata a cuatro, op. 68, no. 3 (flauta, oboe, clarinete en Sib, fagot) Holograph score (transparency)

Sonata a cuatro, op. 68, no. 3 (flauta, oboe, clarinete en Sib, fagot) Holograph parts (transparency)

Sonata para arpa, op. 55 [first draft] Holograph harp score in pencil

Sonata para arpa, op. 55 [first draft] Holograph harp score in ink with marks in pencil

Sonata para arpa, op. 55 [first draft] Holograph harp score (transparency)

Sonata para clarinete en Sib y piano, op. 32, no. 2 Holograph piano-clarinet score and clarinet part (transparency)

Sonata para fagot y piano op. 32, no. 4 Holograph piano-bassoon score and bassoon part (transparency)

Sonata para flauta, oboe y fagot, op. 68, no. 2 Holograph flute-oboe-bassoon score (transparency)

Sonata para flauta, oboe y fagot, op. 68, no. 2 Holograph parts (transparency)

Sonata para flauta y clarinete en Sib, op. 68, no. 1 Holograph flute-clarinet score (transparency)

Sonata para flauta y clarinete en Sib, op. 68, no. 1 Ozalid flute-clarinet score

Sonata para flauta y piano, op. 32, no. 1 Holograph piano-flute score in ink and flute part with covers

Sonata para flauta y piano, op. 32, no. 1 Holograph piano-flute score and flute part (transparency)

Sonata para flauta y piano, op. 32, no. 1 Printer's proof copy of piano-flute score and flute part (master transparency)

Sonata para oboe y piano, op. 32, no. 3 Holograph piano-oboe score in ink and oboe part

Sonata para oboe y piano, op. 32, no. 3 Holograph piano-oboe score and oboe part (transparency)

Sonata para oboe y piano, op. 32, no. 3 Printer's proof copy of piano-oboe score and oboe part (master transparency)

Sonata para viola y piano, op. 80 Holograph piano-viola score in pencil

Sonata para viola y piano, op. 80 Holograph piano-viola score and viola part (transparency)

Sonata para violín y piano, op. 15, no. 1 Holograph piano-violin score in pencil

Sonata para violín y piano, op. 15, no. 1 Holograph piano-violin score and violin part (transparency)

Sonata para violín y piano, op. 56, no. 2 Holograph piano-violin score and violin part (transparency)

Sonata para violín y piano, op. 93, no. 3 Holograph piano-violin score and violin part (transparency)

Sonata para violoncello y piano, op. 48 Holograph piano-cello score in pencil

Sonata para violoncello y piano, op. 48 Holograph piano-cello score and cello part (transparency)

Sonata para violoncello y piano, op. 48 Ozalid cello part

Sonatina para piano, trompeta en Sib y saxofón contralto en Mib, op. 21 Holograph piano-trumpet-saxophone score, and trumpet and saxophone parts in ink

Sonatina para piano, trompeta en Sib y saxofón contralto en Mib, op. 21 Copyist's manuscript piano-trumpet-saxophone score in ink

Sonatina para piano, trompeta en Sib y saxofón contralto en Mib, op. 21 Photocopy of printed score and parts with corrections in red pencil

Suite en estilo antiguo, op. 16 Holograph full score in pencil and ink [first draft]

Suite en estilo antiguo, op. 16 Holograph full score in ink with covers

Suite en estilo antiguo, op. 16 Holograph parts in ink

Suite en estilo antiguo, op. 16 Holograph piano-version score in ink with covers, op. 16-a

Suite en estilo antiguo, op. 16 Holograph full score (transparency)

Suite en estilo antiguo, op. 16 Holograph parts (transparency)

Tres piezas para viola y piano, op. 76 Holograph piano-viola score in ink

Tres piezas para viola y piano, op. 76 Holograph piano-viola score in ink

Tres piezas para viola y piano, op. 76 Holograph piano-viola score and viola part (transparency)

Tres piezas para violin y piano, op. 65[A]See also: Chamber music subseries, op. 65[B], for violin and orchestra Holograph piano-violin score and violin part in ink with marks in red and blue pencil

Trío, op. 30 para piano, violín y cello Printer's proof copy piano-violin-cello score and parts (master transparency)

Trío, op. 30 para piano, violín y cello Ozalid violin and cello parts

Vocal Music, 1934-1977

Cantos de amor, op. 28 Holograph piano-vocal score (transparency)

Cinco sonetos, op. 124 para soprano o tenor y piano Holograph piano-vocal score (transparency)

Cinco sonetos, op. 124 para soprano o tenor y piano Ozalid piano-vocal score with covers

Cinco sonetos de amor, op. 102, para voz y piano de Manuel Felipe Rugeles Piano-vocal score (transparency)

Cinco poemas para voz y piano, op. 100 Piano-vocal score (transparency)

Cinco poemas para voz y piano, op. 100 Ozalid piano-vocal score with covers

Cuatro baladas del Paraná, op. 79, texto de Rafael AlbertiSee also: Vocal music subseries, Seis canciones del Paraná op. 77 Holograph piano-vocal score in pencil [first draft]

Cuatro baladas del Paraná, op. 79, texto de Rafael Alberti Holograph piano-vocal score (transparency)

Cuatro coros a cappella, op. 125, poesía de C. Cordoba Iturburu Holograph vocal score (transparency)

Cuatro poemas, op. 132, poesías de Arminda Ralesky (1977) Photocopy of the printed score with corrections in ink

Cuatro sonetos de amor, op. 104, para coro mixto a cappella Holograph vocal score (transparency)

Dos canciones, op. 27, para soprano o tenor y piano Holograph piano-vocal score (transparency)

Dos canciones, op. 70, no. 1 and no. 2, para una voz y piano, poesías de W. Longfellow Holograph piano-vocal score in ink

Dos coros a cappella, op. 83, no. 2 Bruma de oro, poesía de Conrado Nalé Roxlo Holograph vocal score in ink, signed and dated by the composer, 12-VII-[1]955

Dos coros a cappella, op. 83, no. 2 Bruma de oro, poesía de Conrado Nalé Roxlo Holograph vocal score (transparency)

El murciélago para canto y piano, letra de Ferrari-Amores Holograph piano-vocal score in ink

Ocho poemas, op. 33, canto y piano, poesías de César Tiempo Holograph piano-vocal score in ink, bilingual text Spanish-Italian

Ocho poemas, op. 33, canto y piano, poesías de César Tiempo Holograph piano-vocal score (transparency)

Ocho poemas, op. 33, canto y piano, poesías de César Tiempo Holograph piano-vocal score in ink with covers [only poems 3, 4, 6, 7]

Ocho poemas, op. 33, canto y piano, poesías de César Tiempo Holograph full score (transparency)

"Pulvis eris, et pulvis reverteris", op. 52, no. 2 Holograph piano/organ-vocal score in pencil, dated by the composer, 11-X-[1]944

Rapsodia, op. 88, para coro mixto y cuarteto de saxofones Holograph full score in pencil

Rapsodia, op. 88, para coro mixto y cuarteto de saxofones Ozalid full score with covers

Salmo 119, op. 51, no. 1 [op.52a], para tenor y coro femenino, órgano o piano Holograph full score in pencil

Seis canciones del Paraná, op. 77-[A], texto de Rafael AlbertiSee also: Vocal music subseries, Cuatro baladas del Paraná op. 79 Holograph piano-vocal score in pencil [first draft]

Seis canciones del Paraná, op. 77-[A], texto de Rafael Alberti Holograph piano-vocal score (transparency)

A toite rois (La rosa muerta), op. 34, no. 2, coro mixto y piano, poesía de Yoesch Holograph piano-vocal score (transparency)

Tres canciones, op. 110, para soprano o tenor y piano Holograph piano-vocal score (transparency)

Tres canciones, op. 110, para soprano o tenor y piano Ozalid piano-vocal score with covers

Tres canciones, op. 117, para soprano o tenor y piano Holograph piano-vocal score (transparency) with printed poems

Tres canciones para soprano y piano, op. 126 Holograph piano-vocal score (transparency)

Tres coros a cappella, op. 14, 1928-1954 Holograph vocal score in pencil

Tres coros a cappella, op. 14, 1928-1954 Holograph vocal score in ink

Tres coros a cappella, op. 14, 1928-1954 Holograph vocal score (master transparency)

Tres coros a cappella, op. 14, 1928-1954New York: Southern Music Publishing Co., . 1974 Printed vocal score

Tres coros a cappella, op. 114, poesías de Alfonsina Storni Holograph vocal score (transparency)

Tres coros a cappella, op. 120 Holograph vocal score (transparency)

Tres décimas, op. 74, para canto y piano, poesías de Manuel F. Rugeles Holograph piano-vocal score in pencil

Tres décimas, op. 74, para canto y piano, poesías de Manuel F. Rugeles Holograph piano-vocal score (transparency)

Tres décimas, op. 74, para canto y piano, poesías de Manuel F. Rugeles Ozalid piano-vocal score

Tres poemas, op. 109, para soprano o tenor y piano Holograph piano-vocal score (transparency)

Tres poemas, op. 109, para soprano o tenor y piano Ozalid piano-vocal score

Tres sonetos de Leónidas Barletta, op. 57, para una voz grave Holograph piano-vocal score (transparency)

Tres sonetos, op. 58, para canto y piano, poesías de Francisco Luis Bernardez Holograph piano-vocal score (transparency)

[Untitled song]See also: Piano music subseries, Suite para piano Manuscript piano-vocal score in ink

Piano Music, 1932-1975

Cinco piezas infantiles, op. 39 Holograph piano score in ink

Cinco preludios para piano, op. 4, reelaborados en 1951 Holograph piano score (transparency)

Cinco retratos, op. 113 Holograph piano score (transparency)

Cuatro invenciones a 2 voces Holograph piano score (transparency)

Cuatro piezas a 2 voces, op. 29, para piano Holograph piano score in pencil

Cuatro piezas a 2 voces, op. 29, para piano Signed and dated by the composer, 17-X-1934

Cuatro preludios para piano, op. 119 Holograph piano score (transparency)

Poema, op. 106, para 2 pianos Holograph two-piano score (transparency)

Polca Holograph piano score in ink

Preludio, coral y fuga, op. 54-A, sobre el tema "Do-Re-Mi"See also: Orchestral works subseries, op. 54-B, for orchestra Holograph piano score in pencil [first draft]

Preludio, coral y fuga, op. 54-A, sobre el tema "Do-Re-Mi" Holograph piano score in ink

Preludio, coral y fuga, op. 54-A, sobre el tema "Do-Re-Mi" Holograph piano score (transparency)

Preludio, siciliana y fuga, op. 111, para piano a 4 manos Holograph piano for 4 hands score (transparency)

Preludio, siciliana y fuga, op. 111, para piano a 4 manos Ozalid piano for 4 hands score with covers (2 copies)

Preludio y fuga, op. 31 Holograph piano score in ink

Seis danzas americanas op. 66See also: Piano music subseries, Tangos y milongas op. 66 Holograph piano score in ink

Seis fábulas, op. 38, piezas infantiles, 1a. serie [2 to 6 only] Holograph piano score in ink with poems pasted on p. 1

Seis fábulas, op. 59, piezas infantiles, 2a. serie Holograph piano score in ink with marks in red and black pencil

Seis tangos y milongas para piano, op. 66 Holograph piano score in ink

Seis tangos y milongas para piano, op. 66 Holograph piano score (transparency)

2a. sonata para piano, op. 49 Holograph piano score in pencil

2a. sonata para piano, op. 49 Copyist's manuscript piano score in ink

Tercera sonata para piano, op. 71 Holograph piano score in ink with marks in red pencil

Cuarta sonata, op. 72, para piano Holograph piano score (transparency)

Cuarta sonata, op. 72, para piano Ozalid piano score with marks in red and black pencil

Sonata op. 87, no. 5, para piano Holograph piano score (transparency)

Sonata no. 6, op. 97, para piano Holograph piano score (transparency)

Sonata no. 7, op. 101, para piano Holograph piano score (transparency)

Sonata no. 8, op. 115, para piano Holograph piano score (transparency)

Sonata no. 9, op. 122, para piano Holograph piano score (transparency)

Sonata no. 9, op. 122, para pianoBuenos Aires: Editorial Argentina de Compositores, . 1972 Bound ozalid printed piano score

Suite para piano, and untitled vocal work, beginning with the words, "gerdink main Kind..." Holograph piano score and piano-vocal sketch in ink; p. 7-13

Tres danzas en estilo popular argentino, op. 43 Holograph piano score in ink with marks in red, blue and black pencil

Tres danzas hebraicas, op. 64, for two pianos Holograph two-piano score (transparency)

Tres estampas, op. 37 Holograph piano score in ink

Tres estampas, op. 42, para piano (2a. serie) Holograph piano score in ink

Tres estampas, op. 42, para piano (2a. serie) Holograph piano score (transparency)

Tres piezas para piano, op. 19 Holograph piano score in ink

Tres piezas para piano, op. 19, segunda versión Holograph piano score in ink

Tres piezas para piano, op. 129 Holograph piano score (transparency)

Tres preludios para piano, op. 23 Holograph piano score in ink

Toccata, op. 99, para piano Holograph piano score (transparency)

Variaciones sobre un tema popular judío, op. 22, para piano Holograph piano score in ink

Variaciones sobre un tema popular judío, op. 22, para piano Holograph piano score (transparency)

[Untitled, unfinished piano piece] Holograph piano score in ink

Biographical Materials, 1864-1978

Includes original personal and family documents in Spanish and Russian, original documents from the Odessa and Saint Petersburg conservatories, and miscellaneous documents from Argentina.

Arranged alphabetically by author or subject.

Ficher, Jacobo

Ficher family documents

Odessa Conservatory

Saint Petersburg Conservatory

Miscellaneous (Argentinean and Russian documents)

Correspondence, 1923-1978

The Correspondence series is represented by letters, telegrams, and postcards (languages: Spanish, Russian, French, English, Italian and Portuguese) from individuals and corporate bodies.

The Correspondence series is arranged into three subseries: General, Family and Pupils. Arranged alphabetically by name under each subseries.

Family, 1923-1978

Abrashkin, Alejandro, n.d.

Aronberg, Raia, 1957-1974

Brandes, Mario, 1972-1976

Ficher, Miguel, 1950-1978

Lopszyc, Ber, 1970-1990

[Unidentified family from Russia]

Zipman, Boris (Bernardo), 1929-1973

General, 1923-1978

Academia Nacional de Bellas Artes, 1939-1977See also: Suárez Urtubey, Pola

ADEMAsee: Asociación de Músicos de la Argentina

AECsee: Asociación Estímulo Cultural

Agashchvatian, E., 1930

AGMAsee: Asociación General de Músicos de la Argentina, 1961

Agrupación de Estudiantes de Música, 1961

Alberti, Rafael, 1968See also: León, María Teresa

Alec Templeton, Inc. Axelrod Publications, Inc, 1943-1969

Alemán, Fedora, 1956-1957

Altschuler, David, 1961See also: Ricordi AmericanaSee also: Teatro alla Scala

Ambassade d'Israel, 1969

American Music Center, 1941

Amigos de la Universidad Hebrea de Jerusalem, 1950-1969

Antonio, P., 1957-1965

APOsee: Asociación del Profesorado Orquestal

Arte y Cultura Popular, Montevideo, 1937-1938

Asociación Amigos de la Música, 1960-1969

Asociación Amigos de la Música Hebrea, 1952

Asociación Coral Lorenzo Perosi, 1975

Asociación de Conciertos de Cámara, 1858-1868

Asociación de Músicos de la Argentina (ADEMA), 1944-1945

Asociación del Profesorado Orquestal (APO), 1929-1948

Asociación Estímulo Cultural (AEC), 1975-1976

Asociación General de Músicos de la Argentina (AGMA), 1939

Asociación Mutual Israelita Argentina, 1961-1969

Asociación Wagneriana de Buenos Aires, 1956-1969See also: Sájaloff, Pedro

"A" miscellaneous

Bacevicius, Vytautas, 1940

Balzanelli, Alberto, 1966-1976

Banda Sinfónica Municipal de la Ciudad de Buenos Aires, 1963-1974

Bar-Am, Benjamin, 1961-1969

Baratoff, P., n.d.

Barbacci, Rodolfo, 1939

Bar-Illan, David, n.d.

Barletta, Leónidas, 1942-1966

Bautista, Julián, 1960-1976

Bayerischer Rundfunk, 1951

BBCsee: British Broadcasting Corporation

Behrend, Jeanne, 1945

Bellán, Paulsee: Orrego-Salas, Juan

Bernstein, Leonard, 1963

Bianchi, Renzosee: Teatro alla Scala

Biblioteca Central y Archivo del Instituto Científico Judío, 1929-1940

Biblioteca Municipal de Morón, 1974

Biographical Encyclopedia of America, 1941

Birger, Raya, 1968-1972

Blinder, Eugenio, n.d. and Naomi Blinder

Blumental de Mizne, Felicja, 1945-1947

Bongiorno, Martha, 1976-1978

Boosey & Hawkes, 1945-1951

Borrelli, Antonio, 1963-1968

Boult, Sir Adrian, 1958-1973See also: British Broadcasting Corporation

Braga, Ernani, 1943

Brandwein, Horst M., 1963

British Broadcasting Corporation, 1944-1973See also: Boult, Sir Adrian

Bromley, Tom, 1947-1951

B. Schott's Söhne, Mainz, 1950-1959

Buenos Aires (Argentina), Embajadores, European ambassadors, 1965-1975

Buenos Aires Musical, 1964

"B" miscellaneous

Caamaño, Roberto, n.d.See also: Fondo Nacional de las Artes

Cabral-Lima, José Inácio, 1943-1958

Calderón, Pedro Ignacio, 1976See also: Teatro Colón

Calusio, Ferruccio, 1952

Campos-Parsi, Héctor, 1957

Cané, Luis, 1943

Caramuta, Américo, 1964

Carl Fischer, Inc., 1939-1978

Carvalho, Eleazar Desee: De Carvalho, Eleazar

Casa de las Américas, 1965-1974

Castro, José María, 1939-1960

Castro, Juan José, 1930-1965

Castro, Luis Arnoldo, 1945

Castro, Roberto, 1966-1978

Castro, Washington, 1938-1976

Central Music Library in Israel, 1969

Centro Interamericano de Educación Técnica (CIDET), 1960

Ceskoslovensky Rozhlas, Radio Praga, 1965-1966

Chaikevich, Ilia, 1923

The Chamber Musical Guild, 1944

Chávez, Carlos, 1936-1977See also: Orquesta Sinfónica de México

Chicago Chamber Orchestra Association, 1966

Cimaglia-Espinosa, Lía, n.d.

Círculo Argentino de Autores, 1933

Círculo Brahmsiano, 1965

Círculo Cultural Ruso-Israelita, 1929

Círculo de Autores y Compositores de Música, 1933

Clarín, 1967

Cohn, Arthursee: The Edwin A. Fleisher Collection, Free Library of Philadelphia

Collegium Musicum de Buenos Aires, 1954-1969

Comisión Municipal de Cultura, Mar del Plata, 1959-1960

Comisión Nacional de Cultura, Buenos Aires, 1945-1946

Concours Internationaux Henrik Wieniawski, Poznan, 1971-1975

Concours Musical International Reine Elizabeth de Belgique, 1954

Concurso Internacional de Piano "Jorge Lalewicz", 1965

Concurso Internacional de Piano Magda Tagliaferro, 1966

Consejo Municipal del Distrito Federal, Caracas, 1957

Consejo Nacional de Cultura, Cuba, 1962

Consejo Nacional de Educación, Buenos Aires, 1942-1971

Conservatorio "Antonio María Valencia", Colombia, 1958

Conservatorio "Juan José Castro", 1969

Conservatorio Municipal de Música "Manuel de Falla", 1967-1970

Conservatorio Nacional de Música "Carlos López Buchardo", 1959-1974

Coolidge, Elizabeth Sprague, 1937-1941

Cooper, Emile, 1925

Copland, Aaron, 1942-1976

Coro Polifónico de Santa Fé, 1967

Costa, Pedro, 1961

Cowell, Henry, 1943-1958See also: New Music Edition

Curchitser, Santiago, 1969-1978

"C" miscellaneous

Dannemann, Ulrich, 1971

Davidson, Charles, 1969

De Carvalho, Eleazar, 1965

Diccionario de Músicos Compositores Argentinos, 1937

Dirección Nacional de Bellas Artes, 1937

Dirección Servicio Oficial de Radiodifusión, 1959-1960

Drago, Marianosee: Banda Sinfónica Municipal de la Ciudad de Buenos Aires

Dranishnikov, Vladimir, 1927-1928

D'Urbano, Jorgesee: Academia Nacional de Bellas Artes

"D" miscellaneous

Eastman School of Music, 1973

Ediciones Internacionales Fermata, 1942

Editorial Argentina de Música, 1951-1955

Editorial Codex, 1969

Editorial Israel, 1943

Edward B. Marks Music Corporation, 1947

The Edwin A. Fleisher Collection, Free Library of Philadelphia, 1941-1970

Eitler, Esteban, 1947-1955

Empreza Concerto Teatral, 1940

Enciclopedia Musicale Ricordi, 1956

Engel, Joel, 1925

Engel, Lehman, 1941

E. P. Dutton & Co. Inc., 1970

Epstein, Ernestosee: Collegium Musicum de Buenos Aires

Erize, Jeanette Arata de, 1962-1968See also: Mozarteum Argentino

Escuela Superior de Bellas Artes, Universidad de La Plata, 1957-1967

Espinosa, Guillermo, 1947-1969

Estrada, Carlos, 1956

Etler, Alvin, 1941

"E" miscellaneous

Fasman, Boria Boris, 1929

Fidlon, Ilia, 1941-1955

Fine, Vivian, 1941-1943

The Fleisher Collection, Free Library of Philadelphiasee: The Edwin A. Fleisher Collection

Fondo Nacional de las Artes, 1958-1975See also: Caamaño, Roberto

Fontova, José María, n.d.

Fontenla, Jorgesee: Universidad Nacional de Cuyo

Franze, Juan Pedro, 1968

Freed, Isadore, 1940-1953See also: Saminsky, Lazare

Freitas e Castro, Enio de, 1949

Friedler, Egon, 1975

Fuchs, Teodorosee: Orquesta Sinfónica de Córdoba

Fundación Cultural Coliseum, 1966

"F" miscellaneous

García, Blas, 1962-1965See also: Provincia de Buenos Aires, Ministerio de Educación

García-Estrada, Juan A., 1957

García-Morillo, Robertosee: Conservatorio Nacional de Música "Carlos López Buchardo"

Garmendia, Emma, 1969

Garreffa, Domingo, 1961

Geissler, Segfried?, 1952

Gerberov, Michael, 1938

Gianneo, Luis, 1937-1968

Gilardi, Gilardo, 1962

Ginastera, Alberto, 1973-1975

Gómez-Carrillo, Manuel, 1940

Goreloff, Clara G. de, 1968

Gotthelf-Levita, Gerardo, 1941-1947

Graetzer, Guillermosee: Collegium Musicum de Buenos Aires

Gradenwitz, Peter, 1949

Graffman, Vladimir, 1949-1950

Gramatges, Haroldsee: Casa de las Américas

Grinstein, David, 1948

Grosman, Carlos, 1969

Grupo de Cámara de Buenos Aires, 1971-1974

G. Schirmer, Inc., 1937-1956

Guigui, Efrain, 1956 and Gerardo Levy

Guinsburg, Juana, 1970-1974

Guinsburg, Rodolfo, 1962See also: Loustaunau, Haydée

Guggenheim Memorial Foundationsee: John Simon Guggenheim Memorial Foundation

Gutierrez, Bolívar, 1957-1958See also: Servicio Oficial de Difusión Radioelétrica (SODRE)

Gutierrez, Hipólito Felipe, 1977

"G" miscellaneous

Habschied, José, 1953-1954

The Haifa Music Museum, 1969

Helm, Everett B., 1945

Heltai, Francisco, 1956

Hilsberg, Neya, 1955

Holzmann, Rudolph, 1940

Hurtado, Leopoldo, 1962-1976

"H" miscellaneous

Imprenta Litografía Musical Garrot, 1943-1944

Indiana University, 1962-1963See also: Orrego-Salas, Juan

Iniesta, Iocasta Kusrow-Corma de, 1962

Initiative Committee for an American Center for Jewish Music, 1938

Institución José Angel Lamas, Caracas, 1954-1957See also: Palacios, Inocente

Instituto Central de Relaciones Culturales Israel-Iberoamérica, 1969

Instituto Científico Israelita en la Argentina, 1930-1974

Instituto Científico Judío, 1939-1971

Instituto Cinematográfico del Estado, 1942

Instituto Cultural Argentino-Israelí, 1953

Instituto de Arte Moderno, 1950

Instituto de Intercambio Cultural Argentino-Israelí, 1969-1976

Instituto de Relaciones Culturales Argentina-U.R.S.S., 1959

Instituto Goethe, 1973

Instituto Interamericano de Musicología, 1941See also: Lange, Francisco Curt

Instituto Judío Argentino de Cultura e Información, 1951-1969

Instituto Lucchelli Bonadeo, 1971

Instituto Nacional de Cultura, Caracas, 1970

Instituto Nacional de Radio y Televisión, Bogotá, 1965

The International Who's Who in Music, 1978

ISERsee: Seri, José Eduardo

Israel Broadcasting Authority, Jerusalem, 1969-1973

Iturburu, Córdova, 1946

"I" miscellaneous

The Jacob Michael Collection of Jewish Music, 1948

Jellinek, Lore, 1940-1941

Jernek, Carel, 1968

The Jewish Agency for Palestine, Department of Education, 1950-1953

Jewish Music Council, 1948-1949

John Simon Guggenheim Memorial Foundation, 1959

Jonas, Manla, n.d.

Jospe, Lena, 1940

Juventudes Musicales de la Argentina, 1966

"J" miscellaneous

Kaplan, Sima, 1955-1963

Kay, Ernest, 1977

Kendall, Kenneth, 1941

Kibrick, Salvador, n.d.

Knepler, Guillermo, 1963-1965

Kletzki, Paul, 1956-1972

Koc, Marcelo, 1960-1966

Koellreuter, H. J., 1950-1969

Koffler, Józef, 1937

Korgulia, S., 1924-1925

Koussevitzky, Fabiensee: Sevitzky, Fabien

Kortschak, Hugo, 1937-1938

Kuper, Emil'see: Cooper, Emile

Kuri-Aldana, Mario, 1965-1966

"K" miscellaneous

Lakond, Wladimir, 1969See also: Southern Music Publishing Company Inc.

Lange, Francisco CurtSee also: Instituto Interamericano de Musicología

Lawler, Vanett, 1945See also: Pan American Union

League of Composers in Israelsee: Bar-Am, Benjamin

Leeds Music Corporation, 1951

Legación de Israel, 1949-1953

Legación de la República de Bulgaria, 1963

León, María Teresa, 1955See also: Alberti, Rafael

Leonardi, Waldomiro Augusto, 1949

Levy, Gerardosee: Guigui, Efrain

Ley, Salvador, 1960

Liceo Municipal, Santa Fé, 1957

Lira Espejo, Eduardo, 1967

Litvin, Isaac, 1960-1977

López-Buchardo, Elena, 1969

López-Monte, Heriberto G., 1964

Lores, Pedro de, 1957

Loustaunau, Haydée, 1961-1976See also: Guinsburg, Rodolfo

"L" miscellaneous

Magliani, Mario, 1970

Makarov, S., 1927

Malaral, Julio, 1967

Malko, Berthe, 1967

Malko, Nicolai, 1929-1956

Manfred, Ernest F., 1967

Mangen, Henri, n.d.

Mannuval, E., 1940

Martini, Juan Emilio, 1971

Martucci, Angel S., 1974

Masters of Our Daysee: Freed, Isadoresee: Saminsky, Lazare

Mattauch, Hilde, 1956-1961

Mattiello, Angel, 1965

Melos Ensemble de Buenos Aires, n.d.

Mindlin, Adolfo, 1944-1971

Ministerio de Cultura de U.R.S.S., 1962

Ministerio de Educación y Justicia, Dirección de Cultura, 1951-1972

Ministerio de Gobierno, 1964

Ministerio de Planeamiento, 1977

Ministerio de Relaciones Exteriores y Culto, 1953-1969

Ministro Plenipotenciario de Israel, 1949

Montero, Juan F., 1965

Montés, Tila y John (Duo Montés), 1944-1976

Morgulis, Gregorio, 1939

Mozarteum Argentino, 1961-1964See also: Erize, Jeanette Arata de

Muller, María V. desee: Arte y Cultura Popular

Municipalidad de Avellaneda, Comisión de Cultura, 1951

Municipalidad de la Ciudad de Buenos Aires, 1946-1971

Municipalidad de Morón, 1954

Mundo Israelita, 1944

Muchnik, Jacobo, 1983

Music Press, Inc., 1946-1948

Musikverlag Hans Wewerka, 1966

"M" miscellaneous

Narké, Víctor de, 1961

National Federation of Music Clubs, 1941-1949

New Music Edition, 1937-1942See also: Cowell, Henry

New Orleans Philharmonic-Symphony Society, 1956

New York City Opera, 1969See also: Rudel, Julius

New York Philharmonic, 1965See also: Bernstein, Leonard

The New York Public Librarysee: Smith, Carleton Sprague

Nicoloff, Peter, 1958-1960

Nogueira de Saint-Upery, Inés, 1944

Nudelman, Flora, 1963

"N" miscellaneous

OAS, Music Divisionsee: Espinosa, Guillermo

OEA, Sección Músicasee: Espinosa, Guillermo

Office de Radiodiffusion-Télévison Israélienne, 1973

Olivesky, José, 1957-1975

Organización de Conciertos Gerard, 1969-1970

Organización de Estados Americanos (OEA), Seccción Músicasee: Espinosa, Guillermo

Organización Hebrea Macabi, 1951

Organization of American States (OAS), Music Divisionsee: Espinosa, Guillermo

Orloff, Adrian, 1942

Ormandy, Eugene, 1951

Orquesta Sinfónica de Córdoba, 1942-1960

Orquesta Sinfónica de México, 1937See also: Chávez, Carlos

Orquesta Sinfónica del Estado, 1951

Orquesta Sinfónica Venezuela, 1955-1965

Orrego-Salas, Juan, 1950-1969See also: Indiana University

Ortenberg, Edgar, 1969

Palacios, Inocente, 1954-1974See also: Institución José Angel Lamas, Caracas

Pan American Union, 1946See also: Lawler, Vanett

Paridis, Andreas, n.d.

Pasquale, Maria C. de, 1949

Peer-Southern Organization, 1972-1978

Perceval, Julio, 1941

Pérez-Carreño, Camila, 1957

The Philadelphia Orchestra Association, 1951

Philadelphia Philharmonic Orchestrasee: Ormandy, Eugene

Pinette, Jorge, 1952

Politikens Forlag, 1948-1961

Porat, Josef

Prague Quartet, 1966

Prague Symphony Orchestrasee: Smetácek, Václav

La Prensa, 1946

Prix de Composition Musicale Prince Rainier III de Monaco, 1965

Promociones Musicales, 1966-1968

Provincia de Buenos Aires, Ministerio de Educación, 1965See also: García, Blas

"P" miscellaneous

Quien es Quien en la Argentina, 1961-1973

Ralesky, Arminda, 1971-1974 and Moisés Ralesky

Ramírez, Ariel, 1972-1973See also: Sociedad Argentina de Autores y Compositores

Ravina, Arturo L., 1966-1970

Reis, Mrs. Arthur M., n.d.

Rendón, Guillermo, 1963-1964

Renison, Herbert, 1963

Reno Philharmonic Symphony Orchestrasee: Stone, Gregory

Ricordi Americana (G. Ricordi), 1941-1968See also: Teatro alla ScalaSee also: Altschuler, David

Riemann Musiklexicon, 1956-1969

Ríos-Reyna, P. A.see: Orquesta Sinfónica Venezuela

Ritmo, 1962

Roisman, Joseph, 1957-1972

Rosenthal, Ernesto, 1963

Rozovskii, S., 1935-1937

Rubinstein, Arthur, 1951

Rudel, Julius, 1969See also: New York City Opera

Rugeles, Ana Mercedes, 1955-1977 and Manuel F. Rugeles

"R" miscellaneous

Sabsay, Fernando Leonidas, 1953-1974

Sachs, Rodolfo, 1942

SADAICsee: Sociedad Argentina de Autores y Compositores

Sájaloff, Pedro, 1966See also: Asociación Wagneriana de Buenos Aires

Sala, Jorge, 1967-1973

Saleski, Gdal, 1941

Salgado, Susana, 1973-1977

Saminsky, Lazare, 1938-1955See also: Freed, Isadore

Santa-Cruz, Domingo, 1941-1946

Sarmiento, Jorge, n.d.

Savlavky, Lily, n.d.

Schirmer, Inc.see: G. Schirmer, Inc.

Schott's Söhne, Mainzsee: B. Schott's Söhne, Mainz

Schurjin, Raúl, 1960

Schuster, Joseph, 1946

Sebastiani de Missair, Pía, n.d.

Seder, Theodore A.see: The Edwin A. Fleisher Collection

Seeger, Charlessee: Pan American Union

Seri, José Eduardo, 1973-1974

Serrano Redonnet, Ana, 1963-1968

Servicio Internacional Radiofónico Argentino, 1953

Servicio Oficial de Difusión Radioelétrica (SODRE), 1952See also: Gutierrez, Bolívar

Servicio Oficial de Radiodifusión, 1958-1969

Sevitzky, Fabien, 1953-1967

Shashkin, S., 1962

Shawnee Press Inc., 1969-1977

Sherwood Music School, 1963

Shul'gin, 1939

Siccardi, Honorio, 1937-1960

Simon, Ericsee: Gutierrez, Bolívar

Singer, Wolff, 1922

Singerman, Berta, 1956

Sirota, Leo, 1960

Slonimsky, Nicolas, 1937-1950

Smetácek, Václav, 1968-1972

Smith, Carleton Sprague, 1949-1951

Sociedad Argentina de Autores y Compositores (SADAIC), 1938-1977See also: Ramírez, Ariel

Sociedad Argentina de Educación Musical, 1969-1970

Sociedad de Actores Israelitas en la Argentina y Uruguay, 1943

Sociedad Hebraica Argentina, 1939-1969

Sociedad Israelita Unión y Fraternidad, 1930

SODREsee: Servicio Oficial de Difusión Radioelétrica

Somogyi, Laszlo, 1961

Southern Music Publishing Company Inc., 1949-1974See also: Lakond, Wladimir

Sormani, Egbert J., 1969

Spalding, Mary, 1955-1965

Spiller, Ljerko, 1939-1976

Spivak, Raúl, 1945-1958

Steinberger, Emil, 1969

Sternic, Lázaro, 1960

Stofblat, Nestor, n.d.

Stokowsky, Leopold, 1949-1951

Stone, David, 1967

Stone, Gregory, 1947-1975

Strang, Geraldsee: New Music Edition

Suárez Urtubey, Pola, 1970See also: Academia Nacional de Bellas Artes

Subsecretaría de Difusión, 1953

Szarán, Luis, 1974

Szterenfeld, Alejandro, n.d. Conciertos Gama

"S" miscellaneous

Teatro alla Scala, 1961See also: Ricordi Americana

Teatro Argentino, 1966-1968

Teatro Colón, 1943-1969See also: Calderón, Pedro Ignacio

Teatro Excelsior, 1929

Teatro IFT, 1960-1963

Temple University, College of Musicsee: Stone, David

Templeton Publishing Co., Inc., 1969

Terraza, Emilo, 1958-1965

Theodore Presser Company, 1966-1968

Thomas Y. Crowell Company, 1945

Tiempo, César, 1935-1958

Tisbierek, José, 1943 and María Kareska Tisbierek

Tortorella, Adalberto, 1966-1976

"T" miscellaneous

Ugarte, Floro M.,see: Teatro Colón

Unidentified

Unión de Compositores de la Argentina, 1966-1971

Union Panamericanasee: Pan American Union

United Kingdom, British Council (Buenos Aires; Santiago), 1944-1945

The United States Group for Latin American Music, 1947-1948

United States of America, Embassy, 1969

United Temple Chorus, 1945

Universal Edition, 1950

Universidad Central de Venezuela, 1957

Universidad de Buenos Aires, 1958

Universidad de Chilesee: Orrego-Salas, Juansee: Santa-Cruz, Domingo

Universidad de Nariñosee: Gotthelf-Levita, Gerardo

Universidad de Puerto Rico, 1955

Universidad Hebrea de Jerusalem, 1937

Universidad Nacional de Cuyo, Escuela Superior de Música, 1972-1973

Universidad Nacional de La Plata, 1959

Universidad Nacional de Tucumán, 1967

The University of Arizona, 1963

The University of Miami Symphony Orchestrasee: Sevitzky, Fabien

The University of Texas at Austin, 1976

Urteaga, Irma, n.d.

Valenti-Ferro, Enzosee: Buenos Aires Musical

Valcarenghi, Guidosee: Ricordi Americana

Venier, Bruno, 1967-1975

Verson, Cara, 1940

Vicuña, Magdalena, 1969

Viñao, Alejandro, 1975-1976

Victoria, Marcos, 1964

Voz Hebrea, 1933

Vronsky, 1951 and Babin

"V" miscellaneous

Wainer, Jacobo, 1953-1969

Waldo, Elisabeth, 1948

Wagner, Werner, 1950

Warshaver, Josefina, 1953

Wewerka, Hans, 1966

Who's Who in the Western Hemisphere, 1943

Who's Who in World Jewry, 1962

Wieczorek, Marian, 1976

Williams, Ronald R., 1972

Wislocki, Stanislaw, n.d. and Isabelle Wislocki

The World Who's Who of Musicians, n.d.

"W" miscellaneous

Yost, Ricardo, 1969

"Y" miscellaneous

Zabaleta, Nicanor, 1956

Zajac, Enrique, 1944-1955

Zubrinsky, Rodolfo, 1958-1968

Zubrinsky, Valentín, 1961-1965

Zydowskie Towarzystwo Muzyczne, 1936

"Z" miscellaneous

Pupils, 1923-1978

Bigotti, Magdalena, 1976

Bluwol, Osvaldo M., 1976

Borghi, Nélida, C., 1972-1977

Cambareri, Alberto, 1965

Campana, José Luis, 1973-1977

Carmona, Ana María, 1964

Castro, Marta R[edoano] de, 1961

Cerrutti, Ernesto, 1969-1971

Criscuolo, María Teresa, 1961-1972

Crüse, Hugo, n.d.

Curutchet de Val, Leonor María, 1966-1968

Di Giacomo, María J., 1969

Figueroa, Oscar A., 1972

Freccero, Susana Elisa, 1969

Giaimo, José Alberto, 1975

Gollhardt, Werner, 1963

Grünberg, Sonia, 1976

Kauderer, Emilio, 1974

Kohau, Pablo, 1974

Litwin, Mario, 1973

López, Carlos, 1957

Piñeiro Sorondo, Martha, 1955-1957

Rapoport, Oswaldo, 1943

Reynaud, Héctor Sergio, 1955-1967

Romano, Jacobo, 1954-1957See also: Zulueto, Jorge

Spitalnik, Ismael, 1945

Teseo, René, 1975

[Unidentified]

Valverde, Myriam, 1965-1967

Winnik, Jorge, 1961

Zulueto, Jorge, 1954See also: Romano, Jacobo

Miscellaneous

Writings, 1940-1987

Includes articles, awards, speeches, catalog, radio and television scripts by Jacobo Ficher and lectures given by others about Ficher.

Arranged alphabetically by subject.

Argentinean music and musicians

Awards and acceptance speeches

Catalog of works

Jacobo Ficher on himself

Lecture on Heitor Villa Lobos

Radio and television broadcasts

Tel-Aviv trip, 1969

Writings by others about Jacobo Ficher

Programs, 1919-1997

Includes printed programs and photocopies of programs.

Arranged chronologically.

1919

1939-61

1962-64

1965

1966

1967

1968

1968-70

1971-73

1974-Feb. 1978

1979-97

Scrapbooks, 1914-1990

Includes concert programs, letters, clippings and critical reviews.

Arranged chronologically.

No. 1, 1914-34

No. 2, 1934-40

No. 3, 1940-49

No. 4, 1950-66

No. 5, 1966-90

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